tag:blogger.com,1999:blog-29076046550209257902024-03-05T20:12:41.950-08:00Art Nouveau et Jugendstil. Courants artistiques et littéraires de 1880 à 1920nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.comBlogger82125tag:blogger.com,1999:blog-2907604655020925790.post-88571042170051092092012-05-10T22:05:00.002-07:002012-05-18T05:41:44.842-07:00Jacques-Emile Blanche et les musiciens<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Jacques-Emile Blanche est né en 1861 à Paris. Fils d'Emile Blanche (1820-1893), aliéniste célèbre dont la clinique abrita les derniers moments de Maupassant, il fut élevé dans un milieu intellectuel et socialement très riche. La famille habitait à Passy dans une maison ayant appartenu à la Princesse de Lamballe.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sa formation est essentiellement autodidacte mais il a été encouragé par Fantin-Latour et par Manet. Ami de tous ce qui compte dans la capitale, il commence sous la protection du comte de Montesquiou. Il devient ami de Proust dont il fait le portrait.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>John Singer Sargent. <u>Portrait de Jacques Emile Blanche</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Blanche s'attache plus à la psychologie de son modèle qu'à une ressemblance exacte. Très souvent le dessin, notamment des vêtements, tient plus de l'esquisse que d'un tableau réellement achevé. Cette facilité et ce style parfois relâché, lui ont valu parfois des critiques acerbes comme celle de Guillaume Apollinaire : <i>M. Jacques-Emile Blanche peint toujours pour Pétrone, arbitre des élégances, et pour Brummel, dont le chice étonna la bonne société à Caen en Normandie. Ces dandies n'ont aujourd'hui personne qui les égale. Mais la peinture de M. Blanche est faite à leur image</i>.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ami du <i>Tout Paris</i> de la <i>Belle Epoque</i>, Blanche fut aussi très lié avec des <i>Dadaïstes</i> et des <i>Surréalistes</i>. Il a exécuté le portrait de René Crevel (1900-1935).</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Elu à l'Académie des Beaux-Arts en 1935, Blanche a aussi été un écrivain, critique très fin de la peinture de son époque, sensible aux nouveaux courants, alors que lui même est resté fort sage.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il est mort en Normandie en 1942.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Au cours de sa longue vie, Blanche a rencontré et portraituré un grand nombre de musiciens. L'un des premiers fut Claude Debussy (1862-1918) auquel il a consacré deux tableaux en 1902 et 1903.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est la grande période créatrice de Debussy qui est en train d'achever son opéra <i>Pelléas et Mélisande</i> d'après Maeterlinck, sur lequel il a travaillé 10 ans. C'est aussi l'époque de la suite <i>Pour le piano</i> et des <i>Estampes</i>. En 1903, il commence à travailler sur La <i>Mer</i>, qu'il achèvera en 1905.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Pelléas et Mélisande</u>. Acte I. Orchestre de </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Covent garden. Direction, Pierre Boulez.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Pour le piano</u>. Piano, Bruno Canino. 1996.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Pagodes</u>, extrait des Estampes. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Piano, François-Joel Thiollier.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Mer, trois esquisses symphoniques</u>. Orchestre du Festival</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>de Lucerne. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Claudio Abbado.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jacques-Emile Blanche. <u>Portrait de Claude Debussy</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1902.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6MQYJwPh1V9hUL1ObRN4iL1GHRimIdid9GcCxlmo-o759l0mWB2VfV-2fzE1BhaZ-0O5u5O17fccKnvgGnREd6eHHt5M_CwSrFruC-1__OO8orjE0j4sOj3c9lF2McWRvb-YGQX9XX9E1/s1600/debussy2+1902.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6MQYJwPh1V9hUL1ObRN4iL1GHRimIdid9GcCxlmo-o759l0mWB2VfV-2fzE1BhaZ-0O5u5O17fccKnvgGnREd6eHHt5M_CwSrFruC-1__OO8orjE0j4sOj3c9lF2McWRvb-YGQX9XX9E1/s640/debussy2+1902.jpg" width="496" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le second portrait est conservée dans la maison natale de Debussy à St-Germain en Laye. Debussy n'aimait pas ce portait dont il disait qu'il avait une tête de fromage blanc.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Claude Debussy</u>. Huile sur toile, 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-9YBhlR6gVUD5Skz6LFBuNicDLQX-1dYDmPMQ90Z3QwjclPgw3wT3ONRM2TWspWHs9BnSkwxJiCIj6cuFlRz6OtL9t9CPTB-QV2AE0xcFuXVz6qyKrK0-jf8WprBn8a98ffzj8sA5pFnf/s1600/deb03.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-9YBhlR6gVUD5Skz6LFBuNicDLQX-1dYDmPMQ90Z3QwjclPgw3wT3ONRM2TWspWHs9BnSkwxJiCIj6cuFlRz6OtL9t9CPTB-QV2AE0xcFuXVz6qyKrK0-jf8WprBn8a98ffzj8sA5pFnf/s640/deb03.png" width="472" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est en 1906, que Jacques-Emile Blanche fait le portrait de Percy Grainger (1882-1961). Le compositeur à alors 24 ans et est déjà célèbre dans le monde entier aussi bien pour ses compositions que pour ses talents éblouissants de pianistes.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Parmi les compositeurs, Grainger est une des figures les plus hautes en couleurs, dans un art qui n'en manque pas.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Percy Grainger</u>. Huile sur toile, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGC8zAFtiWY1NPQVqE0zsQ0h5MJX05sJ9C0fuUZtbNudmsHPBOGrEUTjB-5Pg6kRqMSuNTFN9ldBhWTnXnS8JRwE0kVl0DZfe9rXwHJeMWOINqMdNdPH55muCr7UUBJD-4T5DgPEKEC4_5/s1600/Percy_Grainger.1906jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGC8zAFtiWY1NPQVqE0zsQ0h5MJX05sJ9C0fuUZtbNudmsHPBOGrEUTjB-5Pg6kRqMSuNTFN9ldBhWTnXnS8JRwE0kVl0DZfe9rXwHJeMWOINqMdNdPH55muCr7UUBJD-4T5DgPEKEC4_5/s640/Percy_Grainger.1906jpg.jpg" width="496" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Percy Aldridge Grainger est né dans la banlieue de Melbourne d'un père anglais et d'une mère australienne. Le couple divorce et la mère qui est plus que possessive parte pour l'Allemagne en 1895. Après des études à Franfort sur le Main, Grainger suit les cours du grand compositeur et théoricien Ferruccio Busoni (1866-1924, dont je reparlerai) en 1903. C'est sans doute cette rencontre, allié à un caractère des plus indépendants, qui poussèrent Percy Grainger a constamment expérimenter de nouvelles pistes musicales.</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Percy Grainger en 1901.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHihYFjOmvstpcxZeBlzzx8xnxY0gih9BeUax6wW8kh0sdGckiJUCrTnVvBAv-K7I_LnXUFQcyoLkNr_1LjfpcWTgjD-kpgbMEIEs4Cxpvl6qaMvqNqoDIwyFny3XJy-om1dsdLZLU3PxD/s1600/Percy_Grainger_in_1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHihYFjOmvstpcxZeBlzzx8xnxY0gih9BeUax6wW8kh0sdGckiJUCrTnVvBAv-K7I_LnXUFQcyoLkNr_1LjfpcWTgjD-kpgbMEIEs4Cxpvl6qaMvqNqoDIwyFny3XJy-om1dsdLZLU3PxD/s640/Percy_Grainger_in_1901.jpg" width="458" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grainger est fasciné par le monde nordique. Raciste convaincu, il défend la supériorité des nordiques, blonds aux yeux bleus. Admirateur de Grieg, il se lie d'amitié avec lui.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies de 1907. De gauche à droite, Grieg, Grainger, Nina Grieg, </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>le physicien Wilhelm Röntgen (1845-1923).</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ATYc1wF8YQKZ-d2eflz67kZ5NhlB3T8ySL01zBKq50AVQuuMH3-4ElLW9wtvLECMgJWSknyWfBUIl07uwHuZ-AljmWlkz1NOmZ_Bu8sbSjh8ZqWjq8i1lrySJU63cLFOSuIAihiGU8o3/s1600/800px-GraingerandGrieg+rontgen1907.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ATYc1wF8YQKZ-d2eflz67kZ5NhlB3T8ySL01zBKq50AVQuuMH3-4ElLW9wtvLECMgJWSknyWfBUIl07uwHuZ-AljmWlkz1NOmZ_Bu8sbSjh8ZqWjq8i1lrySJU63cLFOSuIAihiGU8o3/s400/800px-GraingerandGrieg+rontgen1907.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Grainger en 1907.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8G6_x2EURCEhMb8GXrkYOPkkwdmLX3-3eS2KgLYR0fmlnZgUFi0Ht9mGziGbOkS13_2a5gTkkdLSZRqEhBXROk58kW3KsYF5rrfAoAjLHfZcJUTti98UMVrYUW7KSTYVbgmhZUi7jxuEL/s1600/pg20-01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8G6_x2EURCEhMb8GXrkYOPkkwdmLX3-3eS2KgLYR0fmlnZgUFi0Ht9mGziGbOkS13_2a5gTkkdLSZRqEhBXROk58kW3KsYF5rrfAoAjLHfZcJUTti98UMVrYUW7KSTYVbgmhZUi7jxuEL/s640/pg20-01.jpg" width="500" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grainger, on l'aura remarqué, était plutôt joli garçon et adorait se faire photographier. Si on n'a que deux ou trois photos de Magnard, il existe plus de 10.000 photos de Grainger !</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un artiste comme John Singer Sargent, amateur de beaux garçons, en à fait un dessin tout à fait flatteur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>John Singer Sargent. Profil de Percy Grainger. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Crayon sur papier bistre, 1907.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour autant, Grainger n'avait aucune tendance homosexuelle. Il affichait ouvertement ses tendances sado-masochiste et sa propension à fouetter les femmes avec lesquelles il avait des rapports sexuels. Il faut peut-être voir là, le résultat d'une relation quasi-fusionnelle avec sa mère jusqu'au suicide de celle-ci en 1922.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Grainger et de sa mère Rose.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grainger et sa mère habitent à Londres entre 1901 et 1914. C'est l'époque où les compositeurs redécouvrent la musique populaire, comme Bartok et Kodaly en Hongrie ou Joseph Canteloube (1879-1957) en France. Grainger parcourt donc l'Angleterre et enregistre sur un phonographe à cylindre de cire les chants et danses de la campagne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Phonographe Edison sur lequel Grainger à enregistré </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>les musiques populaires anglaises.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il est conservé dans la maison qu'à habité Grainger et sa femme dans l'état de New-York.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A cette période, il compose les œuvres qui vont le rendre célèbre, notamment <i>Country Garden</i> (1904) que lui-même n'appréciait que modérément.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Irish dance n°4. Piano, Marc-André Hamelin.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grainger a souvent transcrit ses œuvres pour des ensembles et des instruments très variés. on peut ainsi entendre la même œuvre pour piano, pour deux pianos, pour fanfare, pour chœurs ou pour orchestre symphonique. C'est en 1929, qu'il a théorisé ce principe sous le nom d'<i>Elastic scoring</i> <i>(interprétation élastique)</i> où il reconnaissait à tout individu le droit d'adapter ses compositions.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maguire's Kick. Version pour 2 pianos enregistrée par Percy</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Shepherd's Hey. Piano, Daniel Adni.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i><span class="Apple-style-span" style="font-size: large;">Shepherd's Hey. Cleveland symphonic winds.</span></i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Outre ses qualités de compositeurs, Grainger était d'un insatiable curiosité. saxophoniste autant que pianiste, il s'est intéressé à la musique balinaise tout autant qu'au folklore nordique ou au jazz. Ses orchestration sont tout à fait extraordinaires par la variété des timbres. Son ballet, <i>The Warriors</i>, écrit entre 1912 et 1916 d'après une idée du chef sir Thomas Beecham, mais jamais monté demande un grand orchestre, trois pianos et une batterie de percussions invraisemblable.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On peut voir sa science de l'orchestration dans l'adaptation qu'il a fait de <i>La vallée des cloches</i>, tirée des <i>Miroir</i>s de Ravel.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ravel. <u>La vallée des cloches</u>. Piano, Jean-Philippe Collard.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ravel. <u>La vallée des cloches</u>, orchestration Percy Grainger.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grainger et sa mère s'installent aux Etats-unis en 1914. Le compositeur soutient l'effort de guerre des alliés financièrement, mais aussi en se produisant devant les troupes, au piano ou au saxophone.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Percy Grainger en 1915.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">P<i>ercy Grainger lors d'un concert pour une association</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1918, il acquiert la nationalité américaine. A cette époque il une vedette à la célébrité incroyable. C'est véritablement une star qui acquiert une bonne aisance financière et peut s'installer dans une grande maison dans la banlieue cossue de New-York. En 1922, la mère de Grainger se suicide. C'est une sorte de libération pour Grainger qui part pour le Danemark et recueil des chants folkloriques de ce pays. Il en tirera un certain nombre de composition.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Suite sur des chants populaires danois</u>. University circle </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>wind ensemble. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction Gary Ciepluch, 2011.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1926, Grainger rencontre la poètesse et peintre suédoise Ella Viola Ström (1889-1979) et en tombe amoureux.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Ella Viola Ström en 1913.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il se marie en 1928 à Los Angeles lors d'une cérémonie grandiose organisée à l'<i>Hollywood Bowls</i> qui réunit 20 000 personnes. Un orchestre de plus de 120 musiciens et un chœur interprète notamment <i>To a nordic princess</i>, une œuvre de Grainger dédiée à son épouse.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Grainger et Ella Viola Ström.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxI1ynfHKGYo3obHUDQ1HgMVvZdYLGuitaz_5W-3Tvz6S7oAat6tz_wlkoL0pUG-HSrqIm6S4ji0L725A7Z3kd1Y0cAsK05mM91n5zhrAibjFbwwobecHeGIUnx4TKmlsq4NWxbYclEvh/s1600/1928.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxI1ynfHKGYo3obHUDQ1HgMVvZdYLGuitaz_5W-3Tvz6S7oAat6tz_wlkoL0pUG-HSrqIm6S4ji0L725A7Z3kd1Y0cAsK05mM91n5zhrAibjFbwwobecHeGIUnx4TKmlsq4NWxbYclEvh/s640/1928.jpg" width="504" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Hollywood Bowls vers 1930-1940.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UECAnQiFFKzlYCJ72MhmNbznIFrhR2k28pMDhyh_Av3QNwu_cZ5Re6FSratMtXm5K-QfWEKxTspPgqZNMMHeuDOZdJWV3gRw5jHzHU54TJlJiNJgedn80CvC3KYl6zooBs7qB-8ldckZ/s1600/holi+bowls.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UECAnQiFFKzlYCJ72MhmNbznIFrhR2k28pMDhyh_Av3QNwu_cZ5Re6FSratMtXm5K-QfWEKxTspPgqZNMMHeuDOZdJWV3gRw5jHzHU54TJlJiNJgedn80CvC3KYl6zooBs7qB-8ldckZ/s400/holi+bowls.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>To a nordic princess. Piano, Daniel Adni.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1932, il devient professeur à l'Université de New-York. Il travaille alors sur la polytonalité, les micro-intervalles et l'utilisation des instruments inhabituels dans l'orchestre. Malgré ses préjugés raciaux, il invite Georges Gershwin mais surtout Duke Ellington, pour lequel il a une immense admiration, à discuter avec les étudiants. Rappelons que jusque dans les noirs n'avaient pas le droit de se produire sur une scène d'opéra. Autant dire que l'expérience fut de courte durée. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>il est invité par Grainger.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRy7EILNNBvXgjvGmEjXpEgXiEEstgeSjeTd3UsJLOvw0p78TfkiOOXYEVbhtw2EuwcJhafLB-Ra9zFPiXoUnPWiNj2zXRSs3Rm5Q5K2zXkygPj8UBax_njHbtygH69VwZQ-mJRPzOKINk/s1600/duke-ellington.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRy7EILNNBvXgjvGmEjXpEgXiEEstgeSjeTd3UsJLOvw0p78TfkiOOXYEVbhtw2EuwcJhafLB-Ra9zFPiXoUnPWiNj2zXRSs3Rm5Q5K2zXkygPj8UBax_njHbtygH69VwZQ-mJRPzOKINk/s400/duke-ellington.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un pièce influencée par le jazz est l'extraordinaire <i>In Dahomey (cakewalk smasher)</i> d'une redoutable virtuosité et totalement irrésistible avec ses glissandi diaboliques . </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>cake-walk</i> (prononcé caque-vaque par les français) est apparu chez les esclaves de Virginie vers 1870. Importé en Europe vers 1900, il fait alors fureur. C'est en 1908 que Debussy compose son célèbre <i>Golliwogg's cake-walk </i>tiré de sa suite<i> Children's corner</i>. Sa pratique s'éteint vers la guerre de 14, mais aux Etats-Unis, le rythme caractéristique est repris, notamment par Scott Joplin (1867-1917), dans les rag-times.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Affiche pour une représentation de cake-walk </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>aux Etats-Unis, 1896.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Rappelons que les <i>Minstrels</i> aux Etats-Unis, étaient des artistes blancs qui se noircissaient la figure et les mains puisque les noirs n'avaient pas le droit de se produire en spectacle. il faudra attendre les années 50 pour que cette pratique disparaisse définitivement.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUDZAJSaGNp_Nachiz0FTig70N9o82vXDQqzOGnffdk0N0GhJU-gHPpJpkQTnt3El6lW5DjedsWfEilZsacqGze-wTs7lZySXhUh9-SzZ8nRDaV8UMqAB9q6gFl-FAh7Bpy6-u7HUFvbhP/s1600/800px-Cake_walk_poster_1896.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUDZAJSaGNp_Nachiz0FTig70N9o82vXDQqzOGnffdk0N0GhJU-gHPpJpkQTnt3El6lW5DjedsWfEilZsacqGze-wTs7lZySXhUh9-SzZ8nRDaV8UMqAB9q6gFl-FAh7Bpy6-u7HUFvbhP/s400/800px-Cake_walk_poster_1896.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie du cake-walk-thriller dance, 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht6pj-CQIHxuPh_BGS2sUzu7OUdpFcmT35PeMxy29qEDh-HsIPSvihY3DqMgfPNcBNn6AUsrSluK-HL2YYis5TVMl6gxC6uJ9-wNMJ1W0hOMeY5-C6qB9rUyA5c5VSIKU6nMqC6uDT5ZGs/s1600/Cake-Walk-Thriller-Dance.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht6pj-CQIHxuPh_BGS2sUzu7OUdpFcmT35PeMxy29qEDh-HsIPSvihY3DqMgfPNcBNn6AUsrSluK-HL2YYis5TVMl6gxC6uJ9-wNMJ1W0hOMeY5-C6qB9rUyA5c5VSIKU6nMqC6uDT5ZGs/s400/Cake-Walk-Thriller-Dance.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1903, Georges Méliès tourne un petit film, Le cake-walk infernal qui met en scène le diable et les damnés en train de danser le cake-walk. J'ai choisi une version avec un accompagnement de piano compatible avec l'époque et le style. Il manque le tout début de la bande.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Georges Méliès. <u>Le cake-walk infernal</u>. 1903.</i></span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/t5YhbY0OUiU?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>In Dahomey (cakewalk smasher)</u>. Piano, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Marc-André Hamelin.</i></span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/bWgwPpb42kM?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Durant le seconde guerre mondiale, il reprend les tournées de concerts pour soutenir les alliés. Néanmoins son étoile pâlit car sa technique pianistique devient moins sûre. Reconnaissons que sur les derniers enregistrements de Grainger, c'est quelque part en haut et quelque part en bas sur le clavier ! Il arrête de composer vers 1950.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Ella et Percy Grainger à l'orgue </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hammond en 1950.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzlCe-1ousv7EbeYVDpkm1XqOdIPgB4fzco7g3Wd5ZKEeKmisXrk2L96VitGsq4PiewnJJew8hVg_xY5WTZpS48REcknAgdWYj_yewXMWt1vAGaeaiBskyAQZsMCJ6RwoD4weNUTLAome2/s1600/hammond.avec+ella+1950jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzlCe-1ousv7EbeYVDpkm1XqOdIPgB4fzco7g3Wd5ZKEeKmisXrk2L96VitGsq4PiewnJJew8hVg_xY5WTZpS48REcknAgdWYj_yewXMWt1vAGaeaiBskyAQZsMCJ6RwoD4weNUTLAome2/s400/hammond.avec+ella+1950jpg.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cependant, Grainger ne manque pas de projets. Avec le chanteur Burnett Cross, il invente l'ancêtre du synthétiseur sous le nom de <i>Free music machine</i>. Il espère ainsi créer de la musique par le hasard. Il est donc un des créateurs de la musique aléatoire. Le dernier modèle de cette machine portait le nom de <i>Kangaroo-pouch</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Free music machine conservée dans la maison de Grainger dans la banlieue de New-York.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnJewGzqeJmn5J8nmHLcHOvI0fzhpx0PCyKgjwTLklR6gddhDoN2wnDN7nKlqX4AzOLXp_oZgRZMMmLprKjS-2jXwiQHeZBF7nwmqARJTWsqgBC3fIIeHmzjXed2uS-5xsk8feNw_LXsT5/s1600/freemusic+machine.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnJewGzqeJmn5J8nmHLcHOvI0fzhpx0PCyKgjwTLklR6gddhDoN2wnDN7nKlqX4AzOLXp_oZgRZMMmLprKjS-2jXwiQHeZBF7nwmqARJTWsqgBC3fIIeHmzjXed2uS-5xsk8feNw_LXsT5/s640/freemusic+machine.jpg" width="474" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il participe à des enregistrements de ses œuvres, notamment avec le mythique chef d'orchestre Leopold Stokowski (1882-1977, celui que Mickey vient saluer dans <i>Fantasia</i> !). <i>Haendel in The Strand</i>, qu'on peut traduire par Haendel au bordel, puisqu'au XVIIIème siècle cette artère londonienne avait une très mauvaise réputation.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Haendel in The Strand</u>. Piano, Percy Grainger. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Direction, Leopold Stokowski. Vers 1950.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Percy Grainger meurt en 1961 à New-York.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Jacques-Emile Blanche a fait plusieurs portraits d'Igor Stravinsky. Le plus célèbre date de 1915 et nous donne l'image inhabituelle du compositeur en dandy sur la côte normande. On ne dirait pas que la France est en guerre.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Stravinsky</u>. Huile sur toile, 1915.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitSLPGq9S4G-BN64qamR4KWF790RLO3UdDEEPNVxnFG6FkOuCL-fYzmyP8atTBsN9PRYNRfJoquByhJFJE44M8S6_h-kX6p4r_ANhr5FRwvCRdxMwSTaVeGp5fEEBZKbOD3EDsxvFLD5er/s1600/blanche-jacques-07.+1915jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitSLPGq9S4G-BN64qamR4KWF790RLO3UdDEEPNVxnFG6FkOuCL-fYzmyP8atTBsN9PRYNRfJoquByhJFJE44M8S6_h-kX6p4r_ANhr5FRwvCRdxMwSTaVeGp5fEEBZKbOD3EDsxvFLD5er/s640/blanche-jacques-07.+1915jpg.jpg" width="454" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1915, Stravinsky à 32 ans et il a déjà derrière lui les œuvres qui font sa gloire, <i>L'oiseau de feu</i>, <i>Petrouchka</i> et surtout le <i>Sacre du printemps</i> qui a fait l'effet d'une bombe au théâtre des Champs-Elysée, un beau jour de mai 1913.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est aussi bien la musique de Stravinsky, véritable déferlement sonore, que la chorégraphie de Vaslav Nijinski (1889-1950, amant de Diaghilev et danseur mythique), totalement révolutionnaire.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Nijinski dans l'Après-Midi </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>d'un faune, 1912.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUj0vClz1Z_b0yNUCE-DguwNs5NakhYr1CaRiQd8QNN7xwigob-dd8zvxj_zt5F_xdZupyclKyeD1PpWEK4ZyMnN4zZmhFYhbqyAqrSRqyu84AILhVRnqjtgnW6kRuunsHvPc5UnDQ9Caq/s1600/nijinski3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUj0vClz1Z_b0yNUCE-DguwNs5NakhYr1CaRiQd8QNN7xwigob-dd8zvxj_zt5F_xdZupyclKyeD1PpWEK4ZyMnN4zZmhFYhbqyAqrSRqyu84AILhVRnqjtgnW6kRuunsHvPc5UnDQ9Caq/s640/nijinski3.jpg" width="422" /></a></div>
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<i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Photographie des représentations du </span></span></i></div>
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<i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sacre du printemps, 1913.</span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZlSqEGtwJJbY1RtodnqtnUgqsfSQNTxIwsUWS4OXkNPAXwgo4Jy1S8Fae0X-ctCW2t0P3ABUou5LXz0XSuzzdg-i7sLqdglbglXeyGWsBkCAodJ4vrQiZCvnpGGizNPL0NPPLoVPY0Ug/s1600/image017.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZlSqEGtwJJbY1RtodnqtnUgqsfSQNTxIwsUWS4OXkNPAXwgo4Jy1S8Fae0X-ctCW2t0P3ABUou5LXz0XSuzzdg-i7sLqdglbglXeyGWsBkCAodJ4vrQiZCvnpGGizNPL0NPPLoVPY0Ug/s400/image017.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQsLK3l0RZIaCnw8vxdAxvTDwvad4kKPBL7TjIWd2QgEvNk7JBZwg68ZAsrHGfvvGmHPGpB8BDBL19x-GIOl1v6ExezB9EslxRsaWpKvaoobFubM0WlbWRtJAJBrZAQej4JFzMwUuxezYK/s1600/image027.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQsLK3l0RZIaCnw8vxdAxvTDwvad4kKPBL7TjIWd2QgEvNk7JBZwg68ZAsrHGfvvGmHPGpB8BDBL19x-GIOl1v6ExezB9EslxRsaWpKvaoobFubM0WlbWRtJAJBrZAQej4JFzMwUuxezYK/s400/image027.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD0wUSuPlqbL9Sz8ia8dBe9dRcR8ps3I5Ao-cIwwpJTq8xr2xGOI-cpnKcTRaqHAFUcyIvwYwphM114kowKd_eoce-iigG7ZQNHZqnCqDPWuaHgXZV1-nj2HKOwruD0Cyba0quJ-tYK0VP/s1600/image083.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD0wUSuPlqbL9Sz8ia8dBe9dRcR8ps3I5Ao-cIwwpJTq8xr2xGOI-cpnKcTRaqHAFUcyIvwYwphM114kowKd_eoce-iigG7ZQNHZqnCqDPWuaHgXZV1-nj2HKOwruD0Cyba0quJ-tYK0VP/s400/image083.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après le <i>Sacre</i>, Stravinski est dans une situation difficile. Il est allé le plus loin possible dans la primauté du rythme avec un orchestre symphonique. C'est une impasse, certes glorieuse, mais une impasse tout de même. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Stravinski va donc revenir aux sources russes tout en utilisant ses découvertes sur le rythme. A l'image d'un Schönberg, il abandonne l'orchestre symphonique pour des ensembles restreints. La composition la plus caractéristiques de cette période est <i>Noces</i>, composée entre 1914 et 1917.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est un chef-d'œuvre composé pour 4 pianos, percussions et voix. La chorégraphie était de Bronislava Nijinska (1891-1972), sœur du danseur, et les costume de Natalia Gontcharova (1881-1962). Malgré l'instrumentation restreinte, à chaque fois que j'ai assisté à une représentation, soit en ballet soit en concert, j'ai toujours été frappé par la puissance de cette musique. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le ballet est créé en 1923 à Paris par les <i>Ballets Russes</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Igor Stravinski. <u>Noces</u>. Chorégraphie de </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bronislava </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Nijinska. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Ballet du Théâtre </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Marinski. </i></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Valery Gergiev.</i></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/0fmBuy5fifY?feature=player_embedded' frameborder='0'></iframe></div>
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<i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Portrait de Stravinsky. Huile sur toile.</span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQJrBISX22loUry3k5llx1yvhmTYoh2Xd3wMrciidJN10S33INnFKScp73iVi4vZRdu8x_ce0FzIHhTGdlGwRzBo-xdRDSKmyf4fwg6otJbU4iPM6wvPVF2Gmx0ltrwNOUz5uW_hr5MVUV/s1600/Jacques-EmileBlanche+PortraitOfIgorStravinsky+1913+MuseumOfFineArts-Rouen-France.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQJrBISX22loUry3k5llx1yvhmTYoh2Xd3wMrciidJN10S33INnFKScp73iVi4vZRdu8x_ce0FzIHhTGdlGwRzBo-xdRDSKmyf4fwg6otJbU4iPM6wvPVF2Gmx0ltrwNOUz5uW_hr5MVUV/s400/Jacques-EmileBlanche+PortraitOfIgorStravinsky+1913+MuseumOfFineArts-Rouen-France.jpg" width="395" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1918, Jean Cocteau (1889-1963) fait paraître <i>Le Coq et l'Arlequin</i>. Dans ce bref ouvrage, Cocteau rejette aussi bien le wagnérisme que le debussysme. Il appelle à un retour à la simplicité, à la musique de cirque, aux lignes claires. Il refuse <i>la musique qui s'écoute la tête dans les mains</i>. Cette ouvrage va devenir le signe de ralliement d'un certain nombre de compositeurs.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Jacques-Emile Blanche était un grand ami de Cocteau auquel il a consacré plusieurs toiles.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait de Jean Cocteau. Huile sur toile, 1910.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhzFCM_1wFUKV5FlkhokBuJv8WvyqUhC84OSItv6ZrSXySLk2_Hlb5qRnCjJJU-JE9De7-dnFWSK-ujFzBLkSLH7J8m7sPyReW6276Fg8LQnTrVuETH6DXaLnR5l9veR4-4HctuWSe217G/s1600/blanche-jacques-06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhzFCM_1wFUKV5FlkhokBuJv8WvyqUhC84OSItv6ZrSXySLk2_Hlb5qRnCjJJU-JE9De7-dnFWSK-ujFzBLkSLH7J8m7sPyReW6276Fg8LQnTrVuETH6DXaLnR5l9veR4-4HctuWSe217G/s640/blanche-jacques-06.jpg" width="356" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait de Jean Cocteau. Huile sur toile, 1912.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVl7uXaKJU2DiOfsk-cAqNAS6-QML-DIlvctFzG-kBojFmamRAJohFuy_ql9YON_IdcIoV0FE9JYtfzfeQY3plOFOQ22R7tbAXjE4r2XYurPqT_GX60GpgmZ8tBHOGKFcHyBPYZaSbYfDH/s1600/coct.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVl7uXaKJU2DiOfsk-cAqNAS6-QML-DIlvctFzG-kBojFmamRAJohFuy_ql9YON_IdcIoV0FE9JYtfzfeQY3plOFOQ22R7tbAXjE4r2XYurPqT_GX60GpgmZ8tBHOGKFcHyBPYZaSbYfDH/s400/coct.png" width="317" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait de Jean Cocteau. Huile sur toile, 1913.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWk5j8qNmZAq3v8-YrOPAvJhoAFsTOF7TjZZd-rqiq7mEyG_D9BLSfRqiYBJaQiCnJqZI9oupxbhO97brpFBOyeU34WALsHWLRMdEg7-4XeILugmyYsO5Tnm7FqJJaHHqGjPnYUnMHic2y/s1600/cocteau_blanche_1.1913jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWk5j8qNmZAq3v8-YrOPAvJhoAFsTOF7TjZZd-rqiq7mEyG_D9BLSfRqiYBJaQiCnJqZI9oupxbhO97brpFBOyeU34WALsHWLRMdEg7-4XeILugmyYsO5Tnm7FqJJaHHqGjPnYUnMHic2y/s640/cocteau_blanche_1.1913jpg.jpg" width="360" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est le critique Henri Collet (1885-1951) qui réunit, un peu artificiellement, ces musiciens français adeptes de la simplicité et proches d'Erik Satie, sous le nom de Groupe des Six dans un article de la revue <i>Comœdia</i> en 1920. il s'agit de Germaine Tailleferre, Louis Durey, Arthur Honegger, Darius Milhaud, Georges Auric et Francis Poulenc. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie du Groupe des Six autour de Cocteau. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vers 1920.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De gauche à droite : Darius Milhaud (1892-1974), le profil de Georges Auric (1899-1983) dessiné par Cocteau, assis au piano Jean Cocteau, Arthur Honegger (1892-1955), Germaine Tailleferre (1892-1983), Francis Poulenc (1899-1963), Louis Durey (1888-1979).</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEBjPjEL4bj5AGhWXy6HO8sIsjw6mqjjZ4YyJ_kWpvZDg7EfYn_5vYCdbjKHAxctVFhuWcrFIdpwqtwRIh50zTW_F7wSnWjVId8XPzSderP6yYEQTKdtG-s6IROphs58Bz7wYufAXd7Uv/s1600/image1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEBjPjEL4bj5AGhWXy6HO8sIsjw6mqjjZ4YyJ_kWpvZDg7EfYn_5vYCdbjKHAxctVFhuWcrFIdpwqtwRIh50zTW_F7wSnWjVId8XPzSderP6yYEQTKdtG-s6IROphs58Bz7wYufAXd7Uv/s400/image1.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Groupe des six. Dessin de Cocteau, 1920.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5loV8ul9c1WOimzcA3MFS5vBSlNhMVuupFMBJSULsUjxQ3ZPjH-fjswO1bb-Oq1mb-fus3rTV0rZKn2NantDVoLjz5VG3GFzBpdAj2iltloEKvWqSzDUqUZa9JL-fBlPur3bsdsalOoCm/s1600/les6-d10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5loV8ul9c1WOimzcA3MFS5vBSlNhMVuupFMBJSULsUjxQ3ZPjH-fjswO1bb-Oq1mb-fus3rTV0rZKn2NantDVoLjz5VG3GFzBpdAj2iltloEKvWqSzDUqUZa9JL-fBlPur3bsdsalOoCm/s320/les6-d10.jpg" width="288" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En fait, le groupe se disloquera très rapidement et seuls deux œuvres ont été écrites en commun un recueil de pièces pour piano, l'<i>Album des six</i> et une fantaisie de Cocteau accompagnée de musique et dansée, <i>Les mariés de la Tour Eiffel</i>, crée en 1921.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Germaine Tailleferre. <u>Pastorale</u>, de l'album des six. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Piano, Christina Ariagno.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Francis Poulenc. <u>Valse</u>, de l'Album des six. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pianiste non précisé.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Louis Durey. <u>Romance sans parole</u>, de l'Album des six.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Piano, Françoise Petit.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Groupe des six. Musique pour Les mariés de la </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Tour Eiffel. 1921.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Philharmonia Orchestra. Direction, Geoffrey Simon.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Georges Auric, <i>Ouverture</i>. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Darius Milhaud, <i>Marche Nuptiale</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Francis Poulenc. <i>Discours du général</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Francis Poulenc. <i>La baigneuse de Trouville</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Darius Milhaud. <i>Fugue du massacre de la noce</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Germaine Tailleferre. <i>Valse des dépêches</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Arthur Honegger. <i>Marche funèbre</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Germaine Tailleferre. <i>Quadrille</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Georges Auric. <i>Ritournelles</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Darius Milhaud. <i>Sortie de la Noce</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est durant cette année 1921, que Jacques-Emile Blanche peint le Groupe des six accompagnés de la pianiste Marcelle Meyer (1897-1958), qui était un peu la muse du groupe et qui créait beaucoup de leurs œuvres.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Groupe des six. Huile sur toile, 1921.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Assise en bas à gauche, Marcelle Meyer. Au dessus, Darius Milhaud et Arthur Honegger. Debout au fond, Louis Durey. Au centre, un genou sur une chaise, Germaine Tailleferre. Assis à droite, Georges Auric. Au dessus, Francis Poulenc et Jean Cocteau.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le compositeur du Groupe des six dont Blanche fut sans doute le plus proche, est Francis Poulenc dont il a fait un portrait. Francis Poulence, vers 1920, est l'auteur d'une <i>Rapsodie Nègre</i> (1918) qui a fait scandale.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Rapsodie nègre</u>. Ensemble indéterminé.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans sa <i>Sonate pour piano à quatre mains</i> (1918), le compositeur rend un hommage appuyé à Stravinsky en citant, dans le 2ème mouvement, un air populaire, <i>Ah, mesdames voila du bon fromage</i>, que Stravinsky avait déjà utilisé dans son <i>Oiseau de feu</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Sonate pour piano à 4 mains</u>. Piano, Laurent Bonaccorsi </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>et Jean-Louis Garcia.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Francis Poulenc, vers 1935.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-xosS07GnEH6lv_9wV-KS8I1-reQEF7JSOcmzHJ4Iii6dwOkurF3QgCESKrS-Q0kqf5qfJovUsnHF-_0NU-EGXPpwHOKRRLAdB8xDVKXNip9esj3e9HdwIvlmiJi0wC9l7juVLfLv5-M/s1600/Francis-Poulenc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-xosS07GnEH6lv_9wV-KS8I1-reQEF7JSOcmzHJ4Iii6dwOkurF3QgCESKrS-Q0kqf5qfJovUsnHF-_0NU-EGXPpwHOKRRLAdB8xDVKXNip9esj3e9HdwIvlmiJi0wC9l7juVLfLv5-M/s640/Francis-Poulenc.jpg" width="410" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est aussi l'époque des célèbres <i>Mouvements perpétuels</i> pour piano, dont Hitchock utilisera le premier pour en faire la musique de son film <i>La corde</i> (1948).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mouvement perpétuels</u>. Piano, Gabriel Tacchino.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mouvements perpétuels</u> interprétés par Francis </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Poulenc dans les années 30.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait de Francis Poulenc. Aquarelle, 1920.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTnto3HPgKgjw6NKdXM1SoNj2kdXjGpGGm59M7-Tc9RdkqjnbomseDSWALSkqf1Y6Ly4_ubgCfnzxxgOjMH8A_a0_xA1FRAgqOUyYkW9kMt6Stjd8jZJ4SxgMUk2ANGNPZg6tB_OGwfYNu/s1600/JacquesEmileBlanche+PortraitOfFrancisPoulenc+1920+MuseumOFineArts-Tours-France.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTnto3HPgKgjw6NKdXM1SoNj2kdXjGpGGm59M7-Tc9RdkqjnbomseDSWALSkqf1Y6Ly4_ubgCfnzxxgOjMH8A_a0_xA1FRAgqOUyYkW9kMt6Stjd8jZJ4SxgMUk2ANGNPZg6tB_OGwfYNu/s640/JacquesEmileBlanche+PortraitOfFrancisPoulenc+1920+MuseumOFineArts-Tours-France.jpg" width="522" /></a></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-14182445269351875852012-05-09T23:31:00.002-07:002012-05-10T12:03:45.644-07:00Brasseries et cafés IX : la Cigale à Nantes<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Cigale</i>, située sur la Place Graslin à Nantes, est une des brasseries <i>Art Nouveau</i>, au décor le plus étourdissant. Elle témoigne de ce que pouvaient être les grandes brasseries à la <i>Belle Epoque</i>.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Cigale</i> a été inaugurée le 1er avril 1895. C'est l'architecte céramiste nantais Emile Libaudière (1853-1923) qui a dirigé les travaux. Il était localement assez connu pour ses villas commandées par la riche bourgeoisie nantaise. La majorité de ses œuvres a été détruite par les bombardements de la seconde guerre mondiale et par la pression immobilière. Il semble qu'il usait d'un style éclectique très sage et que <i>La Cigale</i> fut une exception dans son œuvre.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le thème de la cigale est inspiré par la fable de La Fontaine, La cigale et la fourmi, comme le montre les médaillons de la façade, et non par une quelconque passion entomologique. Le petit insecte musicien est le thème unificateur de la décoration.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Médaillon de la façade de la brasserie La Cigale.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La façade de la brasserie est d'un style éclectique assez sobre, avec ses pilastres ioniques, comme si l'architecte avait voulu concentré tout son besoin de décoration sur l'intérieur. Il est possible aussi qu'une devanture trop excentrique aurait trop tranché avec le style classique des façades nantaises.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade de la brasserie La Cigale.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur est constituée de 4 salles aux décors très variés. Les peintures, notamment du plafond, sont dues à un artiste locale, Georges Levreau (1867-1936). Il est encore connu pour avoir décoré le plafond du théâtre de la Roche-sur -Yon, construit en style néo-classique vers 1840. Le plafond figure des Muses.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Georges Levreau. Plafond du théâtre de la Roche-sur-Yon.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Georges Levreau. Plafond d'une salle de La Cigale.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les salles sont très lourdement décorées de stucs dorés, de statues et de grandes figures en carreaux de céramiques, œuvres de Libaudière.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues générales des salles.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les panneaux en carreaux de céramique présentent des décors aux thèmes très variés.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Certains motifs sont encadrés d'un très beau travail de bois et de stuc dorés.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La mosaïque est aussi utilisée, notamment dans des décors inspirés par les produits gastronomiques de la mer ou de la campagne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'architecte a aussi utilisé de larges baies en plein cintre recouvertes de miroir, ce qui agrandit encore l'espace.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tXH4q0OOgFAM-pwqvM03uek_jSDja2-Y6P4_LoCElEHo8bDn4Y4_u8EIITWr4lfYFJa324TIs6Z_pxfdJHW-vFbYE7op-DhSKf4V1w5rvKxKUaHUjfWDxqqr5axxwmt78gOnH0o8yl-W/s1600/799px-Nantes_brasserie_la_cigale_interieur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tXH4q0OOgFAM-pwqvM03uek_jSDja2-Y6P4_LoCElEHo8bDn4Y4_u8EIITWr4lfYFJa324TIs6Z_pxfdJHW-vFbYE7op-DhSKf4V1w5rvKxKUaHUjfWDxqqr5axxwmt78gOnH0o8yl-W/s400/799px-Nantes_brasserie_la_cigale_interieur.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV9vyT9hesxL35gnZWjZkhM4iHRPh9_F-Qq_6Tb-WKoA5ZPeV3M9BtTFByC4MtOkc1yIcb-_yTICFH0JYNyuMSks8sIPY8H-JJhA3K4KybIiAHQhJwC1Udgltmxbqh4KOs8mLG1VU6WhxH/s1600/La_Cigale_Alex_Korting-1_large.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV9vyT9hesxL35gnZWjZkhM4iHRPh9_F-Qq_6Tb-WKoA5ZPeV3M9BtTFByC4MtOkc1yIcb-_yTICFH0JYNyuMSks8sIPY8H-JJhA3K4KybIiAHQhJwC1Udgltmxbqh4KOs8mLG1VU6WhxH/s400/La_Cigale_Alex_Korting-1_large.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La décoration sculptée a été confiée à Emile Gaucher (1860-1909). Ce sculpteur nantais a eu une certaine célébrité entre 1880 et sa mort prématurée.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Gilliat ou le pêcheur à la pieuvre</u>. Bronze patiné, 1886.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Emile Gaucher illustre ici la fin du roman de Hugo, <i>Les travailleurs de la mer</i>.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxZzqfRnFU5gwfNYNbB3d8b65U8euV-nfYpza2AopjRCaKV0dTNg3_582zHErw3caoAgRki8ES2SXdHXU9QHLZQe9V4cux_tTWMCSNqM_2lL98OZVXtxZ69GgPzRVMTODAgx5LmZngy3dL/s1600/gilliat+ou+le+pecheur+a%CC%80+la+pieuvre+1886.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxZzqfRnFU5gwfNYNbB3d8b65U8euV-nfYpza2AopjRCaKV0dTNg3_582zHErw3caoAgRki8ES2SXdHXU9QHLZQe9V4cux_tTWMCSNqM_2lL98OZVXtxZ69GgPzRVMTODAgx5LmZngy3dL/s640/gilliat+ou+le+pecheur+a%CC%80+la+pieuvre+1886.jpg" width="436" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Rétable de l'église de St-Philibert de Grandlieu.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh34__zoek_y6sikKshrctxpLlTbHkE6dVUvkaiYvcPePlrOfMAQbPzbb9DmXdWq8SQ-VUw80glTcx9ZmDM9P1gq7Hhe14Ed4tXrUM6lEIrWXbRaUMpfovx8z601CKu9fRCnzspZt9Xi02c/s1600/Retable_E-Gaucher+st+philbert+de+granlieu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh34__zoek_y6sikKshrctxpLlTbHkE6dVUvkaiYvcPePlrOfMAQbPzbb9DmXdWq8SQ-VUw80glTcx9ZmDM9P1gq7Hhe14Ed4tXrUM6lEIrWXbRaUMpfovx8z601CKu9fRCnzspZt9Xi02c/s640/Retable_E-Gaucher+st+philbert+de+granlieu.jpg" width="406" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Tailleurs de pierre</u>. Plâtre, 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9KA1tEiVT-w96WfoX6Hme3jIz2LHubQvGBeQktNfvKEs2Ra30_T_Sond1t8wfiT35ud3Z79vz-3kVIaj7HCEVWrMPxZuXwEfchemayLysQzuOLLu5t_GZt8s5cnVxfnJn05y3QfBfn-0u/s1600/Gaucher_Tailleurs_de_pierres+1903_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9KA1tEiVT-w96WfoX6Hme3jIz2LHubQvGBeQktNfvKEs2Ra30_T_Sond1t8wfiT35ud3Z79vz-3kVIaj7HCEVWrMPxZuXwEfchemayLysQzuOLLu5t_GZt8s5cnVxfnJn05y3QfBfn-0u/s400/Gaucher_Tailleurs_de_pierres+1903_1.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Monument à Francis. Robert, Ancenis. Bronze (détruit).</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cartes postales, vers 1910.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqCxbG1K6OL47V2WQbdv6aBST5-1wt-vytd3aUXSZu6OZBuZTdzuJi3N4PxfBpnoZryth2YaOsbQEiPn_xYkK7KGiW7MHfWWfKY1OIXZ0tDhoquM0pcZAsfloiJdN5tCnAuBI4XIBabvIn/s1600/Ancenis_monument+a%CC%80+la+memeoire+du+bienfaiteur+F+robertGaucher-31704.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqCxbG1K6OL47V2WQbdv6aBST5-1wt-vytd3aUXSZu6OZBuZTdzuJi3N4PxfBpnoZryth2YaOsbQEiPn_xYkK7KGiW7MHfWWfKY1OIXZ0tDhoquM0pcZAsfloiJdN5tCnAuBI4XIBabvIn/s640/Ancenis_monument+a%CC%80+la+memeoire+du+bienfaiteur+F+robertGaucher-31704.jpg" width="412" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCBaf25IbucuLlwzif86kX0IqgShkiOHao784PMLNo6rptm4zeDiVzPsmCIBWKrbCk8rLdRysCb3uu8h-bpSLWwBGlNRJje-GCJWj1v6bngKc_iSsLWDM48fDl1Y91ys0cFFtGTF5TRI5/s1600/E-Gaucher_CPA_Ancenis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCBaf25IbucuLlwzif86kX0IqgShkiOHao784PMLNo6rptm4zeDiVzPsmCIBWKrbCk8rLdRysCb3uu8h-bpSLWwBGlNRJje-GCJWj1v6bngKc_iSsLWDM48fDl1Y91ys0cFFtGTF5TRI5/s640/E-Gaucher_CPA_Ancenis.jpg" width="416" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La sculpture principale des Emile Gaucher dans la brasserie est un groupe représentant <i>Pierrot et Colombine</i> en plâtre patiné surmontant la porte des cuisines. Il se détache sur un croissant de lune exécuté en mosaïques dorés.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4akDf-7iyS4mKxJ78fNvbuvXNk14XEBmylbhm2x0DDWC8rTsmu-L5tNlLBrAhYWAcwL6L5Sq2RdNOb4MJr8wWGz1-P7RiuhwfrqqZNml7makaBTNr1mFlOui0dykeg8tpaJIcm-jMFJs0/s1600/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_3).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4akDf-7iyS4mKxJ78fNvbuvXNk14XEBmylbhm2x0DDWC8rTsmu-L5tNlLBrAhYWAcwL6L5Sq2RdNOb4MJr8wWGz1-P7RiuhwfrqqZNml7makaBTNr1mFlOui0dykeg8tpaJIcm-jMFJs0/s400/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_3).jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPQTRGZqYhMFNpsyUBK9Aicc7uYDBGE3JlQDQfWJHMIKKk1bGydxwXMgJZdG8B_-cHmuLBUW5LJiNqgJziBNqGenkBlPoKacBazEvuwDExpM441PL-o0peRtL5OQYM5UYysHSD2WHnLAd/s1600/IMG_0434.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPQTRGZqYhMFNpsyUBK9Aicc7uYDBGE3JlQDQfWJHMIKKk1bGydxwXMgJZdG8B_-cHmuLBUW5LJiNqgJziBNqGenkBlPoKacBazEvuwDExpM441PL-o0peRtL5OQYM5UYysHSD2WHnLAd/s400/IMG_0434.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On doit aussi à Gaucher les cariatides et les médaillons en plâtre et en terre cuite qui ornent les murs.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1qHv7oNLefmCZmCvOuS_46sk7pmgDdSAq4FIY_yn9E818s-gtEgU_JzBRaSON56D5ig8w50e32SRqXkjwnxRKh-JFL5arBntQw7_Z3VS6Q_O131Oc7viNsnQlcV-fq98H1mHlaIhY5PYR/s1600/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_4).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1qHv7oNLefmCZmCvOuS_46sk7pmgDdSAq4FIY_yn9E818s-gtEgU_JzBRaSON56D5ig8w50e32SRqXkjwnxRKh-JFL5arBntQw7_Z3VS6Q_O131Oc7viNsnQlcV-fq98H1mHlaIhY5PYR/s640/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_4).jpg" width="424" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans la même salle, on peut voir la pendule surmontée d'une cigale en métal, symbole de l'établissement.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-Ab6F-MwTDqN4pmNyoJg2sd4HOpqjNiMI46OPDeqsNXWllxqqz_CmpLGw-1t_ms9nJFzbksragQ9PYx9IFruQ82PLY81OmHiSBla7JBsewUvLyxC4COr0yFO3YOZXSvTjLJsb5T5WU6A/s1600/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_8).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-Ab6F-MwTDqN4pmNyoJg2sd4HOpqjNiMI46OPDeqsNXWllxqqz_CmpLGw-1t_ms9nJFzbksragQ9PYx9IFruQ82PLY81OmHiSBla7JBsewUvLyxC4COr0yFO3YOZXSvTjLJsb5T5WU6A/s640/Restaurant_La_Cigale_-_de%CC%81co_inte%CC%81rieure_Art_Nouveau_(de%CC%81tail_8).jpg" width="424" /></a></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-91084607954565947542012-05-08T13:00:00.002-07:002012-05-09T22:42:04.291-07:00Lotissements Art Nouveau à Lille<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après la chute du Second Empire, la ville de Lille va se développer grâce au commerce et à l'industrie. Ses vieilles limites qui avaient déjà été étendues en 1858, vont encore l'être en absorbant de nombreuses petites communes souvent toujours rurales. Les grandes familles y avaient souvent des maisons de campagne qui sont rattrapées par l'urbanisation. Il en reste encore quelques unes qui n'ont pas été avalées par la spéculation immobilière. Ce phénomène est particulièrement visible dans l'ouest de la ville.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Plan de Lille vers 1850.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSGD3fP1FaIjOBnagj7fJDmA_JeLzxyaKd7SZfHl4KlzMO98Ge18Kzv9KfHt6ueMlw8POU7wmE7u_KsCe8dyfyxv1VrpSiSON31XgShxmx_KlI2MTim-NcTvLL32fghF6edoQ9I9lyanK-/s1600/lille18e-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSGD3fP1FaIjOBnagj7fJDmA_JeLzxyaKd7SZfHl4KlzMO98Ge18Kzv9KfHt6ueMlw8POU7wmE7u_KsCe8dyfyxv1VrpSiSON31XgShxmx_KlI2MTim-NcTvLL32fghF6edoQ9I9lyanK-/s400/lille18e-1.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est donc à l'ouest que vont s'élever les nouveaux quartiers construits entre 1870 et 1910. Il faut souligner que l'<i>Art Nouveau</i> à Lille est surtout visible dans des maisons construites pour la bourgeoisie petite ou moyenne. Contrairement à ce qui sa passe à Bruxelles, ce n'est pas la haute bourgeoisie, les grands patrons du textile, qui vont faire des commandes. La haute bourgeoisie préfère des bâtiments en forme de châteaux, de style néo-flamand et pour tout dire très ostentatoires.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le premier de ces lotissements est l'avenue des Lilas. En 1895, un riche bourgeois, Charles Rogez devient propriétaire d'un grand terrain qu'il décide de lotir afin de construire <i>une rue bordée de belles et pittoresques maisons</i>. Deux architecte dirigent la chantier, Emile Vandenberghe (1827) et Léonce Hainez (1866-1916).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Emile Vandenberghe est un vétéran. Il est surtout célèbre pour la construction de la <i>Cité Philanthropique</i> (1861) dans le quartier ouvrier de Wazemmes, qui est sorte de ville idéale pouvant abritée environ 1000 familles ouvrières dans des appartements à loyers modérés présentant d'excellentes qualités d'hygiène. Les restaurations successives ont beaucoup altérées l'aspect des bâtiments.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carte postale représentant la Cité Philanthropique. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vers 1900.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Etat actuel de la Cité Philanthropique.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR0YWrQtGdPsM8-Um_YXagsDQhlrUMyGyOkbNA7UbjFAWY59kAbECkKxIHuLLAgXM4QfxKp84URtfl8Ouc4pXzGcGmIRos-kboLLPO27cOpKRNAQoEa0_aXprNFBcjsc8Xw0LukNjMLqQ3/s1600/Lille_cite_philanthropique.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR0YWrQtGdPsM8-Um_YXagsDQhlrUMyGyOkbNA7UbjFAWY59kAbECkKxIHuLLAgXM4QfxKp84URtfl8Ouc4pXzGcGmIRos-kboLLPO27cOpKRNAQoEa0_aXprNFBcjsc8Xw0LukNjMLqQ3/s400/Lille_cite_philanthropique.JPG" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est Vandenberghe qui introduit l'idée de la cité-jardin dans le nord de la France, influencé sans doute parce qui se passe dans l'Angleterre voisine. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Léonce Hainez est, au contraire, un tout jeune architecte. Après la construction de l'Avenue des Lilas, il aura de nombreuses commandes. Son œuvre la plus célèbre est l'édification du <i>Théâtre Sébastopol</i> dans des conditions extrêmement contraignantes. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1903, le vieil opéra construit par Lequeux au XVIIIème siècle est détruit par un incendie. La municipalité décide de construire un théâtre provisoire de 2000 place, en attendant la reconstruction de l'opéra. Il devra être bâti en moins de 4 mois. C'est le projet de Léonce Hainez qui est retenu. Commencé le 22 juillet 1903, le théâtre est achevé 102 jours plus tard. Il est inauguré le 30 novembre. 109 ans plus tard, il accueille toujours des spectacles. Du provisoire qui dure !</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce tour de force est construit en briques et en stuc. On voit bien le mode de construction du théâtre sur les faces latérales.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgDFv8qjdSrV4uRWx8_FlkFqx8Vz3lbMWFBWU7CVsk5jkykn_A0FU3pD4t_fLJWOkSm0QIPxkcrrlUEk6OmAeRTiFo6TCIafEe49FRxykT_c_2TnuG_Dq9uT7f1VayiSLvyY7xVNnXC3Et/s1600/the%CC%81atre+sebasto+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgDFv8qjdSrV4uRWx8_FlkFqx8Vz3lbMWFBWU7CVsk5jkykn_A0FU3pD4t_fLJWOkSm0QIPxkcrrlUEk6OmAeRTiFo6TCIafEe49FRxykT_c_2TnuG_Dq9uT7f1VayiSLvyY7xVNnXC3Et/s400/the%CC%81atre+sebasto+4.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La facade est éclectique mais avec un fort parfum d'<i>Art Nouveau</i>. A une échelle réduite, Hainez s'est librement inspiré de l'<i>Opéra Garnier</i> qui était, à l'époque, le modèle de tous les opéras. Cette façade est très élégante avec sa grande baie, d'un dessin typiquement <i>Art Nouveau</i>, flanquée d'un balcon soutenu par deux atlantes. Cette façade est encadrée par deux pavillons creusés de niches dans lesquelles trônent des bustes de compositeurs. En 1904, Hainez sera nommé architecte général de la ville de Lille.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT-SRNEatOcU5TXp6fV4RdtTFzX3NcuBhq0rTnGHtjmeCHkpLXwoydzs1JQalNqtgKBNFKnV4_AR0KARiBtOFVEoOEJ4JX0LwItK_OWwdZRJKCN_SpV6gwQsw2RiZgv-bChvdjZjiXtr7K/s1600/theatre+sebsasto+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT-SRNEatOcU5TXp6fV4RdtTFzX3NcuBhq0rTnGHtjmeCHkpLXwoydzs1JQalNqtgKBNFKnV4_AR0KARiBtOFVEoOEJ4JX0LwItK_OWwdZRJKCN_SpV6gwQsw2RiZgv-bChvdjZjiXtr7K/s400/theatre+sebsasto+7.jpg" width="300" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfhDFoMhTKVqmbr1VDo4zdAwq4_-5S9qprAPqiLMGa2edqc-8XwMg8bh9nbiH0zauIOo0cxAn_9aAGIT-IERm-CKA4pB-khwBeEJpp0M1_5kTmoe-r-ONEiEyaWzu5sTcc4V0gEwkDMfn/s1600/theatre+sebasto+8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfhDFoMhTKVqmbr1VDo4zdAwq4_-5S9qprAPqiLMGa2edqc-8XwMg8bh9nbiH0zauIOo0cxAn_9aAGIT-IERm-CKA4pB-khwBeEJpp0M1_5kTmoe-r-ONEiEyaWzu5sTcc4V0gEwkDMfn/s400/theatre+sebasto+8.jpg" width="300" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'avenue des Lilas a peu changé depuis sa construction, sauf pour 2 ou 3 maisons détruites par un bombardement en 1942. Alors que le quartier où l'îlot est implanté est relativement défavorisé, celui-ci a conservé son caractère propret de cité-jardin bourgeoise. Elle prend son nom définitif en 1897.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cartes postales montrant l'Avenue des Lilas. A</i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>vant 1911.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgON70EzQ-Oi_vUlBdlgTjCUiW_lOEEHIt4SJuS0hM_vx-qH1bcxFXPYOceLUPhV4IjtZzBaRxcJVJOR510rfC7uKv4zbUvX9OpFzGsp-kbtUpVcy8SJ3-dTumN_NO1nLbUCTNF-3JZpQRs/s1600/Sans-titre-54.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgON70EzQ-Oi_vUlBdlgTjCUiW_lOEEHIt4SJuS0hM_vx-qH1bcxFXPYOceLUPhV4IjtZzBaRxcJVJOR510rfC7uKv4zbUvX9OpFzGsp-kbtUpVcy8SJ3-dTumN_NO1nLbUCTNF-3JZpQRs/s400/Sans-titre-54.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeITWMMF38S-fAw0S8cx079jb9HKAhao0r_J0dYO8kwm_bAPLWeSCbFtjKVRA-e0YGTBY0JUWqRmwG_eEuoCiWKHCOmKsMD64L5t4nwwX1BlSGVQeiu7D6G2y-CfZnSoNwSn9GWLPyrZhR/s1600/Sans-titre-55.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeITWMMF38S-fAw0S8cx079jb9HKAhao0r_J0dYO8kwm_bAPLWeSCbFtjKVRA-e0YGTBY0JUWqRmwG_eEuoCiWKHCOmKsMD64L5t4nwwX1BlSGVQeiu7D6G2y-CfZnSoNwSn9GWLPyrZhR/s400/Sans-titre-55.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH0QLmmyPzRWR_-_rLZctpnaXqmXtppQ5o3KjS9s3Eapiqzl9oD_qLTrvmZHyk3KL7bCssHQrQgzSayulAK1A_q1j1ayCeGfkcjZ4yDfoxaasmA5izuGSD8wCTg3OeTm-O3r8-xEcZ0qMQ/s1600/avenue_des_lilas_ec.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH0QLmmyPzRWR_-_rLZctpnaXqmXtppQ5o3KjS9s3Eapiqzl9oD_qLTrvmZHyk3KL7bCssHQrQgzSayulAK1A_q1j1ayCeGfkcjZ4yDfoxaasmA5izuGSD8wCTg3OeTm-O3r8-xEcZ0qMQ/s400/avenue_des_lilas_ec.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie récente de l'Avenue des Lilas.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQzsPaHtiBk2CT9eU0nARn0OR9uEtDAycALBuH73742iPF02UPFOGBkyvsRh0_1Ah0B8cY0_egOZetR8EVUdVHZLJraXnIPoJjh-ykjSiuG654SUTD2J2J6U2EW84uemnAaOAPwJYwDa5d/s1600/avenue+des+lilas+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQzsPaHtiBk2CT9eU0nARn0OR9uEtDAycALBuH73742iPF02UPFOGBkyvsRh0_1Ah0B8cY0_egOZetR8EVUdVHZLJraXnIPoJjh-ykjSiuG654SUTD2J2J6U2EW84uemnAaOAPwJYwDa5d/s400/avenue+des+lilas+2.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les styles retenues par les architectes sont très variées. Ils vont du néogothique à l'anglo-normand. L'unité de la rue est maintenue par les matériaux utilisées : brique rouges, briques émaillées et bois teinté en blanc. L'avenue des Lilas est une impasse donnant sur les voies de chemin de fer. L'entrée est marquée par une plaque monumentale.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiijfxACttB8To1jIrAQPIlapleo23i2fms4ETsbeyw_26n5fLC_ZMpRDntWaXL4Qlg4MWl2MOeUY20aB1g38nNIubwCL12epjbo2dgqd_3YkmR6WfrdsQEsvwQzsIXB05IMrXKrZ9tnF9k/s1600/avenue+des+lilas+15.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiijfxACttB8To1jIrAQPIlapleo23i2fms4ETsbeyw_26n5fLC_ZMpRDntWaXL4Qlg4MWl2MOeUY20aB1g38nNIubwCL12epjbo2dgqd_3YkmR6WfrdsQEsvwQzsIXB05IMrXKrZ9tnF9k/s400/avenue+des+lilas+15.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Petit castel de style néogothique avec son bow-window.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja_NhiDElw9ypUihZA17iw4CC_TqbNc4EjF1ngqA5MSMr7Yfm2fW-d_abkEM58p70ShtKnoV3FeiKC52O5RTOIMk5w9LFYRxRSlaqypusYML4H3gXoilAfHGdnDlgtnuXfvj960qVCDT-o/s1600/avenue+des+lilas+10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja_NhiDElw9ypUihZA17iw4CC_TqbNc4EjF1ngqA5MSMr7Yfm2fW-d_abkEM58p70ShtKnoV3FeiKC52O5RTOIMk5w9LFYRxRSlaqypusYML4H3gXoilAfHGdnDlgtnuXfvj960qVCDT-o/s640/avenue+des+lilas+10.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maisons de style victorien avec leurs bow-windows.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNBYW8a6EsXfGzNqZvqjbR3vrY8S4w673xU5GIHEOxRaptnp9IO-EawKqWOwYPx_YiakU_XcniUuUcTL6KJmwD7tCzJy3OtCrsY6oP4XJv_-LcaCKKTYBiLlWLtPfHKP207cMaBQ6yaXfO/s1600/avenue+des+lilas+6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNBYW8a6EsXfGzNqZvqjbR3vrY8S4w673xU5GIHEOxRaptnp9IO-EawKqWOwYPx_YiakU_XcniUuUcTL6KJmwD7tCzJy3OtCrsY6oP4XJv_-LcaCKKTYBiLlWLtPfHKP207cMaBQ6yaXfO/s640/avenue+des+lilas+6.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maison de style Art Nouveau avec un oriel </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>décorés de vitraux.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6lpqfM_tiV7FVvw4PWlEguMP3QqnJE1cwIrNBSJVS6ZsNs-W0NUoJ1Yv8vA1tSRlit7S1Vbx1HbAyDtA4eUUjKTNbQNYibClhJt1NpJDvKfwUjs2_HOU6mgaJgyPVvqX6r_8vlEAia71A/s1600/avenue+des+lilas+3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6lpqfM_tiV7FVvw4PWlEguMP3QqnJE1cwIrNBSJVS6ZsNs-W0NUoJ1Yv8vA1tSRlit7S1Vbx1HbAyDtA4eUUjKTNbQNYibClhJt1NpJDvKfwUjs2_HOU6mgaJgyPVvqX6r_8vlEAia71A/s640/avenue+des+lilas+3.png" width="418" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYDHUmXedQqCYQ9HTgLxJRm2XuBpLWLzO3h6L18Pc3cgxcmPAr4u7uN41r3FluUbHtfDQVlzj0e9O0ZxEH_6j0Xc6XrT7rCj_AOMF0epgZJ6ZT9ZZu4whGl3q9yXOyAAwOsAE7vEj1DGhz/s1600/avenue+des+lilas+14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYDHUmXedQqCYQ9HTgLxJRm2XuBpLWLzO3h6L18Pc3cgxcmPAr4u7uN41r3FluUbHtfDQVlzj0e9O0ZxEH_6j0Xc6XrT7rCj_AOMF0epgZJ6ZT9ZZu4whGl3q9yXOyAAwOsAE7vEj1DGhz/s640/avenue+des+lilas+14.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maisons de style anglo-normand.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsfenegFQcgmuPrlwLhCpvxLhZt4TVHghSBGDIOvSns2ZcE_xfwoh0Hrz38FO1aMY2M4M7BAKnJJQcJUD2rhab9wml0qBUISeMhyphenhyphenbD6XMs4RKHBEFsRkzN5lEOb_OAcTj7wZ9vxrt5FAi4/s1600/avenue+des+lilas+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsfenegFQcgmuPrlwLhCpvxLhZt4TVHghSBGDIOvSns2ZcE_xfwoh0Hrz38FO1aMY2M4M7BAKnJJQcJUD2rhab9wml0qBUISeMhyphenhyphenbD6XMs4RKHBEFsRkzN5lEOb_OAcTj7wZ9vxrt5FAi4/s640/avenue+des+lilas+5.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maison de style néo-flamand bourgeois.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4Ijg68sjiz7WcKRAtMyWE-Ni6rUnOBDkV-nt7leYWOZje5MNMvzDsjw_8y7y7mwMaf9g-hQAU1EU2cYMiEhuqF2H80nyV0ZOzz0fYIuQ1XvTHp1EBMz6lnQIujErmm2GcDzXBS0L5rjJA/s1600/avenue+des+lilas+11.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4Ijg68sjiz7WcKRAtMyWE-Ni6rUnOBDkV-nt7leYWOZje5MNMvzDsjw_8y7y7mwMaf9g-hQAU1EU2cYMiEhuqF2H80nyV0ZOzz0fYIuQ1XvTHp1EBMz6lnQIujErmm2GcDzXBS0L5rjJA/s400/avenue+des+lilas+11.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maisons inspirées du style néo-gothique flamand.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwPBGpqx5Y6Mx8LFGgUNPzWZ3GZUgWMEogCSR5810vOO5vMr1mz9Q40jxI_B-rb-GpAjRyPdZnIWqQsNvp-5PPJmEcLJC90Abk4ywtGtNj96fF07ulQTe6jBq-Y6z6PjmqHkmMv94XtGWS/s1600/avenue+des+lilas+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwPBGpqx5Y6Mx8LFGgUNPzWZ3GZUgWMEogCSR5810vOO5vMr1mz9Q40jxI_B-rb-GpAjRyPdZnIWqQsNvp-5PPJmEcLJC90Abk4ywtGtNj96fF07ulQTe6jBq-Y6z6PjmqHkmMv94XtGWS/s400/avenue+des+lilas+7.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villas jumelles de style éclectique.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUrsIsfGaW3DEN6Rt6P5aPgOj4BQPRPRsA87urvh7Ut2s_WjUp8VXrTZh4QFaiACZMyJBEjHtH3ZOzGMb2e3nmtodMaG_3DKj0SY3gT7Fr5HuaLSqZb9kTGjxB3qkfqs03CXWXVgsF5bcf/s1600/avenue+des+lilas+9.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUrsIsfGaW3DEN6Rt6P5aPgOj4BQPRPRsA87urvh7Ut2s_WjUp8VXrTZh4QFaiACZMyJBEjHtH3ZOzGMb2e3nmtodMaG_3DKj0SY3gT7Fr5HuaLSqZb9kTGjxB3qkfqs03CXWXVgsF5bcf/s400/avenue+des+lilas+9.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le second de ces lotissements est la rue Gounod. Cette voie a été créée en 1903 sous le nom d'avenue Beau-Séjour par la volonté d'une dame de haute bourgoisie industrielle Mme Bonduelle-Lesaffre qui vend par lot un très grand terrain. Le cahier des charges est très précis quant à largeur de la voie, à celle des jardinets qui précèdent chaque maison et à l'élévation des maisons elles-mêmes. La direction des travaux est confiée à l'architecte Armand Lemay (1873-1963). Cet architecte fut un des plus actifs dans la capitale du Nord sur une très longue période, puisqu'en 1960, il était toujours actif. Autant dire qu'il est passé allègrement de l'éclectisme à l'<i>Art Nouveau</i>, de l'<i>Art Nouveau</i> à l'<i>Art Déco</i> et de l'<i>Art Déco</i> au modernisme international. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Contrairement à l'avenue des Lilas, les différentes maisons sont construites par des architectes différents, la plupart assez connu sur la région, mais en respectant une certaine unité. L'avenue Beau-Séjour deviendra la rue Gounod, lorsque la ville de Lille deviendra propriétaire de la rue.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carte postale représentant la rue Gounod avant </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>l'achèvement total de la rue. Vers 1908.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuAZVxV-fVVVeFtr6YC71JJYBQvROpUMDuB6ejH_HG5hfZJYv8BJfvWz-WLc6-_xN4OoF5SycrObSvAKtoUuv3ZGFaeoTZkWlavxdy0SmUM_Kox1gfxtMwDcp4cAL4EwpQKM3-VU1SRRr2/s1600/Sans-titre-52.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuAZVxV-fVVVeFtr6YC71JJYBQvROpUMDuB6ejH_HG5hfZJYv8BJfvWz-WLc6-_xN4OoF5SycrObSvAKtoUuv3ZGFaeoTZkWlavxdy0SmUM_Kox1gfxtMwDcp4cAL4EwpQKM3-VU1SRRr2/s400/Sans-titre-52.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carte postale de la rue Gounod. Vers 1911.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj88Xc_Ty8VGjxMuE8p-9hUnNmdUpgpyPhgZhzKf6ffZOn2HzvRzt41_jJJ_xD3tdcLy2vr2oucGy58c4Nvd8MYOuTOjSAiFDEkroFjP_hfwRr7Qpo4MeUkjOMMRgUtybnLJ5NqGLeK8XzI/s1600/Sans-titre-53.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj88Xc_Ty8VGjxMuE8p-9hUnNmdUpgpyPhgZhzKf6ffZOn2HzvRzt41_jJJ_xD3tdcLy2vr2oucGy58c4Nvd8MYOuTOjSAiFDEkroFjP_hfwRr7Qpo4MeUkjOMMRgUtybnLJ5NqGLeK8XzI/s400/Sans-titre-53.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Quelques bâtiments sont particulièrement intéressants, à commencer par les deux pavillons qui marquent l'entrée de la rue avec une certaine emphase. Ils sont bien sûr signés Armand Lemay.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TqUsijr3I1TpUKrYPoGMxD6mZjrJq9wS7iPHokR3j9b68N5A0liv6otxhB1jjz00px9ooWvwtIVi0VajGt_UQS-xwOdVPl77qdbNToDpCgBXRu-cokDbFiGqfX1JgIxHNSlX7Gv_UsX1/s1600/rue+gounod+1+lemay.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TqUsijr3I1TpUKrYPoGMxD6mZjrJq9wS7iPHokR3j9b68N5A0liv6otxhB1jjz00px9ooWvwtIVi0VajGt_UQS-xwOdVPl77qdbNToDpCgBXRu-cokDbFiGqfX1JgIxHNSlX7Gv_UsX1/s640/rue+gounod+1+lemay.jpg" width="480" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_UlJaQXpliMi_pkYPd4U7EKcel1Mq_aMGxyw9CF0wec5uW5uxzrvcpMAsvcvC9GWqd_KdBDoYZXInzabdZYPqVVXlkhtvz-qiiQe_RaWpTXwg2w2LMw8HlgRRvrcsCmk8nFvEh5P7kTI/s1600/rue+gounod+3+lemay.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_UlJaQXpliMi_pkYPd4U7EKcel1Mq_aMGxyw9CF0wec5uW5uxzrvcpMAsvcvC9GWqd_KdBDoYZXInzabdZYPqVVXlkhtvz-qiiQe_RaWpTXwg2w2LMw8HlgRRvrcsCmk8nFvEh5P7kTI/s640/rue+gounod+3+lemay.png" width="252" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa due à Armand Lemay.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicAOyg0SYkodsAYnJtwxP-EY0EQ6rLy4LKimKtJ7bKWM1IpMJjYKHCoJmaB8f85USKaugflfA08NMrizhw2Nb6MwgM_GZICeC1R6DHDTmXCe995j4ACe8FP3F9iewHaeRTwOwF6zkL76iN/s1600/rue+gounod+9+lemay.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicAOyg0SYkodsAYnJtwxP-EY0EQ6rLy4LKimKtJ7bKWM1IpMJjYKHCoJmaB8f85USKaugflfA08NMrizhw2Nb6MwgM_GZICeC1R6DHDTmXCe995j4ACe8FP3F9iewHaeRTwOwF6zkL76iN/s640/rue+gounod+9+lemay.png" width="418" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_udcaxdif9AEgjGZYKSBqmW5R5DkQB_7AUyxDLheFKXCx4LuzBCnu8NRne2mG6f7vVQEATsnkk4MOa0znzQwimx410mjcLmvwsQ7bgvZcLtTfKzquXBhsEbg2XZxdUb4ED8HTYKeIyVm/s1600/rue+gounod+10+lemay.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_udcaxdif9AEgjGZYKSBqmW5R5DkQB_7AUyxDLheFKXCx4LuzBCnu8NRne2mG6f7vVQEATsnkk4MOa0znzQwimx410mjcLmvwsQ7bgvZcLtTfKzquXBhsEbg2XZxdUb4ED8HTYKeIyVm/s640/rue+gounod+10+lemay.png" width="364" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa due à l'architecte Dehaut.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpbhnMKAh_LVaj0ZsGpvsKMt5JnqdgCMLenpGGS43XdmmWdnRbCQr-YHnNHZ5ktbaXN8141Mbvz6vLic0ldyW1K1qNl4MgvUDLw7f7zz2Aid03FnCKJTCwk0MwfpSiNPSkX2mHpTCoNfMP/s1600/rue+gounod+11+dehaut.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpbhnMKAh_LVaj0ZsGpvsKMt5JnqdgCMLenpGGS43XdmmWdnRbCQr-YHnNHZ5ktbaXN8141Mbvz6vLic0ldyW1K1qNl4MgvUDLw7f7zz2Aid03FnCKJTCwk0MwfpSiNPSkX2mHpTCoNfMP/s640/rue+gounod+11+dehaut.png" width="424" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La villa Orphée due à Armand Lemay.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnWSU-RkPsFGNUtXqDSRc3x-VSB37RFa5EGAkD3Lnu-c3OQMJ0GbeelShlVcLsYtLPlcEk2Fb-ojaE9ts4xzSOgcJRA-SjSQvaq18XAV3rr0aI22Kmglq_4WzXnnZIyu-2RP8VTzHKPZNA/s1600/rue+gounod+14+lemay.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnWSU-RkPsFGNUtXqDSRc3x-VSB37RFa5EGAkD3Lnu-c3OQMJ0GbeelShlVcLsYtLPlcEk2Fb-ojaE9ts4xzSOgcJRA-SjSQvaq18XAV3rr0aI22Kmglq_4WzXnnZIyu-2RP8VTzHKPZNA/s640/rue+gounod+14+lemay.png" width="388" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaaUVIhxIuaFXsmLJRNXzXbJNQ316GCSgMAW-Z0lyPsYZP-drJQ89mLuAH9yfjzfCBZljK0dgR0WIOIDJaNGWDELZQ8fE6FNpzggL2uTXNyzRcPsRvHhGzOaI9j7_arHFPwix0tg7DQYou/s1600/rue+gounod+13+lemay.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaaUVIhxIuaFXsmLJRNXzXbJNQ316GCSgMAW-Z0lyPsYZP-drJQ89mLuAH9yfjzfCBZljK0dgR0WIOIDJaNGWDELZQ8fE6FNpzggL2uTXNyzRcPsRvHhGzOaI9j7_arHFPwix0tg7DQYou/s640/rue+gounod+13+lemay.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Trois villas sans nom d'architecte.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx3MZI9a0TFrRDHnVxxCYWP-KcmwgBSn0W0OSoIOh21dm4DQjcfyLYG1mLaiAjesZLeZaAOOlK-1Xo-xDyp3pwmG4Zs8XAa-skxySOoTcKEym9p5L4ShFyb4Og0AtPleys3JZJnc9QzguE/s1600/rue+gounod+19.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx3MZI9a0TFrRDHnVxxCYWP-KcmwgBSn0W0OSoIOh21dm4DQjcfyLYG1mLaiAjesZLeZaAOOlK-1Xo-xDyp3pwmG4Zs8XAa-skxySOoTcKEym9p5L4ShFyb4Og0AtPleys3JZJnc9QzguE/s640/rue+gounod+19.png" width="378" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFxzxggavnUAyP8jLhMUyxR2sjlbotV1bf9iEeCJd_QSsGZmIym4sAIMx8vAcCMrxwiPrTfoopOUuHsyTeMJBW0z26Yc4rOJeZzCb3OjXZQUEfmLiyW2X7CbSJoO7U815J0OCNnCN3IltE/s1600/rue+gounod+21.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFxzxggavnUAyP8jLhMUyxR2sjlbotV1bf9iEeCJd_QSsGZmIym4sAIMx8vAcCMrxwiPrTfoopOUuHsyTeMJBW0z26Yc4rOJeZzCb3OjXZQUEfmLiyW2X7CbSJoO7U815J0OCNnCN3IltE/s640/rue+gounod+21.png" width="322" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd41wTfOuCc4rTVAxHyHeQZ-xZVUn4pYT9TkIhp-7EwPV52wWEBbUhVE6C3JactSgCJNbnoiXjlBIOPhBqNCN5CU_XiE6n-cKJ2tpMSuHd9wVNHSQJevoNbH6H5QujuPITp9_0Si9odOl_/s1600/rue+gounod+22.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd41wTfOuCc4rTVAxHyHeQZ-xZVUn4pYT9TkIhp-7EwPV52wWEBbUhVE6C3JactSgCJNbnoiXjlBIOPhBqNCN5CU_XiE6n-cKJ2tpMSuHd9wVNHSQJevoNbH6H5QujuPITp9_0Si9odOl_/s640/rue+gounod+22.png" width="362" /></a></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-57810619850744971522012-05-05T05:18:00.005-07:002012-05-07T11:49:47.181-07:00Entre Goya et Picasso, Ignacio Zuloaga<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'histoire de la peinture espagnole est, pour la majorité d'entre nous, une sorte de fresque à trous. De temps à autre, de grandes figures émergent, El Greco au XVIème siècle, Velasquez au XVIIème, Goya à la fin du XVIIIème et Picasso au XXème. Entre ces géants, rien. Comme si on ne peignait pas en Espagne au début du XVIIème ou en 1880 ! Or, la peinture espagnole fut tout aussi vivace que la peinture française ou la peinture italienne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une des figures principales de la peinture espagnole entre 1880 et 1920 est Ignacio Zuloaga y Zabaleta.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ignacio Zuloaga est né en 1870 à Eibar au Pays Basque. Fils d'un damasquineur, il est plongé tout jeune dans le monde artistique. Il fait ses études chez les jésuites et, extrêmement doué, expose dès 1887. Au Musée du Prado, il copie les peintres espagnoles comme Velasquez ou El Greco et considère Zurbaran, Ribera ou Goya comme ses maîtres.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son tableau, La Fuente dei Bar, peint à l'âge de 15 ans montre une remarquable maîtrise technique.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Fuente dei Bar</u>. Huile sur carton, 1885.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQpP1A_S9Pgl9oBNmbj1T2WDFoUslJxlwOFXL_8q8yiCA97JX7VfT1UGavSJtYq31zuFBJ1iTPUNmDrDDGwQ6hw4Couc74J9iYCK-hgKp7JliNotZPMSm_NUKsjXv-DCXQXo1t1SYsVbuP/s1600/lafuentedeibar1888zl5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQpP1A_S9Pgl9oBNmbj1T2WDFoUslJxlwOFXL_8q8yiCA97JX7VfT1UGavSJtYq31zuFBJ1iTPUNmDrDDGwQ6hw4Couc74J9iYCK-hgKp7JliNotZPMSm_NUKsjXv-DCXQXo1t1SYsVbuP/s640/lafuentedeibar1888zl5.jpg" width="484" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Zuloaga se place donc sous la tutelle de maîtres prestigieux. Lorsqu'il visite Rome en 1889, il s'intéresse de près à la peinture de la Renaissance. En 1890, il s'installe à Paris où il travaille avec Eugène Carrière. Il rencontre Toulouse-Lautrec, Gauguin Degas, Jacques-Emile Blanche. Il expose au Salon de 1890. Entre 1890 et 1894, il est très lié avec Gauguin et Emile Bernard. Sa palette s'est éclaircie et semble influencée par l'<i>Impressionnisme</i> et les contours, simplifiés, se ressentent de sa rencontre avec les <i>Nabis</i>. Vers la fin de son séjour, il fréquentera le peintre et écrivain Santiago Rusinol (1861-1931).</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mon père et ma mère à Paris</u>. Huile sur toile, 1891.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAd1q-NE31UeLcuHm0DkQtu0WL4seRz-UY5P-pI1jgJ0pV47nCXIOXm3qGkbnEfRC2cuh-D7_BdB3ZX1VLgUwO_4_aQXuNqJZfK9FPYM296QeVwlaWO-zrgJw7xSldT7wug_VUlLHrJ9Zp/s1600/mipadreymihermanaenparsqr3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAd1q-NE31UeLcuHm0DkQtu0WL4seRz-UY5P-pI1jgJ0pV47nCXIOXm3qGkbnEfRC2cuh-D7_BdB3ZX1VLgUwO_4_aQXuNqJZfK9FPYM296QeVwlaWO-zrgJw7xSldT7wug_VUlLHrJ9Zp/s640/mipadreymihermanaenparsqr3.jpg" width="494" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait du marquis de Villamarciel</u>. Huile sur toile, 1893.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3B-o87eJ3ulkXVoHj0NrTdu8JOZRCn-KVDjAoBKM84tvlFLrNgsvDrl7xY34bu4REXxbdz6XkG4mYPK-2OJk7K0xSfLi7KQkH20GMUEfi9duPgrb2g9kLC_w-mU1sqfN9yNOPTw7iArJf/s1600/retratodelmarqusdevillaqk+1893+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3B-o87eJ3ulkXVoHj0NrTdu8JOZRCn-KVDjAoBKM84tvlFLrNgsvDrl7xY34bu4REXxbdz6XkG4mYPK-2OJk7K0xSfLi7KQkH20GMUEfi9duPgrb2g9kLC_w-mU1sqfN9yNOPTw7iArJf/s640/retratodelmarqusdevillaqk+1893+4.jpg" width="414" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1893, il visite Séville et expose au <i>salon des Indépendants</i> à Paris. Il découvre l'art de Whistler tout en améliorant sa connaissance de la littérature et de la peinture française notamment le <i>Symbolisme</i>. Il voyage en Suisse et en Italie. En 1895 il s'installe définitivement en Andalousie jusqu'en 1898. Il se passionne pour l'art du torero. La même année, il expose à la <i>Société nationale de Paris</i> et à Barcelone. Il a étudié attentivement El Greco, le peintre qui l'influencera sans doute le plus avec Goya. La lumière crue de l'Andalousie l'a certainement influencée dans ses oppositions de teintes très fortes.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Après-midi de corrida</u>. Huile sur toile, 1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDR1bkpyGUSjEw3nxOvCmtzJzoAJIcWChiUDiuDSa-7cMv1jOYcQYvwihVzEyz-AZgMpUSxz0XDRj3t-kVmtzczu_h3EYg51QAUNXInJ2OR-t1mlPqw04IeqIHTN1loxoOD4j_oqkUPl6h/s1600/vsperadelacorrida1898fz1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDR1bkpyGUSjEw3nxOvCmtzJzoAJIcWChiUDiuDSa-7cMv1jOYcQYvwihVzEyz-AZgMpUSxz0XDRj3t-kVmtzczu_h3EYg51QAUNXInJ2OR-t1mlPqw04IeqIHTN1loxoOD4j_oqkUPl6h/s400/vsperadelacorrida1898fz1.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1898, Zuloaga déménage pour Ségovie et s'installe chez un membre de sa famille, Daniel Zuloaga (1852-1921), un des plus grands céramistes espagnoles de l'époque. Il rencontre l'immense compositeur et pianiste Isaac Albeniz (1860-1909), un des grands rénovateurs de la musique espagnole.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Isaac Albeniz. <u>Iberia</u> (1905-1908). Piano, Alicia de Larrocha.</i></span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/ircCNBY3rZw?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mi tio y mis primas</u>. Huile sur toile, 1898-1899.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNo_VNg5qKdEleG8AawdOq5Ruehk7j79PZCRa8zxFmZjyS1ItlJBa2H0NwsE-oy5dYnuf2jORcATVhLZTVlFXUsaEkH8-H6x2IxyQzc4l_QCDJYZGdrdmiyAVdlSZg4U0dQhSa6ezcyF4V/s1600/Art+Pin+XIX+Zuloaga+Ignacio+Mi+tio+y+mis+primas+1898.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNo_VNg5qKdEleG8AawdOq5Ruehk7j79PZCRa8zxFmZjyS1ItlJBa2H0NwsE-oy5dYnuf2jORcATVhLZTVlFXUsaEkH8-H6x2IxyQzc4l_QCDJYZGdrdmiyAVdlSZg4U0dQhSa6ezcyF4V/s640/Art+Pin+XIX+Zuloaga+Ignacio+Mi+tio+y+mis+primas+1898.gif" width="492" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il repart en voyage en Europe et à son retour en Espagne, s'installe à Elgueta au Pays Basque. C'est là qu'il peint l'extraordinaire portrait de Dona Mercedes.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La naine Dona Mercedes</u>. Huile sur toile, 1899.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggCf3WhVeRKd-p5DG5CcYJb4dthwaUNSDfIjjz2aHc-ALrOill2YoICPVwIi11KhGcy6V7-Ykoi1qF_vbmz_g9aizFaak8oY1HPGJOj899rkfFYLiB_qstuGAgMtXX_wKnPWq4-Zxoha4V/s1600/05.la+naine_dona+mercedes+1887.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggCf3WhVeRKd-p5DG5CcYJb4dthwaUNSDfIjjz2aHc-ALrOill2YoICPVwIi11KhGcy6V7-Ykoi1qF_vbmz_g9aizFaak8oY1HPGJOj899rkfFYLiB_qstuGAgMtXX_wKnPWq4-Zxoha4V/s640/05.la+naine_dona+mercedes+1887.jpg" style="cursor: move;" width="470" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le portrait de la naine Dona Mercedes est à l'évidence un hommage appuyé à Velasquez, et plus particulièrement à <i>Las Meninas</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Diego Velasquez. <u>Las Meninas</u>. Huile sur toile, 1656.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7bmR9j8vMKIpD4Ijwt_z_ePDwcG1DIHiD-m2uJpFHghjvW73Tl8bBNNB5uD3HJq4IFkCOTCEF_lL13ju9jx1uq5rTPrQx-1zxINDCs9gcnYPc5NB4SAshiwZ2JNCqfJholLU8xgO5SpUR/s1600/velazquez-las-meninas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7bmR9j8vMKIpD4Ijwt_z_ePDwcG1DIHiD-m2uJpFHghjvW73Tl8bBNNB5uD3HJq4IFkCOTCEF_lL13ju9jx1uq5rTPrQx-1zxINDCs9gcnYPc5NB4SAshiwZ2JNCqfJholLU8xgO5SpUR/s640/velazquez-las-meninas.jpg" style="cursor: move;" width="544" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A la droite du tableau on voit la naine d'origine allemande Maria Barbola dont la ressemblance avec Dona Mercedes est frappante. Dona Mercedes porte une boule dans laquelle se reflète le reste de la pièce. C'est une allusion directe au miroir qui renvoie l'image du couple royale dans le fond du tableau de Velasquez.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRy31NTuyWWYdRj_t41ovCBPMw1x7FhqLm8v_HyM2kLILJo02kkjx0zCI5cdekvdJJgINu96gb9LJgoCIC_4tIPuMc1Dfk81qEjSwROhHV111MBgYVlOTzAVo-71gbKKO77gbrwDL9k268/s1600/Las_Meninas_mirror_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRy31NTuyWWYdRj_t41ovCBPMw1x7FhqLm8v_HyM2kLILJo02kkjx0zCI5cdekvdJJgINu96gb9LJgoCIC_4tIPuMc1Dfk81qEjSwROhHV111MBgYVlOTzAVo-71gbKKO77gbrwDL9k268/s400/Las_Meninas_mirror_detail.jpg" style="cursor: move;" width="332" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cependant, la déformation de l'image sur la boule renvoie davantage au <i>Portrait des époux Arnolfini</i> (1434) de Jan van Eyck (1390-1441) et à son miroir circulaire et convexe.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jan van Eyck. <u>Portrait des époux Arnolfini</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur bois, 1434.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic7zksSSoVsNz6wCaC6TpBL8D3hfHJffrrpdTAP7OljSeSEMl1cWmpVMVoBs0CntFrV6wjHBi9aU7bPkc7DtYMWUsMlOMZsqCWufpRkTMFs2ajc0NoLc8TbvDqvfTOXjZgd7fafmLDYsOV/s1600/Van_Eyck_-_Arnolfini_Portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic7zksSSoVsNz6wCaC6TpBL8D3hfHJffrrpdTAP7OljSeSEMl1cWmpVMVoBs0CntFrV6wjHBi9aU7bPkc7DtYMWUsMlOMZsqCWufpRkTMFs2ajc0NoLc8TbvDqvfTOXjZgd7fafmLDYsOV/s640/Van_Eyck_-_Arnolfini_Portrait.jpg" style="cursor: move;" width="466" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail du miroir convexe du tableau de van Eyck.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il ne reste guère au Pays Basque, puisqu'il s'installe de nouveau à Ségovie puis part pour Paris pour visiter l'<i>Exposition Universelle de 1900</i>. Il expose à Bruxelles, Berlin, Cologne et Düsseldorf. L'année suivante, il se lie avec le poète Rainer Maria Rilke et participe à l'<i>Exposition Internationale</i> de Dresde. C'est l'époque où il peint le nain Gregorio, très influencé par les lumières de fin du monde du Gréco aussi bien que par Velasquez.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le nain Gregorio</u>. Huile sur toile, 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb0FR1DSnLAmIUYia5SAJ3U-7WY4xWi2h4wOdCIogesQMd_J_5t3X9nTJGGDsnChz6a3fqIGqq05H8hObBzMNHGlOGzi8r361Upe8kF-qHg3cGJPjBjvlz6k8Y7iH7F95Rp36VWSdgmZj2/s1600/1156_m_dwarf_gregorio.1900jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb0FR1DSnLAmIUYia5SAJ3U-7WY4xWi2h4wOdCIogesQMd_J_5t3X9nTJGGDsnChz6a3fqIGqq05H8hObBzMNHGlOGzi8r361Upe8kF-qHg3cGJPjBjvlz6k8Y7iH7F95Rp36VWSdgmZj2/s640/1156_m_dwarf_gregorio.1900jpg.jpg" width="530" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Par l'intermédiaire de Rilke, qui est son secrétaire, Zuloaga fait la connaissance de Rodin. Toujours en 1901, il réalise la scénographie de représentations de <i>Carmen</i> à Berlin, ce qui lui vaut une appréciation internationale.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le peintre retourne à Séville en 1902 mais fait de fréquents séjour à Ségovie. Il expose à Berlin, Budapest et Paris. En 1904, il participe à la mise en scène de la zarzuela <i>Pepita Jimenez</i> d'Isaac Albeniz. Il commence une relation épistolaire avec Picasso.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il peint une gitane, dont la pose est influencée, à l'évidence par le <i>portrait de la Duchesse d'Albe de Goya</i> (1797)</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Gitane. Huile sur toile, 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRnemFreu2Z2vDBg7vo5d9PCfsuB6wfrx_A_0RqxJY23egqCrrdOu_NeXyi2DmUVuQr9yaZt0nhvYPjgh43c06tGKRsKa2y9n8d_KVnqDACHFVHuA2y1cyqDRFIWSWHZdV1am3nr1uwsxo/s1600/la+gitane+1903.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRnemFreu2Z2vDBg7vo5d9PCfsuB6wfrx_A_0RqxJY23egqCrrdOu_NeXyi2DmUVuQr9yaZt0nhvYPjgh43c06tGKRsKa2y9n8d_KVnqDACHFVHuA2y1cyqDRFIWSWHZdV1am3nr1uwsxo/s640/la+gitane+1903.jpg" width="372" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Francisco de Goya. <u>Portrait de la duchesse d'Albe</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1797.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56f-sq6m1YssW1cWF8XQlgEdVYuDM0wZHAfSezQadTwefZ0UiVLEJjyy_7PTG9kxi1lzKXfOyQJ2vrAQUEGNZkRGwgytmDaFdfdD98iqJvYqc9ZTH9GD76HK-K29kgrg0zizcoNihg8Ry/s1600/goya-duchess-of-alba-1797.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56f-sq6m1YssW1cWF8XQlgEdVYuDM0wZHAfSezQadTwefZ0UiVLEJjyy_7PTG9kxi1lzKXfOyQJ2vrAQUEGNZkRGwgytmDaFdfdD98iqJvYqc9ZTH9GD76HK-K29kgrg0zizcoNihg8Ry/s640/goya-duchess-of-alba-1797.jpg" width="444" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mis prima</u>. Huile sur toile, 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs2lra2uBmgl2vinnHmPXaBzcfxAEpSwhF8QU7Cx2Jd9-xHcUCBc-TjJhJ1k1M_ZVAzxYlpyQtNQIKGfBLE15PgUcCJCBMHWOcaOVcESLsUEXZ82qTLQDtFTQMpFzem1_Sxf08gSRGGrWV/s1600/misprimas1903oy8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs2lra2uBmgl2vinnHmPXaBzcfxAEpSwhF8QU7Cx2Jd9-xHcUCBc-TjJhJ1k1M_ZVAzxYlpyQtNQIKGfBLE15PgUcCJCBMHWOcaOVcESLsUEXZ82qTLQDtFTQMpFzem1_Sxf08gSRGGrWV/s400/misprimas1903oy8.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Comme on le voit, Zuloaga n'a pas été sensible du tout au <i>Modernisme</i> catalan. Alors qu'il connaissait bien l'art européen, l'<i>Art Nouveau</i> ne semble pas l'avoir intéressé. Il s'inscrit volontairement dans une tradition de la peinture espagnole, tradition d'un réalisme expressionniste dans la lignée du Greco ou de Goya, refusant ainsi la rupture radicale d'un Pablo Picasso.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son tableau de 1905, <i>Les vendangeurs</i> se réfèrent, sans aucun doute, au tableau du jeune Velasquez, <i>Le triomphe de Bacchus</i>. Les vendangeurs de Zuolaga pourrait tout aussi bien faire des libations avec le jeune dieu du vieux maître espagnol.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les vendangeurs</u>. Huile sur toile, 1905.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUjVg3YRZ311SVohNIFQeKOhkEcUPeH0opDaL45vrPbMPIMeK-s8noQp0s-fIqgmSv3I2zqnaF58aTykwCelO0H6t5HvDFbV-FjYQ_ZPDZ6SnUyhj087idTPpSgNfPMo6EVuTdFy1l0NDg/s1600/vandengeurs.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUjVg3YRZ311SVohNIFQeKOhkEcUPeH0opDaL45vrPbMPIMeK-s8noQp0s-fIqgmSv3I2zqnaF58aTykwCelO0H6t5HvDFbV-FjYQ_ZPDZ6SnUyhj087idTPpSgNfPMo6EVuTdFy1l0NDg/s640/vandengeurs.png" width="576" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Diego Velasquez. <u>Le triomphe de Bacchus</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1628-1629.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0bN-UmuU8rMDAlIXuPaFGCNCgLjqz9Vd2UXKGdBAZyrykgxgXeAwyqvzAtP_D4U9YidEdx_QVmEuWJL_jwSf7v3SSV9Uo6FEDYnSC_kmqjw1GsH6CM7f9vzlJXNIenmQI5_2kOu_aNNQN/s1600/800px-Diego_Vela%CC%81zquez_015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0bN-UmuU8rMDAlIXuPaFGCNCgLjqz9Vd2UXKGdBAZyrykgxgXeAwyqvzAtP_D4U9YidEdx_QVmEuWJL_jwSf7v3SSV9Uo6FEDYnSC_kmqjw1GsH6CM7f9vzlJXNIenmQI5_2kOu_aNNQN/s400/800px-Diego_Vela%CC%81zquez_015.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">En 1906, Zuloaga installe de nouveau son atelier à Paris. Il peint de nombreuses toiles dans cette période, notamment <i>Toreros de pueblo</i> et <i>Celestina</i>.</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Toreros de pueblo</u>. Huile sur toile, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUYrGpZkPadeUfB5gYy_dh_MUYSC-TMrcoHozimTbs8rKt-L_Wk64HkYdCBW7MBSpdAjsLQmpMHTji1Ku-BQDD0w-7Sr23_gUCfV1UO2GLUkjp1u9AYzT8z9JdgglZ1yp5ZzfPQf-1V12n/s1600/torero+de+pueblo.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUYrGpZkPadeUfB5gYy_dh_MUYSC-TMrcoHozimTbs8rKt-L_Wk64HkYdCBW7MBSpdAjsLQmpMHTji1Ku-BQDD0w-7Sr23_gUCfV1UO2GLUkjp1u9AYzT8z9JdgglZ1yp5ZzfPQf-1V12n/s640/torero+de+pueblo.gif" width="498" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Celestina o Las pupillas de Matilde</u>. Huile sur toile, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqDnKuUAod2YVxtf0CHboQ_b019v_w0pSMKtbV4OcHZDAvbrJjeaOhJgKUyMJ3rHzWJ_gvU38Q8SDYwSFriwVFVFXfiZkjJfqt48jB5lgHlJcIgiW_4k4ZvtxHJTtYVA1aDagLZtH0IAt/s1600/celestinaolaspupilasdemmy4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="335" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqDnKuUAod2YVxtf0CHboQ_b019v_w0pSMKtbV4OcHZDAvbrJjeaOhJgKUyMJ3rHzWJ_gvU38Q8SDYwSFriwVFVFXfiZkjJfqt48jB5lgHlJcIgiW_4k4ZvtxHJTtYVA1aDagLZtH0IAt/s400/celestinaolaspupilasdemmy4.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Segoviano</u>. Huile sur toile, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjd6d7CWZckZPW4ZiErffLGxFybLXnoKpSj3Nj9qUi4iZ8LYG7TKe9LbawESGsqmHV9iOjBczqsun9l1dGlmGlQTP9Wh8DBQCyg1D2GgHbJYUfnVVF3F-CyXn2LCJcTHZUxoVK53bnpXZB/s1600/segoviano1906bl8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjd6d7CWZckZPW4ZiErffLGxFybLXnoKpSj3Nj9qUi4iZ8LYG7TKe9LbawESGsqmHV9iOjBczqsun9l1dGlmGlQTP9Wh8DBQCyg1D2GgHbJYUfnVVF3F-CyXn2LCJcTHZUxoVK53bnpXZB/s640/segoviano1906bl8.jpg" width="370" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce paysan de la région de Ségovie est représenté sur un fond de paysage d'orage avec un éclairage contrasté. Avec son visage émacié et sa longue cape, il pourrait être un saint du Gréco.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>El Gréco. <u>St-Jean l'Evangéliste</u>. Huile sur toile, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>vers 1590-1600.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_i8DONMQ_Hzu0SI3hurrJxDQ26ODcbuRRUtccWRYUKFRVeE_grRCHoYPtCYTMCD4YSmKpmBiVZYkhQ3GZEwwHEjQ7yeuS8GzM_KgABDy2oa9MCD2FDjp6gXWeN5BLit_7FxYyHpgpAo1h/s1600/El_Greco_034.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_i8DONMQ_Hzu0SI3hurrJxDQ26ODcbuRRUtccWRYUKFRVeE_grRCHoYPtCYTMCD4YSmKpmBiVZYkhQ3GZEwwHEjQ7yeuS8GzM_KgABDy2oa9MCD2FDjp6gXWeN5BLit_7FxYyHpgpAo1h/s640/El_Greco_034.jpg" width="514" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1907, une salle entière lui est consacrée à la <i>5ème Exposition d'art</i> de Barcelone. A cette occasion, il reçoit un diplôme d'honneur de la main du roi Alphonse XIII. L'année suivante, c'est au <i>Salon national des beaux-Arts</i> de Paris que son œuvre est vivement applaudi.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est à cette époque, que le peintre exécute de nombreux paysages de la région de Ségovie et plus généralement de la Castille. Les éclairages sont de plus en plus apocalyptiques et les villages semblent proche d'un cataclysme mystérieux.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Paysage castillan</u>. Huile sur toile, 1909.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihVSZCdL1p_bZgT5dUityC_P32VOuA-Ipw9-cJovtr0U3_ajxx1BqLrFtu69yawKGXsmfjD6QH6sYbB_pQv8lyrcp3wfFiQIxav4hjd8ih8IDlz7wAcIUyysdmTJi9Mmgg74jEAxy1-_XW/s1600/1157_m_castilian_landscape+1909_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihVSZCdL1p_bZgT5dUityC_P32VOuA-Ipw9-cJovtr0U3_ajxx1BqLrFtu69yawKGXsmfjD6QH6sYbB_pQv8lyrcp3wfFiQIxav4hjd8ih8IDlz7wAcIUyysdmTJi9Mmgg74jEAxy1-_XW/s400/1157_m_castilian_landscape+1909_.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Cathédrale de Ségovie</u>. Huile sur toile, 1909.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcp5G5XfHNv_n7D9EezM83Yh6LcFjkiOfGd6RWeg1OnIc9U2tPjcyMAjoOhFrCyhD-hmpjxDgYXdNW1mVoblUt0sAQFX2NNsYfeUQSHjtib0FampJwGRVZqgb4MZ0-nv8zANoiAgmiJZ-/s1600/IGNACIO-ZULOAGA-Y-ZABALETA-THE-CATHEDRAL-OF-SEGOVIA.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcp5G5XfHNv_n7D9EezM83Yh6LcFjkiOfGd6RWeg1OnIc9U2tPjcyMAjoOhFrCyhD-hmpjxDgYXdNW1mVoblUt0sAQFX2NNsYfeUQSHjtib0FampJwGRVZqgb4MZ0-nv8zANoiAgmiJZ-/s400/IGNACIO-ZULOAGA-Y-ZABALETA-THE-CATHEDRAL-OF-SEGOVIA.JPG" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1910 et 1912, le peintre expose en Amérique du nord (New-York et Boston) puis en Amérique du sud (Mexico, Santiago du Chili, Buenos-Aires). Il est présent à la <i>Biennal de Venise</i> 1910. Il expose à Rome en 1911. Plusieurs études paraissent sur son œuvre, signées par Charles Morice (1860-1919), le premier biographe de Gauguin, et Léonce Bénédite (1856-1925), conservateur du <i>Musée du Luxembourg</i>, puis premier conservateur du <i>Musée Rodin</i>. En 1912, Vienne, Budapest, Munich, Dresde et Amsterdam, l'exposent.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Segovia</u>. Huile sur toile, 1910.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bUz7cIIq1c9tPl7bKjRqXmZicHj_LpQj2KXRi73C-VdQoV8ARvCIuWTZ9dFVwmJMo5aAQVwcxCmjG7_2ayJZNue3Au4JKUorxqgX0LQYeNu6FWfOAqSXPeoGFnMQDgNAdoQYdGrk9K7g/s1600/Segovia,+de+Ignacio+Zuloaga,+1910.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bUz7cIIq1c9tPl7bKjRqXmZicHj_LpQj2KXRi73C-VdQoV8ARvCIuWTZ9dFVwmJMo5aAQVwcxCmjG7_2ayJZNue3Au4JKUorxqgX0LQYeNu6FWfOAqSXPeoGFnMQDgNAdoQYdGrk9K7g/s400/Segovia,+de+Ignacio+Zuloaga,+1910.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La victima de la fiesta</u>. Huile sur toile, 1910.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_divTHWSENC2-4eEkeej69UllF7HhHnbAmudUGcIfZUtPbOapVtz28BWW20s2YO6G_jfI0CQXla1ptMN39QxSdPEYZg5gWdbefM0nnfWjptuZfpXdYhrMVQNzBOn-GVT8eFkDvWDMHH9z/s1600/lavctimadelafiesta1910yn0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_divTHWSENC2-4eEkeej69UllF7HhHnbAmudUGcIfZUtPbOapVtz28BWW20s2YO6G_jfI0CQXla1ptMN39QxSdPEYZg5gWdbefM0nnfWjptuZfpXdYhrMVQNzBOn-GVT8eFkDvWDMHH9z/s400/lavctimadelafiesta1910yn0.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>El Christo de la sangre</u>. Huile sur toile, 1911.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUNAzEOYbTVc8TcICo8PzhOgBqKQShlAks2VUz8_TP0flNZSvR8vfkiJd3bCweZEK5eo9nkjpwmY-8RGsyvw5Rv1zjPuUvov5JqQu3v4cl7Q_7DS1BNlEDfZYnmFl7b_ROUMLwFPvv7gN/s1600/Image-El_Cristo_de_la_Sangre_Ignacio_Zuloaga_1911.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUNAzEOYbTVc8TcICo8PzhOgBqKQShlAks2VUz8_TP0flNZSvR8vfkiJd3bCweZEK5eo9nkjpwmY-8RGsyvw5Rv1zjPuUvov5JqQu3v4cl7Q_7DS1BNlEDfZYnmFl7b_ROUMLwFPvv7gN/s400/Image-El_Cristo_de_la_Sangre_Ignacio_Zuloaga_1911.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Antonia la Gallega</u>. Huile sur toile, 1912.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Antonia la Gallega était une célèbre danseuse de flamenco.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixd41DWgroSV-UOGFI-UWwS9OQcDPk7k7nD5i4f2ChFZIZWPDOFZK1jLa1EYD6ZC89rjg7GnqSQ5PIVNnUVi54NNJdhJ4A8QntEsECZ6ZpB5Ca9yJBa59Wi9XDmg5ULcqfSw9O1SHeDjOh/s1600/antonialagallega1912jt8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixd41DWgroSV-UOGFI-UWwS9OQcDPk7k7nD5i4f2ChFZIZWPDOFZK1jLa1EYD6ZC89rjg7GnqSQ5PIVNnUVi54NNJdhJ4A8QntEsECZ6ZpB5Ca9yJBa59Wi9XDmg5ULcqfSw9O1SHeDjOh/s640/antonialagallega1912jt8.jpg" width="366" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son portrait d'un cardinal est encore un hommage direct au Greco. Le cardinal représenté par Zuloaga est assis de la même façon que le cardinal Guevara peint plus de trois siècles auparavant. Le personnage debout derrière l'homme d'église est hiératique et étiré comme chez El Greco.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le cardinal</u>. Huile sur toile, 1912.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzPnIxPjS-kMMc1MfD_aGA_3kSL5xZHhyphenhyphenfrYgMJvFUI0A2iPRRP4Md-hdhbPEEYyiRvjFqe5ka94kFthi14AMcnqsMuyDcBoKKTJktojN7Ose7V3OzCpyHhAbBm4tz4kmjRuulAwlHlzm/s1600/lecardinal1912jr8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzPnIxPjS-kMMc1MfD_aGA_3kSL5xZHhyphenhyphenfrYgMJvFUI0A2iPRRP4Md-hdhbPEEYyiRvjFqe5ka94kFthi14AMcnqsMuyDcBoKKTJktojN7Ose7V3OzCpyHhAbBm4tz4kmjRuulAwlHlzm/s400/lecardinal1912jr8.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Greco. Portrait présumé du cardinal Guevara. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, vers 1600.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjjsAXwZd93g9DSsgtu5U2DN51-Jqxa8Ob8Ygj4XbBn75mnJ2ZZRi0gVAkKOwRxq47_lILQ_fVCyTDYBv-C4wH_63DFGvMk30R5iwI3UdTGMdJYIl5Tyc3dgdIo9UfJyz0ZLPmpU1PIaDo/s1600/El_Greco_049.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjjsAXwZd93g9DSsgtu5U2DN51-Jqxa8Ob8Ygj4XbBn75mnJ2ZZRi0gVAkKOwRxq47_lILQ_fVCyTDYBv-C4wH_63DFGvMk30R5iwI3UdTGMdJYIl5Tyc3dgdIo9UfJyz0ZLPmpU1PIaDo/s640/El_Greco_049.jpg" width="396" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Tout au long de sa carrière, Zuloaga a aussi été un portraitiste apprécié. Il a, particulièrement, peints les célébrités espagnoles dont beaucoup étaient de ses amis. On lui doit aussi des portraits de personnalités de la haute société parisienne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Retrato de la senorita Malinkova</u>. Huile sur toile, 1912.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz91cSCRrRL7ObnMjfW8v2g9Brb4zctKY8OWSO2MP7uxj-Vy-4Klzl9ZXCIBMYjfhMPF9AqmT-eJwkzB4p2KztYqgcdNCG4qK8GWYaW0AyfMPjCmFJPiM3i6psSRVEY8mme-yDYeEipo1e/s1600/retratodelaseoritamalinkova+1912l2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz91cSCRrRL7ObnMjfW8v2g9Brb4zctKY8OWSO2MP7uxj-Vy-4Klzl9ZXCIBMYjfhMPF9AqmT-eJwkzB4p2KztYqgcdNCG4qK8GWYaW0AyfMPjCmFJPiM3i6psSRVEY8mme-yDYeEipo1e/s640/retratodelaseoritamalinkova+1912l2.jpg" width="310" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est en 1913 qu'il rencontre Manuel de Falla (1876-1946), le plus grand compositeur espagnol, avec lequel il aura de fréquentes rencontres. En 1914, il présente son tableau, <i>La Morenita au châle blanc</i>, lors d'une exposition à New-York. Cette exposition enthousiasme la critique. Dès le début de la guerre, il aide les alliés en organisant des expositions au profit de ceux-ci. Il recevra des mains du président Poincaré la <i>Légion d'Honneur</i> après la guerre pour son action en faveur de la France.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Morenita au châle blanc</u>. Huile sur toile, 1913.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdMflWUGdNZt2Gwcvif83JGbcmH-HJ-MTrPVET2j8Kq-mvQQSmMMoGk437jSZvQKX1qqRRXtFpvo_boDqe2pPSj7esDooiYGLx-hCBMWhgq-AOQvPc798smjAGfBwZuT3_g1XPdRUmKAaK/s1600/la+morenita+au+cha%CC%82le+blanc.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdMflWUGdNZt2Gwcvif83JGbcmH-HJ-MTrPVET2j8Kq-mvQQSmMMoGk437jSZvQKX1qqRRXtFpvo_boDqe2pPSj7esDooiYGLx-hCBMWhgq-AOQvPc798smjAGfBwZuT3_g1XPdRUmKAaK/s640/la+morenita+au+cha%CC%82le+blanc.png" width="314" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de la comtesse Anna de Noailles</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1913.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Anna Bibesco Bassaraba de Brancovan (1876-1933) a épousé le comte Mathieu de Noailles (1873-1942) en 1897. Au moment où Zuloaga la portraiture elle est une des femmes les plus connues de la haute société parisienne car elle tient un salon où se pressent toutes les célébrités artistiques et littéraires de l'époque, Gide, Barrès, Valéry, Proust, Cocteau, Loti, Montesquiou. A l'époque, elle est considérée comme un des plus grands poètes français avec des recueils comme <i>Le cœur innombrabl</i>e (1901) ou <i>Les éblouissements</i> (1907). Son lyrisme exalté et très daté sera déjà critiqué de son vivant notamment après la guerre de 14. Elle n'est plus guère lue aujourd'hui, même si certains poèmes restent très beaux.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAx0-GxdvHdlmgocVqVCxfa5gxfhAh1wUML1-OpmP6GdBgcsTV9cU7GoMgRVfOYug5MQt6eMY_-S215SB-4JpFIL9xrTyXC0kge6-xTYS2dYho7ZtlHOs3icTrCTD3DncSzUYEJeEqsMod/s1600/Ignacio+Zuloaga+y+Zabaleta+-+Portrait+de+la+comtesse+Anna+de+Noailles+1913.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAx0-GxdvHdlmgocVqVCxfa5gxfhAh1wUML1-OpmP6GdBgcsTV9cU7GoMgRVfOYug5MQt6eMY_-S215SB-4JpFIL9xrTyXC0kge6-xTYS2dYho7ZtlHOs3icTrCTD3DncSzUYEJeEqsMod/s400/Ignacio+Zuloaga+y+Zabaleta+-+Portrait+de+la+comtesse+Anna+de+Noailles+1913.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un des tableaux les plus célèbres de Zuloaga est le portrait de Maurice Barrès (1862-1923) devant la ville de Tolède. En 1913, Barrès était un des écrivains français les plus prestigieux. Après une période esthétique marqué par une trilogie appelée <i>Le culte du moi</i>, il se tourne vers un nationalisme fortement teinté d'antisémitisme qui fait de lui un adversaire de Dreyfus : <i>Que Dreyfus est capable de trahir, je le conclus de sa race</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Elu député de Paris, il entre à l'<i>Académie française</i> en 1906. Belliciste forcené pendant la guerre de 14, il gagne alors le surnom de <i>rossignol des carnages</i>. Ecrivain ayant une influence très importante, il a été une des têtes de turc favorites du mouvement <i>Dada</i> qui organise son procès en 1921.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grand voyageur, il a écrit un ouvrage sur l'Espagne, <i>Le Greco ou le secret de Tolède</i> (1911).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Zuloaga, par sa filiation avouée avec le grand peintre de Tolède, était l'artiste idéal pour exécuter ce portait. A l'évidence, le peintre s'est inspiré des deux vues de Tolède qui nous restent du Gréco.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>El Greco. <u>Vue de Tolède</u>. Huile sur toile, vers 1597-1599.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwGFFyaTfJdw35nUKzb8DUx5Y5D5KWqpmueoti4SJzUsRf9Loo4TT5TVHF7jjBGNAn5_MpMCXgpgW9E-8LXeRAG_aRMb2__-Zsh-ygfN_jxrA4S8mP21QPk27hUiurdW-ZLTAmDVp4eioN/s1600/toledo1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwGFFyaTfJdw35nUKzb8DUx5Y5D5KWqpmueoti4SJzUsRf9Loo4TT5TVHF7jjBGNAn5_MpMCXgpgW9E-8LXeRAG_aRMb2__-Zsh-ygfN_jxrA4S8mP21QPk27hUiurdW-ZLTAmDVp4eioN/s640/toledo1.png" width="568" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>El greco. <u>Vue et plan de Tolède</u>. Huile sur toile, vers 1610.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUto69MrtTNowj0043eoiDFQJamoimUIGy0_PSha-IR6s9SEYU_yjH4OBthBrhyphenhyphen4fcWuN5dRDc2zwt6AOlMsgnQrTExslpvKYS0x5rNNzBfCfxh9bbpimRFnfnw2hmzQ2nGTQxz54pL29W/s1600/elgreco_viewandplanoftoledo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUto69MrtTNowj0043eoiDFQJamoimUIGy0_PSha-IR6s9SEYU_yjH4OBthBrhyphenhyphen4fcWuN5dRDc2zwt6AOlMsgnQrTExslpvKYS0x5rNNzBfCfxh9bbpimRFnfnw2hmzQ2nGTQxz54pL29W/s400/elgreco_viewandplanoftoledo.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Maurice Barrès devant Tolède</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1913.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP2uD0K3Hk1DIKtBCAShZxDzK_KyFtJbeqDjdS7kKjYeWeUWrPNOAjA3k10IeYOyqWXdgOUINBxd-Xx9_Ik05WISstOMoREQ2yM9PhQs22N59b3OXrGVT8RXQvHDIksfxkcOLC0muq3TNd/s1600/bou4_zuloaga_1914z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP2uD0K3Hk1DIKtBCAShZxDzK_KyFtJbeqDjdS7kKjYeWeUWrPNOAjA3k10IeYOyqWXdgOUINBxd-Xx9_Ik05WISstOMoREQ2yM9PhQs22N59b3OXrGVT8RXQvHDIksfxkcOLC0muq3TNd/s400/bou4_zuloaga_1914z.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">A la même période, Zuloaga peint aussi une vue de Tolède dans le même esprit.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOuUK8s097HFbSKFY2w1o9WfsLjtCTtuBqKAmloaoU3kxZdRiSQXp83XfEMyMSce-WkTaFDh7j1zv4__Jvqg57f_bJ25AhvW_WjRTbv14R0qAKtbK5jJG2y2zA2pGsp7yf1KlxBIP_4LdQ/s1600/1158_m_view_of_toledo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOuUK8s097HFbSKFY2w1o9WfsLjtCTtuBqKAmloaoU3kxZdRiSQXp83XfEMyMSce-WkTaFDh7j1zv4__Jvqg57f_bJ25AhvW_WjRTbv14R0qAKtbK5jJG2y2zA2pGsp7yf1KlxBIP_4LdQ/s400/1158_m_view_of_toledo.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pendant cette période, le peintre continue à s'intéresser à la tauromachie. Il peint un de ses plus grands tableaux, <i>Idolos futuros o Torerillos de Turégano</i>, qui représente de jeunes toreros en attente de l'affrontement avec la bête.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Idolos futuros</u>. Huile sur toile, 1913-1915.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2XsY2WAX-kNfHowwDaCKjW_ONQEpzWYBcwIMvuNAeNRXH14d0sK4bRI7iLydP5CEix7NusKTUrSDbvjHeLtbUwN2M2PEjs07w3h-oi8GLq13rnVeZjhTqTEgFyrolxxFefltmXUIExrvz/s1600/idolosfuturosotorerilloyi7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2XsY2WAX-kNfHowwDaCKjW_ONQEpzWYBcwIMvuNAeNRXH14d0sK4bRI7iLydP5CEix7NusKTUrSDbvjHeLtbUwN2M2PEjs07w3h-oi8GLq13rnVeZjhTqTEgFyrolxxFefltmXUIExrvz/s400/idolosfuturosotorerilloyi7.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le torero</u>. Huile sur toile.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIc6FRdg5XgpnhUj6KjdlaFjq4apeXFOkGgFX30kUjaDnPziFj7RBDjYsurFtnmFlN9v1tclEsS9PePFE5qldNDjaMgDJJY7ul-mzp6XrX8Hz1EXWL9CNaZjtyiUpTnV_6koSdV2egYu9F/s1600/torerowp4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIc6FRdg5XgpnhUj6KjdlaFjq4apeXFOkGgFX30kUjaDnPziFj7RBDjYsurFtnmFlN9v1tclEsS9PePFE5qldNDjaMgDJJY7ul-mzp6XrX8Hz1EXWL9CNaZjtyiUpTnV_6koSdV2egYu9F/s640/torerowp4.jpg" width="408" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Après la guerre de 14, Zuloaga s'installe à Madrid. En 1920, il réalise le portrait de son ami le philosophe et homme politique José Ortega y Gasset (1883-1955) qui vient de fonder le journal de centre gauche <i>El Sol</i>.</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Jose Ortega y Gasset</u>. Huile sur toile, 1920.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_yprBXMiBWq1xOiIWPaYfDLFZsSg3RxfPvjAZl8USwHChifF1ohp-kf2PAOUxuXyWJQl1QnYSV6OXPDe1VeXXo-T1_BO8vb5oALaoSbUieCq-6OAUolXWg4g6jZo4mPVA57SRY6jhnL8s/s1600/zuloaga7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_yprBXMiBWq1xOiIWPaYfDLFZsSg3RxfPvjAZl8USwHChifF1ohp-kf2PAOUxuXyWJQl1QnYSV6OXPDe1VeXXo-T1_BO8vb5oALaoSbUieCq-6OAUolXWg4g6jZo4mPVA57SRY6jhnL8s/s640/zuloaga7.jpg" width="530" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre les deux guerres, il va continuer à travailler en se concentrant davantage sur les portraits. Il va souvent collaborer avec Manuel de Falla. D'abord en 1920, où il intervient sur les décors d'une pièce de Enrique Larreta (1875-1961), écrivain argentin, tiré de son roman <i>La gloire de Don Romero</i> (1908) sur l'Espagne du XVIIème siècle. De Falla devait écrire la musique de scène. Le projet ne semble pas avoir abouti. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1928, il exécute les décors pour une reprise des <i>Tréteaux de Maître Pierre (El retablo de maese Pedro)</i>, opéra que Falla avait écrit en 1918-1919 sur un épisode du <i>Don Quichotte</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Manuel de Falla. <u>El retablo de Maese Pedro</u>. Orchestre national d'Espagne. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Ataulfo Argenta. 1956.</i></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/jFmoFFVLI8M?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Zuloaga. Esquisse pour la représentation de </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>El retablo de Maese Pedro. Crayon, 1927.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCRLdjxL8dafpvEFMaYGZJJ9pbTGgZhsGU2uPAURtFQMhBb_kkVGuUi5hJOHeTIqx1QyQ-X71ZBPtdiHaFu7Bh5cVmas-4gaY_b0zPgr6Pw3KUEsUCFd5DZZjP_-4Xylwbzvgcp_Uz_EpW/s1600/El+retablo+de+Maese+Pedro_+1927_+__leo+y+carboncillo+papel_+92+x+127_+Museo+Ignacio+Zuloaga+Zumaia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCRLdjxL8dafpvEFMaYGZJJ9pbTGgZhsGU2uPAURtFQMhBb_kkVGuUi5hJOHeTIqx1QyQ-X71ZBPtdiHaFu7Bh5cVmas-4gaY_b0zPgr6Pw3KUEsUCFd5DZZjP_-4Xylwbzvgcp_Uz_EpW/s400/El+retablo+de+Maese+Pedro_+1927_+__leo+y+carboncillo+papel_+92+x+127_+Museo+Ignacio+Zuloaga+Zumaia.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'une reprise de l'opéra dans la </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>scénographie de Zuloaga.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw8zmiJZJFjCJ7Z8WfQt_TmRm7lnAWZ5k9fwoe7oDvWaabLAdwdLJYLhSQMTSxBVCWJRpnZvwa_j3_77zoYOFXDUUNvCDdae9zRmvTpAfH8dJNnF-tx2nl5GAXktlsXFDEak9WiMMakflc/s1600/marionetas_retablo_maese_pedro_museo_teatro_muma0001.jpg_1306973099.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw8zmiJZJFjCJ7Z8WfQt_TmRm7lnAWZ5k9fwoe7oDvWaabLAdwdLJYLhSQMTSxBVCWJRpnZvwa_j3_77zoYOFXDUUNvCDdae9zRmvTpAfH8dJNnF-tx2nl5GAXktlsXFDEak9WiMMakflc/s400/marionetas_retablo_maese_pedro_museo_teatro_muma0001.jpg_1306973099.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies de Ignacio Zuloaga. Vers 1925.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6NxGp_om49DyDrP-KYFEsAaP2vzIFeAdG_Z1KnOKLHoMxrXjymxYnu25mOxk5oyodFd7j8o5Rcbh5H2bU-Hxxm4q5pwZ6YRQzL3BrcO6M1R67kEeRill5xYqhgY6jkWxyvdmfc_umZal4/s1600/Ignacio_Zuloaga_1925.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6NxGp_om49DyDrP-KYFEsAaP2vzIFeAdG_Z1KnOKLHoMxrXjymxYnu25mOxk5oyodFd7j8o5Rcbh5H2bU-Hxxm4q5pwZ6YRQzL3BrcO6M1R67kEeRill5xYqhgY6jkWxyvdmfc_umZal4/s400/Ignacio_Zuloaga_1925.jpg" width="321" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFig5zZPBR994ZokVOoTGfWGuwO3Iwr_l7_doVxwW0r3DApa7kfCaVl0rJEN8Oj9KTmPjAg6af6JOcLikuYDR3pUFefzFr59gjJ0KMNxJD8qTTer9-TNBgNaDbpF6nKOmuNBh9DqKrNhTV/s1600/ignacio_zuloaga_efe19250101_2255156g.jpg_1306973099.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFig5zZPBR994ZokVOoTGfWGuwO3Iwr_l7_doVxwW0r3DApa7kfCaVl0rJEN8Oj9KTmPjAg6af6JOcLikuYDR3pUFefzFr59gjJ0KMNxJD8qTTer9-TNBgNaDbpF6nKOmuNBh9DqKrNhTV/s400/ignacio_zuloaga_efe19250101_2255156g.jpg_1306973099.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Huile sur toile, vers 1925.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH4-8ZPyVk1fXOh3DRiTpA69pzDus6QrQdzz3P5g-R_afyrBPBa5w_FFoL_FWvZc1Jt_6uQH1YMgt7GSVeDhiCwbBFdk91D0aDnoqY0EQtB7lveJMNuI21_78A_qKHEB6Wgi42vnC0sSOk/s1600/1155_o_self_portrait_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH4-8ZPyVk1fXOh3DRiTpA69pzDus6QrQdzz3P5g-R_afyrBPBa5w_FFoL_FWvZc1Jt_6uQH1YMgt7GSVeDhiCwbBFdk91D0aDnoqY0EQtB7lveJMNuI21_78A_qKHEB6Wgi42vnC0sSOk/s640/1155_o_self_portrait_.jpg" width="600" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">1925, c'est l'année d'une grande tournée d'exposition qui commence à New-York, où le peintre est reçu par le président Calvin Coolidge et qui se termine à La Havane. Il achète le château de Pedraza à 37 km de Ségovie, qu'il fait restaurer et qui deviendra un musée qui lui est consacré.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSecjh6DWQYFp1v1kRISXeTHN-4FJpujIEiUGtx7XaECbl3QBdYcJdLvfNVhRWqVmZbbnxz2i3Pj8sbrmOXonZXzYo701ZzWJPsYbAI-Pjrmamb8CBunQGEwBnwMtjaQnOacDFiaPXnB-D/s1600/chateau.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSecjh6DWQYFp1v1kRISXeTHN-4FJpujIEiUGtx7XaECbl3QBdYcJdLvfNVhRWqVmZbbnxz2i3Pj8sbrmOXonZXzYo701ZzWJPsYbAI-Pjrmamb8CBunQGEwBnwMtjaQnOacDFiaPXnB-D/s400/chateau.png" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS4I-uc7NifxFdrClYjw08Z0TlDapaBgEfhefTMUSjs8E-6inBNCbBlJe4sVUDyWhomryb3fMqQAiAnROEtc2zy22tmWK-mEjEOP7opU7JrmrA2mCIUzNpXzlTTJ9Nt3aGCkgAlz6SH0uM/s1600/Castillo+de+Pedraza.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS4I-uc7NifxFdrClYjw08Z0TlDapaBgEfhefTMUSjs8E-6inBNCbBlJe4sVUDyWhomryb3fMqQAiAnROEtc2zy22tmWK-mEjEOP7opU7JrmrA2mCIUzNpXzlTTJ9Nt3aGCkgAlz6SH0uM/s400/Castillo+de+Pedraza.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggeYmmZZHi9nEHxTo8BzktEtp2g6w2VVWBtV0tYmzLYD4T9aTgizvklotHI09We3NOXKQyNGBPRr8TDdWPrCifg6BsVuAx92J6exLE2Qh1zM0d807Um8CA2LhwwDHn5qMvKNyvTRQgySSB/s1600/1319806121_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggeYmmZZHi9nEHxTo8BzktEtp2g6w2VVWBtV0tYmzLYD4T9aTgizvklotHI09We3NOXKQyNGBPRr8TDdWPrCifg6BsVuAx92J6exLE2Qh1zM0d807Um8CA2LhwwDHn5qMvKNyvTRQgySSB/s400/1319806121_0.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1931, il fait le portrait du grand écrivain Ramon Maria de Valle-Inclan (1866-1936), considéré comme un des auteurs espagnols majeurs du XXème siècle.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Ramon de Valle-Inclan</u>. Huile sur toile, 1931.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ffvhWvcgbPX0aGpAZx9uumtTHioY4TtZ3O1qYzX51JESc3sB4sd7bdk0iDxjMuCfBNdROTzlT6SOSDEWEptkRC004jzrW0GrVKX-f5-JvnHHIFMcjq-XyzfT8uZ5QQBfPJGNcf0Acn9O/s1600/Ignacio+Zuloaga+retrato+de+Valle-Inclan.+valle+inclan+1931jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ffvhWvcgbPX0aGpAZx9uumtTHioY4TtZ3O1qYzX51JESc3sB4sd7bdk0iDxjMuCfBNdROTzlT6SOSDEWEptkRC004jzrW0GrVKX-f5-JvnHHIFMcjq-XyzfT8uZ5QQBfPJGNcf0Acn9O/s640/Ignacio+Zuloaga+retrato+de+Valle-Inclan.+valle+inclan+1931jpg.jpg" width="454" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'année suivante, il fait le portrait de son grand ami Manuel de Falla. A cette époque, le grand compositeur a pratiquement achevé son œuvre. Sa dernière grande composition est le <i>concerto pour clavecin et cinq instruments</i> (1923-1926) commandé par Wanda Landowska (1879-1959), un chef-d'œuvre ancré dans la tradition musicale du <i>Siècle d'Or</i> et en même temps intemporel qui dure moins d'un quart d'heure. Il travaille depuis à son Oratorio <i>El Atlantida</i> sur un texte de Joachim Verdaguer. Exilé en Argentine lors de la Guerre d'Espagne, il y meurt en 1946 sans l'avoir achevé.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Manuel de Falla. Concerto pour clavecin et cinq </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>instruments. Clavecin, Janos Sebestyen.</i></span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/PiPxbut6gJ4?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Manuel de Falla</u>. Huile sur toile, 1932.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbQSXxUWvpwx3jEm2WQAXLS_RRXkVYerB8Lkb5YvVixDoH1pcvHTf-aCgfwk1i80ihu1v2hxGnlBvUQy_7xBWWC4eL7F62ekDdAZM4kBFHoJSR944rKgqYk5Gyv4OeMROcEPq7qkexEJK0/s1600/Art+Pin+XIX+Zuloaga+Retrato+de+Manuel+de+Falla+2.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbQSXxUWvpwx3jEm2WQAXLS_RRXkVYerB8Lkb5YvVixDoH1pcvHTf-aCgfwk1i80ihu1v2hxGnlBvUQy_7xBWWC4eL7F62ekDdAZM4kBFHoJSR944rKgqYk5Gyv4OeMROcEPq7qkexEJK0/s640/Art+Pin+XIX+Zuloaga+Retrato+de+Manuel+de+Falla+2.gif" width="496" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une toile étonnante est son portrait de Jose Maria de Huarte y Jauregui (1898-1969), exécuté en 1937 et qui présente son modèle dans son grand uniforme. Le résultat paraît assez ridicule mais difficile de savoir si c'est une volonté de l'artiste.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Jose Maria de Huarte</u>. Huile sur toile, 1937.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ-fz61Kl9J6R8jBu196w7IQ0BubP2mZn0QMQHrLYSN0PymFiSqli9VY-LQ7Qz9n0WdFuJQTXIh3aSQbPUFNu8IilWJnrBko8-kmTqD4Ha-OTbavDXJuwzRYwEWqZduiQrTx6gBjjyeuYW/s1600/Retrato_de_Jos_Mar_a_de_Huarte_obra_de_Zuloaga.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ-fz61Kl9J6R8jBu196w7IQ0BubP2mZn0QMQHrLYSN0PymFiSqli9VY-LQ7Qz9n0WdFuJQTXIh3aSQbPUFNu8IilWJnrBko8-kmTqD4Ha-OTbavDXJuwzRYwEWqZduiQrTx6gBjjyeuYW/s640/Retrato_de_Jos_Mar_a_de_Huarte_obra_de_Zuloaga.JPG" width="436" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Jusqu'à son décès, Zuloaga continuera de peindre et sera exposé. Il meurt à Madrid en octobre 1945.</span></span></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-36152989548695398272012-05-04T04:58:00.004-07:002012-05-05T04:53:33.027-07:00Un musicien solitaire, Albéric Magnard<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Albéric Magnard est encore aujourd'hui ignoré de beaucoup de mélomanes, alors qu'il fut un des plus grands compositeurs français de cette époque, aussi important qu'un Ravel ou qu'un Fauré. Plus qu'aucun autre musicien français, il est un passage obligé entre la musique du XIXème siècle et celle du XXème, entre Wagner et Stravinsky.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il faut bien reconnaître que cet homme réservé, austère et entier a tout fait pour ne pas être célèbre y compris ne pratiquement jamais être photographié ou portraituré alors qu'on possède des centaines de portraits de Debussy, Ravel ou Satie.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lucien Denis Gabriel Albéric Magnard est né à Paris en 1865. Il est donc un contemporain de Debussy tout en ayant une esthétique totalement opposée. Fils du rédacteur en chef du <i>Figaro</i>, il détestait qu'on lui rappelle ses origines bourgeoises et a tout fait pour ne parvenir que par sa propre valeur. Une phrase de lui résume bien son état d'esprit : <i>L'artiste qui ne puise pas sa force dans l'abnégation est ou près de sa mort ou près du déshonneur</i>. Bref, une personnalité certainement pas très boute-en-train mais impressionnante. Toute sa vie et sa mort montreront ce courage et ce sens de l'honneur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Albéric Magnard vers l'âge de 4 ou 5 ans.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEhTkX-TjUYDG8Bifzm5HRJOeyBkCglNVEMUqbvbjQhkDIkfFRGvM5RsHH8ePmpCGMky7d-pPzzk4uSutXfFygderBu3A36oJYza03HG6YCIu2-_UYImzFbf5FEdFI9XMv0DJ7Ex6wwAn/s1600/magnard_1867jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEhTkX-TjUYDG8Bifzm5HRJOeyBkCglNVEMUqbvbjQhkDIkfFRGvM5RsHH8ePmpCGMky7d-pPzzk4uSutXfFygderBu3A36oJYza03HG6YCIu2-_UYImzFbf5FEdFI9XMv0DJ7Ex6wwAn/s640/magnard_1867jpg.jpg" width="418" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Orphelin de mère très jeune (celle-ci, atteinte de troubles mentaux, s'est défenestrée), il commence par faire des études de droit. C'est une représentation de <i>Tristan et Isolde</i> de Wagner lors du <i>Festival de Bayreuth</i> en 1886, qui le décide a faire une carrière musicale. C'est la grande soprano wagnérienne Rosa Sucher (1849-1927) qui interprétait cette année-là le rôle d'Isolde.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Rosa Sucher interprétant le rôle d'Isolde à </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bayreuth en 1886.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBC22_Y3P3UmwP3mHI-KFy-WsO9MU1c8_0YiJ-t01Jo1oCRf10WLqSVHhboVSNCZ7q2FhE7xs8g99qUq6YL1jlsORKBexyCMtBONjCwb98ZHgY_DFvnZfNK3jDFq99IdsEsH04teZ9dKBu/s1600/Rosa+Sucher+as+Isolde+Bayreuth+N4525_W.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBC22_Y3P3UmwP3mHI-KFy-WsO9MU1c8_0YiJ-t01Jo1oCRf10WLqSVHhboVSNCZ7q2FhE7xs8g99qUq6YL1jlsORKBexyCMtBONjCwb98ZHgY_DFvnZfNK3jDFq99IdsEsH04teZ9dKBu/s640/Rosa+Sucher+as+Isolde+Bayreuth+N4525_W.jpg" width="412" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il rejoint ainsi le régiment des wagnéristes français qui eurent même leur publication, la <i>Revue Wagnérienne</i> de 1885 à 1888. Au conservatoire, il est élève de Jules Massenet et de Théodore Dubois qui n'étaient pas les musiciens les plus audacieux de l'époque. Il rencontre alors, celui qui deviendra son grand ami, le compositeur breton Joseph-Guy Ropartz (1864-1955). C'est surtout le soutient et l'amitié de Vincent d'Indy qui lui donnera des cours pendant 4 ans. Pourtant on ne peut imaginer deux personnalités plus opposées.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le comte Paul Marie Théodore Vincent d'Indy (1851-1931) est une grande figure de la musique française. Wagnérien, élève de César Franck, il a créé avec d'autres musiciens une école privée la <i>Schola Cantorum</i> qui prône le retour à la tradition du grégorien et de la musique de Palestrina. Cette école aura un impact très important sur la musique française du XXème siècle par son retour à une musique contrapuntique s'opposant à l'écriture d'un Debussy qui détestait la fugue ou le contrepoint.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Vincent d'Indy, authentiquement, noble est réactionnaire, antirépublicain, nationaliste frénétique et par dessus tout d'un antisémitisme absolu. Il est résolument antidreyfusard, niant aux juifs toute capacité de création, antisocialiste et antiféministe. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Vincent d'Indy à l'époque ou </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>il rencontre Albéric Magnard.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIq3sB2HsoNrBjcyFvytnKQMSTrg575nNsRuM2HmsiQNtwx4mtbqHS9Ihfx4m4Z-gy8oO6q1pK0WUqiMGNsxndLPCMGY6t-yLxQN_9PON4Pq4ae4kIAFgWtRA21LhTO37zBo_Q1_3r6uy/s1600/Vincent_d'Indy-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIq3sB2HsoNrBjcyFvytnKQMSTrg575nNsRuM2HmsiQNtwx4mtbqHS9Ihfx4m4Z-gy8oO6q1pK0WUqiMGNsxndLPCMGY6t-yLxQN_9PON4Pq4ae4kIAFgWtRA21LhTO37zBo_Q1_3r6uy/s640/Vincent_d'Indy-1.jpg" width="422" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour autant, d'Indy accueillera sans problème, des juifs, comme Roland-Manuel, dans sa classe de la <i>Schola</i> et dirigera souvent Debussy à l'étranger. Alors que sa musique était oubliée depuis 50 ans, elle revient aujourd'hui à la mode. Pourtant, c'est sans aucun doute en écoutant sa très longuette deuxième symphonie en si bémol, que Debussy avait parlé de <i>laboratoire du vide</i>. Cependant, une œuvre est restée au programme, la <i>Symphonie sur un chant montagnard français</i> pour piano et orchestre (1886), dont le final <i>Animé</i> est tout à fait roboratif.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>N'ayant pas les informations concernant l'enregistrement, je</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>suppose qu'il s'agit peut-être de celui d'Aldo Ciccolini au</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>piano et Serge Baudo à la direction.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De d'Indy, Magnard gardera un sens de la construction et une grande sensibilité au rythme. Pendant cette période, Magnard est très souvent au concert. Il voyage en Hollande, en Allemagne et surtout en Belgique avec laquelle il noue des liens étroits. Il rédige aussi des articles pour le <i>Figaro</i>. Il écrit sa <i>première symphonie</i> en 1889-1890. L'écoute du premier mouvement montre une grande ressemblance avec la symphonie en si bémol d'Ernest Chausson (1855-1899), un des très grands compositeurs de l'école franckiste mais aussi de la symphonie en ré mineur de Franck.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Symphonie n°1 en ut mineur op. 4. 1er mouvement</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Strepitoso. Orchestre du </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Capitole de Toulouse. </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Michel Plasson.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1896, Magnard épouse Julie Creton qui lui donnera deux filles Eve en 1901 et Ondine en 1904. Elle est fille d'un couple de paysans très pauvres et a déjà un enfant, René, issu d'une relation sans lendemain. Le compositeur fait montre de toute son indépendance d'esprit en épousant une "fille-mère" (comme on disait à l'époque), dépourvue d'argent et d'un milieu social totalement différent. Magnard élèvera cet enfant comme son propre fils et le couple aura une vie très heureuse.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOCfRCQPerfc_pm5i8LOWjZhrK4Z2zz0zVZZ4GZlNw8FlEt3IR6NRn-4KUvkBPPKcgXFe_h6-9cWUO8OxUJ8jdxtEZid55LGxqG7y45bCKm97csZAwKeQrLgnnmEbS6WFz2N_rLN_YT86Y/s1600/julia+creton+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOCfRCQPerfc_pm5i8LOWjZhrK4Z2zz0zVZZ4GZlNw8FlEt3IR6NRn-4KUvkBPPKcgXFe_h6-9cWUO8OxUJ8jdxtEZid55LGxqG7y45bCKm97csZAwKeQrLgnnmEbS6WFz2N_rLN_YT86Y/s640/julia+creton+.jpg" width="462" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Passionné de peinture, il n'apprécie guère l'<i>Impressionnisme</i>, mais est un très grand ami d'Emile Gallé. Farouche défenseur de l'initiative personnelle, il rejette toute forme de syndicalisme. En même temps, il est très en avance sur son temps quant aux droits de la femme. Il écrit en 1900 : <i>La question des droits de la femme prime tout dans l'évolution sociale… Les plaies immondes de notre société, le militarisme, l'alcoolisme, la prostitution ne pourront s'atténuer et disparaître que par la volonté des femmes et la volonté des femmes ne comptera guère tant qu'elles n'auront pas les même droit civils que nous et nos droits politiques.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1895 et 1896, il compose sa <i>troisième symphonie</i> inspirée par l'Auvergne et baptisée parfois <i>Bucolique</i>. Le mouvement le plus célèbre est le troisième, sous-titré <i>Danses</i>. Sans jamais aucune citation folklorique, Magnard, par la rythmique et l'orchestration créée une évocation de musique populaire. Cette musique est sans équivalent dans l'art français de cette époque. A sa création en 1899, cette symphonie est saluée par le sévère Paul Dukas (1865-1935). Cette même année, il commence à enseigner le contrepoint à la <i>Schola Cantorum</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Symphonie n° 3 op 11 en si bémol mineur. Danses : très vif. Orchestre du </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Capitole de Toulouse. </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Michel Plasson.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1898, Zola publie son célèbre <i>J'accuse</i>. Magnard lui envoie immédiatement son soutien par une lettre exemplaire et vigoureuse : <i>Bravo Monsieur, vous êtes un crâne ! en vous l'homme vaut l'artiste. Votre courage est une consolation pour les esprits indépendants. Il y a donc encore des français qui préfère la justice à leur tranquillité, qui ne tremble pas à l'idée d'une guerre étrangère, qui ne se sont pas aplatis devant ce sinistre hibou de Drumont et ce vieux polichinelle de Rochefort. Marchez, vous n'êtes pas seul. On se fera tuer au besoin</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il signe ensuite de nombreuses pétitions pour la révision du procès. Lorsque Dreyfus est gracié par le président Emile Loubet, Magnard furieux démissionne de son grade de sous-lieutenant dans l'armée par une lettre tellement violente qu'elle remonte jusqu'au ministre de la guerre, le général de Galliffet (1830-1909).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1901 et 1902, il écrit un <i>Hymne à la Justice</i> op. 14 qu'il dédie à Emile Gallé, son compagnon dans la défense de Dreyfus. L'œuvre est créée par Joseph-Guy Ropartz et l'orchestre du conservatoire de Nancy dont il est le directeur, en janvier 1903.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie prise en 1903, le jour de la création </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A gauche, Albéric Magnard, au centre Ropartz, à droite, le violoniste belge Eugene Ysaye.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Hymne à la justice</u> op. 14. Orchestre du Capitole de Toulouse. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Michel Plasson.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1897 et 1901, Magnard écrit sa tragédie en musique <i>Guercœur</i> dont il a lui-même rédigé le texte. L'opéra en trois actes durent près de 3 heures. Guercœur, grand chef d'état décide de quitter le Paradis où il s'ennuie. Revenu sur terre, il est trahi puis assassiné. Il trouve sa consolation dans l'annonce des temps nouveaux qu'il imagine au Paradis. Par cet œuvre très ambitieuse, Magnard a voulu témoigner de sa vision sombre de l'humanité, mais aussi de son espoir en l'avenir.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Guercœur</u>. Introduction. Acte I, scènes I et II. Orchestre du</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Capitole de Toulouse. Direction, Michel Plasson.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son <i>quatuor op. 16</i> est une œuvre tout aussi étonnante. Le final, Danses, par son caractère rythmique annonce Roussel mais la densité du contrepoint et les fluctuations rythmiques continues évoquent davantage un Max Reger. Mais quelle science et quelle inspiration !</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Quatuor op. 16 en mi mineur. 4ème Mouvement, </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Danses. Quatuor Via Nova.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1904, fatigué de la vie parisienne, le couple décide de s'installer à la campagne. Magnard achète une propriété non loin de Senlis, à Baron, à 5 km au nord d'Ermenonville. Le couple se tient à l'écart aussi bien des habitants que des manifestations parisiennes auxquelles il est convié.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une des rares photographies de Magnard avec sa </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>fille Ondine, prise en 1904 à Baron.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Voyageant peu, son seul déplacement notable est un séjour à Berlin en 1905 où il dirige sa <i>3ème symphonie</i>. Sa vie à Baron est essentiellement consacrée à la composition et à sa famille. Parmi ses œuvres importantes, il faut signaler le <i>trio</i> op. 18 qui marque une date dans la musique de chambre française. Il évoque en même temps Brahms par son développement et le dernier Fauré par son ton élégiaque.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Trio Arkhé Sesi, 2011.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Magnard s'attelle ensuite à la composition de son second drame en musique, <i>Bérénice</i>, dont il écrit le texte et la musique entre 1905 et 1908. Il s'agit de l'histoire de l'empereur Titus et de Bérénice qui doivent se séparer car la reine de Judée est juive et le peuple romain refuse une étrangère. Un tel sujet, alliant le destin d'une femme et l'ostracisme à l'égard de l'autre ne pouvait que passionner le compositeur. Voici ce qu'il en disait : <i>Titus et Bérénice aiment mieux détruire leur bonheur plutôt que d'assister à sa mort lente dans un milieu de haine, de défiance et de mensonge où il ne peut plus vivre</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">l'œuvre est créée en 1911 à l'<i>Opéra Comique</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Bérénice</u>. Extraits. Direction, Léon Botstein, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carnegie Hall, 2011.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les solistes, malheureusement, sont anglo-saxons et, malgré leurs incontestables qualités vocales, massacrent joyeusement la langue française, alors que Magnard s'est ingénié à ce que le texte soit parfaitement audible.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est ensuite la magnifique <i>sonate pour violoncelle et piano</i> op. 20 en la majeur, peut-être la plus belle œuvre pour violoncelle du répertoire français. Musique austère et rude, sans concession, comme l'était sans doute le compositeur, mais si on pénètre vraiment dans cette musique, on ne peut qu'être conquis. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Sonate pour violoncelle et piano op. 20 en la majeur. 1er</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>mouvement, sans lenteur. Matts Lindstroem, violoncelle,</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bengt Forsberg, piano.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est entre 1912 et 1913 qu'il écrit ce que je considère comme son chef-d'œuvre, la <i>4ème symphonie</i> op. 21 en ut dièse mineur, dont l'orchestration est en même temps puissante et transparente. En ce qui me concerne, je n'hésiterais pas à la comparer à la 4ème symphonie de Mahler. Elle est dédiée à l'<i>Union des femmes professeurs et compositeurs</i> qui en assure de façon catastrophique la première. En 1914, la première audition réelle est assurée par le chef d'orchestre Rhené-Baton (1879-1940).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Rhené-Baton par Nadar, vers 1910.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">D'une façon assez curieuse, cette symphonie se termine par un épilogue très doux et très serein alors que le compositeur traverse une période de dépression : <i>L'optimisme de la quatrième symphonie est répugnant, car aucune œuvre ne m'a donné autant de mal et n'a été conçu dans un marasme plus complet</i>. Rien ne transparait de ce marasme dans cette pièce qui est tenue de main de maître de bout en bout.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>symphonique de Malmö. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Thomas Sanderling.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le 1er août 1914, c'est la mobilisation générale. Bien entendu, Albéric Magnard cherche à s'engager dès ce jour, mais sans succès, compte-tenu de son âge (49 ans). Il remarque, un peu déçu : <i>On reprendra l'Alsace et la Lorraine sans moi</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le 29 août, les allemands sont à Compiègne et Magnard envoie à Paris sa femme et ses deux filles. Il reste à Baron avec son beau-fils, René. Il est décidé à défendre sa propriété et a dit à des amis en montrant son pistolet : <i>Ici, il a six balles, cinq pour les allemands, une pour moi</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le 3 septembre tôt le matin, René part à la pêche. A 8 h 30, les troupes allemandes se présentent devant le manoir et somment Magnard de se rendre. Derrières les persiennes, le compositeur tire, tuant un soldat et en blessant un autre. Des salves allemandes éclatent. Des officiers allemands se rendent chez le notaire du village, seul notable encore présent et affirment vouloir brûler tout le village et fusiller les habitants si Magnard ne se rend pas. Après discussion, il est décidé que seul le manoir sera incendié et le propriétaire fusillé. A 12 h 45, la propriété est incendiée. Il semble que Magnard avait été tué lors des échanges de tirs du matin. Sa mort n'est annoncée que le 21 septembre.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Magnard ne s'occupait pas de la publication de ses œuvres. La majorité étaient manuscrites et se trouvaient à Baron notamment la partition de <i>Guercœur</i> et celle de son premier opéra <i>Yolande</i>. Par bonheur, celle de la <i>4ème symphonie</i> était restée à Paris après son exécution. On retrouva mêlés, des fragments de partitions et les restes calcinés du compositeur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est Guy Ropartz qui reconstitua la partition de <i>Guercœur</i>, à partir de la réduction pour piano et de ses souvenirs de l'exécution du 3ème acte qu'il avait dirigée en 1908. L'œuvre est enfin créée en 1931, 30 ans après son achèvement.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Invitation pour la répétition générale de Guercœur à </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>l'Opéra de Paris en 1931.</i></span></span></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com4tag:blogger.com,1999:blog-2907604655020925790.post-39190574790002407842012-05-03T23:26:00.000-07:002012-05-04T00:01:07.098-07:00Brasseries et cafés VIII : le Bibent à Toulouse<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Bibent</i> est </span></span><u><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">la</span></span></u><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"> brasserie de Toulouse depuis 150 ans. Il n'y a aucune information sur l'architecte ou le décorateur de cet établissement de style éclectique. C'est, en tout cas, un des premiers cafés de France à servir de la bière à la pression dès 1861. C'est à la terrasse du <i>Bibent</i> que Jaurès écrivait ses articles pour le journal La Dépêche et, selon la légende, ce serait dans ce même établissement que trois étudiants en lettres serbes, appartenant à la <i>Main Noire</i>, auraient établi les plans de l'assassinat de l'Archiduc François-Ferdinand à Sarajevo, au début de 1914.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après sa fermeture, la brasserie a été entièrement restaurée. On ne peut que regretter la mise en place de luminaires peu compatibles avec le style de la salle et particulièrement moches et lourdingues, évoquant plus la salle du <i>présidium</i> d'un parti communiste des années 70 qu'une brasserie <i>Belle Epoque</i>.</span></span></div>
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<br /></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-42341635784964595042012-04-26T00:05:00.003-07:002012-05-03T15:33:18.451-07:00Maximilian Pirner, peintre décadent tchèque<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Maximilian Pirner est né en février 1854 à Schüttenhofen (aujourd'hui Susice) en Bohème, à 6à km au sud de Pilsen. Il étudie la peinture à l'<i>Académie de Prague</i> puis à l'<i>Académie de Vienne</i>. Il reste dans cette ville jusqu'en 1887.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Maximilian Pirner en 1880.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ8b1CuNfAQnJLUqFg0n3QsAqtxxHPMT_njTuiVafR07UO7dY_YCibYOEe2RKsPY6Iq7PQfiSCohX1uNHhyphenhyphenqOERtqGrDjizfB1xqh6670JS0X5dlFQeYlvofqEqmZYDWeFGx22F_vSmUtM/s1600/new_fotoportret.j+1880pg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ8b1CuNfAQnJLUqFg0n3QsAqtxxHPMT_njTuiVafR07UO7dY_YCibYOEe2RKsPY6Iq7PQfiSCohX1uNHhyphenhyphenqOERtqGrDjizfB1xqh6670JS0X5dlFQeYlvofqEqmZYDWeFGx22F_vSmUtM/s400/new_fotoportret.j+1880pg.jpg" width="288" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'atelier de Pirner en 1886.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFdmOnY4JacRyUGvCgXq75dt96SjfTx8OHUC66OVGK9Oc_ETrU3AYCViRbhfeBWppiHMbkbgaY8OhnewYxC7FWEYYjNpzKxxOt5Xje5sMWEEpw5R1zHdldjYNDqpOU90yrMPYlCU-uHEiw/s1600/new_atelier-and+1886.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFdmOnY4JacRyUGvCgXq75dt96SjfTx8OHUC66OVGK9Oc_ETrU3AYCViRbhfeBWppiHMbkbgaY8OhnewYxC7FWEYYjNpzKxxOt5Xje5sMWEEpw5R1zHdldjYNDqpOU90yrMPYlCU-uHEiw/s400/new_atelier-and+1886.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une de ses premières toiles connus est la représentation d'une somnambule se déplaçant sur une corniche non loin d'un fenêtre. Le thème du somnambulisme est un classique de la peinture romantique puis de la peinture symboliste. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jacob Heinrich Füssli (1741-1825). <u>Lady Macbeth</u></i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>somnambule</u>. Huile sur toile, 1781-1784.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBttDfCSefFCmPOfYqEy_xNCQlbx8oBz2wCx68sIOlQ8tnaRvZMFxXc5sZUL-zJw93bh9T43nXPMYuRdN1Y7Q0Shu6Jud5dmBfaSXkyKRW8T2X_XscccCpg8nzksNIpopra0HQipSMQGr/s1600/Johann_Heinrich_Fu%CC%88ssli_030.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBttDfCSefFCmPOfYqEy_xNCQlbx8oBz2wCx68sIOlQ8tnaRvZMFxXc5sZUL-zJw93bh9T43nXPMYuRdN1Y7Q0Shu6Jud5dmBfaSXkyKRW8T2X_XscccCpg8nzksNIpopra0HQipSMQGr/s640/Johann_Heinrich_Fu%CC%88ssli_030.jpg" width="456" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>John Everett Millais. <u>La somnambule</u>. Huile sur toile, 1871.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb_cd2wbPTEr4OrLKlXSsNKhyxlY9NZErWyPE9pbMG_rQkUF7rIce-Z5g9eM5_zIA2mVfb8zjOEYefqrG_9xL9X-6KxtivF8QytYehsRlG2F3eFKWTDNfC4jxE54izyC6C84PgVR6qiXFE/s1600/350px-John_Everett_Millais,_The_Somnambulist.jpg+1871.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb_cd2wbPTEr4OrLKlXSsNKhyxlY9NZErWyPE9pbMG_rQkUF7rIce-Z5g9eM5_zIA2mVfb8zjOEYefqrG_9xL9X-6KxtivF8QytYehsRlG2F3eFKWTDNfC4jxE54izyC6C84PgVR6qiXFE/s640/350px-John_Everett_Millais,_The_Somnambulist.jpg+1871.jpg" width="372" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans une Vienne agitée d'idées contraires sur la psychologie et la conscience (voire les travaux d'Ernst Mach, 1838-1916), il n'est pas surprenant que le jeune Pirner se soit intéressé à ce phénomène. Curieusement, les lumières et la facture de la toile de Pirner sont plus proche Füssli que de Millais.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maximilian Pirner. <u>La somnambule</u>. Huile sur toile, 1878.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCbx8ImPxADNdTnffkKYGo9i69gsH9XUpaxHN4_ei7mpKUF9WLFPZQLfwWeIbLz_upXpZUMlbB54rSh97wBo-Yzf0sDAoiIq7oGDCEoCnkviVJNA-_SPRNOwVEjzuRLZaASKi1nnELmBF/s1600/Die-Nachtwandlerin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCbx8ImPxADNdTnffkKYGo9i69gsH9XUpaxHN4_ei7mpKUF9WLFPZQLfwWeIbLz_upXpZUMlbB54rSh97wBo-Yzf0sDAoiIq7oGDCEoCnkviVJNA-_SPRNOwVEjzuRLZaASKi1nnELmBF/s640/Die-Nachtwandlerin.jpg" width="362" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1879, il propose un projet de décoration très convenue pour le plafond du <i>Théâtre National de Prague</i> alors en pleine construction (1867-1881).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Projet pour la galerie du Théâtre National. Aquarelle, 1879.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ayC8sE8NtNyR28_FEkgAfYyOm9zg0m-e-ORm4YoFHwpDqFAsHMfpi9qhFzvF4-044q8VsMvesp86m8TPi9aPI5r7EJ93cpK2JRLCYx_UTCTE4DkZo9GU7asN-K0vNB7DGFHDWdQXQjcq/s1600/esquisse+pour+le+the%CC%81atre+national+1879.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ayC8sE8NtNyR28_FEkgAfYyOm9zg0m-e-ORm4YoFHwpDqFAsHMfpi9qhFzvF4-044q8VsMvesp86m8TPi9aPI5r7EJ93cpK2JRLCYx_UTCTE4DkZo9GU7asN-K0vNB7DGFHDWdQXQjcq/s400/esquisse+pour+le+the%CC%81atre+national+1879.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1884, il est titulaire de la Médaille Impériale pour son cycle de pastels, <i>L'Amour d'un démon</i>. Derrière l'aspect anodin de cette scène d'amour, il y a quelque chose d'inquiétant, de mortifère. Il y a presque une annonce lointaine du Surréalisme.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>En plein sang, l'Amour d'un démon V</u>. Pastel, 1883-1884.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEVAN_SDnpVIRJlet1g1fe-OEfziMWe4pVSuEqM2ZVAOeFX475PbqSWWLMkW9HhHxJk_xJlos67QhyTWbq2ddc60fIS-iu6tTHy7JrmKnAcCaMD4t0m2hTDHRywmGpTq-BqA0Aj2Z5uVP/s1600/le+de%CC%81mon+de+l'amour+1893.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEVAN_SDnpVIRJlet1g1fe-OEfziMWe4pVSuEqM2ZVAOeFX475PbqSWWLMkW9HhHxJk_xJlos67QhyTWbq2ddc60fIS-iu6tTHy7JrmKnAcCaMD4t0m2hTDHRywmGpTq-BqA0Aj2Z5uVP/s640/le+de%CC%81mon+de+l'amour+1893.jpg" width="448" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1887, il rentre à Prague et devient professeur sans chaire à l'Académie, la même année. Il obtiendra une chaire en 1896. La même année, il réalise un diptyque, deux esquisses qui annoncent ses œuvres futures, <i>La Folie, la haine et la mort</i> et <i>L'Amour la pensée et la vie</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Folie, la haine et la mort</u> et <u>L'Amour, la pensée et la vie</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Deux esquisses à l'huile, 1886-1887.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPc0Ucl2gsd_LOsFRfV5sSQMxO1fBImCksiyE5X8xggsEg-saPB0qbcrk7-CyL0txzx5nR0btCQD8ny-jBYXdTaBoQPKXjlk9x2FhgVBrX9vkSbk3P1tObmCABI1irJH5fJZjpoMrZsUi/s1600/la+folie+la+haine+et+la+mort.+l'amour,+la+pense%CC%81e+et+la+vie+1886-1887+jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPc0Ucl2gsd_LOsFRfV5sSQMxO1fBImCksiyE5X8xggsEg-saPB0qbcrk7-CyL0txzx5nR0btCQD8ny-jBYXdTaBoQPKXjlk9x2FhgVBrX9vkSbk3P1tObmCABI1irJH5fJZjpoMrZsUi/s400/la+folie+la+haine+et+la+mort.+l'amour,+la+pense%CC%81e+et+la+vie+1886-1887+jpg.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il peint en 1889, la <i>Tentation de St-Jérôme</i> dont la pulpeuse nue n'est pas sans rappeler la <i>Tentation de St-Antoine</i> de Rops.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Tentation de St-Jérôme</u>. Huile sur toile, 1889.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqnrWpJxrZFNFK0RLdPtlqJjeVkZ98w14_o2fF2s3U1wbXx0PH7Ur1IXUHlKlMg-7igOaSwzfwzDByzgSv3_UeIBYhIB4P-fA1Sy6bnYCvGowzGOxgFoxlUhixDY147sR08YqwF3eF-K5L/s1600/tentation+de+san+girolamo+1889.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqnrWpJxrZFNFK0RLdPtlqJjeVkZ98w14_o2fF2s3U1wbXx0PH7Ur1IXUHlKlMg-7igOaSwzfwzDByzgSv3_UeIBYhIB4P-fA1Sy6bnYCvGowzGOxgFoxlUhixDY147sR08YqwF3eF-K5L/s640/tentation+de+san+girolamo+1889.jpg" width="418" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On le voit, la peinture de Pirner est parcouru de tensions, pulsions de vie et pulsions de mort, attachement à un certain <i>Académisme</i> et intérêt croissant pour le <i>Symbolisme</i>. C'est ce qui explique qu'à cette période il subit une crise d'inspiration qu'il va résoudre en travaillant à un grand tableau <i>Finis</i>, qui exprime toutes les angoisses de cette fin de siècle.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Finis (La fin de toute chose)</u>. Huile sur toile, 1887-1893.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ZnpE6NPpM7V_u9SIr34o8eR0k2O6eQ1q8gqgTHB7KAPBxvjuHOgO0ZBYIe0-mLdZS0cKPG8JzxB1iSuk06REAvbT1Xv-wkC_zCH3dCQh1XrbDmZUgYShtpEkQsdwSmaE6fyWFR6hFahg/s1600/finis+1893.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ZnpE6NPpM7V_u9SIr34o8eR0k2O6eQ1q8gqgTHB7KAPBxvjuHOgO0ZBYIe0-mLdZS0cKPG8JzxB1iSuk06REAvbT1Xv-wkC_zCH3dCQh1XrbDmZUgYShtpEkQsdwSmaE6fyWFR6hFahg/s400/finis+1893.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Finis</u>. Détail. Huile sur toile.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Oj79PBnr05OsHF7GuioEprq8EdLQiBO8KqG3jV2RoRceIurhgXzV9J7VqCh9PMIvqYx0n4k6sP6m6XIZ1mPB367pPe_lzLwzol3HVnh_XmS6JibmoKjBoidsrz28LZwuBzrc-yMtKm60/s1600/5857757044_2997b25f86_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Oj79PBnr05OsHF7GuioEprq8EdLQiBO8KqG3jV2RoRceIurhgXzV9J7VqCh9PMIvqYx0n4k6sP6m6XIZ1mPB367pPe_lzLwzol3HVnh_XmS6JibmoKjBoidsrz28LZwuBzrc-yMtKm60/s640/5857757044_2997b25f86_b.jpg" width="480" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">D'autres œuvres de Pirner illustrent cette tendance à un symbolisme exacerbé. C'est le cas de la série consacrée aux <i>Mésalliances mythologiques</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mésalliances mythologiques</u>. Huiles sur toile. Vers 1890.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIanYLh00A140NHF4cAR8oR3R1_Wuo43Tj7jiSUEngzvgW4f78gaN3VinbWaFxYiNE67APikdJpRMZbzsP3o_k86JwmgbwbnEA056Kg_AH5mDpQrysJYj4Zl9jGwed93zH7Izl7ubuUlTh/s1600/mesalliance+mythologique.+1890jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIanYLh00A140NHF4cAR8oR3R1_Wuo43Tj7jiSUEngzvgW4f78gaN3VinbWaFxYiNE67APikdJpRMZbzsP3o_k86JwmgbwbnEA056Kg_AH5mDpQrysJYj4Zl9jGwed93zH7Izl7ubuUlTh/s640/mesalliance+mythologique.+1890jpg.jpg" width="240" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiZUT3tij87FEdCg4gav8IxbOA0SfgREF40hVudMs_oUUuEVnuZc3nLSYUZH3JdqqJAgnZZjerhMVkbQ9N41GQqwjNqK7__JCy6tOd4jiBxg4kAlXhVjlaXaLlyHZAd4skV5I_42ESYAm5/s1600/5857152131_88acc80b89_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiZUT3tij87FEdCg4gav8IxbOA0SfgREF40hVudMs_oUUuEVnuZc3nLSYUZH3JdqqJAgnZZjerhMVkbQ9N41GQqwjNqK7__JCy6tOd4jiBxg4kAlXhVjlaXaLlyHZAd4skV5I_42ESYAm5/s640/5857152131_88acc80b89_b.jpg" width="258" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7sEQthYAvCzCuFrkYHJvMAjR3do4l7aaBWP3VOQjDVqiOrT_W23zCT_kgugUlolaiGTdW3Dn8e5chr1WwLlI83GrlfJUCVOJ1fhXALuTXsszmeFubGOd0tnzHxFS1_0WIVPNlEnNktqtS/s1600/5857705182_b670c6298f_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7sEQthYAvCzCuFrkYHJvMAjR3do4l7aaBWP3VOQjDVqiOrT_W23zCT_kgugUlolaiGTdW3Dn8e5chr1WwLlI83GrlfJUCVOJ1fhXALuTXsszmeFubGOd0tnzHxFS1_0WIVPNlEnNktqtS/s640/5857705182_b670c6298f_b.jpg" width="258" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans sa représentation d'Hécate, la forme obscure de la lune, Pirner opte pour une divinité à trois corps et trois têtes portant un poignard, une clé et un flambeau marquant son caractère infernal. C'est une représentation assez classique. De ce point de vue Pirner se rapproche de Von Stück.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Hekate</u>. Pastel. 1901.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwzS3DClMziZ4v-Oba3V41W9WDmTmy8qJJ6ikuomJZGBkKgya4smhV3JlATmvgheEiQGJm1okF-cZRRSz2NI1bIDsxDJHqxyrnEMvo9cZMazfwVBEftK78dVD23ylwdN9hhdMnonfpbNRm/s1600/hekate+1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwzS3DClMziZ4v-Oba3V41W9WDmTmy8qJJ6ikuomJZGBkKgya4smhV3JlATmvgheEiQGJm1okF-cZRRSz2NI1bIDsxDJHqxyrnEMvo9cZMazfwVBEftK78dVD23ylwdN9hhdMnonfpbNRm/s400/hekate+1901.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Plus que chez beaucoup d'autres peintres de cette époque, et c'est en cela qu'il est un artiste intéressant, chez Pirner il y a une dualité constante entre des œuvres assez décoratives, soit très influencées par l'<i>Art Nouveau</i>, soit carrément néo-classiques, et des toiles d'un symbolisme morbide.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Légende tchèque. Huile sur toile, 1895-1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4RDcgElNnxM6Lh1XdrPry6-XthVv582FVg72iW3N0zCfUbUFMxE5BrVaqWncBHLQcEn8TVUH5FJrVpgVJyhmvgkhqI7BAOMhRrsxUptxQHUWyPnIE051lhTBJz2gnjOIxis37ZIXO66DG/s1600/new_paladina-hlava+1895-1898.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4RDcgElNnxM6Lh1XdrPry6-XthVv582FVg72iW3N0zCfUbUFMxE5BrVaqWncBHLQcEn8TVUH5FJrVpgVJyhmvgkhqI7BAOMhRrsxUptxQHUWyPnIE051lhTBJz2gnjOIxis37ZIXO66DG/s400/new_paladina-hlava+1895-1898.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Couverture de la revue Ver Sacrum. Octobre 1899.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La revue <i>Ver Sacrum (Printemps Sacré)</i> avait été fondé en 1898 par Gustav Klimt. Elle durera jusqu'en 1903. Les plus grands artistes de la <i>Sécession Viennoise</i> interviendront dans cette revue. La présence d'une couverture de Pirner pour cette prestigieuse revue atteste de l'importance de l'artiste dans le mouvement.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_b8WqIMWUD94DFAc8sPElk-sgBzf4XirIGBh55d9D6whnEUyWDDcrwJFAOz1OrngbqAbj9QwGMWn-rvvvTSMLhZhu-erp8xKQVkV_WH2tqW_5ZMts4BsuVyWA3uKQVEC7G2ClIxzAorF9/s1600/new_ver-sacrum.+1899jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_b8WqIMWUD94DFAc8sPElk-sgBzf4XirIGBh55d9D6whnEUyWDDcrwJFAOz1OrngbqAbj9QwGMWn-rvvvTSMLhZhu-erp8xKQVkV_WH2tqW_5ZMts4BsuVyWA3uKQVEC7G2ClIxzAorF9/s400/new_ver-sacrum.+1899jpg.jpg" width="376" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>En l'honneur de Dionysos</u>. Aquarelle et gouache.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHyjbU0AbdfX4GhT-rePAGFI91YVU6kKXJvn6wYjBt-3_8WNVjk4Uw8YkAcMWQZo2jppBd64TtZ2-zTnIl45q85UBjHboVBPUlOSHmJ-WmhSQL1CgbgV_K783E9hHgCcFQCLGLhgGpTCiK/s1600/pirner-z-rise-dionesovy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHyjbU0AbdfX4GhT-rePAGFI91YVU6kKXJvn6wYjBt-3_8WNVjk4Uw8YkAcMWQZo2jppBd64TtZ2-zTnIl45q85UBjHboVBPUlOSHmJ-WmhSQL1CgbgV_K783E9hHgCcFQCLGLhgGpTCiK/s640/pirner-z-rise-dionesovy.jpg" width="412" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Jupiter et Jehova</u>. Gouache.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMbSgEj77Z33HVyK77uon50vLRu4dqvpOkS3GJTogNKUAeA84QamrrZWD03H3Mf-F1W5hNTEnGW0LD1HIWjdeqejamOl-H4GfFNMjS6q6VOjZjThdLjjHOx8W5cjLngMeHjg0Kk6Pez5r/s1600/pirner_maximilian-jupiter_a_jehova~OM68f300~10462_20101107_04-2010_113.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMbSgEj77Z33HVyK77uon50vLRu4dqvpOkS3GJTogNKUAeA84QamrrZWD03H3Mf-F1W5hNTEnGW0LD1HIWjdeqejamOl-H4GfFNMjS6q6VOjZjThdLjjHOx8W5cjLngMeHjg0Kk6Pez5r/s400/pirner_maximilian-jupiter_a_jehova~OM68f300~10462_20101107_04-2010_113.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1895, Pirner exécute un dessin tout à fait étonnant dont le sujet est Mère Nature. On y voit des petits personnages distordus s'accrocher à un corps de femme dont on n'aperçoit qu'un bras et un sein. Ce dessin annonce avec 20 ans d'avance les extraordinaires productions d'Alfred Kubin.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mamma Naturae</u>. Dessin. 1895.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1901, il donne le projet pour un vitrail tout aussi étonnant qui a pour titre <i>Homo homini lupus (L'homme est un loup pour l'homme)</i>. Dans les tons de verts, on voit des animaux et des créatures simiesques crucifier une créature, à la fois femme ailée et faunesse. Il est difficile d'interpréter cette œuvre sinon comme une revanche des animaux sur l'esclavage que leur fait subir l'homme.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Homo homini lupus</u>. Projet pour un vitrail. Aquarelle, 1901.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk6fqnEFH75UUIrpcmGYEHdIb6njypndftyuS5zILLjWItNSBiwoPvEkCZDIIc0zf2xX8tqlKX1A4yqvI43kWrsxhXMo_79sH-0Oq70GyXNixi8HtCQJ7brmkNgG3fWP5Pw6jrocU3ezVK/s1600/homo+homini+lupus+1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk6fqnEFH75UUIrpcmGYEHdIb6njypndftyuS5zILLjWItNSBiwoPvEkCZDIIc0zf2xX8tqlKX1A4yqvI43kWrsxhXMo_79sH-0Oq70GyXNixi8HtCQJ7brmkNgG3fWP5Pw6jrocU3ezVK/s640/homo+homini+lupus+1901.jpg" width="320" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans son pastel de 1903, au travers d'une allégorie du ruisseau, Pirner traite, à l'évidence, un tout autre sujet, celui de l'amour saphique, un thème souvent traité dans ces années. Il est évident que la baigneuse (personnage du haut) et le ruisseau (la femme au cheveu blanc), sont dans des attitudes sans équivoque possible. Cependant, Pirner, à l'opposé d'un Georges de Feure par exemple, ne prend aucune position morale.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le ruisseau</u>. Pastel. 1903.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJI71K_4cj-BsZMCvbntvSrrX6K7p1_2tJ1zZxnIds5aaoi4ovxUfvP0COp0hYUSD8z_SHP_oPaXK3gQSZOyazj4JhGOwHiUH828kh691a1tGwzQga4Xsd6TlhI16W0DUnhQDoOv5kLX0k/s1600/ruisseau+1903+huille.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJI71K_4cj-BsZMCvbntvSrrX6K7p1_2tJ1zZxnIds5aaoi4ovxUfvP0COp0hYUSD8z_SHP_oPaXK3gQSZOyazj4JhGOwHiUH828kh691a1tGwzQga4Xsd6TlhI16W0DUnhQDoOv5kLX0k/s640/ruisseau+1903+huille.jpg" width="404" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Au cours de sa carrière d'enseignant aux Beaux-Arts de Prague, il aura comme élèves la plupart des peintres importants des générations suivantes. Il meurt à Prague en 1929.</span></span></div>
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<br /></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-26605991913096892552012-04-24T07:58:00.000-07:002012-04-25T23:05:15.715-07:00Lucien Lévy-Dhurmer, peintre et céramiste symboliste<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lucien Lévy (plus tard Lévy-Dhurmer) est né à Alger en 1865. Il entre à l'école communale supérieure de dessin et de sculpture du 11ème arrondissement de Paris en 1879. Il participe à sa première exposition en 1882, à l'âge de 17 ans. Elève brillant mais pauvre, il travaille comme lithographe puis de 1887 à 1895 comme céramiste chez Clément Massier (1844-1917) à Golf-Juan.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les Massier sont une véritable dynastie de la céramique de la région de Vallauris. Je reviendrai sur ces artistes. Entre 1887 et 1892, Levy-Dhurmer fait des recherches sur les faïences à reflets métalliques. A partir de 1892, il devient directeur artistique de la manufacture. Il signe les pièces conjointement avec Clément Massier.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Vase Vagues et poissons. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Faïence à reflets métalliques.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBlFwzfMus1rukIvr80wK3Oa1FGDyvW8fXGPpZDTWy6emI-RjBrqO1L-nec2QGyHxF1pIo5vP6bYk3CSLMvNU4LBBdQBQRrfw5DrUSo6nfYY_-AU1eY-boRhjUqPxRGW0fHawq95GvEHv/s1600/artwork_images_424543111_680622_lucien-levy-dhurmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBlFwzfMus1rukIvr80wK3Oa1FGDyvW8fXGPpZDTWy6emI-RjBrqO1L-nec2QGyHxF1pIo5vP6bYk3CSLMvNU4LBBdQBQRrfw5DrUSo6nfYY_-AU1eY-boRhjUqPxRGW0fHawq95GvEHv/s400/artwork_images_424543111_680622_lucien-levy-dhurmer.jpg" width="271" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Cache-pot à décor floral. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Faïence à reflets métalliques.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWnL3PAngGuF57AGF5ITenu-j6eP72Koq1brL6DM3ULRwarhxVet95oR4acJJ1WAMve0ZB-HY_0CUILPPgMhbdKbhIjVQWOg1DKdimQNkXOaA0lO3HudEUGrHZ9gMCDUfbVBU3bVJ4usF3/s1600/artwork_images_424543111_726465_lucien-levy-dhurmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWnL3PAngGuF57AGF5ITenu-j6eP72Koq1brL6DM3ULRwarhxVet95oR4acJJ1WAMve0ZB-HY_0CUILPPgMhbdKbhIjVQWOg1DKdimQNkXOaA0lO3HudEUGrHZ9gMCDUfbVBU3bVJ4usF3/s400/artwork_images_424543111_726465_lucien-levy-dhurmer.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Vide-poche. Faïence à reflets métalliques.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXhbJ_OEMh9Tu1KVAsQfab1RtyJEwGK_v0qRQHUU79fLe4vmBHIW6NUsdyDQ4sJGvp6iwIAqaEQOsSASCGHYX3jGT1CDGQslv22RxyUE5m99T02OEHPFT-7tbdJfEHWmaQhJNxb0aG2I7X/s1600/artwork_images_424543111_726479_lucien-levy-dhurmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXhbJ_OEMh9Tu1KVAsQfab1RtyJEwGK_v0qRQHUU79fLe4vmBHIW6NUsdyDQ4sJGvp6iwIAqaEQOsSASCGHYX3jGT1CDGQslv22RxyUE5m99T02OEHPFT-7tbdJfEHWmaQhJNxb0aG2I7X/s400/artwork_images_424543111_726479_lucien-levy-dhurmer.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Vase à décor végétal. Faïence.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXPeHfs8CeIM3Es18pb90Pji_sXPw6tVl3YrPVlll1Tg0C9_Jtm3BjOSGB5TsZgZ75U-iGGOehQG9hrxygZND2IB6PZbg5pjQId3LklrELHsX8mFqCaSvzmt7S3DsZOwwbN13hvn6h7Cvu/s1600/C-10328.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXPeHfs8CeIM3Es18pb90Pji_sXPw6tVl3YrPVlll1Tg0C9_Jtm3BjOSGB5TsZgZ75U-iGGOehQG9hrxygZND2IB6PZbg5pjQId3LklrELHsX8mFqCaSvzmt7S3DsZOwwbN13hvn6h7Cvu/s400/C-10328.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Vase à décor d'iris. Faïence.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIQVKft3V06upt_aBW_sj8ebEJ7HHhL6EKozyrWPEYB8DYOb3aVLQQtnwYCyh160WMCDnyjfizNO4LuuOtxRkMHH9X0DDR1q9tMuXhmBAXiOPm7uVlqKuJUr7SGuTri2sY9RNOQyNWkgv/s1600/29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIQVKft3V06upt_aBW_sj8ebEJ7HHhL6EKozyrWPEYB8DYOb3aVLQQtnwYCyh160WMCDnyjfizNO4LuuOtxRkMHH9X0DDR1q9tMuXhmBAXiOPm7uVlqKuJUr7SGuTri2sY9RNOQyNWkgv/s400/29.jpg" width="328" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer. Coupe aux chauves-souris. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Faïence à reflets métalliques.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0NzZsamk-eIzS2H5Qoq37KCOLuKtwKje7ip9S9xq8eWFg3MJPnKWSof64GeJti3J0ZDqOvfWIXI7PbaUyglfQKsjMxhYRQlO5dlF4CGpvuQz7fXsDQvohAAP8xYSpBKd3g_U3o6eRPqR7/s1600/levy+dhurmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0NzZsamk-eIzS2H5Qoq37KCOLuKtwKje7ip9S9xq8eWFg3MJPnKWSof64GeJti3J0ZDqOvfWIXI7PbaUyglfQKsjMxhYRQlO5dlF4CGpvuQz7fXsDQvohAAP8xYSpBKd3g_U3o6eRPqR7/s400/levy+dhurmer.jpg" width="366" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer et Massier. Pied de lampe. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Faïence à </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>reflets métalliques et bronze doré.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQdY5hqThQ14vDGlH8L_pqRJ4TXK0Zqf0bh_Wup73dbas-AwZ9KbPHjIZ-We0Lh03A6uvPovpf1-14w7zx3GdO5U-acilmKCPqFuldviqBoaRL4pwEkLJd3I7VmezB2Vdhfa59Di6oNZjh/s1600/93.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQdY5hqThQ14vDGlH8L_pqRJ4TXK0Zqf0bh_Wup73dbas-AwZ9KbPHjIZ-We0Lh03A6uvPovpf1-14w7zx3GdO5U-acilmKCPqFuldviqBoaRL4pwEkLJd3I7VmezB2Vdhfa59Di6oNZjh/s640/93.jpg" width="328" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lévy-Dhurmer et Massier. jardinière à décor de feuilles et </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>de hannetons. Faïence à reflets </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>métalliques et </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>bronze doré et patiné.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TjJO-C2uzWlArF-R1-tFaX_A5-NStuyFJGZZzgITAsYn2A5sbAnnGQbVnSjB-yHPuwoRK0hnxRdEY046eHu9OwUXLRcdtNLUgqiFXh7na8_-gLulNsyxr_bLxZcPnT9-mRPA1n1DRr5t/s1600/LucienLevy-Dhurmer-for-ClementMassierPottery+Bowl+c1890+MetropolitanMuseumOfArt-NYC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TjJO-C2uzWlArF-R1-tFaX_A5-NStuyFJGZZzgITAsYn2A5sbAnnGQbVnSjB-yHPuwoRK0hnxRdEY046eHu9OwUXLRcdtNLUgqiFXh7na8_-gLulNsyxr_bLxZcPnT9-mRPA1n1DRr5t/s400/LucienLevy-Dhurmer-for-ClementMassierPottery+Bowl+c1890+MetropolitanMuseumOfArt-NYC.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour autant, Levy-Dhurmer n'abandonne pas la pratique de la peinture. En 1894, il participe à une exposition baptisée, <i>Peintres de l'âme</i>, où est réunie la fine fleur de la peinture symboliste, Aman-Jean, Alphonse Osbert, Alexandre Séon ou Carlos Schwabe. Sa technique favorite est le pastel.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est pendant la décennie 1890-1900 que le peintre produit l'essentiel de son œuvre. Comme beaucoup de peintres symbolistes, il ne saura pas suivre le courant de l'art et se survivra pendant les cinquante ans qui lui restent à vivre.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il rentre à Paris en 1895 et fait la connaissance de l'écrivain flamand d'expression française Georges Rodenbach (1855-1898) dont le roman <i>Bruges la Morte</i> a été un succès éblouissant. Malgré le fait que Rodenbach habite à Paris depuis plusieurs années, Lévy-Dhurmer le portraitise devant un panorama de la ville de Bruges. Ce portrait est, sans aucun doute, une des plus belles réussites du peintre.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Georges Rodenbach</u>. Pastel, 1895.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaSdoJYG3-924ZBpNZ5XH22vgwWIHTFMU6ogLF08N6Db5AiO1XbS9j-IrSDKTLADRMkqByYOZh6thtHZshQHhFFtiKaKv7Ydlh7zmU1ar76hQmVm4NhudLomizGXaZujZlCTTdpAnsO1zQ/s1600/levy_dhurmer_Rodenbach_1895.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaSdoJYG3-924ZBpNZ5XH22vgwWIHTFMU6ogLF08N6Db5AiO1XbS9j-IrSDKTLADRMkqByYOZh6thtHZshQHhFFtiKaKv7Ydlh7zmU1ar76hQmVm4NhudLomizGXaZujZlCTTdpAnsO1zQ/s400/levy_dhurmer_Rodenbach_1895.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le grand canal de Venise</u>. Pastel, 1895.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT7vtpmyteLdBAwcCDJ-QRc1Howln1snNlZh0NGXJ0acALxmThyphenhyphen5Ha1Fcyf9DM6IEz147iP7EUESmDQ47z2HYP91DHFmnzLczKQH8lOvPunbKvwWxqPjKMsesTapQAnRqglxE6oWYmLwoy/s1600/LucienLevy-Dhurmer+TheGrandCanalAtNight-Venice+1895+KeithRennieJohnsonArt+Brooklyn-NY.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT7vtpmyteLdBAwcCDJ-QRc1Howln1snNlZh0NGXJ0acALxmThyphenhyphen5Ha1Fcyf9DM6IEz147iP7EUESmDQ47z2HYP91DHFmnzLczKQH8lOvPunbKvwWxqPjKMsesTapQAnRqglxE6oWYmLwoy/s400/LucienLevy-Dhurmer+TheGrandCanalAtNight-Venice+1895+KeithRennieJohnsonArt+Brooklyn-NY.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Feu d'artifice à Venise. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OFmRYTWpRoRg6SUuXAegGhDfxqPP7FQO37QyQECxUp9Wi2ySjFh7h8fG-VMBMjDDvjZbZw9J3sj7LBmhdpDbf_D522wnt90ADboFQm-XlMlZb17vgp56M0SFuzL3NDvX6v3WitZYUMQI/s1600/03-009168.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OFmRYTWpRoRg6SUuXAegGhDfxqPP7FQO37QyQECxUp9Wi2ySjFh7h8fG-VMBMjDDvjZbZw9J3sj7LBmhdpDbf_D522wnt90ADboFQm-XlMlZb17vgp56M0SFuzL3NDvX6v3WitZYUMQI/s640/03-009168.jpg" width="402" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">C'est Rodenbach qui lui permet d'organiser sa première exposition monographique en 1896 à Paris. Outre le portrait de Rodenbach, il y expose des pastels et des peintures qui restent parmi ses œuvres les plus connues.</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Silence</u>. Pastel, 1895.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cette œuvre est inspirée d'une sculpture éponyme d'Antoine-Augustin Préault (1809-1879) qu'on peut voir sur la tombe de Jacob Roblès au cimetière du Père-Lachaise.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggACg-1IGdvbPdiTdQmANw7UDMcvYppkolp4UguWqbthpfa9LXep5VUFVsRjr9JQ1HKjic2qp7BvSm_i-Oqj2lF6hLUoOuOhGAUEnpPJaMBTY9UQWUO4tZ76uBv0VguFRlXvfDiZWnE1cJ/s1600/Pre%CC%81ault_-_Le_Silence_-_Roble%CC%80s_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggACg-1IGdvbPdiTdQmANw7UDMcvYppkolp4UguWqbthpfa9LXep5VUFVsRjr9JQ1HKjic2qp7BvSm_i-Oqj2lF6hLUoOuOhGAUEnpPJaMBTY9UQWUO4tZ76uBv0VguFRlXvfDiZWnE1cJ/s400/Pre%CC%81ault_-_Le_Silence_-_Roble%CC%80s_02.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjto1r4A5rerknKVDhfZSaI_Vbev7ge-xe5FT3g9rvnhkjpABlBA2WCpa6SkvOGQiJCqsYMV3whxscCEs2KUTZEuDFQWq8zQO6jGgT4MD2e3KPziZnoOImo8jkXzXO6IgvLO7Mpohem85Rq/s1600/Levy-Dhurmer_Silence.1895jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjto1r4A5rerknKVDhfZSaI_Vbev7ge-xe5FT3g9rvnhkjpABlBA2WCpa6SkvOGQiJCqsYMV3whxscCEs2KUTZEuDFQWq8zQO6jGgT4MD2e3KPziZnoOImo8jkXzXO6IgvLO7Mpohem85Rq/s640/Levy-Dhurmer_Silence.1895jpg.jpg" width="352" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Eve</u>. Pastel, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghtU9_aDvUeqB14_KlOTkoTl7Oi25H9fcHkZak3WQi09roUh-A9Kx7RsvPBIhOpukGCCOQIowKLvRTr_XPVM8DISWm1mzj7PWn4kWZ9KuSuMu6qlNnLSWKMo97bBU-Rb5SrITPVeLdTtM0/s1600/Lucien+Le%CC%81vy-Dhurmer,+Eve.+1896jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghtU9_aDvUeqB14_KlOTkoTl7Oi25H9fcHkZak3WQi09roUh-A9Kx7RsvPBIhOpukGCCOQIowKLvRTr_XPVM8DISWm1mzj7PWn4kWZ9KuSuMu6qlNnLSWKMo97bBU-Rb5SrITPVeLdTtM0/s640/Lucien+Le%CC%81vy-Dhurmer,+Eve.+1896jpg.jpg" width="488" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La bourrasque</u>. Pastel, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje7Cnr23Qieo8E6evARMAwqf-5OTeEOeHfrefwtK97tOFG8V7A7BtZfEgVPc3hp_Z1sN7_WXwQtKNhQAh2B7mKAbdzHiWAf5hwYikz9NJRFTmYNC213hQNsWA4AVGcidrlG2LU65ndUQrb/s1600/6434326441_ca2f3bb7e9_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje7Cnr23Qieo8E6evARMAwqf-5OTeEOeHfrefwtK97tOFG8V7A7BtZfEgVPc3hp_Z1sN7_WXwQtKNhQAh2B7mKAbdzHiWAf5hwYikz9NJRFTmYNC213hQNsWA4AVGcidrlG2LU65ndUQrb/s400/6434326441_ca2f3bb7e9_b.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mystère ou la femme au médaillon</u>. Pastel et </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>réhauts d'or, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgj30639nkRC2X0H582R5eStvwMjNDkl3SQvGgeL8ChC4jhAob6mkmtRm6tw-TxpkHYcE09kZd8NKmBRnxWIinpGTyTMy3yf0hljVy-761jgebzc6jRWA61H8613A-UJbwbS-SaBHadCXF/s1600/myste%CC%80re.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgj30639nkRC2X0H582R5eStvwMjNDkl3SQvGgeL8ChC4jhAob6mkmtRm6tw-TxpkHYcE09kZd8NKmBRnxWIinpGTyTMy3yf0hljVy-761jgebzc6jRWA61H8613A-UJbwbS-SaBHadCXF/s400/myste%CC%80re.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lors de cette exposition, Lévy-Dhurmer fait la connaissance du Sar Péladan qui apprécie beaucoup ses œuvres. Le grand prêtre de la <i>Rose+croix esthétique</i> lui écrit : <i>vous savez certainement, Monsieur, quel est le caractère esthétique de la Rose+Croix ; vous n'aurez donc qu'à m'écrire en février et j'irai inviter vos œuvres chez vous. Cordialités. Sar Péladan</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lévy Dhurmer ne donne pas suite à cet appel du pied. En revanche, par l'entremise de Rodenbach, il fait la connaissance de Pierre Loti.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Louis Marie Julien Viaud dit Pierre Loti (1850-1923) est alors au sommet de sa gloire. Il a écrit la majorité de ses romans comme <i>Mon frère Yves</i> (1883), <i>Pêcheur d'Islande</i> (1886) ou <i>Madame Chrysanthème</i> (1887). Il a été élu à l'<i>Académie française</i> en 1892 contre Emile Zola.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour le portrait de Loti, Lévy-Dhurmer reprend la même composition que pour le portrait de Rodenbach, Mettant en scène Loti devant un panorama d'Istanbul. On sait quelle affection liait Loti à la Turquie. Son premier roman <i>Aziyadé</i> (1879) racontait les amours clandestines d'une jeune circassienne appartenant à un harem et d'un officier de marine. Le livre eut un énorme succès et propulsa le jeune Loti sur le devant de la scène. En 1892, dans <i>Fantôme d'Orient</i>, il racontera sa recherche de la belle, à son retour à Istanbul. C'est là qu'il apprendra sa mort. Selon de nombreux témoignages, la belle circassienne aurait été en réalité un homme et beaucoup de ses contemporains affirmaient que Loti était homosexuel. Il reviendra encore sur la Turquie à la veille de la Première Guerre Mondiale dans son essai, <i>La Turquie Agonisante</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Pierre Loti</u>. Pastel, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ_X8A7BtxJESVr4t45i1-GM0JIPHVYR7B4jpoYbHJpx53EQ__iGsXQ0FfcUpnKy1ORcat1_9TVcb2nmXP9a72gNppSHVIyetFgS4IQKpzcykFLUkQKJDF8qeTmFg2QhLtVyJy-PiO7gUi/s1600/Lucien+Levy-Dhurmer-pastel+1896jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ_X8A7BtxJESVr4t45i1-GM0JIPHVYR7B4jpoYbHJpx53EQ__iGsXQ0FfcUpnKy1ORcat1_9TVcb2nmXP9a72gNppSHVIyetFgS4IQKpzcykFLUkQKJDF8qeTmFg2QhLtVyJy-PiO7gUi/s400/Lucien+Levy-Dhurmer-pastel+1896jpg.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A la différence du portrait de Rodenbach, le peintre vêt Loti d'une tenue inspirée des habits ottomans, gilet de couleur et chemise à col ouvert. On remarquera que les yeux sont soulignés d'un trait de khôl, comme c'était souvent l'habitude chez les homosexuels de l'époque comme Jean Lorrain Quoiqu'il en soit, Le portrait enthousiasma Loti qui écrivit à Lévy Dhurmer : <i>je me suis reproché tant de fois de ne pas vous avoir assez remercié d'avoir fait de moi la seule image qui restera</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1897, Lévy-Dhurmer va beaucoup voyager en Europe, en Turquie et en Afrique du Nord. Il en rapportera de nombreux croquis qu'il utilisera pour ses toiles et ses pastels.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il est incontestable que la figure féminine attire davantage Lévy-Dhurmer que la figure masculine. La majorité des femmes qu'il représente sont éthérés et sont très influencés par le Préraphaélisme et plus spécifiquement Burnes-Jones.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1897, il réalise un de ses plus beaux pastels, <i>Méduse ou Vagues furieuse</i>. Contrairement à la majorité des peintres, il ne représente pas la Gorgone couronnée avec une chevelure de serpents mais avec une chevelure d'algues et de coraux et une visage et un corps couleur d'eau. Le peintre contracte ainsi et la légende et la zoologie.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Méduse ou Vagues furieuses</u>. Pastel, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYWX3z3M2Naozq1rdWOttqgK-DUKmbPZtwhYB5_YV0b4GoVNj-VYIRCS7_b0HvXDU7X5os7KRLrE87o9VYKBYe6zqMo9qcyJra5HjVnKYmJVI2h6M9Fkx-uwrZ11AZdA-Bh7qjWWBRyZc7/s1600/levy-dhurmer_medusa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYWX3z3M2Naozq1rdWOttqgK-DUKmbPZtwhYB5_YV0b4GoVNj-VYIRCS7_b0HvXDU7X5os7KRLrE87o9VYKBYe6zqMo9qcyJra5HjVnKYmJVI2h6M9Fkx-uwrZ11AZdA-Bh7qjWWBRyZc7/s640/levy-dhurmer_medusa.jpg" width="414" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Levy-Dhurmer exécute aussi toute une série de pastels, dans les teintes brunes et orangées, consacrés à l'automne, reprenant, en particulier, le thème de la bourrasque mais dans des version plus légères que la précédente.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Automne</u>. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh02ugRkw6b1NGcrBPROkZk4F5gZdirme5filjvZRXIJE4OYEeCdbY0Ki-h0V3mH5IMDK0_qpy9AnnAgiroe8SiZtgK7A2XVhQ7JHTVp09LkZDkxTW0KjMe7vD-Mngj-ScRvtYlXDXjvB1x/s1600/Lucien+Le%CC%81vy-Dhurmer,+Autumn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh02ugRkw6b1NGcrBPROkZk4F5gZdirme5filjvZRXIJE4OYEeCdbY0Ki-h0V3mH5IMDK0_qpy9AnnAgiroe8SiZtgK7A2XVhQ7JHTVp09LkZDkxTW0KjMe7vD-Mngj-ScRvtYlXDXjvB1x/s640/Lucien+Le%CC%81vy-Dhurmer,+Autumn.jpg" width="358" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Fiancée de l'automne</u>. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4MbItqSS3Fc1d1j0PZ_7dJYJ-ILoNlGAqLEGRfaa_dhoH_6d_IqNGyYYkkkUPJgiKybtF2ayDAIWX_i60trq7t9YBt9vydYjRf17eK_0kFbcKwtbh6KHaY8lmfuK5y2DNwsAPQrIUd4np/s1600/Lucien-Le%CC%81vy-Dhurmer,-la+fiance%CC%81e+de+l'automne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4MbItqSS3Fc1d1j0PZ_7dJYJ-ILoNlGAqLEGRfaa_dhoH_6d_IqNGyYYkkkUPJgiKybtF2ayDAIWX_i60trq7t9YBt9vydYjRf17eK_0kFbcKwtbh6KHaY8lmfuK5y2DNwsAPQrIUd4np/s640/Lucien-Le%CC%81vy-Dhurmer,-la+fiance%CC%81e+de+l'automne.jpg" width="394" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Bourrasque</u>. Pastel, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8is17kS_jM3XS_KB4xW46q5qExnTU9juyjTLrweA3ycQMxPUKyxrfC8pSLh5pTLoZFa7Vf4dInmY9vl5fuzwxP6SB-3DuBHRV_UKgFBmVKw3Vah3I_2XRWPTqI4-qFNWGDa_hlxgUB9vi/s1600/bourrasque.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8is17kS_jM3XS_KB4xW46q5qExnTU9juyjTLrweA3ycQMxPUKyxrfC8pSLh5pTLoZFa7Vf4dInmY9vl5fuzwxP6SB-3DuBHRV_UKgFBmVKw3Vah3I_2XRWPTqI4-qFNWGDa_hlxgUB9vi/s400/bourrasque.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre pastel, inachevé, est particulièrement remarquable, même en l'état, <i>La Sorcière,</i> élaboré en 1897. Si tous le ingrédients de la sorcellerie sont présents, la chauve-souris, le chat noir, le lézard et le serpent, le visage garde sa grâce léonardesque.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Sorcière</u>. Pastel, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKICzmaWf9XpIemPpnYE1rxjjhRs0Wjco0gOTMu2_a05x4e7abkLa1HUg1Ar2Vj-3TZ4_jwGYI69M4aT_rhuDY7VTXRa3JZz3NpLTFleCuMYDCUKWvn4R2qgPx0XpWb-cnbiFPbAmgxy02/s1600/levy-dhurmer_sorceress.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKICzmaWf9XpIemPpnYE1rxjjhRs0Wjco0gOTMu2_a05x4e7abkLa1HUg1Ar2Vj-3TZ4_jwGYI69M4aT_rhuDY7VTXRa3JZz3NpLTFleCuMYDCUKWvn4R2qgPx0XpWb-cnbiFPbAmgxy02/s640/levy-dhurmer_sorceress.jpg" width="432" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lors de son premier grand voyage, il part en Italie comme tous les artistes de cette période. Son art prend alors une tournure plus classique, influencé par les grands maîtres de la Renaissance, particulièrement Raphaël.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Florence</u>. Pastel, 1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9s_gUToyVQFV8P9q8U88GeMaD2vUGpIUZvwVx5_qyMMn68ugthZFkZtUjSBg7mK_9tKVfeeWwo14NjauaU4cylBNtU6sCiJAkR32NY1uc6NFc-KG9ZqS7whcbbq_rB0gEhFFCGeLrAXDl/s1600/LevyDhurmer_Florence.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9s_gUToyVQFV8P9q8U88GeMaD2vUGpIUZvwVx5_qyMMn68ugthZFkZtUjSBg7mK_9tKVfeeWwo14NjauaU4cylBNtU6sCiJAkR32NY1uc6NFc-KG9ZqS7whcbbq_rB0gEhFFCGeLrAXDl/s640/LevyDhurmer_Florence.jpg" width="534" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait de jeune fille. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKHJA8OKWAp722wKc4MD_6Kbpw_t3JVa7okjCvjfX0KU6mMrFZksqwJ0JV1IHgd58Vh5bcYH1vkPNKeFAbANINT5_xXJA96R5IpyinLEhU-4J4NkWP6VgEGC7GF2ICWPJ-ci7icz-84LLk/s1600/jeune+fille.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKHJA8OKWAp722wKc4MD_6Kbpw_t3JVa7okjCvjfX0KU6mMrFZksqwJ0JV1IHgd58Vh5bcYH1vkPNKeFAbANINT5_xXJA96R5IpyinLEhU-4J4NkWP6VgEGC7GF2ICWPJ-ci7icz-84LLk/s640/jeune+fille.png" width="554" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De ses voyages en Afrique du Nord, il rapporte de nombreux tableaux, dont <i>Le Marocain ou le Fanatique</i> en 1900 et les <i>Aveugles à Tanger</i> l'année suivante.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Marocain ou le fanatique. Huile sur toile, 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWV3DOZJsLds56CS_tkY7RFwwOOg12KZw0xggdSY32591m-YWuNesTM973YZy0f5vU2BMDWOPIeMT-mWCiOWTMQgUVtvo1i5RxPrSQCD2jiJ76ej7mSDqBRjckHBiDmLg0BtSsyACa1_bO/s1600/85-000088.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWV3DOZJsLds56CS_tkY7RFwwOOg12KZw0xggdSY32591m-YWuNesTM973YZy0f5vU2BMDWOPIeMT-mWCiOWTMQgUVtvo1i5RxPrSQCD2jiJ76ej7mSDqBRjckHBiDmLg0BtSsyACa1_bO/s640/85-000088.jpg" width="496" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Aveugles à Tanger</u>. Pastel, 1901.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDK3Pw_TygfKaCNtb2qLyp0oBFCiC7u4hfBDpt6BTEwIGuf6uYTeeMCVkRiM0-ezHPYHoGdwVLwqYuxdZw8n0p-cLkUaEtFzq1iE_EkLtiel4PKxfB5ezw00eMuxX2XjV2taj0JZBEaSWE/s1600/aveugles.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDK3Pw_TygfKaCNtb2qLyp0oBFCiC7u4hfBDpt6BTEwIGuf6uYTeeMCVkRiM0-ezHPYHoGdwVLwqYuxdZw8n0p-cLkUaEtFzq1iE_EkLtiel4PKxfB5ezw00eMuxX2XjV2taj0JZBEaSWE/s400/aveugles.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La figure tragique d'Ophélie est un des sujets favoris des symbolistes à la suite des préraphaélites, notamment de John Everett Millais. Lévy Dhurmer y revient à plusieurs reprise. La première version de 1900 est classique, voire même convenue. Le portrait est celui de l'actrice Suzanne Reichenberg (1853-1924) interprétant l'adaptation qu'avaient fait Alexandre Dumas et Paul Meurice de l'Hamlet de Shakespeare en 1847. Le second est sans doute plus tardif (non daté). C'est un étonnant double portrait comme si l'âme de la pauvre Ophélie, noyée dans la Seine (on aperçoit Notre-Dame) quittait son enveloppe terrestre.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Ophélie. L'actrice Suzanne Reichenberg dans Hamlet de </u></i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Dumas</u>. Pastel. 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgbht20tH58oVSN1D-wKOVZiecu-jbvsHcL-s2jn9HhU4BU1jovADuXPDZa4iXZ2Dit7vOun2CTDIo7ORel1T99i2qnpxtJuTiPiuANWykqHJgQVXaUmNzYahZYfr3wsRSLf8p8Xp8qwEE/s1600/levy17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgbht20tH58oVSN1D-wKOVZiecu-jbvsHcL-s2jn9HhU4BU1jovADuXPDZa4iXZ2Dit7vOun2CTDIo7ORel1T99i2qnpxtJuTiPiuANWykqHJgQVXaUmNzYahZYfr3wsRSLf8p8Xp8qwEE/s400/levy17.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Deux jeunes filles en une seule. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreW9tWNkrH_76Vd0Ru3ShV1VOpX-dnqHoj_9PaFpYXBTickLm5xfQCA2KshcyBX92dtT0TiL8yX4S0V18-fLX2JBAR-8p9Afg6_ZEiCPY87V_HW6LP5GdFweF5Uwt5zJE4mBjB4_bSeAP/s1600/LucienLevyDhurmerThetwowomenhadfusedintoone.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreW9tWNkrH_76Vd0Ru3ShV1VOpX-dnqHoj_9PaFpYXBTickLm5xfQCA2KshcyBX92dtT0TiL8yX4S0V18-fLX2JBAR-8p9Afg6_ZEiCPY87V_HW6LP5GdFweF5Uwt5zJE4mBjB4_bSeAP/s640/LucienLevyDhurmerThetwowomenhadfusedintoone.jpg" width="508" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans ses paysages, Lévy-Dhurmer va de plus en plus privilégier les teintes sombres et particulièrement les violets et les bleus.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Bruges. Effet de neige</u>. Pastel, 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0RIGYN-cl-UrlRTRaskvNUOxL7DoL4pwWpF8dV0g0GYaQUeNOrDa4osRdlhqOkK5euW7ogBAJ-Fnw1yoFEzMcLaAJi7nebzO8cOfSjRhYvPUQ4GbU3i3K9iIY8m5u4-LXTXgOm4s6_nNp/s1600/20107242.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0RIGYN-cl-UrlRTRaskvNUOxL7DoL4pwWpF8dV0g0GYaQUeNOrDa4osRdlhqOkK5euW7ogBAJ-Fnw1yoFEzMcLaAJi7nebzO8cOfSjRhYvPUQ4GbU3i3K9iIY8m5u4-LXTXgOm4s6_nNp/s400/20107242.jpg" width="300" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Dolomites</u>. Pastel, après 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqR0zKBfZU9Uz3sXtmWaKAZCpmGOh_LFvDfw9vAFLNPKBhrZUi88B_LeNLRMklUo7qs8raTZim7Q1rVge-RB9fdz-az8UTGOfHgeZW4DL5qSpPr5-BkN2x1ltNGv7CsHbEwl5rQfapr1Lq/s1600/dhurmer+dolomites.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqR0zKBfZU9Uz3sXtmWaKAZCpmGOh_LFvDfw9vAFLNPKBhrZUi88B_LeNLRMklUo7qs8raTZim7Q1rVge-RB9fdz-az8UTGOfHgeZW4DL5qSpPr5-BkN2x1ltNGv7CsHbEwl5rQfapr1Lq/s640/dhurmer+dolomites.jpg" width="412" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lévy-Dhurmer était passionné par la musique. Grand ami de de Debussy, il a donné plusieurs œuvres inspiré par la musique notamment le <i>Prélude à l'Après-midi d'un faune</i> (1892).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Après-midi d'un Faune</u>. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-HXwnPV7kFnmzT4xrvv_pT3Og3h30ME-3zFJQBrcXon4G0FqdVsjLNe3_7v9la7xVVAQ53R7gjTbGbuv68qXH3WQaIlEhx7UlzzU03xrjkRblscY9YDC4YGV4E_cxNRMOMJDDi0AN7y-/s1600/levy-dhurmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-HXwnPV7kFnmzT4xrvv_pT3Og3h30ME-3zFJQBrcXon4G0FqdVsjLNe3_7v9la7xVVAQ53R7gjTbGbuv68qXH3WQaIlEhx7UlzzU03xrjkRblscY9YDC4YGV4E_cxNRMOMJDDi0AN7y-/s400/levy-dhurmer.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le compositeur dont Levy-Dhurmer s'est surtout inspiré est Ludwig van Beethoven. Il consacre deux tableaux à la s<i>onate n°14 </i>dite<i> Au clair de lune</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Sonate au clair de lune</u>. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWfLZlA50g801KhpCieFIMb88WIbCiwVwHl9J75AVng-OfJifPJDp6dmOWfblXd1vMJMDLXr3mt0-3LXb2-lnjCBfFwu9iUqIFfAhe9LKoRRBzdgfwwkO7LK3Mt3JVHDcy1PvK4_lxe6rI/s1600/sonate+au+clair+de+lune.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWfLZlA50g801KhpCieFIMb88WIbCiwVwHl9J75AVng-OfJifPJDp6dmOWfblXd1vMJMDLXr3mt0-3LXb2-lnjCBfFwu9iUqIFfAhe9LKoRRBzdgfwwkO7LK3Mt3JVHDcy1PvK4_lxe6rI/s400/sonate+au+clair+de+lune.png" width="290" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Harmonie en bleu. <u>Variation sur la Sonate </u></i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>au clair de lune</u>. Pastel, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjxMyaWbAZ_TFazwYHInFIQsJuk5WyYEtKI3TC0wFOJpHsFUurwoPE-vXzJFTsdBlShlYRalR4VTIXkoPY3ul0RPlY9tClrHs89pdGC9bSFF0sCgWT8q-CFxmD-XnVc_soU8swcaDkDtlu/s1600/image.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjxMyaWbAZ_TFazwYHInFIQsJuk5WyYEtKI3TC0wFOJpHsFUurwoPE-vXzJFTsdBlShlYRalR4VTIXkoPY3ul0RPlY9tClrHs89pdGC9bSFF0sCgWT8q-CFxmD-XnVc_soU8swcaDkDtlu/s400/image.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1906, il consacre un triptyque au pastel à dominante rouge, de nouveau, à Beethoven.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Tryptique Beethoven. Pastel, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_lf30DLh9n-NR9WtEGPQT7hK-mrKUv1uzN8IBCQG63shZ3FMASfu-nrnndg0VoZ5ee6DpUitVQmOAiRKfid9nTkwNWsYIz3zim1bJ51gEZ6xzZrLMpJcvLUumBVK4LP0OCgaOsQynW5l/s1600/LucienLevyDhurmer_TriptyqueSanguine.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_lf30DLh9n-NR9WtEGPQT7hK-mrKUv1uzN8IBCQG63shZ3FMASfu-nrnndg0VoZ5ee6DpUitVQmOAiRKfid9nTkwNWsYIz3zim1bJ51gEZ6xzZrLMpJcvLUumBVK4LP0OCgaOsQynW5l/s400/LucienLevyDhurmer_TriptyqueSanguine.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Hymne à la joie</u>. Pastel, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1mr9ABkLRLbxYCVZN20wxokKWG2cy3_szHjqqyCIOuLdKuDINbYAI1-AULjAPLmRjb6Y_LL_H2dc8WIA34Kbx7M27djt0FxlLnVoRPMXJrDk-ycPlwc5TKSU-KRSu0jWtgjQo9A4C_2Qu/s1600/hymne+a%CC%80+la+joie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1mr9ABkLRLbxYCVZN20wxokKWG2cy3_szHjqqyCIOuLdKuDINbYAI1-AULjAPLmRjb6Y_LL_H2dc8WIA34Kbx7M27djt0FxlLnVoRPMXJrDk-ycPlwc5TKSU-KRSu0jWtgjQo9A4C_2Qu/s400/hymne+a%CC%80+la+joie.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Masque de Beethoven</u>. Pastel, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOaLU5pihsrSHdp3DlxaQMXVFNVM6qy0Mv5p80peoby9BAQta2XgewKSaH7K0slSmgBUOPmsldkGhcmq70cK7jw2OKK-wQsbkPlzM6c7w1kHZxncKNwkeaeTJTT5omh-PkuBKnInlAUlSv/s1600/03-009170.jpsanguine+1906g.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOaLU5pihsrSHdp3DlxaQMXVFNVM6qy0Mv5p80peoby9BAQta2XgewKSaH7K0slSmgBUOPmsldkGhcmq70cK7jw2OKK-wQsbkPlzM6c7w1kHZxncKNwkeaeTJTT5omh-PkuBKnInlAUlSv/s640/03-009170.jpsanguine+1906g.jpg" width="501" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Appassionata</u>. Pastel, 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj2AUAeXT52UMNVf69nzgetNeNV-gqqBdgXUBnsyyVSoNzkxbkAGiladf74hxXYqvr7t7wtSeh-rV1goi289Ygu5q2kLW2rYyuZ5NqUSYOFDxprmJGnYG40s1TB5gWRln4_CKfVcEkgw6E/s1600/appassionata.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj2AUAeXT52UMNVf69nzgetNeNV-gqqBdgXUBnsyyVSoNzkxbkAGiladf74hxXYqvr7t7wtSeh-rV1goi289Ygu5q2kLW2rYyuZ5NqUSYOFDxprmJGnYG40s1TB5gWRln4_CKfVcEkgw6E/s400/appassionata.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour autant, l'artiste n'en a pas fini avec le compositeur de l'<i>Hymne à la joie</i>. Il consacre un autre panneau à la <i>7ème symphonie, Apothéose de la danse</i>, et un autre tryptique.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La 7ème symphonie</u>. Pastel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9g08ta0KINwHIic4xgK6sOxmMdMoBBfKit3zDacCy3lVcPIFX_XYluQ9EXSHmHfwJj9sxDFSbU_s7FbL7EkSACrXy9xpSPKQLmC_tG5SWinPVzEPh92q3P2ZNp0372Zl6-blHpPOtJmbg/s1600/la+7eme+symphonie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9g08ta0KINwHIic4xgK6sOxmMdMoBBfKit3zDacCy3lVcPIFX_XYluQ9EXSHmHfwJj9sxDFSbU_s7FbL7EkSACrXy9xpSPKQLmC_tG5SWinPVzEPh92q3P2ZNp0372Zl6-blHpPOtJmbg/s640/la+7eme+symphonie.jpg" width="478" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Marche héroïque</u>. Pastel et crayon sur papier gris.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvhk9o_xU87-iuiyF-0RMhw8YF26ybN0Reqnoe-IxuQzU83-g9U-TemDB3MlafEOzPKBGqyh99UOJ2gdquikXmqVQOz2K35bHUf6sLhomOl2S3h-4liv9m3sgolMTr_44K7T4V_T-_KkE/s1600/marche+he%CC%81roique.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvhk9o_xU87-iuiyF-0RMhw8YF26ybN0Reqnoe-IxuQzU83-g9U-TemDB3MlafEOzPKBGqyh99UOJ2gdquikXmqVQOz2K35bHUf6sLhomOl2S3h-4liv9m3sgolMTr_44K7T4V_T-_KkE/s640/marche+he%CC%81roique.png" width="454" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Masque de Beethoven</u>. Pastel et crayon sur papier gris.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0rx89iM3gfzddaUWCnWR2DQ1QHUnR_G12BLx166bLODkwIAyeJ-A2TrlPRmBlZAkTOL1cFy6OKXhBktIcYFg_cw-B8-h_-6LKsRbo2FNi_mGb5YAMeRpRSyIWiZHbNZJx1PQ6PikfVuGW/s1600/beethoven.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0rx89iM3gfzddaUWCnWR2DQ1QHUnR_G12BLx166bLODkwIAyeJ-A2TrlPRmBlZAkTOL1cFy6OKXhBktIcYFg_cw-B8-h_-6LKsRbo2FNi_mGb5YAMeRpRSyIWiZHbNZJx1PQ6PikfVuGW/s640/beethoven.png" width="458" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Marche funèbre</u>. Pastel et crayon sur papier gris.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi934w9LvxQ54XuDYgyaHpn7JXQWwsgNBnG2rYtlU_qoAqEb6GoANZAOhLrqT6BgEzPuGZnIMb5LOfedexEcjk_6YXxYg_1WB9EI771aB3gfXc6GQ6KLmrAMZ8iUn9LTZq35_Nfo0JV76dJ/s1600/marche+fune%CC%80bre.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi934w9LvxQ54XuDYgyaHpn7JXQWwsgNBnG2rYtlU_qoAqEb6GoANZAOhLrqT6BgEzPuGZnIMb5LOfedexEcjk_6YXxYg_1WB9EI771aB3gfXc6GQ6KLmrAMZ8iUn9LTZq35_Nfo0JV76dJ/s640/marche+fune%CC%80bre.png" width="464" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Vers 1910, Lévy-Dhurmer réalise le magnifique <i>portrait de Mademoiselle Carlier</i> connu aussi sous le nom de la <i>Femme au turban</i>. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Mademoiselle Carlier</u>. Pastel, vers 1910.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSmz91gkpbLc4vb-S6BLEXRaTdLF2DoJiMLjkQ4TQHL7tX2nxb5jTgX2L1VxoN_zPv9Hs6obJuWQdAf8I4-HxX50ZNGIympOQeHPaKyPM_H1qE0mgB1XxcAeazv2PET5siFYCK3v9TSG_h/s1600/levyDhurmer_laFemmeAuTurban.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSmz91gkpbLc4vb-S6BLEXRaTdLF2DoJiMLjkQ4TQHL7tX2nxb5jTgX2L1VxoN_zPv9Hs6obJuWQdAf8I4-HxX50ZNGIympOQeHPaKyPM_H1qE0mgB1XxcAeazv2PET5siFYCK3v9TSG_h/s400/levyDhurmer_laFemmeAuTurban.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1910, L'artiste reçoit de la part d'Auguste Rateau la commande de la décoration totale de son hôtel particulier.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Auguste Rateau (1863-1930) est un ingénieur polytechnicien qui va devenir un industriel important dans le domaine des ventilateurs et des turbines. Son invention du turbo-compresseur lui apporte la fortune. Dès 1896, il invente des lunettes permettant le visionnage de films en 3D. Il sera membre de l'<i>Académie des sciences</i>. Fils de l'architecte Auguste Rateau (1839-1917) qui a construit de nombreux édifices à Royan, l'ingénieur est lui aussi passionné par l'architecture. Il donne donc carte blanche à Lévy-Dhurmer pour décorer sa maison.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La <i>salle à manger aux glycines</i> a été installée entre 1910 et 1914. Elle est actuellement conservée au Metropolitan Museum de New-York. Le décor s'organise autour des panneaux de pastel japonisants représentant des jardins peuplés d'oiseux et de fleurs dont le motif unificateur est une guirlande de glycines. Ce décor est repris dans l'encadrement de bois sculpté par l'ébeniste et sculpteur suisse Edouard Louis Collet (1876-1961) à qui l'on doit aussi quelques statues comme son <i>Nocturne</i> en bronze.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Edouard Louis Collet. <u>Nocturne</u>. Bronze à </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>plusieurs patines.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqxYjUUOQWj6U_DuwY3WRQzy6_BiAvlWxaARXP3BE0UIsjU00Q_wvbZ2mU7iXCcl9wRqMND48TrrwQIs6OMx3wpzLBVROwHM0wqmoLMamHTu3oEC8lE1aR36oqAL4DVHOi9UL23kxs3mp/s1600/9525007_1_l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqxYjUUOQWj6U_DuwY3WRQzy6_BiAvlWxaARXP3BE0UIsjU00Q_wvbZ2mU7iXCcl9wRqMND48TrrwQIs6OMx3wpzLBVROwHM0wqmoLMamHTu3oEC8lE1aR36oqAL4DVHOi9UL23kxs3mp/s640/9525007_1_l.jpg" width="358" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Salle à manger aux Glycines. Vues générales.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSdqdS3LUgHwODlSvrGXCn-xSsHL8O6Bx1161aTnNdWNJ60wt1fWLhVDGWZsTWGXX8feAnMVW8R5ldDzyCvLl1Y893VsnsABtLYhZ0dhsJMe7r7bYyvqrCJR7VQq9td2QJVK3mkOh2-BlO/s1600/100792561.cKFIACHD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSdqdS3LUgHwODlSvrGXCn-xSsHL8O6Bx1161aTnNdWNJ60wt1fWLhVDGWZsTWGXX8feAnMVW8R5ldDzyCvLl1Y893VsnsABtLYhZ0dhsJMe7r7bYyvqrCJR7VQq9td2QJVK3mkOh2-BlO/s400/100792561.cKFIACHD.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioAovPgq5KgK_0dEhQMsYtZYsyGzEEEZdLMNYmt8WFWlIZWSZatULZA_jGjN7TEDjNnWu5N7nQKMt6i5s6i-SNxTyGGWZiUb2kdIQCF6DPdDm3LDa524Tf7spX2dRo73uj9jEZxPOwjdXZ/s1600/wisteria+1910.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioAovPgq5KgK_0dEhQMsYtZYsyGzEEEZdLMNYmt8WFWlIZWSZatULZA_jGjN7TEDjNnWu5N7nQKMt6i5s6i-SNxTyGGWZiUb2kdIQCF6DPdDm3LDa524Tf7spX2dRo73uj9jEZxPOwjdXZ/s640/wisteria+1910.jpg" width="504" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'ensemble du mobilier est aussi de Edouard Louis Collet sur des dessins de Lévy-Dhurmer. Le foyer de la cheminée et les bronzes ont été réalisés par le dinandier et sculpteur Jean Dunand (1877-1942). </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail de la cheminée.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8t6JjuPkskBtI6r-Iqm3JgNyscxUVWk6-ZXpQI3ghWom45IyLXzh4qaA-JIh_7igOr1EJdGnea_ELr1FBToezVVK_diVLxx9xYss5zrIJCFrfbEY65L1xovccfrcvKveV_IAdy1CuE6-b/s1600/4c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8t6JjuPkskBtI6r-Iqm3JgNyscxUVWk6-ZXpQI3ghWom45IyLXzh4qaA-JIh_7igOr1EJdGnea_ELr1FBToezVVK_diVLxx9xYss5zrIJCFrfbEY65L1xovccfrcvKveV_IAdy1CuE6-b/s400/4c.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les luminaires sont exécutés par la maison <i>Falize frères</i> (André, 1872-1936; Jean, 1874-1943; Pierre, 1875-1953).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Un des panneaux peints par Lévy-Dhurmer.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpBMumUvWsIA-cTin7eJaJ_bGV2vMvMuhMScKYQFq2yws1gFRNjJVcfKNS3grQUdURlC0RsmDi6SWfyHJJJkiShbky7c_eUxDuGeZAjinVYpqXdZcvPWKkiBOUQkZsNBizyEVwvK22Tpc/s1600/LucienLevy-Dhurmer+MuralInTheWisteriaDiningRoom+MetropolitanMuseumOfArt-NYC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpBMumUvWsIA-cTin7eJaJ_bGV2vMvMuhMScKYQFq2yws1gFRNjJVcfKNS3grQUdURlC0RsmDi6SWfyHJJJkiShbky7c_eUxDuGeZAjinVYpqXdZcvPWKkiBOUQkZsNBizyEVwvK22Tpc/s400/LucienLevy-Dhurmer+MuralInTheWisteriaDiningRoom+MetropolitanMuseumOfArt-NYC.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il reste aussi un canapé au Musée d'Orsay, provenant de l'hôtel particulier de Rateau, dessiné par Lévy-Dhurmer et réalisé par Collet.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7tLUxgWRXaKFX0iVyLjDSRYH6nGlXDJxKwiAPZxqsv8VuW1xR2j0ARe2eT1fUYe0YCfkqgjFm794qJofOuKEocjGbqCddfZ46GsRKifd1j41rLctOIylIKDK9TnhLBe4si5C_Z-bEsuQQ/s1600/auguste+rateau.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7tLUxgWRXaKFX0iVyLjDSRYH6nGlXDJxKwiAPZxqsv8VuW1xR2j0ARe2eT1fUYe0YCfkqgjFm794qJofOuKEocjGbqCddfZ46GsRKifd1j41rLctOIylIKDK9TnhLBe4si5C_Z-bEsuQQ/s400/auguste+rateau.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Durant la suite de sa carrière, Lévy Dhurmer va faire un certain nombre de portraits mais surtout représenter des scènes de l'Afrique du Nord, rejoignant la tradition orientaliste. L'art de Lévy-Dhurmer reste figé dans le style d'avant la guerre de 14. Il va devenir même moins audacieux que dans ses pastels des années 1890-1900.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies de Lévy-Dhurmer vers 1920.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipMeH1cyJa1LqwHQ0206dThP9iI2azGdJAhkt2hVqaKP3B-kgzDu2OHC5SRTZUbwqRjiivZtusS-hkrlPQGcoJfqEvC07jU0QL7clXEcjwjX-b-vdEpzmc0Q4oZ25ntMaEKByzAGIJL4Fr/s1600/00-028323.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipMeH1cyJa1LqwHQ0206dThP9iI2azGdJAhkt2hVqaKP3B-kgzDu2OHC5SRTZUbwqRjiivZtusS-hkrlPQGcoJfqEvC07jU0QL7clXEcjwjX-b-vdEpzmc0Q4oZ25ntMaEKByzAGIJL4Fr/s400/00-028323.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Pastel, vers 1925.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1QiX5WxafaT5GE9Ak4ctXw4JdwjRvvjaDFkcVdKctydqOXvTCaxuKUaKIb0QGd4Mvt3ELbbdAc3bzVMa68MU7plJN4tEKKB1fMIbcbvhAV08KPnRFqBn4JvcjzFLmOXey85kcsuQl674E/s1600/autoportrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1QiX5WxafaT5GE9Ak4ctXw4JdwjRvvjaDFkcVdKctydqOXvTCaxuKUaKIb0QGd4Mvt3ELbbdAc3bzVMa68MU7plJN4tEKKB1fMIbcbvhAV08KPnRFqBn4JvcjzFLmOXey85kcsuQl674E/s640/autoportrait.jpg" width="460" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Beautés de Marrakech</u>. Pastel, 1930.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYJdvw1nnvz2G7PKICyCm4AJ3E-s8a9J0DkBWx056tFk8TQeu60CD_C0UAANVmTjhXAf13N4uhwHmw4FOr-pifApXgBRKny7zZiPjoVZg5PbIGQuCmGkVCDmfcu8GlHjL8bLLgcPHx_gdA/s1600/levy-dhurmer-pour-le-blog-entier.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYJdvw1nnvz2G7PKICyCm4AJ3E-s8a9J0DkBWx056tFk8TQeu60CD_C0UAANVmTjhXAf13N4uhwHmw4FOr-pifApXgBRKny7zZiPjoVZg5PbIGQuCmGkVCDmfcu8GlHjL8bLLgcPHx_gdA/s400/levy-dhurmer-pour-le-blog-entier.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il meurt au Vésinet en 1953, très vieux et presque oublié, comme tant d'artistes ayant marqué la période de l'<i>Art Nouveau</i>. </span></span></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com1tag:blogger.com,1999:blog-2907604655020925790.post-18134335813156830722012-04-22T11:47:00.000-07:002012-04-24T07:41:44.105-07:00Aalesund, la résurrection d'une ville<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Aalesund est un port de pêche norvégien située à 200 km environ au nord-est de Bergen. La ville compte environ 40.000 habitants. Fondée en 1824, elle est située sur trois îles dans la région des fjords les plus spectaculaires du pays.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carte de Norvège. La ville d'Aalesund est entourée en rouge.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXUO_SVJ4dxwEEnJcAzVa5ph4m4ZTdQN9ACp4beHu_R7uFgQGeFvxwL05iV6v9rPiuttvHMPGN44DvQkSIWM_xkhb3u9MtX6fkOgB7ljHvB9whRw172Axc7zxuDELRoBpVjl5VuMr9A0e3/s1600/carte_Norvege.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXUO_SVJ4dxwEEnJcAzVa5ph4m4ZTdQN9ACp4beHu_R7uFgQGeFvxwL05iV6v9rPiuttvHMPGN44DvQkSIWM_xkhb3u9MtX6fkOgB7ljHvB9whRw172Axc7zxuDELRoBpVjl5VuMr9A0e3/s640/carte_Norvege.png" width="484" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Panorama du site d'Aalesund.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimXKfYMoOHDhqMX3ZsNnexvwKiogrhugQu0TDRJ912Nq2XQRfQtxgV3NTiuJeEQn_XmJ3OYSBHAnNUx7AjZtxVpHcJ8pGV-dlp8I2m5bui1hNDR6PZbi8F8mOVS3bIcuBZfvSbTvyD3HhX/s1600/080730_alesund_aksla_panorama1_800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="95" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimXKfYMoOHDhqMX3ZsNnexvwKiogrhugQu0TDRJ912Nq2XQRfQtxgV3NTiuJeEQn_XmJ3OYSBHAnNUx7AjZtxVpHcJ8pGV-dlp8I2m5bui1hNDR6PZbi8F8mOVS3bIcuBZfvSbTvyD3HhX/s400/080730_alesund_aksla_panorama1_800.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue générale de la ville d'Aalesund depuis une </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>colline environnante.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLYhF_Zb4u43XKBt-apDcZOwiilYb-r5ylU2s2kRpvOyoAqlyEdyz1ggdgY8KETlmF-WqvkcYYWa9byEe2NhXfNNv0bWKZNXzLynohcaowDmscU0uNBH__OLkW1S3Wd8eswgH98JKNEJ1h/s1600/080730_alesund_from_aksla_800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLYhF_Zb4u43XKBt-apDcZOwiilYb-r5ylU2s2kRpvOyoAqlyEdyz1ggdgY8KETlmF-WqvkcYYWa9byEe2NhXfNNv0bWKZNXzLynohcaowDmscU0uNBH__OLkW1S3Wd8eswgH98JKNEJ1h/s400/080730_alesund_from_aksla_800.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Au XIXème siècle, comme la majorité des villes norvégiennes, Aalesund est essentiellement construite en bois. C'est pendant la nuit du 23 janvier 1904 qu'un incendie se déclare, attisé par une violente tempête. lorsque l'incendie est maîtrisé, 900 maisons ont été détruites et 12 000 personnes sont sans abri. Le tracé même des rues a disparu.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Aalesund avant l'incendie de 1904, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>entre 1890 et 1900.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de la ville d'Aalesund après l'incendie de 1904.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est l'architecte norvégien Henrik Nissen (1848-1915) qui est chargé de diriger la reconstruction de la ville. Nissen est un architecte chevronné qui a beaucoup construit, notamment à Oslo, dans des styles très variés, depuis le néogothique jusqu'au néo-classique. Après des études d'architecture à Berlin, Nissen a eu une carrière brillante : président de l'Association des architectes norvégiens, membre de jury de concours, architecte en chef de la ville d'Oslo entre 1904 et 1906. Membre du Parti Conservateur, il est député de 1897 à 1901.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Immeuble du Prinsens Gate, Oslo. 1880.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Loge maçonnique, Oslo. 1890-1894. </i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG8ng03GXNZiqeSNYZTeUyPFYgpwpBUY10WBDY8UHPJLSxo8b2S92ZjXo2_dkGozscskLImyEN8DNXi8FYkabLJ4sCxByiWojjhRvtN-MeKgoMvCD5OdrLaP9OYqD__3viOBxFD1hgVLBZ/s1600/779px-Frimurerlosjen_Oslo.1890-1894jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG8ng03GXNZiqeSNYZTeUyPFYgpwpBUY10WBDY8UHPJLSxo8b2S92ZjXo2_dkGozscskLImyEN8DNXi8FYkabLJ4sCxByiWojjhRvtN-MeKgoMvCD5OdrLaP9OYqD__3viOBxFD1hgVLBZ/s400/779px-Frimurerlosjen_Oslo.1890-1894jpg.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Eglise de Hoevik.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgBF5yiNVGZ5UVV9sFgnE91oF_ECgvRQEWKuISnTecnLtMxIbag_AavJpPzKJ_9yZF7xqf7RJq69WQGyXW1guWn2M74GeN5QDDfnozJ3ihynTORmmJxcOzhIgqgMMfjSQOo3IAMabSCyfA/s1600/H%C3%B8vik_kirke_20071111.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgBF5yiNVGZ5UVV9sFgnE91oF_ECgvRQEWKuISnTecnLtMxIbag_AavJpPzKJ_9yZF7xqf7RJq69WQGyXW1guWn2M74GeN5QDDfnozJ3ihynTORmmJxcOzhIgqgMMfjSQOo3IAMabSCyfA/s400/H%C3%B8vik_kirke_20071111.jpg" width="300" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ecole Hartvig Nissens, Oslo. 1898.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Caisse d'épargne, Oslo. 1901.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_HBqOnEamEraIbup4UxKC1jYHzFbiWUkjIB3oGJvVDqI7yv9GR0bt8tSof8eIilhfv2DGpSHaoIfHJlXz7KAnKb7EXRfkZYfdhFmKzUpqh2ZPNo7BnIOPdb2U-QBrgh2oR0KKrDldA060/s1600/caisse+d'e%CC%81pargne+oslo+1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_HBqOnEamEraIbup4UxKC1jYHzFbiWUkjIB3oGJvVDqI7yv9GR0bt8tSof8eIilhfv2DGpSHaoIfHJlXz7KAnKb7EXRfkZYfdhFmKzUpqh2ZPNo7BnIOPdb2U-QBrgh2oR0KKrDldA060/s400/caisse+d'e%CC%81pargne+oslo+1901.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La mise en chantier de la reconstruction va se fonder sur le livre de l"architecte et urbaniste autrichien Camillo Sitte (1843-1903), <i>L'Art de bâtir les villes</i> (1889).</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Camillo Sitte.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinFuR0nQi_x2QpFoFs4uo2ywJxE3CCZjWOD4VMGdoGVcnqrpP9sIF3e5hCATcJJ_wW5o7thEGPUolqAoQNfwpqFyrjvvEkF934NZ6-LvHXc-x3kgoZFH_HenWsa39Np41aa6r0wwoADlpG/s1600/Camillo_Sitte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinFuR0nQi_x2QpFoFs4uo2ywJxE3CCZjWOD4VMGdoGVcnqrpP9sIF3e5hCATcJJ_wW5o7thEGPUolqAoQNfwpqFyrjvvEkF934NZ6-LvHXc-x3kgoZFH_HenWsa39Np41aa6r0wwoADlpG/s400/Camillo_Sitte.jpg" width="290" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Fasciné par les villes italiennes comme Florence ou Sienne, Sitte critique la vision purement utilitariste de l'urbanisme du XIXème siècle. Il souligne l'importance des places, de la dissymétrie des espaces, de la présence d'œuvres d'art, et des parcs et jardins dans le fonctionnement d'une ville. Il écrit : </span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Une ville doit être bâtie de façon à donner à ses habitants la sécurité et le bonheur. Pour atteindre ce but, il ne suffit pas de la science d'un technicien, il faut encore le talent d'un artiste. Qui s'inquiète aujourd'hui de la création des villes en tant qu'œuvre d'art ? On ne voit généralement dans cette question qu'un problème technique à résoudre ; à chaque nouvelle occasion des plans de quartier sont étudiés avec un point de vue exclusivement technique comme s'il s'agissait du tracé d'une voie ferrée, ou de toute autre question étrangère à l'art.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lors de la reconstruction d'Aalesund, on a suivi les préceptes de Camillo Sitte, en ne prenant pas un plan en damier et en intégrant dans le cité les bâtiments administratifs. Cependant, pour conserver une certaines harmonie, Nissen a fixé des normes, comme la hauteur des édifices ou la hauteur des cheminées.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre protagoniste va intervenir dans la reconstruction d'Aalesund. L'Empereur d'Allemagne Guillaume II passait une grande partie de ses vacances à bord de son yacht, <i>Le SMY Hohenzollern II</i> entre 1893 et 1914. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carl Saltzmann (1847-1923). <u>Le yacht du Kaiser</u></i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Hohenzollern II en croisière sous escorte en </u></i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i><u><span class="Apple-style-span" style="font-size: large;"></span></u></i></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>Mer du Nord</u>. Huile sur toile, 1904.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3M7rW5RV8N5K0QXETX5vUU6XW5oiP4vV0yE6is7k7TQWHp35Iy9kysTajNRPuk3ibWPM37Q8RFCiG5snhte7-fr3MkFFU1ny35gvdpDDgS30xevebAVf_15EQBha6iNJv3x5FKuoZIeJg/s1600/Carl_Saltzmann_-_The_Kaiser's_yacht_Hohenzollern_(II)_under_escort_on_a_summer_cruise_in_northern_waters,_1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3M7rW5RV8N5K0QXETX5vUU6XW5oiP4vV0yE6is7k7TQWHp35Iy9kysTajNRPuk3ibWPM37Q8RFCiG5snhte7-fr3MkFFU1ny35gvdpDDgS30xevebAVf_15EQBha6iNJv3x5FKuoZIeJg/s400/Carl_Saltzmann_-_The_Kaiser's_yacht_Hohenzollern_(II)_under_escort_on_a_summer_cruise_in_northern_waters,_1904.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il adorait la côte norvégienne et apprenant la destruction d'Aalesund, il dépêche sur place des artistans et des architectes à ses frais. C'est sans doute ce qui explique l'aspect assez germanique de l'architecture de la cité, ajouter au fait que la majorité des architectes norvégiens faisaient leurs études en Allemagne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La ville d'Aalesund va donc être reconstruite en <i>Jugendstil</i> entre 1904 et 1910. C'est un exemple unique d'une ville pratiquement entièrement bâtie en style <i>Art Nouveau</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un évènement politique va aussi influencer l'architecture de Aalesund. En 1905, la Norvège acquiert son indépendance totale. En effet depuis le <i>Traité de Kiel</i> en 1814, la Suède et la Norvège, bien qu'ayant des gouvernements différents, sont gouvernées par le même souverain suédois. Suite à des problèmes liés au fait que les affaires étrangères sont menées par la Suède, la Norvège déclare son indépendance et prend pour roi Charles de Danemark qui monte sur le trône sous le nom de Haakon VII (1872-1957). La fierté nationale retrouvée s'exprime à Aalesund par la décoration des bâtiments utilisant des motifs vikings et médiévaux, les deux grandes périodes de l'histoire norvégienne.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ornements d'inspiration viking sur deux </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>immeubles d'Aalesund.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les rues de la ville sont donc assez tortueuses et bordées de magnifiques immeubles <i>Jugendstil</i> de deux ou trois étages. De nombreuses maisons sont ornées de tours se référant à la période médiévale. D'autres présentent des ornements de stuc plus spécifiquement <i>Art Nouveau</i> ou des oriels.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Architecte Harald Krohg Stabell. 1906-1908.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Rénovation d'un ancien bâtiment. Architecte </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Oivin Berg Grimnes. 1919-1923.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Maison Johannes Haugland. Architecte </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Harald Krohg Stabell. 1905-1907.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'architecte le plus important ayant participé à la reconstruction de la ville est Hagbarth Martin Schytte-Berg (1860-1944). Il a fait ses études à l'<i>Institut technique de Trondheim</i> entre 1879 et 1882 puis à l'<i>Ecole supérieure polytechnique</i> de Hanovre en Allemagne entre 1882 et 1883. Il s'installe ensuite comme architecte à Oslo puis à Skien à 100 km au sud-ouest de la capitale. Il reprend ses études à Berlin entre 1889 et 1890 afin d'étudier l'architecture religieuse.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Hagbarth Martin Schytte-Berg. Vers 1890.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De 1890 à 1895, il s'installe de nouveau à Skien. En 1894, il dirige la construction de l'église de Skien dans un style résolument néo-gothique.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1895, il s'installe à Oslo où il restera jusqu'en 1904. Il construit de nombreux bâtiments, notamment l'actuelle <i>ambassade d'Argentine</i> dans un style éclectique proche de ce que les architectes allemand édifiait pour la bourgeoisie.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2U0XLVWeoQsFhEXV7-jEionYbblaZDtQAuvS0Rs4gz9Zh31H8XCHBT0DqCvH40p7VGYRXbZVf2Tfs96S0wr5E2n-sO8mkCT6IFwb6ULHCcnQx3VHfFZrh7xvQzYv4wSr-vMaI88EXgtl0/s1600/ambassade+d'argentine+oslo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2U0XLVWeoQsFhEXV7-jEionYbblaZDtQAuvS0Rs4gz9Zh31H8XCHBT0DqCvH40p7VGYRXbZVf2Tfs96S0wr5E2n-sO8mkCT6IFwb6ULHCcnQx3VHfFZrh7xvQzYv4wSr-vMaI88EXgtl0/s400/ambassade+d'argentine+oslo.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans un court texte, Schytte-Berg a décrit son itinéraire : <i>D'abord j'ai suivi le style gothique en progressant vers la Renaissance, mais plus tard, et en particulier à Aalesund, je me suis libéré et j'ai essayé de donner à mon travail une direction plus personnelle et plus nationale, non seulement en terme de décoration mais aussi en regard de l'ensemble.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cette direction nationale à son travail, on la voit à l'œuvre dans la <i>Villa Heiberg</i> qu'il construit entre 1897 et 1898 dans la ville de Hamar à 100 km au nord d'Oslo. Cette villa en bois, reprend l'architecture traditionnelle à l'extérieur alors que l'intérieur montre un décor de style victorien.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues extérieures de la Villa Heiberg, Hamar. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Etat actuel. 1897-1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYTo6sAhyphenhyphen0wb8Fl6mllbrMHVgZW6iQT0DGoqFXVTaFhGnXsrdXL0G8UjJ6anLqCyHZjLloLN13UtnzVt_cOFooZ1iVs7jpACatwtjros1wyArzv051-Gzspv733kXJDNyUW8l-VeWzeYkJ/s1600/Sveitservilla_nord_vest_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYTo6sAhyphenhyphen0wb8Fl6mllbrMHVgZW6iQT0DGoqFXVTaFhGnXsrdXL0G8UjJ6anLqCyHZjLloLN13UtnzVt_cOFooZ1iVs7jpACatwtjros1wyArzv051-Gzspv733kXJDNyUW8l-VeWzeYkJ/s400/Sveitservilla_nord_vest_1.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihiDyKtmvFWyWELXesCpIQMlw0dryZCloHDNQDVj_pEGTJqufKlUqyClUxPk6-_ZLh9YkdUptNhOYybMi9F0Ji22PQ6vBU-SDpo8thw2FvypVc4brXv0nfcP8-_hhZ4NFK4sXcyPlM5X9X/s1600/Villa_heiberg_gamletrehus_mai_2011_597pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihiDyKtmvFWyWELXesCpIQMlw0dryZCloHDNQDVj_pEGTJqufKlUqyClUxPk6-_ZLh9YkdUptNhOYybMi9F0Ji22PQ6vBU-SDpo8thw2FvypVc4brXv0nfcP8-_hhZ4NFK4sXcyPlM5X9X/s400/Villa_heiberg_gamletrehus_mai_2011_597pxl.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues extérieures de la Villa Heiberg. Photographies de 1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2OBUDe2IrMTlgzWqE8Qna1MtAIqPMtlLqww-vXJWQDieG-qWsz_jIO2PDnQnm6zp3LiJ6kv7JPWhBRlqmxaT-2qare-R4dnN7UNE9_-1n53e9HRo0myAJqqEOybwWxHqzUes3wtlgTpxJ/s1600/Villa_Heiberg_dragestil_572pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2OBUDe2IrMTlgzWqE8Qna1MtAIqPMtlLqww-vXJWQDieG-qWsz_jIO2PDnQnm6zp3LiJ6kv7JPWhBRlqmxaT-2qare-R4dnN7UNE9_-1n53e9HRo0myAJqqEOybwWxHqzUes3wtlgTpxJ/s400/Villa_Heiberg_dragestil_572pxl.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGAxLjhka8uPQIuXixAqR2L4tKuP7vGuH1CREjNNmjCUSfJQ0ghQW9QOBkusVciF6aYvEDZWAeaGAGodpDnnUGVS5bJv-P7eo3abkPfEPofNEqsRLHURU6E1XzP4f4XocmzosJcJAnbYlM/s1600/Villa_heiberg_gamletrehus_1910_591pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGAxLjhka8uPQIuXixAqR2L4tKuP7vGuH1CREjNNmjCUSfJQ0ghQW9QOBkusVciF6aYvEDZWAeaGAGodpDnnUGVS5bJv-P7eo3abkPfEPofNEqsRLHURU6E1XzP4f4XocmzosJcJAnbYlM/s400/Villa_heiberg_gamletrehus_1910_591pxl.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Projet de Schytte-Berg pour une des façades. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Encre sur papier, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVoZwbdEu9OVutEEbeXk2E391G9NDOHsqQAZjMYlTRIiPD7qnf2x6sUt_7SAvqcUBUzlgL7inT0I5hZFK-Ig5GaILu6Ncc3GakilZIsGN0MUARyMTXJKCrMDkf-zjNPVboHacpZQJRb4e1/s1600/Dragestil_villa_heiberg_tegninge_1_nord_518pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVoZwbdEu9OVutEEbeXk2E391G9NDOHsqQAZjMYlTRIiPD7qnf2x6sUt_7SAvqcUBUzlgL7inT0I5hZFK-Ig5GaILu6Ncc3GakilZIsGN0MUARyMTXJKCrMDkf-zjNPVboHacpZQJRb4e1/s400/Dragestil_villa_heiberg_tegninge_1_nord_518pxl.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails du toit. Etat actuel.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQy8nyYxn7KwLesfNXvQiSVewz-R0g6ftZiA2ehhH-GTN3FtBFjJPsQ89cQ_TEs6p0cyTrdwnC3E7MfIGB3dOxsDMF6nC4QoueUve_ZWjHz0wpW8MeYnHOTFZbzxRjRxTJFxL8GP0a1V0h/s1600/Utsmykking_dragestil_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQy8nyYxn7KwLesfNXvQiSVewz-R0g6ftZiA2ehhH-GTN3FtBFjJPsQ89cQ_TEs6p0cyTrdwnC3E7MfIGB3dOxsDMF6nC4QoueUve_ZWjHz0wpW8MeYnHOTFZbzxRjRxTJFxL8GP0a1V0h/s400/Utsmykking_dragestil_2.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails du toit. Photographie de 1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXIw_y-K74nGy_MkN4G-6wROKQszKIwu-1D-okyZM7JwzYfQ_yTWW7_XnQjW-XjkIo_IUKiRfsCc5a1VV7mYRwRfJTvQWdAW6IpTd3p05gPQyrUD50vPZuTwKN1PRHIjPSDEtn9tjn3YDr/s1600/Utsmykking_dragestil_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXIw_y-K74nGy_MkN4G-6wROKQszKIwu-1D-okyZM7JwzYfQ_yTWW7_XnQjW-XjkIo_IUKiRfsCc5a1VV7mYRwRfJTvQWdAW6IpTd3p05gPQyrUD50vPZuTwKN1PRHIjPSDEtn9tjn3YDr/s400/Utsmykking_dragestil_1.jpg" width="395" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le salon. Photographie de 1898.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBBVN10xDntiveQ-TNFdf7cKL656tTIR-eVD1KQxvmtR1t_eGDlKhA_vU8xwLUaIG3ZV9uF-OS3d_vEMq4NXiG0tRREkz-gzJqYh2py0JTbWuKId2FwOU0wTalZgYtI3qSv4Ohk-_93lp-/s1600/Gamle_stuer_interi%C3%B8r_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBBVN10xDntiveQ-TNFdf7cKL656tTIR-eVD1KQxvmtR1t_eGDlKhA_vU8xwLUaIG3ZV9uF-OS3d_vEMq4NXiG0tRREkz-gzJqYh2py0JTbWuKId2FwOU0wTalZgYtI3qSv4Ohk-_93lp-/s400/Gamle_stuer_interi%C3%B8r_2.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Plafond du salon. Etat actuel après restauration.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZeJ_cDoMwMAqH-1BD49FKvbLh6wmH7Frr-II15myvaJl7hl6oZKo102Yuu3r7xNErMrSAAi1apjg9uRmhz5mSbCS6C0rJvYi7sXieOzG_VkVBbhV4bLGHE80-gFFmNZZIPoilPwBtXLKl/s1600/Dekorert_himling_580pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZeJ_cDoMwMAqH-1BD49FKvbLh6wmH7Frr-II15myvaJl7hl6oZKo102Yuu3r7xNErMrSAAi1apjg9uRmhz5mSbCS6C0rJvYi7sXieOzG_VkVBbhV4bLGHE80-gFFmNZZIPoilPwBtXLKl/s400/Dekorert_himling_580pxl.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Médaillon du plafond du salon.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWN7XlxKrF-AS8SoRas7bK8-4sT01vkRDMIl4keVyQVau5iAG9q5QDR8jGBHxfBPHXBUyygpS1gmELqKHrudLeHLx3SM7KZw6V-IhW3cDivjsQ7A0DMS2fMI31cNUJ5BVhy7adY8SEfLMJ/s1600/Madaljong_dekor_maleri_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWN7XlxKrF-AS8SoRas7bK8-4sT01vkRDMIl4keVyQVau5iAG9q5QDR8jGBHxfBPHXBUyygpS1gmELqKHrudLeHLx3SM7KZw6V-IhW3cDivjsQ7A0DMS2fMI31cNUJ5BVhy7adY8SEfLMJ/s400/Madaljong_dekor_maleri_1.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail du décor du plafond du salon.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNckoHTfL8cYSxVK1VAwMsu0P7mMRFdi_VtKpiVrzKfLp2PWbRjKZgrN5WlXMd9jOjvnnN16bvqTfgIuARQzrAS8gnfj3BR9SyjLD20yFEtw_lMLQRtoWgs8OwlfV4HhLNeSnZStkz847k/s1600/Gammel_blomsterdekor_591pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNckoHTfL8cYSxVK1VAwMsu0P7mMRFdi_VtKpiVrzKfLp2PWbRjKZgrN5WlXMd9jOjvnnN16bvqTfgIuARQzrAS8gnfj3BR9SyjLD20yFEtw_lMLQRtoWgs8OwlfV4HhLNeSnZStkz847k/s400/Gammel_blomsterdekor_591pxl.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le hall d'entrée.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi39JuDcFkO8shyphenhyphenetMSVtO-n7GHb9npPuwmn9ZwfpoLN6Jps-ytzIEnYjg3Y1Tv0Wp0dG4eDHvnMePU-DOx1MXxBTqy1EuAgcFQf5cp4oS-NeyG1GaPZIfYCKKE6lRt5FeRv3XT2cHDNktd/s1600/Gamle_d%C3%B8rer_krysspost_11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi39JuDcFkO8shyphenhyphenetMSVtO-n7GHb9npPuwmn9ZwfpoLN6Jps-ytzIEnYjg3Y1Tv0Wp0dG4eDHvnMePU-DOx1MXxBTqy1EuAgcFQf5cp4oS-NeyG1GaPZIfYCKKE6lRt5FeRv3XT2cHDNktd/s400/Gamle_d%C3%B8rer_krysspost_11.jpg" width="298" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC-maFLfcLEYzAF8zA18jEQh0CIiVR8UT1J6xwrAY5JPtLob9xqHvWHoHuzVtObVqDESvPS9TY32TQl6Jb7Jcakq-yCvj4ce921HPp-vlQXlrx2cNJscuguNkef6lf5C9TD6H03HyEfYE3/s1600/Trappel%C3%B8p_megler_dekorasjonskunst_566pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC-maFLfcLEYzAF8zA18jEQh0CIiVR8UT1J6xwrAY5JPtLob9xqHvWHoHuzVtObVqDESvPS9TY32TQl6Jb7Jcakq-yCvj4ce921HPp-vlQXlrx2cNJscuguNkef6lf5C9TD6H03HyEfYE3/s400/Trappel%C3%B8p_megler_dekorasjonskunst_566pxl.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTaKQq6DVEbYsJH31SLCam_RTtgEUahEvfIpppwzx7n6R4EDMxA23aC4pwooOF5DyXDs-GlEjxAKk9DwENEvdChtk0o2O2yEYePhEk3pDnHvXCGVK7-_5n65YgIXotLreJUY_nZ0du18l2/s1600/Trappel%C3%B8p_megler_dekorasjonskunst_576pxl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTaKQq6DVEbYsJH31SLCam_RTtgEUahEvfIpppwzx7n6R4EDMxA23aC4pwooOF5DyXDs-GlEjxAKk9DwENEvdChtk0o2O2yEYePhEk3pDnHvXCGVK7-_5n65YgIXotLreJUY_nZ0du18l2/s400/Trappel%C3%B8p_megler_dekorasjonskunst_576pxl.jpg" width="326" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le palier du premier étage.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1901 et 1903, l'architecte dirige la construction de la petite église de Fagerborg, commune située dans la banlieue d'Oslo. L'extérieure, en pierre est austère et ne présente aucun ornement. L'ajout de tours rondes renforcent l'aspect de forteresse trapue qu'elle adopte. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur, d'une grande légèreté, tranche avec l'extérieur. Sa charpente apparente évoque l'art roman anglais (cathédrale de Durham) aussi bien que les vaisseaux viking.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitdCuzqIpCNkCNe_jdyQzSoLux39itVBI17yiWa-rOyLYney0nHKF6QYwRr3S8I5B9zprKEmjbY4loESwTaITgynNLtk_bBdBkOrfJbZtCj_oKK_jFN1y2V72JxTUfW9dYsio1FNc99N8k/s1600/OSLO-Fagerborg-Orgel-gross.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitdCuzqIpCNkCNe_jdyQzSoLux39itVBI17yiWa-rOyLYney0nHKF6QYwRr3S8I5B9zprKEmjbY4loESwTaITgynNLtk_bBdBkOrfJbZtCj_oKK_jFN1y2V72JxTUfW9dYsio1FNc99N8k/s400/OSLO-Fagerborg-Orgel-gross.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le verrier et mosaïste hongrois Max Roth (1865-1944) a dessiné en 1903 le vitrail de la Résurrection.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMj2cIP09hwEC7OY0yPMZi9SY4rf_2TpaO221prXs2o-6sss8J-0znJiq32zNaKAZKpkLGwOvzlhT79Frk0JDIgEaUQBlFWln5fbGjUHfxes1ojio5uUvpCbb4C8hCyjNINpUC9nLzziPT/s1600/fagerborg_kirke_glassmaleri+max+roth+1903.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMj2cIP09hwEC7OY0yPMZi9SY4rf_2TpaO221prXs2o-6sss8J-0znJiq32zNaKAZKpkLGwOvzlhT79Frk0JDIgEaUQBlFWln5fbGjUHfxes1ojio5uUvpCbb4C8hCyjNINpUC9nLzziPT/s400/fagerborg_kirke_glassmaleri+max+roth+1903.jpg" width="367" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1904 et 1908, Schytte-Berg s'installe à Aalesund. Il va construire de nombreux édifices d'une facture nettement plus influencé par le <i>Jugendstil</i>. Le plus caractéristique est la <i>Pharmacie du Cygne</i> (1904-1907), qui a été transformée en musée du <i>Jugendstil</i> il y a quelques années.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'extérieur en grosses pierres de taille est assez austère même si la tour d'angle et un oriel animent la façade. L'architecte a repris ici le modèle de l'église de Fagerborg en remplaçant la tour en poivrière par une tour d'inspiration baroque. On remarquera que les trois façades sont très différentes dans la conception.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade de la Pharmacie du Cygne, Aalesund. 1904-1907.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwdyc-p4aauFVojEU_6EY0kJL05wc4Fx3NdTbeKjbE6KjzpBTIf6nWpR5gSkWTwaPPOLFSvMU4D7zl02dSjKPDagm9EaBLZDBh4GzJvz5gZTA-1c8wrJuzsoTPDQ-bbs7D5fPGm_wvjHpr/s1600/Svaneapoteket+i+Aalesund+-+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwdyc-p4aauFVojEU_6EY0kJL05wc4Fx3NdTbeKjbE6KjzpBTIf6nWpR5gSkWTwaPPOLFSvMU4D7zl02dSjKPDagm9EaBLZDBh4GzJvz5gZTA-1c8wrJuzsoTPDQ-bbs7D5fPGm_wvjHpr/s400/Svaneapoteket+i+Aalesund+-+05.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'épaisse colonne qui soutient la tour et délimite un auvent marquant l'entrée de la pharmacie est ornée d'un chapiteau inspiré de l'art viking sculpté par Marvin Dahlus.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cette inspiration viking est beaucoup plus manifeste sur les portes, particulièrement sur le montant central de la double-porte vitrée.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur de la pharmacie présente une grande unité. Le grand comptoir et les rayonnages présentent les mêmes ornements, notamment des têtes de chouette stylisées. L'ensemble de cette salle montre un certain géométrisme qui n'est pas sans rappeler la <i>Sécession Viennoise</i>.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDXdihWdfV5HWR7r8EQS270WbfHyTx75RGPUmonYAX9SHBd0XYqosVz8gcJjP4lMpic4lLAConst9B3xPobGSo33lM6lMzdaYZbtBCdTxWXaAxKg5BkXrtVauQ-W-SjfBT9XCwArEucLr-/s1600/Alesund-1429.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDXdihWdfV5HWR7r8EQS270WbfHyTx75RGPUmonYAX9SHBd0XYqosVz8gcJjP4lMpic4lLAConst9B3xPobGSo33lM6lMzdaYZbtBCdTxWXaAxKg5BkXrtVauQ-W-SjfBT9XCwArEucLr-/s400/Alesund-1429.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une grande partie de l'intérieur originel de la maison et les vitraux ont été épargnés par le temps.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'escalier.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisIiXB92Ykm3buxRtMUDBLtKW6lDxojgP-6acys3O8bOfjc37iEmllMOi4MWmrJCnl5E8ttyl7nUmVeyy6Xr-qWV804eYLLd5QN3QC9Wia8VV4LEeTVgTxkV4pKga4ljclazeLaMCe40Zz/s1600/Alesund-1424.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisIiXB92Ykm3buxRtMUDBLtKW6lDxojgP-6acys3O8bOfjc37iEmllMOi4MWmrJCnl5E8ttyl7nUmVeyy6Xr-qWV804eYLLd5QN3QC9Wia8VV4LEeTVgTxkV4pKga4ljclazeLaMCe40Zz/s400/Alesund-1424.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La salle à manger, contrairement à l'officine, est d'un style nettement <i>Art Nouveau</i>. Elle est proche des modèles français ou belges et notamment de Horta.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Deux vases en verre à monture en argent. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Travail scandinave, vers 1900.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1904 et 1907 Schytte-Berg réalise plusieurs petits immeubles à Aalesund, caractérisés par une grande économie de moyen et souvent, la présence de fausses échauguettes marquant l'angle entre deux façades.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Immeuble, Aalesund. 1904.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Immeuble Notenesgata, Aalesund, 1906.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Immeuble place St-Olaf, Aalsund, 1906.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1907, l'architecte dirige la construction de la <i>Villa Devold</i> qui tranche avec le reste de sa production. La présence du fronton arrondi et du bow-window en maçonnerie sont très surprenantes. L'influence allemande est très marquée dans cette superbe maison dont les seuls ornements se situe au dessus du porche et des baies en plein cintre. Les bandeaux situées sous les toits sont d'une très grande élégance. Les vitraux sont aussi d'une grande simplicité.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1908, Schytte-Berg s'installe à Trondheim. Il y restera jusqu'à sa mort en 1944.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Immeuble Krambugata, Trondheim, 1908.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Tpiy3b6fFYwtJp52cnb_EBz0s1qe7eP7ZYDf9jFTfdACY12EYix9a2lRk7KpBbUFpiDzQXk_JqZkPOTNLTqvDtsfbDjC17HfdtJA1MjJEYCDEbs6xlZR-ZyF5VIURV04aApAexuwwsYF/s1600/Krambugata_14_Trondheim.+1908jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Tpiy3b6fFYwtJp52cnb_EBz0s1qe7eP7ZYDf9jFTfdACY12EYix9a2lRk7KpBbUFpiDzQXk_JqZkPOTNLTqvDtsfbDjC17HfdtJA1MjJEYCDEbs6xlZR-ZyF5VIURV04aApAexuwwsYF/s400/Krambugata_14_Trondheim.+1908jpg.jpg" width="332" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">D'autres architectes sont intervenus à Aalesund. C'est le cas de Alfred Christian Dahl (1857-1940) et Carl August Michalsen (1869-1940) qui travaillait indépendamment à Oslo et se sont associé lors de leur séjour à Aalesund entre 1904 et 1908.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carl Michalsen. Immeuble Franck-gaarden, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Oslo. 1899-1902.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW56NCiMinDzxoaeHaVygQgZDiCyeQ8T-VN5rWahYuzDNIBWnkNBe5OTV7ZPLm9r4Khk_nfmHuRjOV9LQeQxYSRMYTs7c_-xfGDiyj3cLo97GjIct-CDNpIYLwLOezolE7AijyCCy9zz07/s1600/bogstadveien.11.iv.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW56NCiMinDzxoaeHaVygQgZDiCyeQ8T-VN5rWahYuzDNIBWnkNBe5OTV7ZPLm9r4Khk_nfmHuRjOV9LQeQxYSRMYTs7c_-xfGDiyj3cLo97GjIct-CDNpIYLwLOezolE7AijyCCy9zz07/s400/bogstadveien.11.iv.jpg" width="277" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carl Michalsen. Pharmacie L'Etoile du Nord, Oslo. 1899.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alfred Christian Dahl. Usine Kiellands, Oslo. 1910-1911.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgWGGgkP9UTN5SwfARxxmcdCTNcp6hza4s_d3wQU4mV2FUS4AcE2UirJMIKLkGy4c95ytpDqN-m_nt7sEYUMeJFSHHTRAklrOky1_rpx7OHC4wchE62mMe21wpxutDPmy_UbCv2mz1I3F6/s1600/toyengaten.31.iii.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgWGGgkP9UTN5SwfARxxmcdCTNcp6hza4s_d3wQU4mV2FUS4AcE2UirJMIKLkGy4c95ytpDqN-m_nt7sEYUMeJFSHHTRAklrOky1_rpx7OHC4wchE62mMe21wpxutDPmy_UbCv2mz1I3F6/s400/toyengaten.31.iii.jpg" width="287" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une de leur première réalisation à Aalesund est la <i>Villa Westvig</i> construite pour un important patron de pêcheries. c'est un bâtiment très sobre, influencé par le néo-gothique, mais très épuré. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Michalsen et Dahl Villa Westvig, Aalesund. 1904-1905.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdqnb_KZqY52K1HEJosZjM4m_Wr66ntYMr2axGrV2Lb1KQhEb-amgzcQH5HoOeUKI_-dmonuMibTHLe6AyXTzCfSV3EWSTf58V-H50fmuJYpQLVITOu8WIzNOwHpvoEvdYilqgoMQWMx5-/s1600/villa+wetvig+1904-1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdqnb_KZqY52K1HEJosZjM4m_Wr66ntYMr2axGrV2Lb1KQhEb-amgzcQH5HoOeUKI_-dmonuMibTHLe6AyXTzCfSV3EWSTf58V-H50fmuJYpQLVITOu8WIzNOwHpvoEvdYilqgoMQWMx5-/s400/villa+wetvig+1904-1905.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1904 et 1907, les deux architecte construise une maison sur la rue Kaiser Wilhelm. Elle reprend le modèle des maisons nordiques médiévales avec le haut pignon et le rez-de-chaussée occupé par la porte et une baie en anse de panier correspondant à la boutique. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Michalsen et Dahl. Maison Kaiser Wilhelm gate, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Aalesund. 1904-1907.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyovZU9F72ZVgPzNGt5EyUqqyIoPNXNKRV4IWjme7gKwK4ZfJaY8xTpNzGoH3I8PMtWHz-pZjt4qd-xb_ky2XQNNhBtOMCeAw00BrAyrZf5kra5u5KHb7wNpUFkbu6VnaoD51AktdKVyl/s1600/keiser.wilhelms.gate.28.1905jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyovZU9F72ZVgPzNGt5EyUqqyIoPNXNKRV4IWjme7gKwK4ZfJaY8xTpNzGoH3I8PMtWHz-pZjt4qd-xb_ky2XQNNhBtOMCeAw00BrAyrZf5kra5u5KHb7wNpUFkbu6VnaoD51AktdKVyl/s400/keiser.wilhelms.gate.28.1905jpg.jpg" width="232" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En opposition totale avec ce style très sobre, le duo d'architectes construira des maisons beaucoup plus marqué par le <i>Jugendstil</i> et ses ornements floraux, comme on le voit sur le pignon d'une villa ou sur la Villa Lied et ses pignons en forme de vague.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Michalsen et Dahl. Pignon d'une maison à Aalesund. 1905.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQXKryRyXam0chpbsADuUYgyMvq1ZO_c4l9siLgkBgXh9whEeU2a-QVAPmlZ9NZUlUkHTdFfk1TXubLYj7bp5IaKg__P7yc-iEhJrOiHWF1XxVuAHeXtuJRiYR3Ea1WdKF2j_z9C84ht8s/s1600/michalsen+et+Dahl+1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQXKryRyXam0chpbsADuUYgyMvq1ZO_c4l9siLgkBgXh9whEeU2a-QVAPmlZ9NZUlUkHTdFfk1TXubLYj7bp5IaKg__P7yc-iEhJrOiHWF1XxVuAHeXtuJRiYR3Ea1WdKF2j_z9C84ht8s/s400/michalsen+et+Dahl+1905.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Michalsen et Dahl. Villa Lied, Aalesund. 1906.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRbMUAC6uH61VZJkYycwtJ2yQI0bHGI3xMa3X9PoTA5b_q8IkFwdoqwZM74lOC-_dVSff_zsG9Tn5AvRbxPmdjVfYSBfnVpwBV7a8XvJwPU93s2Evt2_dqmplOaNT4R3wwaA966EaIfmm8/s1600/villa+lied+carl+michalsen+1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRbMUAC6uH61VZJkYycwtJ2yQI0bHGI3xMa3X9PoTA5b_q8IkFwdoqwZM74lOC-_dVSff_zsG9Tn5AvRbxPmdjVfYSBfnVpwBV7a8XvJwPU93s2Evt2_dqmplOaNT4R3wwaA966EaIfmm8/s400/villa+lied+carl+michalsen+1906.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Michalsen et Dahl. Immeuble Henriksengaarden, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Aalsund. 1905-1907.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1mt4l2ehYDwjq1aN44SNzYsuTPDis2lEy4itxpKJhyphenhyphenVQKbFKTyHtHzwcYtuL0IGQ6ivOB5KnSr-XXEkW9SBbiXHoD5ijDSPHFMP1JfStGBJCIIp8NbGfvJduyImIjHlYltXXGkb5KYr8/s1600/henriksengarden+michalsen+et+dahl+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1mt4l2ehYDwjq1aN44SNzYsuTPDis2lEy4itxpKJhyphenhyphenVQKbFKTyHtHzwcYtuL0IGQ6ivOB5KnSr-XXEkW9SBbiXHoD5ijDSPHFMP1JfStGBJCIIp8NbGfvJduyImIjHlYltXXGkb5KYr8/s400/henriksengarden+michalsen+et+dahl+.jpg" width="243" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre architecte norvégien important à être intervenu à Aalesund est Karl Norum. Norum est né en 1852 non loin de Trondheim et c'est dans sa ville natale et dans la région qu'il a construit ses bâtiments les plus importants. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Karl Norum.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ses premières œuvres à Trondheim sont marquées par l'éclectisme et un certain néo-classicisme.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Karl Norum. Hôtel Britannia, Trondheim. 1895.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mathesongaarden, Trondheim. 1895-1898.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1899, il construit, toujours à Trondheim le <i>restaurant Tivoli</i> entièrement en bois. Il adopte ainsi le <i>style drakkar</i> dont il va devenir un des maîtres. Le <i>style drakkar</i> reprend des éléments décoratifs viking ou supposés tel, notamment les figures de proue ornées d'un dragon. Ce mouvement romantique nationaliste est caractéristique de la Norvège dans la période de son indépendance. Le bâtiment a été détruit dans les années 1960.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Restaurant Tivoli, Trondheim. Photographie de 1905.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1900 et 1907, Norum va essentiellement travailler dans ce style nationaliste, notamment dans le cadre de l'édification de nombreuses églises et chapelles.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Rognli, Ringve non loin de Trondheim. 1902.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Kvernbakken, Grilstadbekken sur le fjord </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>de Trondheim. 1902.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1902, Norum dirige la construction de la chapelle de Neiden qui est située à une quarantaine de kilomètres de Kirkenes à l'extrême nord de la Norvège. De plan basilical, elle est parfaitement conservée et les couleurs d'origine ont été conservées aussi bien à l'intérieur qu'à l'extérieur. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour autant, Norum n'abandonne pas les constructions citadines. En 1903, il dirige la construction d'un immeuble typiquement <i>Jugendstil</i>, Nordregate à Trondheim.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1905, c'est à Busknes sur les îles Lofoten qu'il édifie une église dans le <i>style drakkar</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1904 et 1907, comme la majorité des architectes norvégiens, il participe à la reconstruction d'Aalesund. Son bâtiment le plus important est le siège de l'entreprise <i>Carl E. Roenneberg et Soenner</i> qui date de 1907. Il opte pour une solide construction en grosses pierres de tailles, flanquée d'une tour et ornée de pignon typiquement <i>Jugendstil</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Karl Norum. Projet d'élévation de la façade de l'entreprise Roennebeg et Soenner. Encre, 1906.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Entreprise Roenneberg et Soenner. 1907. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'époque.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Entreprise Roenneberg et Soenner. Etat actuel.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Toujours à Aalesund, Norum construit, en pierre de taille, la maison la plus étroite de la ville, la façade étant large de 2,94 m. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est la même année 1907, que Norum entreprend la construction de l'église de Veoey sur une île située au nord d'Alesund, typique du <i>style drakkar</i>. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1911, l'année de son décès, Karl Norum réalise un bâtiment de poste à Trondheim dans un style qui rappelle beaucoup ce qu'il avait fait à Aalesund. On peut remarquer, cependant, que les pignons ont perdu leur galbe typique du <i>Jugendstil</i>.</span></span></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-9279306087185837812012-04-22T10:31:00.001-07:002012-04-22T10:36:55.980-07:00Emile Nelligan, météore de la littérature québécoise<br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Emile Nelligan est considéré aujourd'hui comme un des plus grands écrivains de langue française du Canada, alors que sa carrière s'est arrêtée à l'âge de 19 ans et qu'il n'a publié aucun livre. Parfois comparé à Rimbaud pour la précocité de son génie et pour la brièveté de sa carrière, contrairement au français, Nelligan n'a pas voyagé. Interné en 1899, il ne fera qu'un long voyage intérieur qui se terminera un jour d'hiver 1941.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Emile Nelligan est né à Montréal en 1879. Sa mère est de langue française, mais son père est irlandais et Emile signera longtemps Nelhigan. Le poète a une enfance aisée avec ses deux sœurs à Montréal. </span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Une des rares photographies d'Emile Nelligan, </span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">ici à l'âge de 12 ans.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Comme toute beaucoup de famille bourgeoise, les Nelligan ont une résidence d'été à Cacouna, port à la mode située le long de L'estuaire du St-Laurent.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Photographies de la plage et du st-Laurent à </span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Cacouna. Vers 1900.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">De belles demeures de style coloniales sont construites à cette période, dont certaines sont encore conservées.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Certaines familles anglophones très riches, originaires de Toronto ou des Etats-Unis voisins font édifier de véritables châteaux. C'est le cas de Sir Montagu Allan (1860-1951), industriel, avec le </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Manoir Montrose</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> qui est construit vers 1900.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">La famille de Nelligan étant catholique, elle fréquente l'église du village qui a été construite en 1845. Cette église est typique par son extérieur en pierre assez austère et son intérieure décorée de boiseries peintes et dorées en style néo-Louis XIV, qui rappelle le style des grandes églises de Québec de l'époque de Champlain. Le presbytère date de 1836.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">L'église catholique de Cacouna.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le presbytère.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">C'est à Cacouna que le jeune Emile, à 17 ou 18 ans rencontrera son premier et son seul amour.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Elève intelligent, mais peu passionné par ce qu'on fait à l'école, il entre au </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Collège de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> en 1893 mais rate sa première année. Il redouble l'année suivante sans beaucoup plus de succès.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">A cette époque, tout l'enseignement au Québec est tenu par l'église catholique. Il faudra attendre les années 1970 et la </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Révolution Douce</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> pour que l'emprise de l'église diminue considérablement.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Collège de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> est située dans l'ancien petit séminaire. Les bâtiments date de des années 1870.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le Collège de Montréal. Photographie de 1859.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Vues actuelles du Collège de Montréal.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">L'intérieur de la chapelle construite en 1881-1883 par Victor Bourgeau et </span></i></span><span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Alcide Leprohon. Photographie de 1911.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Afin de lui mettre un peu de plomb dans la tête, le père, qui est inspecteur des postes, prend Emile en main et l'emmène lors de ses tournées d'inspection dans le district de Montréal.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">En 1896, Emile Nelligan reprend le chemin de l'école, au </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Collège Sainte-Marie de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">, cette fois. Le </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Collège Sainte-Marie</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> était un établissement jésuite au statut très particulier puisqu'il était affilié, à l'époque de Nelligan, à l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Université Laval</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">. Il ne donnait pas de diplôme mais ses cours, étalés sur 8 ans, étaient à cheval entre le lycée et l'université. Compte-tenu des nombreuses relations que le collège entretenaient avec des grandes universités, les étudiants pouvaient suivre un cursus d'excellente qualité débouchant sur une carrière universitaire. </span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Actuellement, des bâtiments qu'a connu Nelligan, il ne reste que la chapelle rebaptisé église du Gesu, l'incorporation du collège à l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">UQAM (Université du Québec à Montréal)</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> ayant entrainé la démolition des vieux bâtiments. Construite au milieu du XIXème siècle, elle adopte un style néo-baroque, rappelant l'Eglise du Gesu à Rome (XVIIème siècle) ou se trouve le tombeau d'Ignace de Loyola.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Facade de l'église du Gesu, Montréal.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Intérieur de l'église du Gesu.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Mais Nelligan ne réussira pas mieux chez les jésuites qu'au </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Collège de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">. En revanche la muse le titille et il publie son premier poème dans le journal </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le Samedi</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> de Montréal en 1896, il a alors 16 ans. Il a pris, pour la circonstance, le pseudonyme d'Emile Kovar.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Pour être honnête, on est encore loin de Rimbaud. Lors d'un bref entretien que le poète a eu en 1937 avec un journaliste, lors d'une période de relative clairvoyance, parmi ses poètes préférés, il cite Musset, Hugo, Rimbaud, Verlaine et Rollinat. Disons que, dans ce premier poème publié, on est plus près des Parnassiens que des </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Névroses </span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">(1883) de Maurice Rollinat (1846-1903).</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Toujours en 1896, le jeune poète se lie d'amitié avec l'écrivain Arthur de Bussières (1877-1913) qui, à 19 ans, vient d'être admis à l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> toute nouvellement fondée.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Dans un Québec sans tradition littéraire, L'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> (1895-1935) cherche à cultiver les lettres. Trente membres au maximum en font partie. Lors des réunions, ceux-ci lisent lors production devant un public, cherchant à acquérir la plus grande notoriété. La majorité des écrivains québécois du début du siècle ont participé à ce cénacle, comme Louis-Honoré Fréchette (1839-1908) ou Alphonse Beauregard (1881-1924).</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">La première réunion de l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> s'est tenue à l'hôtel de ville, grand bâtiment de style Napoléon III qui domine la place Jacques Cartier.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Photographie de l'Hôtel de ville de Montréal dans </span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">son état actuel.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">L'Hôtel de ville de Montréal tel que l'a connu Nelligan, </span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">avant l'incendie de 1924.</span></i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB9UETm9Ln-mZftRGzzSrMRr4PKbqpUSwbCCQzWEInUAQCsgjmRpmO5cQY88H7c1ybAgNaWjbcYIhS112_-BWDSohHTjRK7im7MHRKXAQx0dMDxyu4yVDijCOPjqgXTD-194edWdOutjsF/s1600/hotel.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB9UETm9Ln-mZftRGzzSrMRr4PKbqpUSwbCCQzWEInUAQCsgjmRpmO5cQY88H7c1ybAgNaWjbcYIhS112_-BWDSohHTjRK7im7MHRKXAQx0dMDxyu4yVDijCOPjqgXTD-194edWdOutjsF/s400/hotel.png" style="cursor: move;" width="400" /></span></a></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">A partir de le seconde réunion, c'est le </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">château Ramezay</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> qui sera chois pour les séances. Ce bâtiment, lieu d'habitation de Claude de Ramezay, gouverneur de Montréal, à partir de 1705, a été reconstruit en 1750 puis a subit des fortunes diverses, ajouts, démolitions, transformations. A partir de 1895, il devient un musée appartenant à la </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Société d'archéologie et de numismatique de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le château Ramezay en 1886. Aquarelle.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Georges Delfosse (1869-1939). Le château Ramezay.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Aquarelle, vers 1900.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Vues extérieures du château et des jardins. Etat actuel.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Intérieur du château Ramezay.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Durant la plus grande partie de sa courte vie de poète, Nelligan a vécu avec sa famille avenue Laval, non loin du </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Carré St-Louis</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> qui est sans doute la plus belle place de Montréal, entourée de maisons de style victorien apanage de la bourgeoisie franco-canadienne.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le Carré St-Louis et ses maisons victoriennes.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Selon la légende, dans l'euphorie de la création littéraire, Emile Nelligan venait danser la nuit autour de la fontaine. Pour lui rendre hommage, son buste a été installé il y a quelques années (2005) sur la place.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">En 1897, parrainé par Joseph Mélançon (sur lequel je n'ai trouvé aucune information), il entre à l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> dont il suivra assidument les séances. Dès cette époque, son équilibre psychologique parait assez fragile. Il est sujet à des accès de dépression, précédant des périodes d'euphorie. Curieusement, il en démissionne un mois après, imitant en cela, son parrain. Il écrit abondamment mais son œuvre est rarement publié car elle se heurte au traditionalisme ambiant. La littérature québécoise, à la fin du XIXème siècle est encore très patriotique, d'autant que les querelles linguistiques sont encore très vives. Or Nelligan parle de son angoisse de vivre, de l'amour ou de la mort. C'est un "enfant du siècle" comme disait Musset mais dans un pays en plein boum économique, qui ne s'intéresse guère au spleen d'un jeune homme mal dans sa peau.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">pour le mariage d'un membre de l'Ecole Littéraire </span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">de Montréal, Louis-Joseph Béliveau. 1897.</span></i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbGwqFBYmqANo0qVFi6HC88eDzs8Zx-X0h4mVYZrvB8mFInzxGMk7_V5MF6Noqxyo-TRJBKIsZIdRFCbaX5myADp4LXBT-XMmrS0VzzZcbm6nz5ztNY3rQ5LDcUFyoA-Diod_DlkPUDBGo/s1600/offert+a%CC%80+louis+josseph+beliveau+pour+son+mariage++1897++pauvre+enfance.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbGwqFBYmqANo0qVFi6HC88eDzs8Zx-X0h4mVYZrvB8mFInzxGMk7_V5MF6Noqxyo-TRJBKIsZIdRFCbaX5myADp4LXBT-XMmrS0VzzZcbm6nz5ztNY3rQ5LDcUFyoA-Diod_DlkPUDBGo/s640/offert+a%CC%80+louis+josseph+beliveau+pour+son+mariage++1897++pauvre+enfance.jpg" style="cursor: move;" width="496" /></span></a></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Il a décidé de ne pas retourner au collège et de consacrer sa vie à la poésie. Il mène une vie de bohème que son père n'apprécie guère. Au printemps 1898 celui-ci expédie son fils à Liverpool comme matelot sur un bateau. Il espérait sans doute qu'Emile deviendrait marin, mais celui-ci revient précipitamment en septembre pour des raisons encore actuellement inconnues. Comptable dans une entreprise pendant une quinzaine, il est réintégré dans l'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire de Montréal</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"> en décembre de la même année.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Seule photographie connue d'Emile Nelligan à 19 ans.</span></i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Une de ses grandes passions est la musique. Sa mère lui a appris le piano et comme beaucoup d'artistes de l'époque, tel Wilde, il est un inconditionnel de Chopin.</span></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Le 26 mai 1899, il est invité à donner en lecture trois poèmes lors d'une séance de L'</span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ecole littéraire</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">. Il y déclame son poème le plus célèbre, </span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">La Romance du Vin</span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">. C'est une tel succès, qu'Emile Nelligan est porté en triomphe par le public subjugué.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">D'autres poèmes de Nelligan montre de l'adolescent prodige une face beaucoup plus sombre, qui, petit à petit, va engloutir l'esprit du poète dans une totale obscurité. Le plus caractéristique de ces poèmes est <i>Le vaisseau d'or</i> qui semble annoncer le naufrage psychique de Nelligan.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Certains poèmes de la fin de la brève carrière de Nelligan ont une résonnance nettement baudelairienne comme <i>Le Spectre</i> ou <i>La terrasse aux spectres</i>. Ce dernier texte semble, en outre être très influencé par certains contes d'Edgar Poe comme <i>La chute de la maison Usher</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large; line-height: 24px;">Le 9 août 1899, Emile Nelligan est interné à l'asile <i>St-Benoît-Joseph-Labre</i> à la demande de ses parents inquiets de son comportement de plus en plus erratique. Très rapidement, les médecins vont déceler une grave psychose.</span></div>
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<span class="Apple-style-span" style="font-size: large;">Il laisse inachevé son premier recueil qui devait s'appeler <i>Le Récital des Anges</i>. Le première édition de 1903, incomplète, de ses œuvres, comporte 107 poèmes. Elle est l'œuvre de Louis Dantin (de son vrai nom Eugène Seers, 1865-1945), critique et romancier, lui aussi membre de l'<i>Ecole littéraire de Montréal</i>.</span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>Louis Dantin. Emile Nelligan et son œuvre, </i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>couverture. 1903.</i></span></div>
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<span class="Apple-style-span" style="font-size: large;">Lors des rééditions successives, de nouveaux textes seront ajoutés. Le <i>corpus</i> total de l'œuvre de Nelligan compte 170 poèmes.</span></div>
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<span class="Apple-style-span" style="font-size: large;">En 1925, Nelligan est transféré à l'asile <i>St-Jean-de-Dieu</i> encore appelé asile de <i>Pointe-Longue</i>, fondé en 1873.</span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>Photographie de l'asile St-Jean-de-Dieu, Montréal. 1911.</i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>Une salle commune de l'asile.</i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>La pharmacie vers 1930.</i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>Un dortoir. 1911.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBsUcNjZZGbod7Nc74cAItxLtDnIAF9Ewob5HQFh6qoNlqT3WsCfFEZc3thXk0tFtCCMxiroOelgGPyQn-16W8nsPAR0qS7UhZroqBPua5-ybiFOJ-37Ufr5lDjDYPbbsw9DUmyIfCyUjf/s1600/Dortoir_asile_de_Longue-Pointe_1911.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBsUcNjZZGbod7Nc74cAItxLtDnIAF9Ewob5HQFh6qoNlqT3WsCfFEZc3thXk0tFtCCMxiroOelgGPyQn-16W8nsPAR0qS7UhZroqBPua5-ybiFOJ-37Ufr5lDjDYPbbsw9DUmyIfCyUjf/s400/Dortoir_asile_de_Longue-Pointe_1911.jpg" style="cursor: move;" width="400" /></a></div>
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<span class="Apple-style-span" style="font-size: large;">Il semble que Nelligan résidait dans une chambre et non en dortoir. C'est en tout cas ce qu'explique le journaliste qui a été le voir en 1937. Pendant toute le restant de sa vie, Nelligan déclamera ses poèmes à ses visiteurs et les réécrira sans cesse. Il meurt en 1941.</span></div>
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<span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Emile Nelligan en vers 1920.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1tQZp-c9JT7-5smhbJUqVcp_oBGL7zzfUSagt62IKOd9c8C-liFINs8l11iUxZYHi8bhzfIRLAhGlZn2KVfFfUIHkp5q6Cl8WH_mwVuHZkuzl5rJJiCHmk_PImEROw6hCkrM9BPLZFmFK/s1600/_mile_Nelligan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1tQZp-c9JT7-5smhbJUqVcp_oBGL7zzfUSagt62IKOd9c8C-liFINs8l11iUxZYHi8bhzfIRLAhGlZn2KVfFfUIHkp5q6Cl8WH_mwVuHZkuzl5rJJiCHmk_PImEROw6hCkrM9BPLZFmFK/s400/_mile_Nelligan.jpg" style="cursor: move;" width="320" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></span></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-38057682633680721432012-04-21T05:51:00.000-07:002012-04-21T05:52:17.652-07:00Brasseries et cafés VII : A la mort subite, Bruxelles<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Autour des années 1910, Théophile Vossen tenait un café, <i>La Cour Royale</i>, où les bruxellois jouaient les tournées à un jeu de dés appelé le <i>Pitjesbak</i>, équivalent de notre 421. Lorsque le temps pressait la partie se jouait en un seul coup appelé <i>Mort Subite</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Vossen rebaptisa donc son café <i>A la mort subite</i>, et la bière qu'il créa prit aussi le même nom. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1927, le café du déménager et s'installer rue Montagne-aux-herbes-potagères.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il y a peu d'informations sur le décorateur du café. Celui-ci s'étire tout en longueur jusqu'à un ecalier qui accède à une galerie. Le décor est d'inpiration Louis XVI et hésite entre l'<i>Art Nouveau</i> et l'<i>Art Déco</i>. Le café a été restauré il y a quelques années, le balcon de la galerie étant de nouveau dégagé et mis en valeur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">S'il n'est pas le plus beau café ancien de Bruxelles, <i>A La mort subite</i> est en tout cas un des plus sympathiques.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade du café A la mort subite.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgntzJ3Ip8NqTFCQ5Gq1nhuPsTFEZswJK6OQKKyORwSKZiy_94bArkFhYTlDS4ItSVGLH3l1HE4E395P_otR5UioFSEfL9EbIjFiI-vU2I1LtxT0A_u5njxms3fGThe2Jf5VVJydrLj0mzD/s1600/A_la_Mort_Subite_01.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgntzJ3Ip8NqTFCQ5Gq1nhuPsTFEZswJK6OQKKyORwSKZiy_94bArkFhYTlDS4ItSVGLH3l1HE4E395P_otR5UioFSEfL9EbIjFiI-vU2I1LtxT0A_u5njxms3fGThe2Jf5VVJydrLj0mzD/s640/A_la_Mort_Subite_01.JPG" width="440" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La salle depuis l'entrée.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUUkgu85rJrAqgZVcLC8j0stcsLEZ32nA0vVLfSv1gUHdoGxObDH-KxLYpFbwXLc6UmjbFhr6rJ7nQcFyuchKZlk2w8_t7NmKmTTscMyuah-zP0bhB05P70I560z2FbYJhWzvEl11-8LRh/s1600/a_la_mort_subite_12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUUkgu85rJrAqgZVcLC8j0stcsLEZ32nA0vVLfSv1gUHdoGxObDH-KxLYpFbwXLc6UmjbFhr6rJ7nQcFyuchKZlk2w8_t7NmKmTTscMyuah-zP0bhB05P70I560z2FbYJhWzvEl11-8LRh/s400/a_la_mort_subite_12.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La salle depuis les escaliers de la galerie.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimhKQnrVfc4cdzAAIWBHEB2aY1cMAXxtMGOznG_tEoRL2Cf331lg8krUa4k17IfT5HF8meq-30WezTmWtiqzuBX91STuqRg-WG8lk-cE0Q0p3sYi9yZjgWqnMh7oQ8s7dT4IMbQAxzt039/s1600/escalier.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimhKQnrVfc4cdzAAIWBHEB2aY1cMAXxtMGOznG_tEoRL2Cf331lg8krUa4k17IfT5HF8meq-30WezTmWtiqzuBX91STuqRg-WG8lk-cE0Q0p3sYi9yZjgWqnMh7oQ8s7dT4IMbQAxzt039/s400/escalier.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails de la décoration de la salle.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5hfQDBIXc0TXrDHXsOTdPUE_e7s_i7RJVhXRYafaGud1c-2PYM2hDh3Xwf3XKt_pqOL42_hLCHQXoVV7GHKy_vx8bmuLyAhW-wqvroWRiV4kKUze4cwwDFKv0EAm1OOKc5uj_qdF1ZyTD/s1600/detail.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5hfQDBIXc0TXrDHXsOTdPUE_e7s_i7RJVhXRYafaGud1c-2PYM2hDh3Xwf3XKt_pqOL42_hLCHQXoVV7GHKy_vx8bmuLyAhW-wqvroWRiV4kKUze4cwwDFKv0EAm1OOKc5uj_qdF1ZyTD/s640/detail.png" width="498" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le comptoir de la brasserie.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid0W0uw7I6nfeS8788iYWPtpGbjzO6o00y_yz7L5fxYeEFiJJBDKolKGgI5ORJ7e6NTRnfeVviHg5yE3ODr87Pe2WDDWMbcbH5Y1q1gYeF19xl0Cz0aWGy3m_S1m7bTmNn0R0aRjwIQnui/s1600/IMG_BruMrtSbtToog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid0W0uw7I6nfeS8788iYWPtpGbjzO6o00y_yz7L5fxYeEFiJJBDKolKGgI5ORJ7e6NTRnfeVviHg5yE3ODr87Pe2WDDWMbcbH5Y1q1gYeF19xl0Cz0aWGy3m_S1m7bTmNn0R0aRjwIQnui/s400/IMG_BruMrtSbtToog.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue sur la galerie du premier étage.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifcC0LsYziVOwicSRfcVRVJOT3A_jAe98u5IH-2GkSNH5mp0VLpNYP7nfitaGPMDr4K1lgRyoOnlBsTLRH3IuQn_ugNnBGXnvMliuSBKBT207IV58q2A0V65bASrqWrO3qGpNgXd542E6D/s1600/a_la_mort_subite_14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifcC0LsYziVOwicSRfcVRVJOT3A_jAe98u5IH-2GkSNH5mp0VLpNYP7nfitaGPMDr4K1lgRyoOnlBsTLRH3IuQn_ugNnBGXnvMliuSBKBT207IV58q2A0V65bASrqWrO3qGpNgXd542E6D/s400/a_la_mort_subite_14.jpg" width="400" /></a></div>
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<br /></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-25151144437175321222012-04-16T01:30:00.040-07:002012-04-20T23:51:20.592-07:00Viktor Vasnetsov, peintre de l'histoire et des légendes russes<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Viktor Mikhaïlovitch Vasnetsov est né en 1848 dans un village proche de Viatka (aujourd'hui Kirov à 790 km au nord-est de Moscou). Fils d'un prêtre orthodoxe, il fait ses études au séminaire de Viatka. Il travaille pour un marchand d'icônes et participe à l'exécution des fresques de la cathédrale de Viatka.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il rentre en 1867 à l'<i>Académie des Beaux-Arts </i>de St-Petersboug. En 1870, il rencontre le fondateur du groupe des <i>Ambulants</i>, Ivan Kramskoï (1837-1887) avec il se lie d'amitié, ainsi qu'avec le plus célèbre représentant de ce mouvement, Ilya Répine (1844-1930).</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Refusant les sujets historiques ou mythologiques, il est plutôt un illustrateur de la vie contemporaine.</span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Huile sur toile, 1873.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAATInucpwbxPadNfVunpt3i0EW2mbnzTL2G0WF98Ed0A2_-nRzO2d8XWJHB-2-joB2ATnjmZrRlGZtNj3pRzpzDazkji-ExsjP46yLbtvbHyMPt7B150L7AtAjhbHQr-HOVaTEqNbB0ee/s1600/Wiktor_Michajlowitsch_Wassnezow_1873.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAATInucpwbxPadNfVunpt3i0EW2mbnzTL2G0WF98Ed0A2_-nRzO2d8XWJHB-2-joB2ATnjmZrRlGZtNj3pRzpzDazkji-ExsjP46yLbtvbHyMPt7B150L7AtAjhbHQr-HOVaTEqNbB0ee/s640/Wiktor_Michajlowitsch_Wassnezow_1873.jpg" width="504" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Buveurs de thé dans une taverne</u>. Huile sur toile, 1874.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj97buCM_hYdkT3UDmF_paryDqqOmFjZFt1F_52YYyLVts0zpneu96iLcz25YNkZZ0ljO8DaSwnZb2uirobSx9QBb3LB7BU-xOvCnqpSp77KjgcTxO2cFePp0xSlGMmBQhMbitamnCVGcZf/s1600/4teadrinkinginatavern1874.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj97buCM_hYdkT3UDmF_paryDqqOmFjZFt1F_52YYyLVts0zpneu96iLcz25YNkZZ0ljO8DaSwnZb2uirobSx9QBb3LB7BU-xOvCnqpSp77KjgcTxO2cFePp0xSlGMmBQhMbitamnCVGcZf/s400/4teadrinkinginatavern1874.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1876, Repine invite Vasnetsov à Paris. Il y reste un an. Il étudie attentivement la peinture impressionniste et la peinture académique. Il peint alors Les <i>Acrobates</i> et expose au salon, dont les lumières rappellent Degas.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le départ de la maison</u></i>. Huile sur toile, 1876.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTnv2d2c0vasfwBqbM6DEOdK8J83gtap2bgjN4s3DtqTf7qSdtQZBV8T_ZsPPqLbcV0lNGQxMRozWGtr3E_nq4BAtX_HdH_6XzeP-ppG6iPhwzzkJqxCR2FKjoMUf5TZRopSEmOc1DjaPZ/s1600/Vanetsov_Moving_House.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTnv2d2c0vasfwBqbM6DEOdK8J83gtap2bgjN4s3DtqTf7qSdtQZBV8T_ZsPPqLbcV0lNGQxMRozWGtr3E_nq4BAtX_HdH_6XzeP-ppG6iPhwzzkJqxCR2FKjoMUf5TZRopSEmOc1DjaPZ/s400/Vanetsov_Moving_House.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Chez le bouquiniste</u>. Huile sur toile, 1876.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4M4MZQOTzYJxXv3bTdrJMIQH0ZJ-qeMTsOXOx9QPgLpGwBhHn3txEV79rWUxMwiQNGwkbLxPXeQg8Iyl-70X-QUnjwDKrGLh6meVFVvbc_jRUVZWnm-gGk8qDNs1bZGwPthRvnyMJyUr/s1600/atabooksellers1876oilon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4M4MZQOTzYJxXv3bTdrJMIQH0ZJ-qeMTsOXOx9QPgLpGwBhHn3txEV79rWUxMwiQNGwkbLxPXeQg8Iyl-70X-QUnjwDKrGLh6meVFVvbc_jRUVZWnm-gGk8qDNs1bZGwPthRvnyMJyUr/s640/atabooksellers1876oilon.jpg" width="486" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Paysan avec un bâton,</u> étude. Huile sur toile, 1877.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilQ9XszmVdxavb9OWCCRJo-qHfJPmXy4oSIrs3d-AjcR_GiecVkElwpBF4rfiJ26lWt61ZQAZXrS9pW0MxARipR5insdDYGgBRj2nTfq3Bsh7aQx3_FmEf9LS7GI_H4WKx8mSTjduBrlhm/s1600/peasantwithapolestudy18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilQ9XszmVdxavb9OWCCRJo-qHfJPmXy4oSIrs3d-AjcR_GiecVkElwpBF4rfiJ26lWt61ZQAZXrS9pW0MxARipR5insdDYGgBRj2nTfq3Bsh7aQx3_FmEf9LS7GI_H4WKx8mSTjduBrlhm/s640/peasantwithapolestudy18.jpg" width="368" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les Acrobates</u>. Huile sur toile, 1877.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZro8lbZV2oO-gqS1x4SaVLjBB8p-Pv4X3JSdnDTdY1ygtnqikqJ_1X2VpCQwTxues4wGX-_oTkk_xj2g7zQZ9MT-4SckHtBdOgfk54U9sLmUStV4rnZhE9UBOZe42ke3najDYYKKC4ulP/s1600/victor-vasnetsov-acrobats-festival-in-a-paris-suburb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZro8lbZV2oO-gqS1x4SaVLjBB8p-Pv4X3JSdnDTdY1ygtnqikqJ_1X2VpCQwTxues4wGX-_oTkk_xj2g7zQZ9MT-4SckHtBdOgfk54U9sLmUStV4rnZhE9UBOZe42ke3najDYYKKC4ulP/s640/victor-vasnetsov-acrobats-festival-in-a-paris-suburb.jpg" width="392" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est à ce moment là qu'il commence à se passionner pour les légendes et l'histoire russe. Il rentre à Moscou en 1877 et se met à peindre les tableaux qui l'ont rendu célèbre. Il a déjà peint à Paris <i>Le Tsarevich Ivan chevauchant un loup gris</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Tsarevitch Ivan chevauchant un loup gris</u>. </i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ2UmvwFcaSV7nyG9pYeFtmtpwY7392ljg_Qm3if9B55VmtR5gxvSS0ulUSMV1IPEJa58N6o3xG-yXCFjqio8KO7Mu3ReJqdlLMBdLLqRuF2PyDr9MtPk8V2WKS2C3txZwCrcr7Sk8ivuE/s1600/3231982405_06d67eb65b_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ2UmvwFcaSV7nyG9pYeFtmtpwY7392ljg_Qm3if9B55VmtR5gxvSS0ulUSMV1IPEJa58N6o3xG-yXCFjqio8KO7Mu3ReJqdlLMBdLLqRuF2PyDr9MtPk8V2WKS2C3txZwCrcr7Sk8ivuE/s640/3231982405_06d67eb65b_b.jpg" width="474" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A Moscou, il peint alors les grandes œuvres qui sont maintenant considérés comme ses chefs-d'œuvre. Pourtant, le succès n'est pas au rendez-vous. Les <i>Ambulants</i>, considèrent ce style de peinture comme une trahison et des collectionneurs comme Pavel Tretiakov refusent des les acheter. Il faudra une dizaine d'années pour que Vasnetsov trouve la reconnaissance.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Chevalier à la croisée des chemins</u>. Huile sur toile, 1878.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Fn-4OqzSZkki5OwIVQ8vGwtfeg72Fyt2xGMAl7fntjaajym9IVUjjqacEER1rVQX5yVNLEFiz_JShokqqrdyEyzk88ZOfMSNvDZmq4og2APyk_yP35smhD1eSdPcLi85EkI6WZcNP-wL/s1600/le+chevalier+a%CC%80+la+croise%CC%81e+des+chemins+1882.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Fn-4OqzSZkki5OwIVQ8vGwtfeg72Fyt2xGMAl7fntjaajym9IVUjjqacEER1rVQX5yVNLEFiz_JShokqqrdyEyzk88ZOfMSNvDZmq4og2APyk_yP35smhD1eSdPcLi85EkI6WZcNP-wL/s400/le+chevalier+a%CC%80+la+croise%CC%81e+des+chemins+1882.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Prince Igor sur le champs de bataille</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce tableau illustre un épisode célèbre du <i>Dit de la Campagne d'Igor</i>, le plus vieux poème épique en langue slave, écrit à la fin du XIIème siècle. Il se fonde sur la campagne qu'entrepris en 1185, Igor Sviatoslavitch, prince de Novgorod, contre les coumans ou polovtses, peuple d'origine turque qui occupait une grande partie de l'Ukraine actuelle. L'expédition tourna en boucherie et en défaite pour le prince Igor.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il faut remarquer que pendant que Vasnetsov peignait ce tableau, le compositeur Alexandre Borodine (1833-1887) travaillait à son grand opéra le <i>Prince Igor</i>. Commencé en 1869, Borodine ne put achever son ouvrage qui fut complété par Rimski-Korsakov et Glazounov et seulement créé en 1890. Il faut dire que Borodine était professeur de chimie et qu'il accueillait chez lui tous ses amis lorsque ceux-ci avaient des problèmes. Il ne pouvait donc composer que très peu de temps. Il reste pourtant un des plus grands compositeurs russes.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alexandre Borodine. Le Prince Igor, Danses </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>polovtsiennes. Orchestre philharmonique </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>de l'Oural. Direction, Dmitri Liss. Folles </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Journée de Nantes 2012.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmCQ0Mb4wtCJPEO1J_gcQzfJUyW1WuEjyFAFhK9GMsV2ra0jYnXWZ5vzEaLBjNgKjEtCAC8NVFNPNLKuQcXZwg6NreQDgpYL9sfSTChOc3FB6t95EHh80kGEN4MgtSrtnC1CK16amo-sZt/s1600/le+champs+de+bataille+entre+le+prince+igor+et+les+polovtses++1880.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmCQ0Mb4wtCJPEO1J_gcQzfJUyW1WuEjyFAFhK9GMsV2ra0jYnXWZ5vzEaLBjNgKjEtCAC8NVFNPNLKuQcXZwg6NreQDgpYL9sfSTChOc3FB6t95EHh80kGEN4MgtSrtnC1CK16amo-sZt/s400/le+champs+de+bataille+entre+le+prince+igor+et+les+polovtses++1880.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les trois Tsarines du monde souterrain</u>, 1ère version. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1879.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Illustration d'un conte russe avec magie, dragon et jeunes filles en détresse. Vasnetsov en fit une seconde version en 1884.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdwqAc7TWKJB6GUpRnW4Bbd0v9eFDEgm3A2X9IMJwJ4m5gM1oaHD4WFs3JyoVCqAk8nVyOGEEBH3Mx7JVc2SdM0ngjBbbc5XPRZzSNsjLh4aEBSzj0adWdoV0fFYEhwaBR9DmnaL-ZL6ed/s1600/vasnetsov3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdwqAc7TWKJB6GUpRnW4Bbd0v9eFDEgm3A2X9IMJwJ4m5gM1oaHD4WFs3JyoVCqAk8nVyOGEEBH3Mx7JVc2SdM0ngjBbbc5XPRZzSNsjLh4aEBSzj0adWdoV0fFYEhwaBR9DmnaL-ZL6ed/s400/vasnetsov3.JPG" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le tapis volant</u>. Huile sur toile, 1880.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHIiZU3GNYVASbG2E9Ya_6TMMdqSaFA5HxQS629thcOhWmVmredQvA5Sy-az_C3wVw4g47i6LrmRfnYZQ0ytihGKSg19RispEug6_9o7ixhOD7YSHN0UCLKgWvHrF6TUH-QAnP9aLJ5p1A/s1600/le+tapis+volant+1880.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHIiZU3GNYVASbG2E9Ya_6TMMdqSaFA5HxQS629thcOhWmVmredQvA5Sy-az_C3wVw4g47i6LrmRfnYZQ0ytihGKSg19RispEug6_9o7ixhOD7YSHN0UCLKgWvHrF6TUH-QAnP9aLJ5p1A/s400/le+tapis+volant+1880.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Alionoutchka</u>. Huile sur toile, 1881.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce tableau illustre un conte russe qui raconte l'histoire d'une jeune fille devenue l'épouse du Tsar et qu'une sorcière jette dans l'eau une pierre au cou. Rassurez vous, l'histoire se finit bien.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtB-mxZzLjSc5hy-6-cdIHoBS0d-7nDPzP9icniS3lgv7-XbTRTf_HrCvpzLOnIUGN5DKKzOUD-75v-hBA70TaI1iffjytdYDvf9ff1zuysViUb8YiQi9WCvPbhLCq_QcxL2mo-OOYnBDK/s1600/4alionushka1881oiloncan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtB-mxZzLjSc5hy-6-cdIHoBS0d-7nDPzP9icniS3lgv7-XbTRTf_HrCvpzLOnIUGN5DKKzOUD-75v-hBA70TaI1iffjytdYDvf9ff1zuysViUb8YiQi9WCvPbhLCq_QcxL2mo-OOYnBDK/s640/4alionushka1881oiloncan.jpg" width="442" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A la même période, il peint aussi un certain nombre de paysages de la région d'Okhtyrka, située à l'est du pays, qui sont très influencés par l'<i>Impressionnisme</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Paysage à Okhtyrka</u>. Huile sur toile, 1879.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhed2JKSLigVMwfG0JHWBSDKudKgilWPqgQr_nqWEOirDWP0UJSKT4nPz2cUbGsgjB7ww_XlTuKQ5RVJN7BwGjzd9DMEo-jNvv-RK8yTwajYP_RMJZseyzrHvZ6NLO7_wCbBAmaHjPSV2qE/s1600/3akhtyrka1879oiloncanva.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhed2JKSLigVMwfG0JHWBSDKudKgilWPqgQr_nqWEOirDWP0UJSKT4nPz2cUbGsgjB7ww_XlTuKQ5RVJN7BwGjzd9DMEo-jNvv-RK8yTwajYP_RMJZseyzrHvZ6NLO7_wCbBAmaHjPSV2qE/s400/3akhtyrka1879oiloncanva.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Etang à Okhtyrka</u>. Huile sur toile, 1880.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF4Km3MCrYwlKQ3kuGCL_gNNBA_HVLq63GDyNGaYcbZaT3I0T7E0y7xqg9kHFVbpkQnTYF-q9o96Zrs2kCvFp5y9gW3jRuBpFYDQ2PUHZQWgm0pa8hR3MnNVl4xc1UFvVFIQ19hg7pamPN/s1600/pondinakhtyrka1880oilon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF4Km3MCrYwlKQ3kuGCL_gNNBA_HVLq63GDyNGaYcbZaT3I0T7E0y7xqg9kHFVbpkQnTYF-q9o96Zrs2kCvFp5y9gW3jRuBpFYDQ2PUHZQWgm0pa8hR3MnNVl4xc1UFvVFIQ19hg7pamPN/s640/pondinakhtyrka1880oilon.jpg" width="434" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1882, il travaille avec Vassili Polenov (1844-1927), un autre Ambulant, à la construction d'une église à Abramtsevo. Abramtsevo est une colonie d'artistes située à une centaine de kilomètres au nord de Moscou, fondée par Savva Mamontov (1841-1918) en 1870. Richissime grâce au chemin de fer et au pétrole de Bakou, Mamontov invitait aussi bien des musiciens que des peintres ou des chanteurs. Balakirev, Rimski-Korsakov, Moussorgski croisèrent alors Vrouble, Vasnetsov, Serov ou Chaliapine. Les artistes cherchaient alors à retrouver l'âme de l'art russe traditionnelle.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La petite église d'Abramtsevo est le premier exemple de style de conte de fée que Vasnetsov utilisera dans d'autres bâtiments. L'intérieur est décoré de fresques de différents artistes comme Nesterov ou Repine et de sculptures de Viktor Hartmann (1834-1873) grand ami de Moussorgski.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Eglise d'Abramtsevo.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDx3kWcnvgrnUAYcJBXzqZ95YOTnmeOGv2FtxA59YqXArlZDTqhrigOppNtdt5rxWvjY0CUyEKPUvgJB4CzbaRFqG3JENX32ls2D-4kCJ6Uu0Kt2oLyaWzxYYkOJbaDi2QI4zTkZJ-jG8O/s1600/1202292981_8c3f01861b_z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDx3kWcnvgrnUAYcJBXzqZ95YOTnmeOGv2FtxA59YqXArlZDTqhrigOppNtdt5rxWvjY0CUyEKPUvgJB4CzbaRFqG3JENX32ls2D-4kCJ6Uu0Kt2oLyaWzxYYkOJbaDi2QI4zTkZJ-jG8O/s400/1202292981_8c3f01861b_z.jpg" width="308" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1KxiXVuLOhBww6XPCbOTYPH9qZDyIWKN_ncl9zgl0GxfIXNLWGgSpYpYjxEwhOLD3b9pRnCW9hIofeOP2KNtyDGMONYAArKFtjGU6wD4_Q7T8B9N0_JDYbr_7PKlSWFRqbogo2PDsLjHa/s1600/abramc_1b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1KxiXVuLOhBww6XPCbOTYPH9qZDyIWKN_ncl9zgl0GxfIXNLWGgSpYpYjxEwhOLD3b9pRnCW9hIofeOP2KNtyDGMONYAArKFtjGU6wD4_Q7T8B9N0_JDYbr_7PKlSWFRqbogo2PDsLjHa/s400/abramc_1b.jpg" width="392" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19f6trAufNF2ax7TPgWXC_kd_6fS9w8oqa0v2DyL48V5THpWNgosKcuJfjmKXfEJuDZ9HCMMZOgN5OSRtyu85akVYVem3Tl3EIeImiivMSrHcTDj8M2BqW1vEsbO9_mQvpCCG_yrVN4wI/s1600/abramtsevo3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19f6trAufNF2ax7TPgWXC_kd_6fS9w8oqa0v2DyL48V5THpWNgosKcuJfjmKXfEJuDZ9HCMMZOgN5OSRtyu85akVYVem3Tl3EIeImiivMSrHcTDj8M2BqW1vEsbO9_mQvpCCG_yrVN4wI/s400/abramtsevo3.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vasnetsov. Détail des fresques de l'église </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>d'Abramtsevo. 1882.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9zqw6P1BUyfNiwHgjwdMLLtEVjk1kJeJc5IsIEHAo-KkXNwO87gMDnRB7VLROXNWzvONdwaxsR2yyd-MS9c9PeKqklF2momaIKul6wdtnkhMDLSljyXfkhDuXMwnaL8YLjTrealEBdwM/s1600/vasnetsov8.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9zqw6P1BUyfNiwHgjwdMLLtEVjk1kJeJc5IsIEHAo-KkXNwO87gMDnRB7VLROXNWzvONdwaxsR2yyd-MS9c9PeKqklF2momaIKul6wdtnkhMDLSljyXfkhDuXMwnaL8YLjTrealEBdwM/s400/vasnetsov8.JPG" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vasnetsov. <u>St-Serge de Radonège</u>, Abramtsevo. Icône, 1882.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un des saints les plus populaires de Russie. Il serait né en 1313 et mort en 1392. Il fut une des grands sages et réformateurs monastiques de la Russie médiévale.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zWP3f-8Vy23aOjRRmC7tD-XZ5P1mUeq_X1jel1qwnyDGCSOnY1IUTo1IT9WbNs5eCGN5r6HQbj0kez-ddKivFVfuADMlSKzgYmzrsS-ofmNUvK7TpGioPz4zvjzbG71clk2EHKItIlF3/s1600/victor-vasnetsov-st-sergiy-radonezhskiy-icon-for-the-abramtsevo-church-1882.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zWP3f-8Vy23aOjRRmC7tD-XZ5P1mUeq_X1jel1qwnyDGCSOnY1IUTo1IT9WbNs5eCGN5r6HQbj0kez-ddKivFVfuADMlSKzgYmzrsS-ofmNUvK7TpGioPz4zvjzbG71clk2EHKItIlF3/s640/victor-vasnetsov-st-sergiy-radonezhskiy-icon-for-the-abramtsevo-church-1882.jpg" width="346" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1874, Moussorgski visita une exposition consacrée à des œuvres de son ami Viktor Hartmann qui venait de décéder. L'un des dessins présentés figurait la <i>Cabane sur des pattes de poule</i>, habitation de la terrible sorcière Baba-Yaga, qui ferait passer Carabosse pour un ange de douceur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Viktor Hartmann. <u>La cabane sur des pattes de poule</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Dessin, vers 1874.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVSglL3rJ_0IvRJQ7PKXxpArrgqKzcItsRGApbvYkpSVSqNyPzHEeuNVql9WIdRiojzcV1yVn5OVO-aIBDxZEGIP7dpQAzD4kMJunn_S_GSZdgynGPLsZoFVP0IUfgwpualA0yfTJQFc8/s1600/fax5_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVSglL3rJ_0IvRJQ7PKXxpArrgqKzcItsRGApbvYkpSVSqNyPzHEeuNVql9WIdRiojzcV1yVn5OVO-aIBDxZEGIP7dpQAzD4kMJunn_S_GSZdgynGPLsZoFVP0IUfgwpualA0yfTJQFc8/s320/fax5_b.jpg" width="232" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le compositeur, frappé et par la mort de Hartmann et par certaines œuvres écrivit alors sa suite pour piano <i>Tableaux d'une exposition</i>. L'avant dernière-pièce rappelle la cabane de Baba-Yaga.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Modeste Moussorgski. La Cabane sur des pattes de poule et </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Grande Porte de Kiev, </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>extraits de </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Tableaux d'une exposition. </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pianiste, Byron Janis, 1961.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lorsque Vasnetsov participa aux travaux de l'église, il s'amusa à construire une <i>Cabane sur des pattes de poule</i> en hommage à Hartmann et aussi à Moussorgski qui venait de mourir d'alcoolisme à l'âge de 42 ans.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vasnetsov. La Cabane sur des pattes de poule, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Abramtsevo, 1882-1883.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvviy_t_rSRwJs0bL2vBfW8LBwxw_EcpRAhENtmc06_nUlrq7Fm8h_yPFfTNpCRGmNpnOqdeKA2af3ptfsjI9W7iR4YjWz19rwFxtiqzk7wmDEIHFA6jCSlSM0MDp_R-kRZPMqMdIZDVQk/s1600/maison.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvviy_t_rSRwJs0bL2vBfW8LBwxw_EcpRAhENtmc06_nUlrq7Fm8h_yPFfTNpCRGmNpnOqdeKA2af3ptfsjI9W7iR4YjWz19rwFxtiqzk7wmDEIHFA6jCSlSM0MDp_R-kRZPMqMdIZDVQk/s400/maison.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Vasnetsov a peint aussi quelques paysages dans la région d'Abramtsevo.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le bouquet de chênes à Abramtsevo</u>. Huile sur toile, 1883.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN01-7IPccQEL15EQ8Gq6tzhqcJzXL8xf_aCdpc5_KJyT4X5GUJt1NqQLrm0ranSQa9RjTXB90kLDQvRZxxt4BEnJuAeetn6wLsBjYW0l6vPeTDa2d9uBYzsd-wlo7GTMDoqDXo78sYwXQ/s1600/la+che%CC%82naie+d'abarmtsevo+1883.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN01-7IPccQEL15EQ8Gq6tzhqcJzXL8xf_aCdpc5_KJyT4X5GUJt1NqQLrm0ranSQa9RjTXB90kLDQvRZxxt4BEnJuAeetn6wLsBjYW0l6vPeTDa2d9uBYzsd-wlo7GTMDoqDXo78sYwXQ/s400/la+che%CC%82naie+d'abarmtsevo+1883.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1884 et 1889, il travaille à l'exécution de fresques pour la <i>Cathédrale St-Vladimir</i> de Kiev.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1852, le Métropolite de Moscou propose de fêter le 900ème anniversaire du baptême des kiéviens par le prince Vladimir le Grand. De nombreux architectes participèrent au projet mais le dessin final fût réalisé par Alexandre Vikentievich Beretti.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'église fut édifiée dans un style néo-byzantin avec les dons des fidèles et des monastères. Le projet initial accepté par Alexandre II était plus vaste, mais les dons furent plus faibles que prévus. C'est ce qui explique que la construction dura de 1862 à 1882 et que les dernières fresques furent achevées seulement en 1896. Cette année-la, Le Tsar Nicolas II et la Tsarine Alexandra assistèrent à la consécration de la Cathédrale.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue de l'extérieur de la cathédrale St-Vladimir, Kiev.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une vue de l'intérieur de la Cathédrale St-Vladimir, Kiev.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi-r6IF62-V9bg-88-5-DesLCQSLr9DgLcj_Mv1cmnldmoKzUg-nhMWd87j5YDvXr4OcDc2Ov7DRRg1mCYRMlquUzz79W5JhB3h9nmj-b8QrB6OZtVYy_gTLqvT5bV7MlvnBveRirtE3PS/s1600/Interior_of_St_Volodymyr's_Cathedral_in_Kyiv_(2).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi-r6IF62-V9bg-88-5-DesLCQSLr9DgLcj_Mv1cmnldmoKzUg-nhMWd87j5YDvXr4OcDc2Ov7DRRg1mCYRMlquUzz79W5JhB3h9nmj-b8QrB6OZtVYy_gTLqvT5bV7MlvnBveRirtE3PS/s400/Interior_of_St_Volodymyr's_Cathedral_in_Kyiv_(2).jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De nombreux artistes participèrent à la décoration de la cathédrale. Les mosaïques furent exécutés par des artisans italiens. Des peintres d'écoles très différentes furent conviés à orner les murs et les voûtes. C'est sur ce chantier que Vasnetsov rencontra Vroubel. Une grande amitié naquit entre le cadet et l'aîné, le premier se considérant comme l'élève du second. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le travail de Vasnetsov à Kiev est très novateur car il rompt totalement avec la tradition orthodoxe de la représentation des personnages. On comprend alors que le célèbre critique d'art de tendance slavophile Vladimir Stassov (1824-1906) ait considéré ces fresques comme sacrilèges envers la foi du peuple russe.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Intérieur de St-Vladimir, Kiev. Au fond la Vierge à </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>l'Enfant, fresque de Vasnetsov. </i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLgyzBpfE0pvAlTnW36JZ8zTE97bW-B_CbiTzoLTYtA8PiqdN6aTuCUpZD0vkRJIvru7IBbF65EN1RlvsT2lhY5-fzCmg7zALkdOMmjhPcw37hMGVdLapMapKH-oblgIVMXymsRR3UgRnC/s1600/21interiorofthecathedra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLgyzBpfE0pvAlTnW36JZ8zTE97bW-B_CbiTzoLTYtA8PiqdN6aTuCUpZD0vkRJIvru7IBbF65EN1RlvsT2lhY5-fzCmg7zALkdOMmjhPcw37hMGVdLapMapKH-oblgIVMXymsRR3UgRnC/s640/21interiorofthecathedra.jpg" width="474" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Vierge à l'Enfant, détail.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwtXGliSVAEH3qTvM_F6JeAWkWuxbQ_60npC4cyhNPgwgEEa_il_r2m3qBBwaVyRP8l6Alg7aDCLjQPfqoDdrpRyPXsKC-vdxuoDalj08rZelvMVPlOCnQIbt2Rj9NdwnRa3tHKemqyEfK/s1600/22thevirginandthechildd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwtXGliSVAEH3qTvM_F6JeAWkWuxbQ_60npC4cyhNPgwgEEa_il_r2m3qBBwaVyRP8l6Alg7aDCLjQPfqoDdrpRyPXsKC-vdxuoDalj08rZelvMVPlOCnQIbt2Rj9NdwnRa3tHKemqyEfK/s640/22thevirginandthechildd.jpg" width="530" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Etude pour un des séraphins encadrant la Vierge, aquarelle.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les Evêques orthodoxes, Kiev. Fresques.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAiiUuedvnqKMLv9fCpgcxkcTAU4MWFTOYq9kM6g40emcAQEWyjsEYQOghO_0f0IuPrY3bILwu2vy1xu1jLOYz2fR8g5MNb670Cte6HcDsYzy_DJD6xvWyq3kEC60JXQi1aWXn3qMGzIvV/s1600/23orthodoxbishops188596.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAiiUuedvnqKMLv9fCpgcxkcTAU4MWFTOYq9kM6g40emcAQEWyjsEYQOghO_0f0IuPrY3bILwu2vy1xu1jLOYz2fR8g5MNb670Cte6HcDsYzy_DJD6xvWyq3kEC60JXQi1aWXn3qMGzIvV/s640/23orthodoxbishops188596.jpg" width="494" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les Evêques russes, Kiev. Fresque.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyPNQ9evKOV69_2Pc1JxENdvjyINpzbi3lPGFldgUcFIMvz95VeQL40FV90qOzX6pkv178kmCh8giYSiEh5j2DfUQpF9BeTpIyT7yNbiTDCm-p1FS9bV3agA_cdL0ai76h4_u6MKqBWaJH/s1600/Vasnetsov_Russian_Bishops.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyPNQ9evKOV69_2Pc1JxENdvjyINpzbi3lPGFldgUcFIMvz95VeQL40FV90qOzX6pkv178kmCh8giYSiEh5j2DfUQpF9BeTpIyT7yNbiTDCm-p1FS9bV3agA_cdL0ai76h4_u6MKqBWaJH/s640/Vasnetsov_Russian_Bishops.jpg" width="512" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le baptême de St-Vladimir, Kiev. Fresque.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKxVCS2Ra2k86AbYLalwBSo82uZXJt9Ymaa6UAbzaEmT8SyGfSVBtoMGcPUVJVyOD5LsgMJgFy5eWnt4oBnUq1Bfql_D8f_32YrcFGvhnT19iEXuCst-Gg5aVVJayYycasbsZfpayxOkq/s1600/Vasnetsov_Bapt_Vladimir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKxVCS2Ra2k86AbYLalwBSo82uZXJt9Ymaa6UAbzaEmT8SyGfSVBtoMGcPUVJVyOD5LsgMJgFy5eWnt4oBnUq1Bfql_D8f_32YrcFGvhnT19iEXuCst-Gg5aVVJayYycasbsZfpayxOkq/s640/Vasnetsov_Bapt_Vladimir.jpg" width="516" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le baptême des kieviens, Kiev. Fresque.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu7TDe3fxFWwUUkcigHiRoMDowqiMw80Ub8ylEHqjqo2qduCaU97m-utXjuHK646-Ni2uFM1ihwLrTI6hPS7MBmr0ZbPSerMLd8uh9pGWhgUFOF-pQdJAvui56Wa6vObtLXM6d_d3K5NE4/s1600/Kiev_le+bapte%CC%80me+des+kieviens.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu7TDe3fxFWwUUkcigHiRoMDowqiMw80Ub8ylEHqjqo2qduCaU97m-utXjuHK646-Ni2uFM1ihwLrTI6hPS7MBmr0ZbPSerMLd8uh9pGWhgUFOF-pQdJAvui56Wa6vObtLXM6d_d3K5NE4/s640/Kiev_le+bapte%CC%80me+des+kieviens.jpg" width="484" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Tentation, Kiev. Fresque.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Paradis terrestre, Kiev. Fresque.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Jugement Dernier, Kiev. Fresque, 1885.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwUDBGy8qsVVxz2AE5Ix2cy___QMenuC3XHwWCiupu-S9NOqmirO1yPSxpRbALyIolJi9aOZ5oMD8YHW7Ta6K_EhP4Gw5DSRrLx4K_ss7-zI7fmUNadK_B2i8dDcARkI0YJJZjRM6HZ1eA/s1600/Vasnetsov+Last+Judgement.St.+Vladimir%2527s+Cathedral%252C+Kiev%252C+Ukraine%2529+1885+-+96.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwUDBGy8qsVVxz2AE5Ix2cy___QMenuC3XHwWCiupu-S9NOqmirO1yPSxpRbALyIolJi9aOZ5oMD8YHW7Ta6K_EhP4Gw5DSRrLx4K_ss7-zI7fmUNadK_B2i8dDcARkI0YJJZjRM6HZ1eA/s640/Vasnetsov+Last+Judgement.St.+Vladimir%2527s+Cathedral%252C+Kiev%252C+Ukraine%2529+1885+-+96.jpg" width="614" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1885, Vasnetsov voyage en Italie et fait les décors et costumes pour une reprise de l'opéra, d'après un texte d'Alexandre Ostrovski, de Rimski-Korsakov <i>Snegourotchka (La Jeune Fille des neiges)</i> créé en 1882. La représentation aura lieu à Abramtsevo. Bien plus tard, Vasnetsov tirera une toile de ce conte russe consacré à la <i>Jeune Fille des neiges</i> dont le père est le <i>Père Gel</i> et sa mère <i>Madame Printemps</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Snegourotchka</u>. Huile sur toile, 1899.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lors de son séjour à Kiev, Vasnetsov reprend son tableau <i>Le Tsarevitch Ivan chevauchant un loup gris</i> et l'achève définitivement. Il commence aussi un de ses tableaux les plus célèbres, qu'il ne terminera qu'en 1898, <i>Les Bogatyrs</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans les légendes russes, les <i>Bogatyrs</i> sont des chevaliers errants dont les caractères sont, bien sûr exagérés et personnalisent une vertus. Dans son tableau, Vasnetsov représente les trois plus célèbres, Aliocha Popovitch qui représente la bravoure, Dobrinya Nikititch qui représente le courage et la connaissance et Illia Mourometz qui représente la force physique et mentale. C'est incontestablement ce dernier qui est le plus célèbre et le plus souvent représenté. Vasnetsov reviendra sur cette figure dans une toile de 1914.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1911, le compositeur, russe puis soviétique, Reinhold Glière (1874-1956) donnera le nom de <i>Illia Mouromets</i> à sa troisième symphonie qui dure plus d'une heure et quart.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Reinhold Glière. Symphonie n°3 Illia Mouromets. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Orchestre de l'Opera de Vienne. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, </i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hermann Scherchen, 1952.</i></span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/9HPODM1snv0?feature=player_embedded' frameborder='0'></iframe></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Viktor Vasnetsov. <u>Les Bogatyrs</u>. Huile sur toile, 1888-1898.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A gauche Aliocha Popovitch, au centre Illia Mouromets, à droite Dobrinya Nikititch.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizqO2bZ62DpaqxncXE-3L-MPM9PrDugfiLJfBBx4kz0kDTNq5pCie2L47aAAJ9CKgxhBxLk1chRvz3rq3Qj1K-NYGUt6qnZCNzF7P_j00yCkPwiw4-hrgLgbQ9FdRy5Xeieh08mPuxjsam/s1600/les+bogatyr+1898.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizqO2bZ62DpaqxncXE-3L-MPM9PrDugfiLJfBBx4kz0kDTNq5pCie2L47aAAJ9CKgxhBxLk1chRvz3rq3Qj1K-NYGUt6qnZCNzF7P_j00yCkPwiw4-hrgLgbQ9FdRy5Xeieh08mPuxjsam/s400/les+bogatyr+1898.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Illia Mouromets (Chevalier au galop)</u>. Huile sur toile, 1914.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjcbwz6WVFD0Mkro5EF97VUe403GuMrgzuDxsymQPD-JAernUlnwJnDR9mPWrBP32iFAog3kPqKgX4lbIJC3r08DJnnH-HbV56HC1RfBPjqe9NVa1wnCRCu8ZH19YkLyk4Txe9AVBHa5fR/s1600/Vastnetsov_1914.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjcbwz6WVFD0Mkro5EF97VUe403GuMrgzuDxsymQPD-JAernUlnwJnDR9mPWrBP32iFAog3kPqKgX4lbIJC3r08DJnnH-HbV56HC1RfBPjqe9NVa1wnCRCu8ZH19YkLyk4Txe9AVBHa5fR/s400/Vastnetsov_1914.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1887, Vasnetsov peint un de ses tableaux les plus proches du Symbolisme, <i>Les Quatre Cavaliers de l'Apocalypse</i>. On peut les rapprocher aussi bien dans le style que dans la narration des deux panneaux sur bois exécutés en 1896 et 1897 par Arnold Böcklin et baptisés <i>La Guerre</i> mais qui mettent bien en scène les Cavaliers de l'Apocalypse.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vasnetsov. <u>Les Cavaliers de l'Apocalypse</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1887.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdACuzK3OPji2D1F3cdVgfaF4YcIE9gusQrLPjsU6Gj53xzaCizRxBZxEAsiUGqjkhKcbGhuLvz-PmNR_nq73OIDxp9_CAVRMP2sfimp3rrgyzmycR1km3XlBVoofq5EQnFlJBFjyeVw-s/s1600/Apocalypse_vasnetsov-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdACuzK3OPji2D1F3cdVgfaF4YcIE9gusQrLPjsU6Gj53xzaCizRxBZxEAsiUGqjkhKcbGhuLvz-PmNR_nq73OIDxp9_CAVRMP2sfimp3rrgyzmycR1km3XlBVoofq5EQnFlJBFjyeVw-s/s400/Apocalypse_vasnetsov-2.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Arnold Böcklin. <u>La Guerre</u>. Huile sur bois, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiprHZBPBAI1XzLIu4J-vInjy0GZGokMCtEQcpba0Yu6pcMkwWGIIknt-JnRlIXIoVT0MkyfiHNyuTbPZp28kJAqAc1PEPfCP4_5AvfMwOSJle80Iew1YVN4suY544XpLTnfe2iTz1Ube7b/s1600/bocklin+1896.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiprHZBPBAI1XzLIu4J-vInjy0GZGokMCtEQcpba0Yu6pcMkwWGIIknt-JnRlIXIoVT0MkyfiHNyuTbPZp28kJAqAc1PEPfCP4_5AvfMwOSJle80Iew1YVN4suY544XpLTnfe2iTz1Ube7b/s400/bocklin+1896.png" width="266" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Arnold Böcklin. <u>La Guerre</u>. Huile sur bois, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOq93UkDZ_upwhBEV1elgOmF5SH-HdwmeUHjMHdjI30i2gomv8mIfovF6rpq_3ohpM8or9BHgC7vWn3b7h8gDFCE2tuYjSKSL-HSshjd-9guxtKqy5oS3aeCU1bx5BlmMoWdsAj-g9sHUy/s1600/blog93.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOq93UkDZ_upwhBEV1elgOmF5SH-HdwmeUHjMHdjI30i2gomv8mIfovF6rpq_3ohpM8or9BHgC7vWn3b7h8gDFCE2tuYjSKSL-HSshjd-9guxtKqy5oS3aeCU1bx5BlmMoWdsAj-g9sHUy/s400/blog93.jpg" width="303" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est Viktor Vasnetsov qui est chargé de dessiner le <i>Pavillon de la Russie</i> pour l'<i>Exposition Universelle de Paris</i> en 1889 sous la forme d'une isba aux formes rappelant l'église d'Abramtsevo.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie du Pavillon de Russie à l'Exposition </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Universelle de 1889.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBXjBcSTusOgFVkA4F4YCAZCb93txbOCR4VtwIYPxl9zfEAU-_3098Fbtw5OOi9sBHKmSzU9KtTax9Kg3kF1439KELSpU8pvgutCtwq4qTcZXAs8UPgrTcjGVLAm2kg3cVsUUbKWgg2UDG/s1600/pavillon_russe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBXjBcSTusOgFVkA4F4YCAZCb93txbOCR4VtwIYPxl9zfEAU-_3098Fbtw5OOi9sBHKmSzU9KtTax9Kg3kF1439KELSpU8pvgutCtwq4qTcZXAs8UPgrTcjGVLAm2kg3cVsUUbKWgg2UDG/s400/pavillon_russe.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Toujours en 1889, Vasnetsov peint le portrait de son fils Boris. A partir de cette période, le peintre sans abandonner les légendes et l'histoire russes, va davantage travailler sur les portraits de ses proches.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Boris Vasnetsov</u>. Huile sur toile, 1889.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRWr9SHoAOidVQ-LWwoznMgihOhX-ds3-VUMV9za5Hn2LV5b8MrRl1OEWI_wQzaueCIoRfQ-4W6pahhgIHoDlVyIvUlfK0CIZJ0hxj4YKBk4EZABjVuxdTrGIrlfXT_DH7hyNPO6xQXkdv/s1600/vasnetsov69.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRWr9SHoAOidVQ-LWwoznMgihOhX-ds3-VUMV9za5Hn2LV5b8MrRl1OEWI_wQzaueCIoRfQ-4W6pahhgIHoDlVyIvUlfK0CIZJ0hxj4YKBk4EZABjVuxdTrGIrlfXT_DH7hyNPO6xQXkdv/s640/vasnetsov69.JPG" width="494" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">C'est en 1894, que sa maison de Moscou, qu'il a lui-même dessinée, est achevée. Son style est très proche du <i>Pavillon de Russie</i> et se veut donc une défense et illustration du style traditionnel russe.</span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues extérieures de la maison de Viktor Vasnetsov.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXURhcY_HbaMqpy3rm1zjW1XeDbwOiIyuMMlryNhj2qgEjPBFWFOrtE74eOKI1yP3vLb2v1dB5X_NsWyBOMZBu-o7xBHUAIMiwOTU9XDvZ-fTH9J4XGw7zoe2KqO-Qj63_dwQSTiIa4ii9/s1600/07_8vasnetsovhouse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXURhcY_HbaMqpy3rm1zjW1XeDbwOiIyuMMlryNhj2qgEjPBFWFOrtE74eOKI1yP3vLb2v1dB5X_NsWyBOMZBu-o7xBHUAIMiwOTU9XDvZ-fTH9J4XGw7zoe2KqO-Qj63_dwQSTiIa4ii9/s400/07_8vasnetsovhouse.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxlq50O3o8pmYKG3ne77IV1-VuEGCtaQrbi5cTUum67pXn2z6nwo3omL87ENJWhW7HvL-L4-h52zaeCgu2K8hGiSOJ1Q9qmrvbs5DVgMPvfRAxiXiOnIHwdUXdU_2ywhsTQk4dbX_G1S-K/s1600/maison+de+vasnestos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxlq50O3o8pmYKG3ne77IV1-VuEGCtaQrbi5cTUum67pXn2z6nwo3omL87ENJWhW7HvL-L4-h52zaeCgu2K8hGiSOJ1Q9qmrvbs5DVgMPvfRAxiXiOnIHwdUXdU_2ywhsTQk4dbX_G1S-K/s400/maison+de+vasnestos.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La salle à manger de la maison.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUDQrBeqQGcRWFDXzzBvDXeReU_zPiF43_q8oudnnRAze-A3HGCTEqcEz8BgLlxgBHg8oO0KgT3Sfa-0_1EqMYpoJ6GzHnf-lG1U83YrDorP3-f7O4KI_y05g5RKO7dzxOKbkRtehQZLvT/s1600/f59d5019281615742bcdd3d8603985a8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUDQrBeqQGcRWFDXzzBvDXeReU_zPiF43_q8oudnnRAze-A3HGCTEqcEz8BgLlxgBHg8oO0KgT3Sfa-0_1EqMYpoJ6GzHnf-lG1U83YrDorP3-f7O4KI_y05g5RKO7dzxOKbkRtehQZLvT/s400/f59d5019281615742bcdd3d8603985a8.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Toujours en 1894, Vasnetsov peint le magnifique portrait en pied d'Elena Prakhova, appuyée sur son piano dans un décor de tapis et de tentures qui évoque la Russie du XVIIème siècle.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Elena Prakhova</u>. Huile sur toile, 1894.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5hWWM3gQEqZZ-lGPNP-xa3ZQEM5biM14ANSirxkBn1_oPel53yq9hWpTElVjloSQ9mQDeJSD07853-QEFu1M2L7jNQ_Dg0BDem1-0LIO67EXfkY6G3Yfm-JDH8Z6ys-j4der2VdzfLXwJ/s1600/portraitofelenaprakhova.j1894pg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5hWWM3gQEqZZ-lGPNP-xa3ZQEM5biM14ANSirxkBn1_oPel53yq9hWpTElVjloSQ9mQDeJSD07853-QEFu1M2L7jNQ_Dg0BDem1-0LIO67EXfkY6G3Yfm-JDH8Z6ys-j4der2VdzfLXwJ/s640/portraitofelenaprakhova.j1894pg.jpg" width="448" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1896, il exécute le portrait de Vera Mamontova, la fille de Savva Mamontov, trois ans avant que celui-ci soit arrêté pour une accusation de prise illégale d'intérêt sur des capitaux de la ligne de chemin de fer Moscou-Yaroslav. Bien qu'innocent (ce fut prouvé plus tard), il fut totalement ruiné et sa collection de tableaux dispersée. Après six mois de prison, il fut mis en résidence surveillée dans sa maison et vécu cloitré encore vingt ans, sans contact avec l'extérieur.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Vera Mamontova</u>. Huile sur toile, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKwpqtSj66rUiRF9AnyZTVrp_vuftINiUIqDe1kF4OS7UwmjusUjHVYviggktNIqUoqwcocgw4IKPEihuMMhsBFc8y5LmphsiFbtwx-SEjvBSWO1Js3sy2ITKcBhDrTUhODFRDDOghO5Wn/s1600/portraitofveramamontova.1896jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKwpqtSj66rUiRF9AnyZTVrp_vuftINiUIqDe1kF4OS7UwmjusUjHVYviggktNIqUoqwcocgw4IKPEihuMMhsBFc8y5LmphsiFbtwx-SEjvBSWO1Js3sy2ITKcBhDrTUhODFRDDOghO5Wn/s640/portraitofveramamontova.1896jpg.jpg" width="370" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La même année, il exécute son grand triptyque de la <i>Résurrection</i>. La partie gauche représente la résurrection des malheureux, de ceux qui souffrent comme le Christ au premier plan. On voit aussi de pauvres vieillards accompagnés par des anges immaculés. La partie droite montre la résurrection des nobles et des princes, eux aussi accompagnés ou soutenues par des anges tout de blanc vêtus. Dans le panneau central, trois anges portant un globe céleste et vêtus somptueusement, représentant sans doute la Trinité accueillent les élus dans la Jérusalem céleste représenté par une église de style russe et et des murailles dorées.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Résurrection</u>, panneau de gauche. huile sur toile, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP3qvrUONSxHC9L6_lq9JBw6DF7HayP5FrqzKI34pnqTQL6B-Tamy562f9NaTXGPJO6nt3sdD6TxZ_hRuZMFdETiK7oqxn9oLYs9OJqvpzIDqbacnSP5sQ5i0a7U6V9i_4jmUuJgMGp-EW/s1600/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-1-of-the-triptych-1896.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP3qvrUONSxHC9L6_lq9JBw6DF7HayP5FrqzKI34pnqTQL6B-Tamy562f9NaTXGPJO6nt3sdD6TxZ_hRuZMFdETiK7oqxn9oLYs9OJqvpzIDqbacnSP5sQ5i0a7U6V9i_4jmUuJgMGp-EW/s400/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-1-of-the-triptych-1896.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Résurrection</u>, panneau de droite. Huile sur toile, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfweTWujLmb_VPm8_hR2fhLjfYBIL2YUdm4WhZhw-C2bRN4WijRpFG7G4TklrmC_cdpOXx_4AWIWWdiAQ_a7Ra0frkz2HvkTqse1dVEZuzr7JSi4w4mmMKuFCEdwJnTa8gz0zt2YuzfecR/s1600/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-3-of-the-triptych-1896-e1277610094770.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfweTWujLmb_VPm8_hR2fhLjfYBIL2YUdm4WhZhw-C2bRN4WijRpFG7G4TklrmC_cdpOXx_4AWIWWdiAQ_a7Ra0frkz2HvkTqse1dVEZuzr7JSi4w4mmMKuFCEdwJnTa8gz0zt2YuzfecR/s400/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-3-of-the-triptych-1896-e1277610094770.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Résurrection</u>, panneau central. Huile sur toile, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9CKwZWiY00nRUw_4WRYAS4xfkWjf2MlXPlYBly4ABq5_q9348guAMIEEPUw8y0AbEhLM_0e-6RbfJ_0dRvEGgDIqH8qL_bhsNvfNiODREconJ3yzfIldIi4yYuDTqcaWSHQx1HqWfzIo6/s1600/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-2-of-the-triptych-1896.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9CKwZWiY00nRUw_4WRYAS4xfkWjf2MlXPlYBly4ABq5_q9348guAMIEEPUw8y0AbEhLM_0e-6RbfJ_0dRvEGgDIqH8qL_bhsNvfNiODREconJ3yzfIldIi4yYuDTqcaWSHQx1HqWfzIo6/s400/viktor-vasnetsov-rejoice-in-the-lord-o-ye-righteous-panel-2-of-the-triptych-1896.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Un des tableaux les plus célèbres de Vasnetsov est son portrait du tsar Ivan IV le Terrible. Ivan le Terrible (1530-1584) est en même temps honni par les russes du fait de ses tortures et de son sadisme et en même temps admiré pour avoir été le premier tsar et l'unificateur de la Russie, même si hormis la prise de Kazan en 1552, il a perdu toutes les guerres qu'il a entrepris. On n'a aucune image du tsar faite de son vivant. Les portraits les plus anciens conservés sont une icône datant de 1600 environ et une gravure tirée d'un recueil de 1672, soit près d'un siècle après sa mort.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvyb8nLgbpvK5IS8WABb0571ululHd4pthyphenhyphenwSFSj9VKV9vEk1MS28lcJzjjRyflpHs27YpociJxfjWMRrkWeDARpYXl2buOBJstbl7O9csYgx842PV2jlEQV-Wu8ogyVHC5HVWpMgj19AK/s1600/1600.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvyb8nLgbpvK5IS8WABb0571ululHd4pthyphenhyphenwSFSj9VKV9vEk1MS28lcJzjjRyflpHs27YpociJxfjWMRrkWeDARpYXl2buOBJstbl7O9csYgx842PV2jlEQV-Wu8ogyVHC5HVWpMgj19AK/s400/1600.jpg" width="322" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait supposé d'Ivan le Terrible. Gravure sur bois</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>(coloration postérieure), 1674.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGYjYQPLASfaKP8LlbrvllH9-E6olXkSDsTBuO5TIF7FgXgBdF2rPwTtlUG3i5ZOAms5bROsce-VZKCsILGFSnJWDfyBl_VF_jBHlFTAdBf1ry9J0eth2lRkQpFmB3TX-FP5bPjC-o4oOO/s1600/Ivan_grozny_frame+portrait+pre%CC%81seume%CC%81+1672.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGYjYQPLASfaKP8LlbrvllH9-E6olXkSDsTBuO5TIF7FgXgBdF2rPwTtlUG3i5ZOAms5bROsce-VZKCsILGFSnJWDfyBl_VF_jBHlFTAdBf1ry9J0eth2lRkQpFmB3TX-FP5bPjC-o4oOO/s400/Ivan_grozny_frame+portrait+pre%CC%81seume%CC%81+1672.jpg" width="302" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Quelques années avant Vasnetsov, Repine avait consacrée une toile hallucinante à Ivan, montrant l'épisode où celui-ci après avoir tué son fils d'un coup du bâton ferré, qu'il tient continuellement, sur la tempe (c'est ce bâton que tient le tsar dans le tableau de Vasnetsov et qui git au premier plan dans le tableau de Repine) lors d'une crise de rage, pleure sur la mort de son fils aîné. Repine fait du tsar une sorte de spectre. Vasnetsov, au contraire le montre dans la pompe de sa tenue d'apparat mais le regard sombre et soupçonneux.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ilya Repine. <u>Ivan le Terrible et son fils</u>. </i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglqqTzfqsmNoI0qgR8ad51GIcD9JVAXz1flTxQkLEnSNTnGWAQQmmfi2wdpxwtqBCQm5UQqku-EvHGz6yOnkHtt3eC_ME9pPsoUn9HM0BmuV1YxfqFFEiGXgs5VlP_xZmF0DT8UwATOIf_/s1600/REPIN_Ivan_Terrible&Ivan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglqqTzfqsmNoI0qgR8ad51GIcD9JVAXz1flTxQkLEnSNTnGWAQQmmfi2wdpxwtqBCQm5UQqku-EvHGz6yOnkHtt3eC_ME9pPsoUn9HM0BmuV1YxfqFFEiGXgs5VlP_xZmF0DT8UwATOIf_/s400/REPIN_Ivan_Terrible&Ivan.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Viktor Vasnetsov. <u>Ivan le Terrible</u>. Huile sur toile, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihsHu-HwfoOh1kpIzZDFzNI3mxFLmsiiRZYUclLYGcKut5UoPC3l5ug-F_IS1FkxAkjgIxBAhR-Iwk73O41EJ2ul9hMe42RmbxlxemAHniJiOG0IZl6wFF8jPmgkS0iJX4r2i5ykdT2Fih/s1600/ivan+le+terrible.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihsHu-HwfoOh1kpIzZDFzNI3mxFLmsiiRZYUclLYGcKut5UoPC3l5ug-F_IS1FkxAkjgIxBAhR-Iwk73O41EJ2ul9hMe42RmbxlxemAHniJiOG0IZl6wFF8jPmgkS0iJX4r2i5ykdT2Fih/s640/ivan+le+terrible.png" width="346" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il est étonnant de constater que l'aspect qui nous reste du tsar a été fixé par Vasnetsov. Lorsque Serghei Mikailovitch Eisenstein (1898-1948) tourne son chef d'œuvre <i>Ivan le Terrible</i> (partie I : 1942-1944, partie II : 1945-1946), il costume et il maquille l'acteur principal, Nikolaï Tcherkassov (1903-1966), de façon à ce qu'il ressemble au souverain du tableau de Vasnetsov.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Eisenstein. Photographies du film Ivan le Terrible.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Scène finale de la première partie de Ivan le Terrible de</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Eisenstein. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Musique de Serge Prokofiev. 1942-1944.</i></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Fidèle aux racines russes, Vasnetsov, en 1896 et 1897, représente les trois oiseaux prophétiques de la mythologie russe, Sirin, Alkonost et Gamayun. Ces trois oiseaux à tête de femme sont des formes dérivées des sirènes grecques. Chacun véhicule une symbolique particulière. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Gamayun est le symbole de la connaissance et de la sagesse. Il habite une île située à l'est du Paradis.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>L'oiseau prophétique Gamayun</u>. Huile sur toile, 1897.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS2Io1zdWtwcZaFMRIwb61tIYgMC2WKQJso3JSXPaqlU306SHGAGm6E1vtaOkgX8eRBHaYUZmmbQaPwgqwqGMgcqRCCD3fV_uXNCRXjZYuyXb8w2DW0uPcQTvAHLioZRrVo8IS350-pkRP/s1600/gamaun-the-prophetic-bird-1897.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS2Io1zdWtwcZaFMRIwb61tIYgMC2WKQJso3JSXPaqlU306SHGAGm6E1vtaOkgX8eRBHaYUZmmbQaPwgqwqGMgcqRCCD3fV_uXNCRXjZYuyXb8w2DW0uPcQTvAHLioZRrVo8IS350-pkRP/s640/gamaun-the-prophetic-bird-1897.jpg" width="388" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sirin vit sur les bords de l'Euphrate (ou quelque part en Asie) et symbolise l'harmonie du monde et la joie éternelle. Il est situé à droite sur le tableau de Vasnetsov.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Alkonost pond ses œufs au bord d'une plage et les fait rouler dans la mer. Lorsqu'un œuf éclôt, il se déclare une grande tempête qui rend la mer impraticable.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Sirin et Alkonost</u>. Huile sur toile, 1896.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmHwKLoy89w9wkp8jW6lPv3W64UIPvaIkpEinVxaFvyNmpqYNAuOZc61lp8d8ixWaBmKNulUmJW4s4oT4nI1UdbSej8j0B7ohS3vkg3rpfLsETrm1vzXvu2TFNe36EPUMgJVoHaMTJbFk0/s1600/oiseaux+proph.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmHwKLoy89w9wkp8jW6lPv3W64UIPvaIkpEinVxaFvyNmpqYNAuOZc61lp8d8ixWaBmKNulUmJW4s4oT4nI1UdbSej8j0B7ohS3vkg3rpfLsETrm1vzXvu2TFNe36EPUMgJVoHaMTJbFk0/s400/oiseaux+proph.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Tout au long de sa vie, le peintre a participé à la décoration d'églises. L'un des projet les plus ambitieux auxquels il ait participé est la <i>Cathédrale St-Sauveur-sur-le-sang-versé</i> située à St-Petersbourg. En 1881, Alexandre II, le tsar libérateur, est assassiné par des révolutionnaires. Bien qu'il soit mort au <i>Palais d'Hiver</i>, son fils, Alexandre III, décide la construction d'une église votive sur les lieux du meurtre, le long du canal Griboïedov (à l'époque canal Catherine). Les travaux débutent en 1883.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'architecte est Alfred Alexandrovitch Parland (1842-1919) qui est de tendance éclectique, mais travaille surtout le néo-byzantin. Vers 1880, beaucoup d'artistes soutiennent le mouvement slavophile et Parland, rompant avec ses habitudes, opte pour le style russe du XVIème siècle. Son modèle principal est la <i>cathédrale St-Basile-le-Bienheureux</i> à Moscou, construite sur ordre du tsar Ivan le Terrible.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cathédrale St-Basile-le Bienheureux, </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Moscou. XVIème siècl</i>e.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est la famille impériale aidée de mécènes qui finança la construction de la <i>cathédrale St-Sauveur</i> mais le coût fut tellement exorbitant que l'édifice ne put être achevé qu'en 1907, plus de 20 ans après le début des travaux. Reconnaissons qu'en dehors de la somptuosité extérieure du bâtiment, l'architecture en est assez confuse par la multiplication, des bulbes, des dômes et des ornements de toute nature.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues de l'extérieure de la cathédrale St-Sauveur-sur-</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>le-sang-versé, St-Petersbourg.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8lrl3YSt8hzFG6yc2gamToaOVBdVkC6IVanWbgPdw4oEqebUputSRIbJHjZIXE2dTMrbx63dh5LTSJTR_D6PVAL0khrkZFck0L_c-okzOc_kFil4XG8-oGIoJsi93Z_Ov-Oo-PY2yxRZh/s1600/%D0%A5%D1%80%D0%B0%D0%BC_%D0%A1%D0%BF%D0%B0%D1%81%D0%B0_%D0%BD%D0%B0_%D0%BA%D1%80%D0%BE%D0%B2%D0%B8_7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8lrl3YSt8hzFG6yc2gamToaOVBdVkC6IVanWbgPdw4oEqebUputSRIbJHjZIXE2dTMrbx63dh5LTSJTR_D6PVAL0khrkZFck0L_c-okzOc_kFil4XG8-oGIoJsi93Z_Ov-Oo-PY2yxRZh/s400/%D0%A5%D1%80%D0%B0%D0%BC_%D0%A1%D0%BF%D0%B0%D1%81%D0%B0_%D0%BD%D0%B0_%D0%BA%D1%80%D0%BE%D0%B2%D0%B8_7.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce budget pharaonique fut principalement dû à l'utilisation de mosaïques sur toute la surface intérieure du bâtiment. Outre Vasnetsov, Vroubel, Nesterov et d'autres artistes participèrent aux dessins des mosaïques. Bien que d'une magnificence un peu démonstrative, l'intérieur présente plus d'unité que l'extérieur. Il est difficile de rendre à chaque artiste les parties qui lui sont dues, l'utilisation de mosaïques à font d'or ou a font bleu unifiant les styles.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Intérieur de la cathédrale St-Sauveur-sur-le-</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5piPH9CYOI5USsSt7kOGDF3APtd13UjzfFfsjD0OPqd_S3AMVwpY2UjQlVRtCeg1rRh9TjLDydpyWhO_4qtdNEywUOYB6CziqWTeTvoG7wmx-gjtTSSTqQD00M5S2RhWjoqEMdUx6YO3S/s1600/russie91.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5piPH9CYOI5USsSt7kOGDF3APtd13UjzfFfsjD0OPqd_S3AMVwpY2UjQlVRtCeg1rRh9TjLDydpyWhO_4qtdNEywUOYB6CziqWTeTvoG7wmx-gjtTSSTqQD00M5S2RhWjoqEMdUx6YO3S/s640/russie91.jpg" width="478" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1899, l'art de paysagiste de Vasnetsov est magnifié dans sa superbe Contrée nordique qui représente un fleuve aux larges méandres au milieu d'une forêt épaisse. De la même année date sa toile Les joueurs de dulcimer dans la tradition de ses toiles historicisantes.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Contrée nordique</u>. Huile sur toile, 1899.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirchPxQzGyYx62maTWL0a6KhaPUidlUftUe3fY1FC-jon7JC0ubkGLGx8Jk-XX53Sjk0GlOaLinX7IxP32deMRxB1eE6OQBHmKrbftCP3IOOX0qk0UrOFZ3gQM8Eutdh_ficqZADpOV0MK/s1600/Victor+Vasnetsov+The+Northern+Land+1899.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirchPxQzGyYx62maTWL0a6KhaPUidlUftUe3fY1FC-jon7JC0ubkGLGx8Jk-XX53Sjk0GlOaLinX7IxP32deMRxB1eE6OQBHmKrbftCP3IOOX0qk0UrOFZ3gQM8Eutdh_ficqZADpOV0MK/s400/Victor+Vasnetsov+The+Northern+Land+1899.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les joueurs de dulcimer</u>. Huile sur toile, 1899.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR_E0k2b6WNZVKR72sXkX3zaoxdSEN5-Fpv9Ui59k1qEyNo4IOxjn1FcEgETqh5Y2CujJz78pLOxhKajuKmfdagqEp0BxtyeM3Kulbmn-x1tvAfCi3maakdIctFJ62cYppHMJMSgbfBR3B/s1600/joueurs+de+dulcimer.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR_E0k2b6WNZVKR72sXkX3zaoxdSEN5-Fpv9Ui59k1qEyNo4IOxjn1FcEgETqh5Y2CujJz78pLOxhKajuKmfdagqEp0BxtyeM3Kulbmn-x1tvAfCi3maakdIctFJ62cYppHMJMSgbfBR3B/s400/joueurs+de+dulcimer.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1900, Vasnetsov commence à imaginer une façade pour la <i>Galerie Tretiakov</i> que Pavel Tretiakov (1832-1898) avait fondé en 1892 en léguant ses collections à la ville de Moscou.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Projet de façade pour la Galerie Tretiakov. Aquarelle, 1900.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc0xxzTdpCT7OGtDnPlgLkOphyF0TpeTBP5wGbSpsK7uyNnz_9ch3dC_2atVY6sF1fNzTDIKCSLxjg8OGv7JbJczdZ4XbQ5yrW-UlSHJi5_JVkfJG0ST7bnTi_msII8WTCPObFQ9uBArcf/s1600/draft-facade-tretyakov-gallery-1900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc0xxzTdpCT7OGtDnPlgLkOphyF0TpeTBP5wGbSpsK7uyNnz_9ch3dC_2atVY6sF1fNzTDIKCSLxjg8OGv7JbJczdZ4XbQ5yrW-UlSHJi5_JVkfJG0ST7bnTi_msII8WTCPObFQ9uBArcf/s400/draft-facade-tretyakov-gallery-1900.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le projet va évoluer et Vasnetsov arrivera à une version définitive en 1904. A peu de chose près, c'est la façade que l'on voit actuellement.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Projet de façade. Aquarelle, 1904.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDbt6ZxSXa9dgUUkrCTFb_eHlYm_P-1oFcOQkqVqcPgALrEquWgsl1gGQM14fJ4BqMSmOeNO8C7LSS7O3u0SvZdjQGSxtF_P7EGF7Hgz0qZViJG4ndETMZ8xNaVvy6Ou6MjstCA4-lz0qO/s1600/draft-facade-tretyakov-gallery-1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDbt6ZxSXa9dgUUkrCTFb_eHlYm_P-1oFcOQkqVqcPgALrEquWgsl1gGQM14fJ4BqMSmOeNO8C7LSS7O3u0SvZdjQGSxtF_P7EGF7Hgz0qZViJG4ndETMZ8xNaVvy6Ou6MjstCA4-lz0qO/s400/draft-facade-tretyakov-gallery-1904.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade de la Galerie Tretiakov, Moscou. 1905.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4NK5wh3YH_HoMeFLlAdUVm7rkFF4GmGDiw2H4_47uvKm3ezKuvMETAmptZi3cXI2FrVIz6XW3O1AfntVJpOMww1jlu6Ky9DqzihUdnS2FtcEo_xg8Kr8pAjvFE0IV9DuzUqSCtc0uMqnE/s1600/07_7tretyakovgallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4NK5wh3YH_HoMeFLlAdUVm7rkFF4GmGDiw2H4_47uvKm3ezKuvMETAmptZi3cXI2FrVIz6XW3O1AfntVJpOMww1jlu6Ky9DqzihUdnS2FtcEo_xg8Kr8pAjvFE0IV9DuzUqSCtc0uMqnE/s400/07_7tretyakovgallery.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfRXWZb7NjEqTOEN3l0djoAj8RqjxQy54GMr5_dvn-aAVb_kBuPyNARYm3pDVqnaxTSO5MNk0oRm_8aAkNqr2Ra4yXP0j-KoN2glJyeuTGFCqzVAxNzHKLH97kt2gGUdsy4XhAPYF-6wL/s1600/575px-Tretyakovgallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfRXWZb7NjEqTOEN3l0djoAj8RqjxQy54GMr5_dvn-aAVb_kBuPyNARYm3pDVqnaxTSO5MNk0oRm_8aAkNqr2Ra4yXP0j-KoN2glJyeuTGFCqzVAxNzHKLH97kt2gGUdsy4XhAPYF-6wL/s400/575px-Tretyakovgallery.jpg" width="382" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii6QTcRDkyJcp8yiO2FJo8s-jNGamOzMdd8GzzGGf-5o2pzg15Ho7Nvbc-z_HtBuHczJs6zOwmrtX_53V79lg3-VAlmAjKUMHHpyQ-r5cQxCFTTtTE8lORmS8BbY4RvPNIHneXgTD5UZwy/s1600/8015_tretyakovgallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii6QTcRDkyJcp8yiO2FJo8s-jNGamOzMdd8GzzGGf-5o2pzg15Ho7Nvbc-z_HtBuHczJs6zOwmrtX_53V79lg3-VAlmAjKUMHHpyQ-r5cQxCFTTtTE8lORmS8BbY4RvPNIHneXgTD5UZwy/s400/8015_tretyakovgallery.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1906 et 1911, Vasnetsov travaille sur les mosaïques et les fresques de la c<i>athédrale Alexandre Nevsk</i>i de Varsovie. C'est en 1893 que le gouverneur de Pologne, Joseph Vladimirovitch Gourko (1828-1901), donna l'idée à Alexandre III de construire une cathédrale orthodoxe dans la capitale de la Pologne occupée depuis 1815 pour les russes qui s'y trouvaient. C'était aussi une manière d'accélerer la russification du pays. C'est l'architecte Léon Benois (1856-1928) qui dessina le bâtiment. Les travaux commencèrent en 1894. La cathédrale fut financée par des dons prélevée sur les villes sous la juridiction de Gourko et par une taxe réclamée aux varsoviens. Les non-orthodoxes, hyper-majoritaires en furent profondément blessés.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La structure du bâtiment était achevée en 1900. Le clocher de 70 m était alors l'édifice le plus hait de Varsovie. La décoration intérieure s'étala encore sur 12 ans. Construite en granite et marbre, l'église était ornée de pierres semi-précieuses.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Photographies de la Cathédrale Alexandre Nevski, </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Varsovie. Vers 1915.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_-DBgTNgAEDI0wmzwGFdhPFaX3mCqMVm25j041rHHWdbWrrf6sUHrMzPjceBMeP3gtIVK7qFCMynxq5NtgDPUFCGluT4F5htlvIY8Cuy43Pq3ndm9tfxgMCMLxS7kOGqPHzu7y-u-ZjXd/s1600/Nevsky_cathedral_warsaw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_-DBgTNgAEDI0wmzwGFdhPFaX3mCqMVm25j041rHHWdbWrrf6sUHrMzPjceBMeP3gtIVK7qFCMynxq5NtgDPUFCGluT4F5htlvIY8Cuy43Pq3ndm9tfxgMCMLxS7kOGqPHzu7y-u-ZjXd/s640/Nevsky_cathedral_warsaw.jpg" width="464" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPKGixSPClTfhiAMPKG3UiT3OG2CjjKkJFeam5LCNAAFVkLN9GeHp4gg_KZwkyAbXmBivpLGwLV9jm5MfTuM1wGwlaIQUMV1PoPDGQraHwfmREKS1W_cUpDyJDtXZzM-6eZDJwGKwVk_q-/s1600/Warsaw_Aleksander_Nevsky_Cathedral_1915.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPKGixSPClTfhiAMPKG3UiT3OG2CjjKkJFeam5LCNAAFVkLN9GeHp4gg_KZwkyAbXmBivpLGwLV9jm5MfTuM1wGwlaIQUMV1PoPDGQraHwfmREKS1W_cUpDyJDtXZzM-6eZDJwGKwVk_q-/s640/Warsaw_Aleksander_Nevsky_Cathedral_1915.jpg" width="392" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vanetsov. Projet pour fresque de la Sainte Eucharistie, Cathédrale Alexandre </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Nevski, Varsovie. Aquarelle, 1911.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQOQE7Td-jAqXXJ-3KX_u9ZjLhCOv2_GnR-3j3_1CuzpqMrtGgIEEwei32Qjn5lhaHw5GEmhI73u-2w2bHJYBqJ6VgzdW0r6zCeLLPawy_4HC-EnutJ59qAu7IFLFCCh7VaUzZ1_pWbjSy/s1600/viktor-vasnetsov-c3a9tude-for-the-holy-eucharist-mosaic-in-st-aleksandr-nevsky-cathedral-warsaw-poland+1901-destroyed-in-1918-by-the-polish-authorities-1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQOQE7Td-jAqXXJ-3KX_u9ZjLhCOv2_GnR-3j3_1CuzpqMrtGgIEEwei32Qjn5lhaHw5GEmhI73u-2w2bHJYBqJ6VgzdW0r6zCeLLPawy_4HC-EnutJ59qAu7IFLFCCh7VaUzZ1_pWbjSy/s400/viktor-vasnetsov-c3a9tude-for-the-holy-eucharist-mosaic-in-st-aleksandr-nevsky-cathedral-warsaw-poland+1901-destroyed-in-1918-by-the-polish-authorities-1901.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lorsque la Pologne devient indépendante, un débat va se faire jour : doit on conserver ou abattre ce symbole de l'occupation russe ? Après des années de discussion, la cathédrale est détruite à le dynamite entre 1924 et 1926.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de la démolition de la cathédrale. Vers 1925</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7HrLfDJhdeuKeHjHgrdtEsG9_HAA87cjQOuDgh_5-OzLtbdAOx0n6tSTEEc3zSMKoJlrenUpCx1FoX_LJt3RSf6KwQqZKu2tpQwEhDh3vVLIcekV91srDYVdIR5BrGqKAsI-NQRBhjf9J/s1600/Ruined_nevsky_cathedral.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7HrLfDJhdeuKeHjHgrdtEsG9_HAA87cjQOuDgh_5-OzLtbdAOx0n6tSTEEc3zSMKoJlrenUpCx1FoX_LJt3RSf6KwQqZKu2tpQwEhDh3vVLIcekV91srDYVdIR5BrGqKAsI-NQRBhjf9J/s400/Ruined_nevsky_cathedral.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans les années 1910, Vasnetsov crée le nouvel uniforme de l'armée russe, suite à la réforme de celle-ci, consécutive au désastre de la guerre russo-japonaise de 1904-1905.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Uniformes de l'armée russe créés par Vasnetsov.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp-pqsXeyNrRYNNQ03eEdR10chybIc2T4Aj0SuZTD7mvE0Xvbl5EhEEcs1mF3dTMlZXdd_Z4gGJjC9sl7wq7S4PAkhLMo_mY3PgvXjCjka98BjkfWV9qCLNSdUFXJZPVDratMLKyZDJoYn/s1600/uniforme-russe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp-pqsXeyNrRYNNQ03eEdR10chybIc2T4Aj0SuZTD7mvE0Xvbl5EhEEcs1mF3dTMlZXdd_Z4gGJjC9sl7wq7S4PAkhLMo_mY3PgvXjCjka98BjkfWV9qCLNSdUFXJZPVDratMLKyZDJoYn/s400/uniforme-russe.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est lui aussi qui crée, plus tard, pour l'Armée Rouge, le bonnet appelé <i>bogatyrka</i> ou <i>budenovka</i> rappelant la forme des casques des <i>bogatyrs</i>.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de soldats portant la bogatyrka. Vers 1919.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7-WuCLijfgul-ECnV1LwsGTLQLXAGEfosqmDUKOrnx_VoTdag2VQEzRq3X4AighLPaSWFqxtlVdaeuM5FYcvinGqsOO1lY9Ug51mB5k9rR8uraO9oIw0Cptwo6DrxNBp4He9doVrY6ZVv/s1600/Buden3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7-WuCLijfgul-ECnV1LwsGTLQLXAGEfosqmDUKOrnx_VoTdag2VQEzRq3X4AighLPaSWFqxtlVdaeuM5FYcvinGqsOO1lY9Ug51mB5k9rR8uraO9oIw0Cptwo6DrxNBp4He9doVrY6ZVv/s400/Buden3.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Staline portant la bogatyrka. Vers 1920.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggALEJrDY_w9NARYheY6XX-H0mnp3n6Hu0LFOXBYm990pJA8ihUaX58jFqcx-qTXy-nATNpmQO7TTompZS0GnHXBoQR4FNFG80PcwxTpgXC7xIqjX9zDTde7BrGOeWMpFLnndtJhFH_P-_/s1600/ussr0315.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggALEJrDY_w9NARYheY6XX-H0mnp3n6Hu0LFOXBYm990pJA8ihUaX58jFqcx-qTXy-nATNpmQO7TTompZS0GnHXBoQR4FNFG80PcwxTpgXC7xIqjX9zDTde7BrGOeWMpFLnndtJhFH_P-_/s400/ussr0315.jpg" width="273" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1912, Vasnetsov est anobli par le tsar Nicolas II. La même année, il peint le <i>Portrait d'Olga Poletayeva</i> qui montre que le peintre n'a rien perdu de ses qualités.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Olga Poletayeva</u>. Huile sur toile, 1912.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJmnihe6ObU4B7fdkK5X16w9yvhJIntJeQJKtyyk_AnzDD9aDN8jgj_rkVZJRB5SQJVEscecR975GhJp2yw5ACtlB1b2Y-SeAo8lfpBmMgvBxwiBMGlS4Yinhqz21c15fhxNm0UYUpQFVB/s1600/portraitofolgapoletayeva+1912.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJmnihe6ObU4B7fdkK5X16w9yvhJIntJeQJKtyyk_AnzDD9aDN8jgj_rkVZJRB5SQJVEscecR975GhJp2yw5ACtlB1b2Y-SeAo8lfpBmMgvBxwiBMGlS4Yinhqz21c15fhxNm0UYUpQFVB/s640/portraitofolgapoletayeva+1912.jpg" width="406" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le reste de sa vie, il peindra un grand nombre de tableaux illustrants des contes ou des légendes russes, revenant parfois sur des sujets qu'il avait déjà traité. Ses derniers tableaux sont traités en panneaux décoratifs rappelant de somptueuses tapisseries ou les miniatures persanes. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La tsarine-grenouille</u>. Huile sur toile, 1918.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est un conte russe assez compliquée dans lequel Ivan, le fils d'un tsar épouse une grenouille. Après une rencontre avec Baba-Yaga et une bataille conte Kastcheï l'immortel, La grenouille se révèlera être une belle princesse Vassilissa la sage. Rappelons que Kastcheï est un des protagonistes du ballet de Stravinski, <i>L'oiseau de Feu</i> (1910) créé à Paris par les <i>Ballets Russes</i>. La <i>Danse infernale de Katscheï</i> est considéré comme une date dans l'histoire de la musique du XXème siècle. </span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Stravinski. Danse infernale de Katscheï, Berceuse et Finale,</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'Oiseau de Feu. Orchestre symphonique de San Francisco.</i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Direction, Michael Tilson Thomas.</i></span></span></div>
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://3.gvt0.com/vi/ashMSM_kc4M/0.jpg" height="266" width="320"><param name="movie" value="http://www.youtube.com/v/ashMSM_kc4M&fs=1&source=uds" />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le géant est aussi le personnage central de l'opéra de Rimski-Korsakov, <i>Katschei l'immortel</i>, créé en 1902.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuzVCtRcHKu4aUU1gz6uAevCTR8sgldxbQHS_ANO8D7yST96zBjxGLH58EhUyQFLjZ_7rsBTRbhWv5W6eZXqf8sxfVwOq5gLf_NlzGEbKAHLcNTVVXuC0mTFyhmEf1zB30jv26jz7KC4BB/s1600/tasrine.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuzVCtRcHKu4aUU1gz6uAevCTR8sgldxbQHS_ANO8D7yST96zBjxGLH58EhUyQFLjZ_7rsBTRbhWv5W6eZXqf8sxfVwOq5gLf_NlzGEbKAHLcNTVVXuC0mTFyhmEf1zB30jv26jz7KC4BB/s400/tasrine.png" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La tsarine mélancolique</u>. Huile sur toile, 1916-1926.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBVzkRY5kfbh77sw4c7jJPRH3hSL1_40yoXg4MkG4M2O9TvGLkGUiSfRlU28XhPnzSek__x_m6ZzWI1c18ZvCAlcwDytpAjjeRqpR-DG-1V92twNpBWNtxNnBGEz3AsYB86jW4TGo6GXqu/s1600/la+tasrine+boudeuse+1916-1926.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBVzkRY5kfbh77sw4c7jJPRH3hSL1_40yoXg4MkG4M2O9TvGLkGUiSfRlU28XhPnzSek__x_m6ZzWI1c18ZvCAlcwDytpAjjeRqpR-DG-1V92twNpBWNtxNnBGEz3AsYB86jW4TGo6GXqu/s640/la+tasrine+boudeuse+1916-1926.jpg" width="458" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le tapis volant</u>. Gouache et aquarelle, 1926.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivI2Zsrm7KObG7tyNhHEvq7AAfWxJwME_sEDykN4N8X0tkSlGl3iILUpM3nbJrtFp3jjfmMV4JfIjf09rug648q5cGds5phzkJKI0BAznExOMM1g7XYNwXFPBAbeQUF2BvPOADeBLKjXKg/s1600/Flying_carpet.1926jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivI2Zsrm7KObG7tyNhHEvq7AAfWxJwME_sEDykN4N8X0tkSlGl3iILUpM3nbJrtFp3jjfmMV4JfIjf09rug648q5cGds5phzkJKI0BAznExOMM1g7XYNwXFPBAbeQUF2BvPOADeBLKjXKg/s640/Flying_carpet.1926jpg.jpg" width="492" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le portrait de Vasnetsov a été peint un an avant sa mort par Mikhaïl Nesterov (1862-1942). Les deux peintres s'étaient rencontrés lors des travaux de la <i>cathédrale St-Vladimir </i>de Kiev.</span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mikhaïl Nesterov. <u>Portrait de Viktor Vasnetsov</u>. </i></span></span></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1925.</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpcB7kz-dtHhLex2a_RE0IqJ9oiephcwX3IjLxPCI0f6pgP6gSly92KD9iijnBw8g3K2l5Sd1EmOA9acfsLfNDciUpjMG4KXtfzC986BAROFVUsQ3E6HGHBJfPl8_O3w77rFnHz-8-_as_/s1600/6-mikhail-nesterov-portrait-of-the-artist-viktor-vasnetsov-1925-e1268968608948.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpcB7kz-dtHhLex2a_RE0IqJ9oiephcwX3IjLxPCI0f6pgP6gSly92KD9iijnBw8g3K2l5Sd1EmOA9acfsLfNDciUpjMG4KXtfzC986BAROFVUsQ3E6HGHBJfPl8_O3w77rFnHz-8-_as_/s400/6-mikhail-nesterov-portrait-of-the-artist-viktor-vasnetsov-1925-e1268968608948.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il meurt en 1926 à Moscou et est enterré à St-Petersbourg (Leningrad à l'époque).</span></span></div>
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com1tag:blogger.com,1999:blog-2907604655020925790.post-25372979628694645362012-04-14T04:03:00.001-07:002012-04-14T04:04:35.154-07:00Brasseries et cafés VI : La Brasserie des Brotteaux à Lyon<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le quartier des Brotteaux s'est mis en place sous le Second Empire. C'est la mise en fonction de la gare des Brotteaux qui a permis un développement du quartier. La majorité des édifices visibles actuellement dans le quartier ont été construit entre 1910 et 1930.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On sait peut de chose sur la construction de la <i>Brasserie des Brotteaux</i> qui est installée sur la place de la gare. Elle s'est ouverte en 1913. Le décor intérieur, entièrement en céramique, a été dessiné par Louis Muller (aucune information sur cet artiste) et réalisé par la <i>Maison Gilardoni et fils</i> installée à Choisy-le-Roy. C'est une entreprise bien connue au XIXème siècle puisqu'un Gilardoni est l'inventeur de la tuile mécanique en 1840. Il semble que l'entreprise ait été rachetée vers 1920. La façade est ornée d'une superbe marquise. L'intérieur est à décor végétal, essentiellement des gerbes de roses et des guirlandes de fruits.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Facade de la Brasserie des Brotteaux.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlxPcBIfW08LH00nDOYLeyEauVXY1rd8Fa1jQ1GlhAU0a4ffGWUGVQSGCmqGc4WWrbryE5Sp2UtpmSISLL73tV1shY6CaInPYMCNPHR1E0v-zjgLEjVdwBA6y1g-Il6cSUnEm2x7wC3xri/s1600/gall1163950359.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlxPcBIfW08LH00nDOYLeyEauVXY1rd8Fa1jQ1GlhAU0a4ffGWUGVQSGCmqGc4WWrbryE5Sp2UtpmSISLL73tV1shY6CaInPYMCNPHR1E0v-zjgLEjVdwBA6y1g-Il6cSUnEm2x7wC3xri/s400/gall1163950359.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue sur la salle.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF698P5M0H6W8mtU8nyOJZ127pX5RYHOfkyvJ0Co6AYAb-GotwA_r1cdKq3IGwiuZWMkiuPKQssFm5KCL6vENjOfsauKBIRFLbJubYMbD6aB1UkhSHc1cEFzHUv30Rcc2vnrEy4tfdZpCb/s1600/34918579.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF698P5M0H6W8mtU8nyOJZ127pX5RYHOfkyvJ0Co6AYAb-GotwA_r1cdKq3IGwiuZWMkiuPKQssFm5KCL6vENjOfsauKBIRFLbJubYMbD6aB1UkhSHc1cEFzHUv30Rcc2vnrEy4tfdZpCb/s640/34918579.jpg" width="480" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjPJFtQBIcDaxHSuMi9vk2_ijfTxrXXRzI915Lt4Vs61LXMLWcvtNKlun-CQEy6H5SadC2lPJJEF3toqKCrHDRs8ShBGGljb7h_pU_Brdy3-qw6Zu4hkep2kpINFIlRH2pwLV1n0DqR9jh/s1600/Brasserie_des_Brotteaux_salle_large.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjPJFtQBIcDaxHSuMi9vk2_ijfTxrXXRzI915Lt4Vs61LXMLWcvtNKlun-CQEy6H5SadC2lPJJEF3toqKCrHDRs8ShBGGljb7h_pU_Brdy3-qw6Zu4hkep2kpINFIlRH2pwLV1n0DqR9jh/s400/Brasserie_des_Brotteaux_salle_large.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOfhEHALwIQwlEusIHZ3Z_xOlws425c6uQ3o7r5voIux1xBbPV2fxwxiuObFKRSU8HoneDJzRm7RGlLoHMS5R1ATq0SptqKujX8iTto7nx9-zi-6_GhKn8A9GLvi6b9jD0FQ7C7QW65jO0/s1600/gall1163951082.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOfhEHALwIQwlEusIHZ3Z_xOlws425c6uQ3o7r5voIux1xBbPV2fxwxiuObFKRSU8HoneDJzRm7RGlLoHMS5R1ATq0SptqKujX8iTto7nx9-zi-6_GhKn8A9GLvi6b9jD0FQ7C7QW65jO0/s640/gall1163951082.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails du décor de la salle.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqWJcptwzRQwqlHCs3pvcysV_nHmNOnsCwxMj8P3EYloP4jBFrBCzo3vWJiAONi4ES-Zi9Ido_7rmb8u3_-u0GcrsDhF5jNw6qj0-uSHlgo03f0MYtmih7MQFmZZvoIztaOAWH-cVgY5R1/s1600/gall1163951237.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqWJcptwzRQwqlHCs3pvcysV_nHmNOnsCwxMj8P3EYloP4jBFrBCzo3vWJiAONi4ES-Zi9Ido_7rmb8u3_-u0GcrsDhF5jNw6qj0-uSHlgo03f0MYtmih7MQFmZZvoIztaOAWH-cVgY5R1/s640/gall1163951237.jpg" width="480" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKX_QgG1jk9oKGuchqIEar5qIpOQs2aFTBswzHyB4cyOyLIWp7k9drUS8da3s2pZ-GD1lDCV0dWxRz6llaIOYhFHzkQ8ToJI-YpxXW1tuTfUQs-6w_F7v-uDtDfT7rwczaVX_NCHpQDM8R/s1600/gall1164053683.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKX_QgG1jk9oKGuchqIEar5qIpOQs2aFTBswzHyB4cyOyLIWp7k9drUS8da3s2pZ-GD1lDCV0dWxRz6llaIOYhFHzkQ8ToJI-YpxXW1tuTfUQs-6w_F7v-uDtDfT7rwczaVX_NCHpQDM8R/s640/gall1164053683.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le comptoir.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT4G82q0ceAFN42511nRVEnSZ00Bvct6-e9OyOPAmfX_hFoctAv9G4Lw7sb2NuEb_96kl5SuLUUDXIuARfBhhe6oVl0ARTMM_jQW9-MQhLDnPga5w8HNApe4jTMM2RLeJcBLY6Xd_WeBH2/s1600/34919307.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT4G82q0ceAFN42511nRVEnSZ00Bvct6-e9OyOPAmfX_hFoctAv9G4Lw7sb2NuEb_96kl5SuLUUDXIuARfBhhe6oVl0ARTMM_jQW9-MQhLDnPga5w8HNApe4jTMM2RLeJcBLY6Xd_WeBH2/s400/34919307.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCLb2T3Tsu1O5lktwpnsUCukzpACD6EMnXG2Phu7Lw7ykhoCCVPAQ7ZiGLgVHi06vUhZGUR0DpwBYP6NTpfHFXKZuee28UttklmFkhSZGQhUaExvLgJWF-m4J3bxWYLiof_VThtdQzqZa6/s1600/6105093383_0e6d8c2477_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCLb2T3Tsu1O5lktwpnsUCukzpACD6EMnXG2Phu7Lw7ykhoCCVPAQ7ZiGLgVHi06vUhZGUR0DpwBYP6NTpfHFXKZuee28UttklmFkhSZGQhUaExvLgJWF-m4J3bxWYLiof_VThtdQzqZa6/s400/6105093383_0e6d8c2477_b.jpg" width="400" /></a></div><div style="text-align: center;"><br />
</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-61796993042617576182012-04-09T22:25:00.007-07:002012-04-11T00:03:12.587-07:00Le mystérieux Monsieur Mantin<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Louis Mantin est né à Moulins en 1851 dans une famille riche. Il fait une carrière administrative relativement modeste, conseiller de préfecture à Gap en 1879 et à Montpellier en 1880, sous-préfet d'Embrun de 1880 à 1882, il finit sa carrière à 42 ans comme secrétaire général de la préfecture de Limoges en 1893, faisant valoir ses droits à la retraite. Il revient à Moulins, où il vit retiré, recevant peu et meurt à 54 ans en 1905.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une des rares photographies de Louis Mantin </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>qui nous restent</i>.</span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin-aRHQviZDhhpXz3KZxeWD2SMlLR_7O1lzSDkSQWP_ea9kp1JqX4NUKotqulN9ssUmS4p6utCPm93yF13jU5X1O7SIM3xec0ubxr3LeH2CC7DMuxxHdJCGgf7_VJpyFfRdzDm_xYRX4C1/s1600/WEB_CHEMIN_5036_1286531566.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin-aRHQviZDhhpXz3KZxeWD2SMlLR_7O1lzSDkSQWP_ea9kp1JqX4NUKotqulN9ssUmS4p6utCPm93yF13jU5X1O7SIM3xec0ubxr3LeH2CC7DMuxxHdJCGgf7_VJpyFfRdzDm_xYRX4C1/s400/WEB_CHEMIN_5036_1286531566.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Rien dans cette vie de très passionnant. C'est <i>post-mortem</i> que Louis Mantin devient intéressant. Très riche, il s'est fait construire un somptueux hôtel particulier au centre de Moulins. A sa mort, il lègue sa maison et ses collections à la ville de Moulins sous condition que <i>la maison soit conservée intacte pendant 100 ans comme spécimen de maison bourgeoise du XIXème siècle</i>. Une autre condition est la construction d'un musée à son voisinage dans les cinq ans suivant sa mort, sinon la maison serait léguée à sa nièce.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ses volontés ont été suivies et la <i>Maison Mantin</i> a ouvert ses portes, restaurée, en 2010.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est à deux architectes locaux, Jean-Bélisaire Moreau (1828-1899) et son fils René-Justin Moreau (1858-1924) qu'il demande de construire la maison, à partir de 1893.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les Moreau sont en pleine phase néo-gothiques, restaurant et construisant les nombreux châteaux de la région. Ils jouent un peu les Viollet-le-Duc locaux. Tous les deux ont été inspecteurs des monuments historiques.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Chateau-Dauphin, Pontgibaud. Restauré en 1885.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3sUq_V5r-rtNsv-TQ9gQLIvK1pqROFvFkvnAdE4DQLLZa3-04n4ofuAVcobzUjW8O9HjmNxY-mhieEy8_S9FaWsVt8oMdKc0trFuHbfpQB-tEmG8sgYoLY3fHlpm0x5zegD5ykSg926P/s1600/chateau_dauphin_003_(vu_d'avion).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3sUq_V5r-rtNsv-TQ9gQLIvK1pqROFvFkvnAdE4DQLLZa3-04n4ofuAVcobzUjW8O9HjmNxY-mhieEy8_S9FaWsVt8oMdKc0trFuHbfpQB-tEmG8sgYoLY3fHlpm0x5zegD5ykSg926P/s400/chateau_dauphin_003_(vu_d'avion).jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISlV_WFIEeG2pnxRZnmXG0O4WzeTAXi04rJFVQuQP31HVEbitIIHwwBdlFdwfW-JazCdIl68VFJS9Wvoo8LTmk6fwRDbDB9SWV43eWlqDjIZQVR0sRDCJCSjnRyEQkQKmJ-pBQtW95UGH/s1600/dauphin_grand.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISlV_WFIEeG2pnxRZnmXG0O4WzeTAXi04rJFVQuQP31HVEbitIIHwwBdlFdwfW-JazCdIl68VFJS9Wvoo8LTmk6fwRDbDB9SWV43eWlqDjIZQVR0sRDCJCSjnRyEQkQKmJ-pBQtW95UGH/s400/dauphin_grand.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Château de La Palisse. Restauré de 1885 à 1888.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8XC8Ibpe75XuE-7IC-CiNNS40STRYUNQeISE5VNl28ytJruySmU02n_CkGoS_UZEmlp68g4hAq0bo7_FSuCu0bLYJK5Z5GZv3tbwLAdquxLxk5K1tYbbeYsUJgvtaQWcQbg7UHxvmMF8c/s1600/la+palisse+1885-1888.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8XC8Ibpe75XuE-7IC-CiNNS40STRYUNQeISE5VNl28ytJruySmU02n_CkGoS_UZEmlp68g4hAq0bo7_FSuCu0bLYJK5Z5GZv3tbwLAdquxLxk5K1tYbbeYsUJgvtaQWcQbg7UHxvmMF8c/s400/la+palisse+1885-1888.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jean-Bélisaire Moreau. Château de Contresol, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Donjon. Construit en style Renaissance.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu_tLxcR002Hagh8vZVCwJpWQ3_p8FdUkUALPLc6PBazC4NaF9Sj38VqJEo-89GuJPyyXe_o39h-4b09L1X1K3lf-tqvYeuAmOcHHOvOHwvqkBCBNcrou9ATOLKFrH9YB0RQBHeu5kn6pq/s1600/3919194213_4555f0bfd6_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu_tLxcR002Hagh8vZVCwJpWQ3_p8FdUkUALPLc6PBazC4NaF9Sj38VqJEo-89GuJPyyXe_o39h-4b09L1X1K3lf-tqvYeuAmOcHHOvOHwvqkBCBNcrou9ATOLKFrH9YB0RQBHeu5kn6pq/s400/3919194213_4555f0bfd6_b.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>René-Justin Moreau. Caisse d'épargne de Moulins. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Construite en 1898, style néo-Louis XIII.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj61I0SKXkc2doJJvaeA8BlLbzyABfPACOwy5nNT9SdU0Zra9hi5ph1Abk1Vc6kJEuGF4IJ0sruaz5AJyLxYIYEOMl8-_ELV9qXriO5s9A1mPd6w0ry0SrSmILvhSzwZxWue4xRUiLCADfn/s1600/caisse+d'e%CC%81pargne+de+moulins.1898jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj61I0SKXkc2doJJvaeA8BlLbzyABfPACOwy5nNT9SdU0Zra9hi5ph1Abk1Vc6kJEuGF4IJ0sruaz5AJyLxYIYEOMl8-_ELV9qXriO5s9A1mPd6w0ry0SrSmILvhSzwZxWue4xRUiLCADfn/s400/caisse+d'e%CC%81pargne+de+moulins.1898jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jean-Bélisaire Moreau. Château d'Esmyard. Construit en 1898, </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>style néo-Louis XIII, aujourd'hui détruit.</i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvi83SHtr7fLqkKOd72Lwl6_jxxsVfcPz7RuOv32z8xqgr3zcqHXvmHRgHe_KKU3u5JBnNun_yyrfuDHxTkEm5qvYf0tE_v2NIpJkHMOvoOopTyf61Y8biiYXT0ferLds1R1VxJcS56mSg/s1600/cha%CC%82teau+d'esmyard.1898jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvi83SHtr7fLqkKOd72Lwl6_jxxsVfcPz7RuOv32z8xqgr3zcqHXvmHRgHe_KKU3u5JBnNun_yyrfuDHxTkEm5qvYf0tE_v2NIpJkHMOvoOopTyf61Y8biiYXT0ferLds1R1VxJcS56mSg/s400/cha%CC%82teau+d'esmyard.1898jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après 1900, René-Justin Moreau va se convertir à un <i>Art Nouveau</i> très sage, à l'œuvre notamment, dans les hôtels qu'il construisit à Vichy.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hôtel Astoria, Vichy. 1910. Photo vers 1950.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwgba5FWneGrnhg4C8WW_yp0YKKfBcs1g0foZEwJbBVx8gvoDg_MAWScosoQ6p7YY68-xfoctdKo4u4TQS-k1tbOj4En2wsH0wAAm3ngOnSFGoZ2Z41lMbXO2C50hE3F4lXEGwkJslQdVd/s1600/03+Vichy+Place+Victor+Hugo+Hotel+Astoria+1910+I.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwgba5FWneGrnhg4C8WW_yp0YKKfBcs1g0foZEwJbBVx8gvoDg_MAWScosoQ6p7YY68-xfoctdKo4u4TQS-k1tbOj4En2wsH0wAAm3ngOnSFGoZ2Z41lMbXO2C50hE3F4lXEGwkJslQdVd/s400/03+Vichy+Place+Victor+Hugo+Hotel+Astoria+1910+I.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hôtel Carlton, Vichy. 1912. Photo vers 1940.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt7rB6qKsmOu5DajV6ZsKcBtkzbih6oBf0M40PYlsf-hmN3YPWpRxLZanLA0UxEuHZ-dmBlF3gI8DXGxX8vPG9iHmPipOihXVWftQfkYmAueN9Fiol6fcGaEm-iPjgI1UJ21AYeF2ZeHyJ/s1600/carlton+1912+vichy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt7rB6qKsmOu5DajV6ZsKcBtkzbih6oBf0M40PYlsf-hmN3YPWpRxLZanLA0UxEuHZ-dmBlF3gI8DXGxX8vPG9iHmPipOihXVWftQfkYmAueN9Fiol6fcGaEm-iPjgI1UJ21AYeF2ZeHyJ/s400/carlton+1912+vichy.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'architecte prévoit de construire une maison de style néo-gothique, d'autant que le terrain que possède Louis Mantin est situé sur une partie des ruines du <i>Palais Ducal des Bourbons</i>. En 1894, Louis Mantin dépose une sac de pièce d'or dans les fondations. En cours de route, le projet évolue et à son achèvement entre 1895 et 1897, la maison est d'un style très éclectique.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues générales de la propriété.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9SNxeyQwTBl6o88FvIIWGivAWsWwsAVpZl7d52XKti3uEWoxs2b3XfTjTd6LicPtE9R9cyUpxMBKdscDZXAWw0pWzGvrJLMSvMGodtEV-e556rLWzSNXKybSLEudvL_8alyvI9Pwpx0gJ/s1600/Moulins--54-.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9SNxeyQwTBl6o88FvIIWGivAWsWwsAVpZl7d52XKti3uEWoxs2b3XfTjTd6LicPtE9R9cyUpxMBKdscDZXAWw0pWzGvrJLMSvMGodtEV-e556rLWzSNXKybSLEudvL_8alyvI9Pwpx0gJ/s400/Moulins--54-.JPG" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr77dxE_s6Glk06VHWkIv2pVd_J6paKH3a6yf8Smo-rXQsnrXvoQHWuxPfkHT6ylOCTLumHfXC9UNqT-3Mrp2DgZcur3gxfSbN8EHnTIp4sJbclIzNLvxT31gjFp5CuPkMHJl-5U9HqVnH/s1600/Moulins--74-.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr77dxE_s6Glk06VHWkIv2pVd_J6paKH3a6yf8Smo-rXQsnrXvoQHWuxPfkHT6ylOCTLumHfXC9UNqT-3Mrp2DgZcur3gxfSbN8EHnTIp4sJbclIzNLvxT31gjFp5CuPkMHJl-5U9HqVnH/s400/Moulins--74-.JPG" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhplj3uC-U8aq68cjlJ5XbU9T8KO5e2llTV6tT5INYUedn7TKeiawHmLTGbq_uT1VWUByLrrG8y_Wr3nkiauAiI3mLSN21IdcuigBXOoE4wPTEBkt28DUvUYgnsCFka_9fY2KXUI9yoJo4/s1600/p3161749maison-mantin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhplj3uC-U8aq68cjlJ5XbU9T8KO5e2llTV6tT5INYUedn7TKeiawHmLTGbq_uT1VWUByLrrG8y_Wr3nkiauAiI3mLSN21IdcuigBXOoE4wPTEBkt28DUvUYgnsCFka_9fY2KXUI9yoJo4/s400/p3161749maison-mantin.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue générale de la façade.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTrBdJOmpyWPCEKB_LUQ3Q_4HB4sRRHcsjE_XI-hqZwsWEHw_FMwoCr9hLwwC5hqALtnGEoVSCcbHIWjEM4cnqCr6mjkNPmkImauPxL_vQxkk0KnvvvnprgzNBW3qIMxtVLF-U8ag1tdX/s1600/1288634668_mantinweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTrBdJOmpyWPCEKB_LUQ3Q_4HB4sRRHcsjE_XI-hqZwsWEHw_FMwoCr9hLwwC5hqALtnGEoVSCcbHIWjEM4cnqCr6mjkNPmkImauPxL_vQxkk0KnvvvnprgzNBW3qIMxtVLF-U8ag1tdX/s400/1288634668_mantinweb.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue de la façade latérale.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71zJVbDtjkD_LaC4rcxwJnHAyEWbMmUBOzsz5uKcg2OBZDR9ShgkfRHLcIrPABa29BX2QJYiudb8xvjxMlpva2xmKUzuLdX7WAmzswo2x-i0uOihjJQIYguYboMK3xHx6mS8HSa7frApw/s1600/facade.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71zJVbDtjkD_LaC4rcxwJnHAyEWbMmUBOzsz5uKcg2OBZDR9ShgkfRHLcIrPABa29BX2QJYiudb8xvjxMlpva2xmKUzuLdX7WAmzswo2x-i0uOihjJQIYguYboMK3xHx6mS8HSa7frApw/s400/facade.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue de la façade principale.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDqRGvqj4ctHa-Cda89RR9HpnnIWtPAFsY5yG8TEyOgBaFRYuepeyTRpG-8JaTyJZf4H8HcE6APIaBSJajtVVM2IP5_mSkMEIZE9mLHVUO_iqbhaeWBgdCRiNNxLJ8oI7Zv-Un_Or_w5U_/s1600/french-time-capsule-mansion-maison-mantin-outside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDqRGvqj4ctHa-Cda89RR9HpnnIWtPAFsY5yG8TEyOgBaFRYuepeyTRpG-8JaTyJZf4H8HcE6APIaBSJajtVVM2IP5_mSkMEIZE9mLHVUO_iqbhaeWBgdCRiNNxLJ8oI7Zv-Un_Or_w5U_/s640/french-time-capsule-mansion-maison-mantin-outside.jpg" width="490" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Louis Mantin était un républicain convaincu. Lorsqu'il commence sa carrière, il n'y a guère de temps que le Comte de Chambord aurait pu devenir devenir Henri V sans sa stupide obstination à conserver le drapeau blanc. Selon les spécialistes de la symbolique franc-maçonne, la maison est riche de détails qui laissent à penser que Louis Mantin était initié. </span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'architecture intérieure est extrêmement éclectique allant du néo-Renaissance au Napoléon III et vise surtout à mettre en valeur les collections qu'avait rassemblé le propriétaire des lieux. Pour autant, la maison présente tout le confort moderne (et rare pour l'époque) depuis l'électricité, une salle de bain et jusqu'à une chasse d'eau. Une partie de la décoration est due à Auguste Sauroy, décorateur du théâtre et du Grand Café, qui appose sa signature en 1896.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Mosaïque du seuil.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On trouvait le mot Salve dans les maisons romaines</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLjl82QZarU9c5o2N-qn256OT1OK4vV2j0V4eL_YX2S8XQnAIVHmqEiqCL4s9GrOOTulbCW-H0DA2fC-ZBHkeZeeXCxzFvdJiqxp1Nlyk6Ff5Sc4fXNwJ5hyTR-Xxi_PCXacNRddc4xNH/s1600/salve.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLjl82QZarU9c5o2N-qn256OT1OK4vV2j0V4eL_YX2S8XQnAIVHmqEiqCL4s9GrOOTulbCW-H0DA2fC-ZBHkeZeeXCxzFvdJiqxp1Nlyk6Ff5Sc4fXNwJ5hyTR-Xxi_PCXacNRddc4xNH/s400/salve.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'entrée de la maison avec un loup empaillé et le </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>huit-reflets de Louis Mantin.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgypogSd3WaNrWM3hfPeHdSAagm69QDOVoIXTiTLFNo-Pd60VyxiG96prdNfpgFWPpoWxl9Pj1QEklwjPSlCWE7UPduIM09oGIPIEbCs90PcP51DErzvMJ9YL-4mhDwi3YdDvufCgYZSqip/s1600/400026loup.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgypogSd3WaNrWM3hfPeHdSAagm69QDOVoIXTiTLFNo-Pd60VyxiG96prdNfpgFWPpoWxl9Pj1QEklwjPSlCWE7UPduIM09oGIPIEbCs90PcP51DErzvMJ9YL-4mhDwi3YdDvufCgYZSqip/s400/400026loup.jpg" width="370" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><br />
</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>La salle de bain.</i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5C5ExBXRLOlqJxLIY-xi2s2KkONHVZpmP62R7KTpOAvhqKIRL6Bz8KBABnEKfxdKblrVw0ZHe3ELiPLzQwNdOpyrA1WrogCswlGtteTKft1wCO74801tt62XIn5AnuE5jstMwnrGwwDY/s1600/salle+de+bain.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5C5ExBXRLOlqJxLIY-xi2s2KkONHVZpmP62R7KTpOAvhqKIRL6Bz8KBABnEKfxdKblrVw0ZHe3ELiPLzQwNdOpyrA1WrogCswlGtteTKft1wCO74801tt62XIn5AnuE5jstMwnrGwwDY/s400/salle+de+bain.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Un vitrail de la salle de bain indiquant la fin des </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>travaux dans cette partie de la maison.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO073SENGErW2bioTZX77CbhzIlJwWG_25K2-iToZCwXnTD05bBCH96KEBIpW20PREvWdsYaNlxrOW3Zc9iM4Mk263KoBiGhhjAayfB7pYej_C3VB77xuYxmOWDRTF9MpXiUZtwkuUUOQg/s1600/4279_1329984971_28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO073SENGErW2bioTZX77CbhzIlJwWG_25K2-iToZCwXnTD05bBCH96KEBIpW20PREvWdsYaNlxrOW3Zc9iM4Mk263KoBiGhhjAayfB7pYej_C3VB77xuYxmOWDRTF9MpXiUZtwkuUUOQg/s400/4279_1329984971_28.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La montée d'escalier.</span></span></i></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un tableau de famille dont Louis Mantin est absent.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YCp4qd0OFvnuIUL_vRLCdYyAvISixw1rdg9kzKTxvKAiv6-yG0H0aCZXE5iuCtsQEDDJi6OwY_ruj7hrrD4x_lXjPMYwQE7wkJzB0RvKGk0jJjVEYR6-_XdQCzfkThoE5b1iVlcXFjUa/s1600/escalier.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YCp4qd0OFvnuIUL_vRLCdYyAvISixw1rdg9kzKTxvKAiv6-yG0H0aCZXE5iuCtsQEDDJi6OwY_ruj7hrrD4x_lXjPMYwQE7wkJzB0RvKGk0jJjVEYR6-_XdQCzfkThoE5b1iVlcXFjUa/s640/escalier.png" width="410" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie du bureau en 1920.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBxTKheIGvvlcridad_8yyZWvNzN5nw9Dn3gguK3XIfYylJvj4yte96sTLIRqs7h5QqNB19mvADl3rp4OKm756XUqXbohz4_7Tu-Vjl4WAaxmB7_BvEG0FTmcbNBDcqOQ2BPs_qcQCF8EZ/s1600/vieille+photo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBxTKheIGvvlcridad_8yyZWvNzN5nw9Dn3gguK3XIfYylJvj4yte96sTLIRqs7h5QqNB19mvADl3rp4OKm756XUqXbohz4_7Tu-Vjl4WAaxmB7_BvEG0FTmcbNBDcqOQ2BPs_qcQCF8EZ/s400/vieille+photo.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le bureau dans son état actuel. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La grande <i>verdure</i> d'Aubusson date du XVIIIème siècle. Les meubles sont de style néo-gothique ou néo-Renaissance.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsS0WiLCP5tG7eaAxt1z8KvKYQD0kDuhQpiDg_1GbJ2HkC2Gu9ODZkbktEU68dsG9WodACu8jfZ68udAELOmbNUWt8aajTsBk_7gELB-hGyS8yvihyvGgQQJkJHUNUZQa69mPRkFPOqh7y/s1600/INV_MAISONMANTIN_003-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsS0WiLCP5tG7eaAxt1z8KvKYQD0kDuhQpiDg_1GbJ2HkC2Gu9ODZkbktEU68dsG9WodACu8jfZ68udAELOmbNUWt8aajTsBk_7gELB-hGyS8yvihyvGgQQJkJHUNUZQa69mPRkFPOqh7y/s400/INV_MAISONMANTIN_003-1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le salon.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Meublé en néo-rococo, il renferme des objets du XVIIIème siècle. Au dessus de la cheminée, le miroir est en réalité une verrière qui permet d'apercevoir le bureau. A l'intérieur du lustre du salon, Louis Mantin a fait disposé trois ampoules bleu, blanc et rouge, pour rappeler son attachement à la république.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisVfNzR2mi7_YO8lWA8jIiwmaip2x9j3enfr5VdbXIlsGZlkvtYg3H3zaLVWzByat4HLZWE92cqbN7NDjDSzUIp19PKVAesfWTr46J3XXVvO5eSd1FTeGviOD1c4GsBUXIVyI20C1U7Fvu/s1600/frenchtimecapsulemansios.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisVfNzR2mi7_YO8lWA8jIiwmaip2x9j3enfr5VdbXIlsGZlkvtYg3H3zaLVWzByat4HLZWE92cqbN7NDjDSzUIp19PKVAesfWTr46J3XXVvO5eSd1FTeGviOD1c4GsBUXIVyI20C1U7Fvu/s400/frenchtimecapsulemansios.png" width="293" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik1I3SvfFvmi7imGT2l3_cPPel4R94zhb1WuBXNs6u6B3wwlqcmv_oqFxlkpgWR84etuiBK8WGsll5o62VuWs2dC98GvQ5jwEtvOonn05um8TIl0pIu1GC12q2eFyQtAewiMfrWVtv-8g9/s1600/maison_mantin1.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik1I3SvfFvmi7imGT2l3_cPPel4R94zhb1WuBXNs6u6B3wwlqcmv_oqFxlkpgWR84etuiBK8WGsll5o62VuWs2dC98GvQ5jwEtvOonn05um8TIl0pIu1GC12q2eFyQtAewiMfrWVtv-8g9/s400/maison_mantin1.bmp" width="308" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSUzM5S3YRl98ovry8-suGzmAjohsb4BSKpq87es_nu82oI_-qjNV0uNnJBEbtmdZRtCubME3vmzSLQEDsrA2ux7sAikvBYeruM0jZzlAFkUWzdAfRYi7yQrk2m9l8QXxD6QS_7Otgsmd7/s1600/salon.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSUzM5S3YRl98ovry8-suGzmAjohsb4BSKpq87es_nu82oI_-qjNV0uNnJBEbtmdZRtCubME3vmzSLQEDsrA2ux7sAikvBYeruM0jZzlAFkUWzdAfRYi7yQrk2m9l8QXxD6QS_7Otgsmd7/s640/salon.png" width="411" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une autre verdure d'Aubusson dans un couloir.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy3pY8qW74ALbmxbPG-fkjhlg17i0RTeeThb-Vdi4emt_jNWm3si0oFrNzgpj2nh4pnWE6_Cnw3qKg4zSiQ4sUtdQG3Tqe6_hjSniTH_XexA32LF7Gn4QohERSorjLNfS79Ti8bzqYKNlC/s1600/4981.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy3pY8qW74ALbmxbPG-fkjhlg17i0RTeeThb-Vdi4emt_jNWm3si0oFrNzgpj2nh4pnWE6_Cnw3qKg4zSiQ4sUtdQG3Tqe6_hjSniTH_XexA32LF7Gn4QohERSorjLNfS79Ti8bzqYKNlC/s400/4981.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La chambre à coucher de Louis Mantin.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Meublée en style néo-Renaissance, elle est entièrement recouvert de cuir repoussé fait à l'imitation des décors en cuir de Cordou.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKAeab4Yp1gH3Uy68lLN9vKQPkQ4uOwIOd54s3ISBPAQw_c9ckspq4XhnA_LTaMBZ2-YaTetRquvq2PsP1Klkg_f0nqzVey7ZC35OZ2oEsRocGySiqhW8AoIa1XrqyyzA-oxipO_oKkUqr/s1600/french-time-capsule-mansion-maison-mantin-bedroom_32085_600x450.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKAeab4Yp1gH3Uy68lLN9vKQPkQ4uOwIOd54s3ISBPAQw_c9ckspq4XhnA_LTaMBZ2-YaTetRquvq2PsP1Klkg_f0nqzVey7ZC35OZ2oEsRocGySiqhW8AoIa1XrqyyzA-oxipO_oKkUqr/s400/french-time-capsule-mansion-maison-mantin-bedroom_32085_600x450.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Vwwf_G4vxQ8mWPoFpt3F1TG6iBA-rg0c9ra2ZG7zlF3AUB_sSw0hcHsRMZ7oKIDm0_6yCyTtQaX7xzbpW_ALiriGKtDjRWaxQ9RBv2boCRkuK9gUEBomiT_bABkgx5f2qajApUJnrOeZ/s1600/99a455b78770ed66_2424-photo4-small.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Vwwf_G4vxQ8mWPoFpt3F1TG6iBA-rg0c9ra2ZG7zlF3AUB_sSw0hcHsRMZ7oKIDm0_6yCyTtQaX7xzbpW_ALiriGKtDjRWaxQ9RBv2boCRkuK9gUEBomiT_bABkgx5f2qajApUJnrOeZ/s400/99a455b78770ed66_2424-photo4-small.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK28bRkzwCPCjbsDPMeZnfDMUreRvm1Jcl3Zmmvp5LWEB3VAtdW-Kb1QvtnPKvyJDDDDYaWHUMeMFqFZb1d7ItRGxnBwxyz6VTDVzYAXS0Xhbm09gAT5aVz_p4uBq0GTXMn6unfgr18hto/s1600/3f290bc3-2ca6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK28bRkzwCPCjbsDPMeZnfDMUreRvm1Jcl3Zmmvp5LWEB3VAtdW-Kb1QvtnPKvyJDDDDYaWHUMeMFqFZb1d7ItRGxnBwxyz6VTDVzYAXS0Xhbm09gAT5aVz_p4uBq0GTXMn6unfgr18hto/s400/3f290bc3-2ca6.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une autre chambre meublée en style rocaille avec </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>un lit "à la polonaise".</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGc_pjmWG4Wv3m12WmVfQJVCQ6Z_qxWOPO2iYatic0SNRA0zfXU2dedc55bptQRPU7sMGZrQl7GtEc-m4AQXj3zpMxQ4QuE9zCbYy3E7ubHHP5l-m_aAqCTsDy1bhjLCV9oE4c9wi9XFi7/s1600/article-0-0D6A2F8F000005DC-58_634x398.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGc_pjmWG4Wv3m12WmVfQJVCQ6Z_qxWOPO2iYatic0SNRA0zfXU2dedc55bptQRPU7sMGZrQl7GtEc-m4AQXj3zpMxQ4QuE9zCbYy3E7ubHHP5l-m_aAqCTsDy1bhjLCV9oE4c9wi9XFi7/s400/article-0-0D6A2F8F000005DC-58_634x398.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une cheminée présentant d'étranges décorations qui </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>seraient </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>liées à la Franc-Maçonnerie.</i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaenzqvT4IzAwp_waNTN0T618daVH2cFnZv640cQC6z0GWBMewd_1z33z1K8zNoQO4M8cJyJdiBW7tBOj3lwdGRzp9Jq9ftcV_5R6k-9gX1W8dfuGwjt1BZgnYhQpMIH2fVtF_iNM1gpBn/s1600/mant6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaenzqvT4IzAwp_waNTN0T618daVH2cFnZv640cQC6z0GWBMewd_1z33z1K8zNoQO4M8cJyJdiBW7tBOj3lwdGRzp9Jq9ftcV_5R6k-9gX1W8dfuGwjt1BZgnYhQpMIH2fVtF_iNM1gpBn/s640/mant6.jpg" width="426" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUokUqwM7Ax7BeZ83gIKQ97jTIN1Z2Vj8H6uDGQlYLAx1fmrjDkDUhEYpF0DgEtbBP9ig62y-KsdxbXX8NWd4guwBonWk4V-46gfPfOGoPtbI36UijRMyuxN8-8Q2qxaK7ryiWWo_zZcaU/s1600/5397.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUokUqwM7Ax7BeZ83gIKQ97jTIN1Z2Vj8H6uDGQlYLAx1fmrjDkDUhEYpF0DgEtbBP9ig62y-KsdxbXX8NWd4guwBonWk4V-46gfPfOGoPtbI36UijRMyuxN8-8Q2qxaK7ryiWWo_zZcaU/s400/5397.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans sa maison, Louis Mantin a disposé toute une série d'objets très hétéroclites, souvent ramenés de voyage, parfois très précieux, parfois assez intrigants comme ces petites grenouilles sous globe. On hésite entre la collection artistique et le cabinet de curiosités.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV1bqyCXBwKXlZeUXQcA9a5FEH289cd-ltweD5s-kz_Ne3Zhk2y2GE-ojBePOr3A1Ac3361U1jbvRoGnA4byX9FvePelmocqqyeo5_KTgKtX31IjbxEXqlVuSuvA6OOMUiOWEhKluL3VIb/s1600/frogs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV1bqyCXBwKXlZeUXQcA9a5FEH289cd-ltweD5s-kz_Ne3Zhk2y2GE-ojBePOr3A1Ac3361U1jbvRoGnA4byX9FvePelmocqqyeo5_KTgKtX31IjbxEXqlVuSuvA6OOMUiOWEhKluL3VIb/s400/frogs.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail d'une verrière.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI7gcGKa79g8Jj2b-NiLAtmYbAnNDHtgCkpMzrXrBhdSwtPMCvLTPw8aCWZkOltSeoFjpX-Xeeb9JvP0TBkIY7mfh0wPKJPCCtBMbCzgJcHoImEBx9NscUSf2mTLF9wu7wZ8NkBGCv7sVN/s1600/9cp5fbe25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI7gcGKa79g8Jj2b-NiLAtmYbAnNDHtgCkpMzrXrBhdSwtPMCvLTPw8aCWZkOltSeoFjpX-Xeeb9JvP0TBkIY7mfh0wPKJPCCtBMbCzgJcHoImEBx9NscUSf2mTLF9wu7wZ8NkBGCv7sVN/s640/9cp5fbe25.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-54917353762587317412012-04-08T05:15:00.023-07:002012-04-09T13:33:57.755-07:00Le dernier symboliste, Gustave-Adolphe Mossa<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Gustave-Adolphe Mossa a passé la plus grande partie de sa vie à Nice. Fils de peintre, il est né en 1883. L'essentiel de son œuvre date d'avant 1918, la Guerre de 14 ayant littéralement fracturée sa vie comme ce fût le cas pour de nombreux combattants.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grand lecteur des auteurs symbolistes, il est élève aux <i>Arts Décoratifs</i> de Nice pendant que son père l'initie à la peinture de paysage. La visite de l'<i>Exposition Universelle de 1900</i> est un choc. Il est converti à l'<i>Art Nouveau</i>. Il reprendra alors tous les thèmes du symbolisme un peu décadent des années 1900-1910 et notamment, une angoisse de la figure féminine.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il expose sa première toile en 1901 alors qu'il commence à écrire ses premières pièces.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Salomé ou Prélude du Christianisme</u>. Aquarelle, 1901.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ2NP8UZy0tsBcKBsFdiftScQOWfDVx41qzKOz-TxER107_TXGobT_01e6zrVhvMzR3lSQeiBBBm_YMVjP3NZuSA_EPDufP8qxJzkwC8vCaA0880Pk1ASvgq3MsgLCIWVuOKGvwFc-Zk8P/s1600/003+grand.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ2NP8UZy0tsBcKBsFdiftScQOWfDVx41qzKOz-TxER107_TXGobT_01e6zrVhvMzR3lSQeiBBBm_YMVjP3NZuSA_EPDufP8qxJzkwC8vCaA0880Pk1ASvgq3MsgLCIWVuOKGvwFc-Zk8P/s640/003+grand.jpg" width="454" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Gustave-Adolphe Mossa vers 1910.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlqLpRbxcQ9m2CkQxWYxWriQJwFrZLvLhzhdO5-ofaNlGoFpWkjlFAZLj7ZPva93Xxmy_1ypyKsyubuIMUmNAfZTsLzIbHgah_OXnGgAzDmKQt33BCcv4AucTZI47RuL5ynmyj-trIc_mr/s1600/portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlqLpRbxcQ9m2CkQxWYxWriQJwFrZLvLhzhdO5-ofaNlGoFpWkjlFAZLj7ZPva93Xxmy_1ypyKsyubuIMUmNAfZTsLzIbHgah_OXnGgAzDmKQt33BCcv4AucTZI47RuL5ynmyj-trIc_mr/s400/portrait.jpg" width="278" /></a></div><div style="text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Mossa occupe en France un peu la même place que Spilliaert en Belgique. Symboliste hyper-tardif, sa peinture prend un aspect caricatural et terrifiant. En revanche, chez lui les visions nocturnes sont remplacées par une très grande culture littéraire qui le pousse à moderniser les mythes chrétiens et antiques à la manière de Jules Laforgue (1860-1887) dans ses <i>Moralités Légendaires</i> (1887).</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce support littéraire est patent dans le tableau <i>Salomé ou le goût du sang</i> (1904) où Mossa fait à l'évidence référence au monologue de Salomé dans la pièce éponyme de Wilde (1892) dans lequel la petite princesse (chez Mossa c'est une enfant qui joue à la poupée) demande si le goût du sang est le goût de l'amour. Au moment où Freud explore l'inconscient, Mossa nous pose la question de l'innocence enfantine. Troublante rencontre !</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Salomé ou le goût du sang</u>. Aquarelle, 1904.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2SoI-qU-gJCbe4kRHYcqIKPacMUBhE6qFr4xc7cdDgc1srocI__ONHZf3Pgh_vS5kFRJ5-OTBrlbBVtVKiym3vDw-4S3LElfippyiuVVyJNqzz-itTrVO0pcjZDcjKe-Bj05hwcVZ0Xam/s1600/salome-mossa-1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2SoI-qU-gJCbe4kRHYcqIKPacMUBhE6qFr4xc7cdDgc1srocI__ONHZf3Pgh_vS5kFRJ5-OTBrlbBVtVKiym3vDw-4S3LElfippyiuVVyJNqzz-itTrVO0pcjZDcjKe-Bj05hwcVZ0Xam/s640/salome-mossa-1904.jpg" width="406" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'année suivante, il revient sur le thème de Salomé avec une œuvre encore plus énigmatique puisque le rapport entre la fille du Tétraque de Judée et le Baptiste semble inversé puisqu'il semble bien que ce soit la main du saint qui tienne la Princesse. Etrange rapport entre le victimaire et sa victime.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Encore Salomé</u>. Aquarelle, 1905.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpTbW1LauEOgv4gOQaA2aaeMT0IG4l3G09IojNZr7woZrMBhcyNUmUeoEwRXUAmWBDQb6NJKvq_jQeOCXrWA1nW4aY6XdiBpyMGH8MpB86yk56yr4zUK617ebOIrrdhgrIgQcwK-VMqwEu/s1600/encore+salome%CC%81+1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpTbW1LauEOgv4gOQaA2aaeMT0IG4l3G09IojNZr7woZrMBhcyNUmUeoEwRXUAmWBDQb6NJKvq_jQeOCXrWA1nW4aY6XdiBpyMGH8MpB86yk56yr4zUK617ebOIrrdhgrIgQcwK-VMqwEu/s640/encore+salome%CC%81+1905.jpg" width="522" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il fait plusieurs voyages en Italie avec son père en 1902 et 1903. Il est marquée par la peinture du <i>Quattrocento</i>. </span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est sous l'influence de son premier voyage qu'il peint l'étrange <i>Ephèbe à la Tarasque</i> (1902), entre <i>Académisme</i> et <i>Symbolisme</i>, entre Lecomte du Nouÿ et Von Stück.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>L'Ephèbe à la Tarasque</u>. Huile sur toile, 1902.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxW5c9WY4kDfzt8YNu7Y7cKU9Xt9oX46OKFjRnjbAj1jim2ID5lbjx3YP0mc0MZP4hA7_GmKjnJV9OIfrc4IxNRQRvvBjZ3HE1xbTs-BPp1_i1bMajyemxbyeJgl1CBJna9KbWUH2x0yb8/s1600/egon17_20050508081815_2601699_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxW5c9WY4kDfzt8YNu7Y7cKU9Xt9oX46OKFjRnjbAj1jim2ID5lbjx3YP0mc0MZP4hA7_GmKjnJV9OIfrc4IxNRQRvvBjZ3HE1xbTs-BPp1_i1bMajyemxbyeJgl1CBJna9KbWUH2x0yb8/s400/egon17_20050508081815_2601699_1.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">A mon avis les deux peintres avec lesquels il a le plus d'affinités sont Cosmé Tura et Carlo Crivelli par une obsession maniaque du détail et de la décoration.</span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Sirène repue</u>. Aquarelle, 1905.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwMPl50tmnHdQOiGCB6uDTGvXKZTCa150p5Ui5gwCC3KmZsww91kp2MwHEzqNh8FEaVZFuNrZS7T4y_RB2vwqyWPDIPdmn2A4ULXgxUQvMsrV8a6_cKmOeCSuKplVIA3Orz64slnT9gjdf/s1600/sirene+repus+1905.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwMPl50tmnHdQOiGCB6uDTGvXKZTCa150p5Ui5gwCC3KmZsww91kp2MwHEzqNh8FEaVZFuNrZS7T4y_RB2vwqyWPDIPdmn2A4ULXgxUQvMsrV8a6_cKmOeCSuKplVIA3Orz64slnT9gjdf/s640/sirene+repus+1905.png" width="434" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Sirène repue</i> est un bon exemple de l'art de Mossa. Le personnage, déformé, semble trop grand pour être dans le cadre. Le malaise est toujours patent. Un autre exemple est donné par un des tableaux les plus célèbres de Mossa, <i>Elle</i>. Une femme, hypersexualisée, à la poitrine colossale, est couchée sur un amas de corps sanglants et couronnée d'un diadème de crânes. <i>Thanatos</i> et l'<i>Eternelle Féminin</i> ne font qu'un.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Elle</u>. Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmkHx7_00gDEpn4W_deg_MYkoiUhK1WxXNqNqeW-QWzpImzZ1sXd2TdUa0RSX8Ie46htd-7FNeMIAyKNhXyvcMsELsZbHQOlwIXEBBwo3W37fzw_KzeSgVS7RTQvs_RFqWL4p-3SeQ6pGW/s1600/Elle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmkHx7_00gDEpn4W_deg_MYkoiUhK1WxXNqNqeW-QWzpImzZ1sXd2TdUa0RSX8Ie46htd-7FNeMIAyKNhXyvcMsELsZbHQOlwIXEBBwo3W37fzw_KzeSgVS7RTQvs_RFqWL4p-3SeQ6pGW/s640/Elle.jpg" width="430" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Mossa choisit toujours de réinterpréter des mythes qui font intervenir des femmes séductrices et dominatrices qui entraînent l'homme à la catastrophe, Hélène, Salomé, Dalila ou des figures mythologiques liées à la mort, Thanatos, les Parques ou les Sirènes. La plupart du temps, les femmes sont vêtues à la mode de la <i>Belle Epoque</i>, robe longue et invraisemblable chapeau à plumes ou à fleurs.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Baiser d'Hélène</u>. Aquarelle, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRC9qeq5tKRTni4t4S3Buv7ie4bTHZqmh_Megrh7Pi3ZCGdecsn1QC3Vl2O7KX4kYVB6d5Sj6NHQoAoT9B32fDGO2v_1k_Rx5KgRGpmrG9ABS90Ktfu20PqOvRk86TvK_d_vRSQVBOOFXB/s1600/LeBaiserd_H_l_ne2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRC9qeq5tKRTni4t4S3Buv7ie4bTHZqmh_Megrh7Pi3ZCGdecsn1QC3Vl2O7KX4kYVB6d5Sj6NHQoAoT9B32fDGO2v_1k_Rx5KgRGpmrG9ABS90Ktfu20PqOvRk86TvK_d_vRSQVBOOFXB/s640/LeBaiserd_H_l_ne2.jpg" width="468" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Dalila s'amuse</u>. Aquarelle, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLptWQBMIqDYakkilW9tX-TGBR1y5tTvuevvgzfCC7qQM1Sq9Mg0itsnuuLQP7m4JcAsAv0adTjwCwI5I5fIolQyRVyjBHdFdaI7trO2n3g9mPC9d7cwaQNnYS0tElCPKlHSP0DZsHv8yy/s1600/DalidaAmuse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLptWQBMIqDYakkilW9tX-TGBR1y5tTvuevvgzfCC7qQM1Sq9Mg0itsnuuLQP7m4JcAsAv0adTjwCwI5I5fIolQyRVyjBHdFdaI7trO2n3g9mPC9d7cwaQNnYS0tElCPKlHSP0DZsHv8yy/s400/DalidaAmuse.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les Parques</u>. Aquarelle, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcFUPNlYk8Jid6jP2l7k0hbhUCrU6UhIzMcTno2NHJEg5RrpR4VUtjN7DhMhTAest57YmkeMmYvRmTKHco7N-p-WKjHPlbIG_NlHotk0Agr4aAmEacRLfkI7cU1aiN4I4VO0jZ3QBaf8DR/s1600/parques.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcFUPNlYk8Jid6jP2l7k0hbhUCrU6UhIzMcTno2NHJEg5RrpR4VUtjN7DhMhTAest57YmkeMmYvRmTKHco7N-p-WKjHPlbIG_NlHotk0Agr4aAmEacRLfkI7cU1aiN4I4VO0jZ3QBaf8DR/s640/parques.jpg" width="412" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Leda</u>. Aquarelle, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwvCZ8TxpEn6QGHjY9Ujf251Ia2BMI_PrAbFXJ8iQnSKTBInpveODv_ahlYfw80IftL3lAftxafGY4Uc-RN7vPDFFxZbwn7xzsJtq7cLBm1fO7k_cV2jjj6J8d5nt_jhESYLTjYG0f1UFE/s1600/leda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwvCZ8TxpEn6QGHjY9Ujf251Ia2BMI_PrAbFXJ8iQnSKTBInpveODv_ahlYfw80IftL3lAftxafGY4Uc-RN7vPDFFxZbwn7xzsJtq7cLBm1fO7k_cV2jjj6J8d5nt_jhESYLTjYG0f1UFE/s640/leda.jpg" width="454" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Certaines œuvres sont beaucoup plus énigmatiques comme <i>Le Fœtus</i> (1905), par exemple. On voit une femme se poudrer pendant qu'un homme semble l'attendre. Une scène classique, presque un pastiche de la <i>Nana</i> (1877) de Manet bien que le rapport des personnages soit inversé puisque chez Mossa, la femme est assise et l'homme est debout. Mais au premier plan, posé sur une table, on voit une sorte de reliquaire néo-baroque qui contient un fœtus. Est-ce le symbole d'une maternité à jamais évanouie ?</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Edouard Manet</u>. Nana. Huile sur toile, 1877.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfpBtbwFfsU_kcD06v52-rxIM8WGQ6p-LFPKcpmIKipb6byx_-UnkXj8y4OHyyI3P6KHJQiZl_c9t5sGplmjNZWXEAX2FiXbrySfBDHx5VS-6iHv18hbfq9cpT6sMrdJ3twWR74xWhW-K/s1600/Manet_Nana_1877.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfpBtbwFfsU_kcD06v52-rxIM8WGQ6p-LFPKcpmIKipb6byx_-UnkXj8y4OHyyI3P6KHJQiZl_c9t5sGplmjNZWXEAX2FiXbrySfBDHx5VS-6iHv18hbfq9cpT6sMrdJ3twWR74xWhW-K/s640/Manet_Nana_1877.jpg" width="489" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mossa. <u>Le Fœtus</u>. Aquarelle, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVCvbbACA-FcaVBQK5NOQCdSnpXUzmSdZSUzu7BiSuLT4UtYuXzMBDBE1zqxJZsUyvCXE-IyrXhW1e8Kk3EmHGxJExYnB0MO2aI8s6Zm3twuZOa36jzmFxGi3p8pwbbeBE0ZWqP576gUOD/s1600/le+fetus.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVCvbbACA-FcaVBQK5NOQCdSnpXUzmSdZSUzu7BiSuLT4UtYuXzMBDBE1zqxJZsUyvCXE-IyrXhW1e8Kk3EmHGxJExYnB0MO2aI8s6Zm3twuZOa36jzmFxGi3p8pwbbeBE0ZWqP576gUOD/s640/le+fetus.png" width="348" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Peut-être faut-il rapprocher cet énigmatique et dérangeant tableau d'un autre de la même année, <i>Le Système du Docteur Forceps</i>. On peut supposé que le sinistre personnage au premier plan, vêtu d'un cape aux motifs mortuaires, va se livrer à un avortement sur la femme couchée dans le lit. Les petits fantômes de fœtus qui planent sur le côté droit inclinent à cette interprétation.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le système du Docteur Forceps</u>. Aquarelle, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVHzVnPYmojW-hIM-G57kpX82K3xJ9w1CS2aeOnBTkYFLIamjXxRbcWmwF4XJ7zInu153Fpryo2UxKxqmhGozcQGdL71g_5AA4atyaoRnG02JnFqGdP45m1dCRKD5_itPneptxBzHdsPG/s1600/syste%CC%80m+du+docteur+forceps+1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVHzVnPYmojW-hIM-G57kpX82K3xJ9w1CS2aeOnBTkYFLIamjXxRbcWmwF4XJ7zInu153Fpryo2UxKxqmhGozcQGdL71g_5AA4atyaoRnG02JnFqGdP45m1dCRKD5_itPneptxBzHdsPG/s640/syste%CC%80m+du+docteur+forceps+1905.jpg" width="344" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La trilogie s'achève par l'<i>Autoportrait</i> surchargé de symboles du peintre, daté aussi de 1905. Le mur derrière la figure centrale est ornée de trois tableau. Les deux latéraux sont des paysages italiens, mais le tableau centrale représente une femme tenant un fœtus. Difficile de faire une interprétation de ce détail comme de la présence sur le corps du peintre d'un serpent et d'un scorpion.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Aquarelle, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvkiBHo08V5-n5blgjBbeg3TYAwf7-gKudvjqWhK0ryu2-uU2fDd9ZmM4mU0R5X8kaxDCIfqf3kstMeviBJm6_b-FEh_r1pSlcTsdJU7mEAH_3g8o0EQG1e0aiWZjq0s2yLAmEzL2i0TIG/s1600/G+A+Mossa+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvkiBHo08V5-n5blgjBbeg3TYAwf7-gKudvjqWhK0ryu2-uU2fDd9ZmM4mU0R5X8kaxDCIfqf3kstMeviBJm6_b-FEh_r1pSlcTsdJU7mEAH_3g8o0EQG1e0aiWZjq0s2yLAmEzL2i0TIG/s400/G+A+Mossa+3.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Même s'il est difficile de rapprocher l'art de Mossa de celui d'autres artistes, certains tableaux montre, à mon avis, l'influence de Félicien Rops (1833-1898). Le grand artiste belge partageait avec Mossa une vision noire de la féminité et un certain penchant pour les mises en scène macabres. Deux tableaux de Mossa, en particulier, peuvent être mis en rapport avec l'univers de Rops, <i>Circé</i> (1904) et <i>Marie de Magdala</i> (1907). Le premier est une illustration de l'épisode de l'<i>Odyssée</i>, où l'enchanteresse transforme les compagnons d'Ulysse en cochons. Dans le tableau de Mossa, Circée règne véritablement sur un troupeau d'admirateur. Comment ne pas rapprocher cette image du célèbre <i>Pornocratès </i>(1896) de Rops, dans lequel une femme aux yeux bandés (sans doute une prostituée), nue et coiffée de plume tient en laisse un cochon. Les deux artistes partagent sans aucun doute la même vision très sombre de l'humanité.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Félicien Rops. <u>Pornocratès</u>. Aquarelle, 1896.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpt1OpETnm83GOiHmqpzTWYyMk33aq-MDtU2SfrKjjwYPgaGFMzMA0ohwP_xrr3gbxK-svyKozlYR_GMZ77uuEShxnxwoaGM-zQzRAeq08OUn3EmFbzLwVCIu7kc6xxs3k36C0S3RxEQTL/s1600/pornocrates+1896.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpt1OpETnm83GOiHmqpzTWYyMk33aq-MDtU2SfrKjjwYPgaGFMzMA0ohwP_xrr3gbxK-svyKozlYR_GMZ77uuEShxnxwoaGM-zQzRAeq08OUn3EmFbzLwVCIu7kc6xxs3k36C0S3RxEQTL/s640/pornocrates+1896.jpeg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mossa. <u>Circé</u>. Huile sur toile, 1904.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyr79_8bPT1JAbBT7EmA49hK4WoB4qv5z7OwWwRAFqfieAUSjnwZhriIQrct7qSTls3iIf0kVfr9V3mr9tyENo9f597zaAnIkpr9JJSRtYXphs20MLbwBuhE19Dgw_meSbZ0Vp1fOQn8Ib/s1600/gustav_adolf_mossa_circe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyr79_8bPT1JAbBT7EmA49hK4WoB4qv5z7OwWwRAFqfieAUSjnwZhriIQrct7qSTls3iIf0kVfr9V3mr9tyENo9f597zaAnIkpr9JJSRtYXphs20MLbwBuhE19Dgw_meSbZ0Vp1fOQn8Ib/s640/gustav_adolf_mossa_circe.jpg" width="496" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans son tableau <i>Marie de Magdala</i>, Mossa représente la pécheresse en tenue de prostituée et crucifiée. Le rapprochement avec le <i>Pornocratès</i> peut bien sûr s'effectuer mais aussi avec un autre tableau de Rops, <i>La Tentation de Saint-Antoine</i> (1878), ou l'ermite a la vision d'une somptueuse femme nue attachée à la Croix. Le mot <i>Eros</i> remplace les traditionnelles intiales <i>INRI</i>. Mossa, lui, place sa signature au dessus du chapeau de Marie de Magdala.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Félicien Rops. <u>La Tentation de St-Antoine</u>. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1878.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXaJy4SLRyqhkykO7Ev2vBJx4EbjbfVX6KxJsFGgVMKgVo1BWUye2koAOL0U5oeNJWqmr6U8w3RgVzVa7dOal-qx0Jux8vENBqsBpgJLrOwhwImlQ5BF5-ByJSzCVRmjDrLJO0uNCqk3QS/s1600/felicien_rops_-_la_tentation_de_saint_antoine+1878.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXaJy4SLRyqhkykO7Ev2vBJx4EbjbfVX6KxJsFGgVMKgVo1BWUye2koAOL0U5oeNJWqmr6U8w3RgVzVa7dOal-qx0Jux8vENBqsBpgJLrOwhwImlQ5BF5-ByJSzCVRmjDrLJO0uNCqk3QS/s640/felicien_rops_-_la_tentation_de_saint_antoine+1878.jpg" width="448" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mossa. <u>Marie de Magdala</u>. Aquarelle, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm6MzKeyOAS9xkD0P-ZiSVzlIu__y-AcdTPj_lwP1nf129UOteeVIND3ng7TZZSsSTMwt0cF_IetGRnQ6pOcnEcmB4VdsU6309s9J2wy8oS3-V8CTvBXlmNNS7JPh1x5jXlvIFfX4fWS0T/s1600/GA+Mossa+marydemagdlala.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm6MzKeyOAS9xkD0P-ZiSVzlIu__y-AcdTPj_lwP1nf129UOteeVIND3ng7TZZSsSTMwt0cF_IetGRnQ6pOcnEcmB4VdsU6309s9J2wy8oS3-V8CTvBXlmNNS7JPh1x5jXlvIFfX4fWS0T/s640/GA+Mossa+marydemagdlala.jpg" width="404" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Dans certaines œuvres particulièrement caricaturales et plutôt reliées aux mythes bibliques, on peut peut-être distinguer l'influence du trait d'Aubrey Beardsley comme dans son <i>Entrée d'Hérodiade</i> (1893) tiré de ses illustrations pour la <i>Salomé</i> de Wilde.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Beardsley. <u>Entrée d'Hérodiade</u>. Lithographie, 1893.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxW9MqiaxiC6NTSCkrIcZDcPzcBlYVnFnPos8uCuOqDI6z786YLs_QJODqF7RDHwDio6VkjYxp_78jEOBwxvnO_eOObJqbvOPWRMZ9KkqrhYUi1rgPz04GvIUXspgnhf4m8y13GmvB7R6_/s1600/herodias.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxW9MqiaxiC6NTSCkrIcZDcPzcBlYVnFnPos8uCuOqDI6z786YLs_QJODqF7RDHwDio6VkjYxp_78jEOBwxvnO_eOObJqbvOPWRMZ9KkqrhYUi1rgPz04GvIUXspgnhf4m8y13GmvB7R6_/s640/herodias.jpg" width="466" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mossa. <u>Suzanne et les vieillards</u>. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf-kPBrPDVazHaGJz8avqNj7kO0faK1ukCqIukZxmMZpfwm0k4taZ4El0dIgU3PWqP40HmRB4GI9ceqx8rTkckwvdxk-4F73pxxazUeRMAz-uuyETAxauKcjRCl4RPJpgTgjF5Vd1LT5jY/s1600/SuzanneVieillards.+1906jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf-kPBrPDVazHaGJz8avqNj7kO0faK1ukCqIukZxmMZpfwm0k4taZ4El0dIgU3PWqP40HmRB4GI9ceqx8rTkckwvdxk-4F73pxxazUeRMAz-uuyETAxauKcjRCl4RPJpgTgjF5Vd1LT5jY/s400/SuzanneVieillards.+1906jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>David et Bethsabée</u>. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhls_dBS4JfVXCLd0tj7YrWJNriInGlQVcPoahLTH3xCAqqnVmrpDH0T7DzXB9m1PEdz6EgS8lx_sjxILSSIE3ukdeTy6pxFDIB-DzrPrO7e1pVXmwF5L6hK7mu_BgWMzToyoR-YBebkflV/s1600/david+et+betshabe%CC%81e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhls_dBS4JfVXCLd0tj7YrWJNriInGlQVcPoahLTH3xCAqqnVmrpDH0T7DzXB9m1PEdz6EgS8lx_sjxILSSIE3ukdeTy6pxFDIB-DzrPrO7e1pVXmwF5L6hK7mu_BgWMzToyoR-YBebkflV/s640/david+et+betshabe%CC%81e.jpg" width="514" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1905, Mossa fait sa première exposition personnelle dans sa ville natale. En 1908, il se marie. En 1909, nouvelle exposition à Nice avec son père.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son père, qui était conservateur du Musée de Nice depuis 1886, était aussi imagier du carnaval. Il est possible que cette activité ait influencé le côté caricatural des personnages de Gustave-Adolphe Mossa et aussi la présence du personnage de Pierrot.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Lui</i> est un étrange tableau dans lequel on voit un personnage androgyne, vétu et fardé de blanc comme un Pierrot, se regarder dans un miroir pendant qu'une foule d'hommes en tenue de soirée s'approche, le tout dans un décor antique et oriental. Il semble qu'il existe un autre titre plus explicite : <i>Elagabale s'admirant dans le miroir</i>, reprenant la légende de l'empereur romain efféminé très en vogue dans les milieux décadentistes. En étant prudent, on peut interpréter le personnage principal comme une autocaricature sans en tirer aucune conséquence.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Lui</u>. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD0uq15x4izmdIxvs0uffjwcHs80ixoughHqoAq8MTYAS0aUgGz3wFTEOsgs5aEJpKfzNWzB-X1a4NCgYStIpOb2ekywAoPK722kw9pXkB0nXCpqjDHwwefN6Jwhz0ASp4gil5s2WthBZN/s1600/lui.1906+elagablaejpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD0uq15x4izmdIxvs0uffjwcHs80ixoughHqoAq8MTYAS0aUgGz3wFTEOsgs5aEJpKfzNWzB-X1a4NCgYStIpOb2ekywAoPK722kw9pXkB0nXCpqjDHwwefN6Jwhz0ASp4gil5s2WthBZN/s640/lui.1906+elagablaejpg.jpg" width="414" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le même personnage se retrouve dans un autre tableau, <i>Œdipe vainqueur</i> peint aussi en 1906. Déchiré, défait, Œdipe (si c'est bien lui), étrangle une femme qui est peut être Jocaste. La victoire d'Œdipe serait alors double, avoir triomphé du destin et avoir repoussé le tabou de l'inceste. Mossa avait-il lu Freud ?</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Œdipe vainqueur</u>. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNxmL3Ma9l7wvSo-VVaIBxKQQ0ne8B_1VdsXZnWAon2bt-PLHVKagQuxQtE0Vn3tSCBVKBC8FhF44DN2wbsfZ-JfNFU8tXTlTHeql4zJHxOyqREid2MEj8L3GW_BgEfXDUf6h1r8daDpHl/s1600/OedipeVainqueur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNxmL3Ma9l7wvSo-VVaIBxKQQ0ne8B_1VdsXZnWAon2bt-PLHVKagQuxQtE0Vn3tSCBVKBC8FhF44DN2wbsfZ-JfNFU8tXTlTHeql4zJHxOyqREid2MEj8L3GW_BgEfXDUf6h1r8daDpHl/s640/OedipeVainqueur.jpg" width="438" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Toujours en 1906, Mossa peint un autre tableau baptisé <i>Pierrot s'en va</i>. On y voit toujours le même personnage costumé en Pierrot tenant un couteau ensanglanté alors qu'un couple s'éloigne, l'homme soutenant la femme (peut-être blessée par Pierrot) et qu'une foule de personnages nus semble se rassembler devant les murs d'une ville gothique. L'espèce de grouillement des corps nus n'est pas sans évoquer Luca Signorelli (1450-1524) dont on peut supposer qu'il était connu par Mossa.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Pierrot s'en va</u>. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTqRWl5jRTBbm27yfq8CEkswBJWyISTyUrhssLrt09qrnZvCRALeHSUImGSKwdD9NbGtYQwNXVKlg1a1gmSvR4cMK3JkVJECm6wQT-lrfwc12LsHya17vfQAdzo-TAgoOg_95dlcl40ae/s1600/tumblr_krh7eoqVeY1qzhl9eo1_500-765216.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTqRWl5jRTBbm27yfq8CEkswBJWyISTyUrhssLrt09qrnZvCRALeHSUImGSKwdD9NbGtYQwNXVKlg1a1gmSvR4cMK3JkVJECm6wQT-lrfwc12LsHya17vfQAdzo-TAgoOg_95dlcl40ae/s640/tumblr_krh7eoqVeY1qzhl9eo1_500-765216.jpg" width="500" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail de la zone médiane.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3qSfO8HxVZ992F1axZj1P1cD3pNt_KuK5HBbOTqDpa6ujMF3F9oSMo8WweW0TpRG21SaeaM6tzJ02RQbhld8APoqhNNsd-0Shv5QYGEB6wYPmTVbQ07WIZaJ9-vxuGjgh5vc4OU24lnd/s1600/nues.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3qSfO8HxVZ992F1axZj1P1cD3pNt_KuK5HBbOTqDpa6ujMF3F9oSMo8WweW0TpRG21SaeaM6tzJ02RQbhld8APoqhNNsd-0Shv5QYGEB6wYPmTVbQ07WIZaJ9-vxuGjgh5vc4OU24lnd/s400/nues.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Luca Signorelli. Les Elus, Chapelle San Brizio, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cathédrale d'Orvieto. Fresque, 1499-1502.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVODJm6uoPuORgr_YoHNjUSLBthyxWCXjIbwvnPKB0eobcx3VDLylAlq6FjCpo-a8ob7LvrirHTfetOfasiwBGdY2gauIQB6pKoXRdlUlLorYTARkKJSpwWOs5Rm-zZyQmJTrJeIGq-5Ae/s1600/Luca_signorelli,_cappella_di_san_brizio,_eletti_in_paradiso_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVODJm6uoPuORgr_YoHNjUSLBthyxWCXjIbwvnPKB0eobcx3VDLylAlq6FjCpo-a8ob7LvrirHTfetOfasiwBGdY2gauIQB6pKoXRdlUlLorYTARkKJSpwWOs5Rm-zZyQmJTrJeIGq-5Ae/s400/Luca_signorelli,_cappella_di_san_brizio,_eletti_in_paradiso_01.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Tout aussi énigmatique est son <i>Eloge de la Folie</i> (1906) qui n'a que peu de chose à voir avec le texte d'Erasme. Un Pierrot regarde, angoissée une poupée de chiffon pendant que se déroule une procession devant une espèce de Tour de Babel qui évoque lointainement celle de Bruegel. Au premier plan, Mossa a disposé un exemplaire de l'<i>Eloge de la Folie</i>. Personnellement je décèlerais dans cette toile certaines convergences avec l'œuvre antérieure à 1900 de James Ensor.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>L'Eloge de la Folie</u>. Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-8xa5rjHbJV9qQt6T3JqDXLp7KUeMaqLVINyVZzWRiIZfOr4yCDFssHCpLXJH1jxYKHQsGPgNSJWfTP7BCPZxKLvX-2VSoSfH8su0sUddU9lv_PjKgBCfnrtgeq86Txwm6mBwCXlN4T8_/s1600/eloge+de+la+folie+1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-8xa5rjHbJV9qQt6T3JqDXLp7KUeMaqLVINyVZzWRiIZfOr4yCDFssHCpLXJH1jxYKHQsGPgNSJWfTP7BCPZxKLvX-2VSoSfH8su0sUddU9lv_PjKgBCfnrtgeq86Txwm6mBwCXlN4T8_/s640/eloge+de+la+folie+1906.jpg" width="396" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est l'année de son mariage (1907) qu'il peint cette Eva Pandora dont le dessin semble beaucoup plus influencé à la fois par la <i>Sécession Viennoise</i> et par Khnopff, que le reste de son œuvre. C'est en tout cas une femme qui joue avec l'homme qu'elle tient dans sa main, et avec le sort.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Eva Pandora</u>. Huile sur toile, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9r035mL4qUoWI_A52Y-Zn9eqB8tMgQeDWiJn9XVhAFgtpkkdVO3CP3Cf7E-bUkWSrCkZ9AruMZZfuoR0HXX1Lwyh5xTpJiNf00akDdGBmbulH9fap71_JESNRO6FSVV0I6lBhTf1S4dzX/s1600/eva+pandora.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9r035mL4qUoWI_A52Y-Zn9eqB8tMgQeDWiJn9XVhAFgtpkkdVO3CP3Cf7E-bUkWSrCkZ9AruMZZfuoR0HXX1Lwyh5xTpJiNf00akDdGBmbulH9fap71_JESNRO6FSVV0I6lBhTf1S4dzX/s640/eva+pandora.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il peint aussi un classique du décadentisme de la <i>Belle Epoque</i>, Sapho et ses amours lesbiens. Alors que chez de nombreux peintres, comme De Feure, les amours saphiques n'étaient que suggérés, ils sont ici affirmés. Remarquons que, pour une fois, les deux femmes n'affichent pas une fausse innocence et qu'il n'y a ni fœtus, ni couteau, ni squelette. C'est un des seuls tableaux de Mossa de cette période qui soit relativement détendu.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Sapho</u>. Huile sur toile, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMOz0XSEvz-zY5wkVcZtV25H4uO7QCgF2NIjlMu3vay0AzRsWni_TpBcF4RsgRLumFDQhIfZS3HNAJSLC4B6PebaxLoF_BV48jCGiXJZ9W2KKqj_CVFQf1FU-YCdLKQv2ptkAlzlfR6Bhj/s1600/sapho-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMOz0XSEvz-zY5wkVcZtV25H4uO7QCgF2NIjlMu3vay0AzRsWni_TpBcF4RsgRLumFDQhIfZS3HNAJSLC4B6PebaxLoF_BV48jCGiXJZ9W2KKqj_CVFQf1FU-YCdLKQv2ptkAlzlfR6Bhj/s640/sapho-1.jpg" width="482" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Comme chez tous les Symbolistes, la mort est omniprésente comme nous l'avons vu avec le tableau <i>Elle</i>. Dans les années 196-1908, qui est sans doute la période la plus intense de la production du peintre, des tableaux particulièrement impressionnants lui sont dédiés.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Thanatos. Aquarelle, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhBhzFGcroeH1_JNkHXCXoCbWErW4kUMpzppn5GLN9qbT7dHUjseVBcHIKtZqTFLLPnGriEKAAcn6eRD0AXZF8Nke9EoHofX9yNEWG0zKW6D68kBSMGfZL_IXFoeJc4ttnXJu0pDWgzViF/s1600/gustav-adolf-mossa-24848096_mossa4-img.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhBhzFGcroeH1_JNkHXCXoCbWErW4kUMpzppn5GLN9qbT7dHUjseVBcHIKtZqTFLLPnGriEKAAcn6eRD0AXZF8Nke9EoHofX9yNEWG0zKW6D68kBSMGfZL_IXFoeJc4ttnXJu0pDWgzViF/s640/gustav-adolf-mossa-24848096_mossa4-img.jpg" width="366" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Valse macabre</i> (1908) a peut être été inspiré à Mossa par la <i>Valse Triste</i> de Sibelius. En effet, elle est tirée d'une musique de scène pour un drame de l'écrivain finlandais Arvid Jarnefelt (1861-1932), <i>La Mort</i> (<i>Kuolema</i> créé en 1903), dans lequel une jeune fille danse avec un squelette sur le thème de Sibelius. Le tableau sera exposé la même année au Salon d'Automne à Paris.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jean Sibelius. <u>Valse Triste</u>. The deutsche</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Kammerphilharmonie Bremen. direction, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Paavo Järvi, 2006.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/9t0FBQ3xeVA?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Valse Macabre</u>. Aquarelle, 1908.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoTSKgsJpktte8XIVr8_KzPTug_ByrNVBHyGFLojoTaYfgIvh0ywii7Y-Jv_TD7E1fjTlnqsiqo22l9-zV-QyCJwFHGpsVeO4vMal6B-m4YKCOKqVjzNxKqTI_hZe6pPxywnZFKHoxSg6/s1600/tumblrkrh7h7ayb41qzhl9e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoTSKgsJpktte8XIVr8_KzPTug_ByrNVBHyGFLojoTaYfgIvh0ywii7Y-Jv_TD7E1fjTlnqsiqo22l9-zV-QyCJwFHGpsVeO4vMal6B-m4YKCOKqVjzNxKqTI_hZe6pPxywnZFKHoxSg6/s640/tumblrkrh7h7ayb41qzhl9e.jpg" width="380" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les Mortes</u>. Huile sur toile, 1908.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikto1jueoRUMfUWIvWQcgX7_5jdoSClZZ20OPfyfcaDUN__K73cxFhsRK0tSZFM3NAONnw1Bs3Lk47Pk2POl2huqEGx4joNVMnpvr3zWguPzG2C6NFxwIoph-fofT_LSABcd8D-8Ke-u_u/s1600/les+mortes+1908.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikto1jueoRUMfUWIvWQcgX7_5jdoSClZZ20OPfyfcaDUN__K73cxFhsRK0tSZFM3NAONnw1Bs3Lk47Pk2POl2huqEGx4joNVMnpvr3zWguPzG2C6NFxwIoph-fofT_LSABcd8D-8Ke-u_u/s640/les+mortes+1908.jpg" width="372" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1908-1909, le style de Mossa est plus détendu. En 1909, il envoie trois aquarelles déjà anciennes (dont <i>Marie de Magdala</i>) et une huile qu'il vient d'achever, <i>Le Coq et la Perle</i>, qui est une interprétation libre de la fable de La Fontaine, au <i>Salon d'Automne</i>. Il quitte le domaine de l'inquiétant pour celui du grotesque.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Coq et la Perle</u>. Huile sur toile, 1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVXiqrQOGrhdYOxbo7ck5gttiClqEY7lpiNAvkoM2RchSuGdHrn5k_rjBxKwl6-KORLLtim26YgU7ojC_vldkwZvzsgaeFIf9JrtGiEkAufFRGubEnux2brXTR_qRcVMlfNbKlKa2KadYD/s1600/le+coq+et+la+perle+1909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVXiqrQOGrhdYOxbo7ck5gttiClqEY7lpiNAvkoM2RchSuGdHrn5k_rjBxKwl6-KORLLtim26YgU7ojC_vldkwZvzsgaeFIf9JrtGiEkAufFRGubEnux2brXTR_qRcVMlfNbKlKa2KadYD/s640/le+coq+et+la+perle+1909.jpg" width="432" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Déjà, l'année précédente, il produisait <i>Salomon</i>, une œuvre marquée par la miniature médiévale.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Salomon</u>. Aquarelle, 1908.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH9eErjgPwA1g-Kue1fjgsOdE5P3w2-9Oc_3tcEcXPbVJavslGomSPPOw_KVPNPye8Jurzk47QwdFN_70J7J4fuO6FQwpXUtwPTt_cf1CbedUqdvHXRGD22lGcVsUGIZ94C7w5JBygmp5K/s1600/salomon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH9eErjgPwA1g-Kue1fjgsOdE5P3w2-9Oc_3tcEcXPbVJavslGomSPPOw_KVPNPye8Jurzk47QwdFN_70J7J4fuO6FQwpXUtwPTt_cf1CbedUqdvHXRGD22lGcVsUGIZ94C7w5JBygmp5K/s400/salomon.jpg" width="286" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En même temps qu'il produit une œuvre inquiétante marquée par un symbolisme morbide, Mossa aura aussi une activité de paysagiste de facture très classique. C'est du reste cette partie de son œuvre qui est le plus appréciée lors de ses expositions niçoise. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>L'Aiguille de la Sablonnière</u>. Aquarelle, 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVO0TluOrn_azW_-8YFGkXEQ4FA2tq0rCTuGYoJx5rz1Y4GCTBZJdKLgGOAg5LnyHPPVwTzloCzgfEIMXMVuhuuRzjONuVynrDSxAElmdUKBiXAFzqhOkx-bwPs2Noh3k5LsNx9f-_xbh/s1600/aiguille+de+la+sablonnie%CC%80re+1910.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVO0TluOrn_azW_-8YFGkXEQ4FA2tq0rCTuGYoJx5rz1Y4GCTBZJdKLgGOAg5LnyHPPVwTzloCzgfEIMXMVuhuuRzjONuVynrDSxAElmdUKBiXAFzqhOkx-bwPs2Noh3k5LsNx9f-_xbh/s400/aiguille+de+la+sablonnie%CC%80re+1910.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">1911 est une année très importante pour deux raisons. D'abord, la <i>Galerie Georges Petit</i> à Paris organise une grande exposition de ses œuvres symbolistes, exposition qui remporte un grand succès. Ensuite, il séjourne en Belgique et découvre les vieilles cités comme Bruges et la peinture flamande du XVème siècle qui le marque durablement. Son style évolue vers une plus grande précision du trait. Le tableau le plus caractéristique de cette tendance est <i>Bruges la Morte</i>. Le titre fait référence au livre le plus fameux de Georges Rodenbach (1855-1898), publié en 1892. Le tableau illustre la scène finale ou le héros étrangle une comédienne à la ressemblance frappante avec sa défunte bien-aimée. Curieusement, Mossa travaille à rebours par rapport à son habitude, puisqu'il place au Moyen-Age, une scène qui se passe au XIXème siècle dans le roman. Le décor est d'une précision maniaque, même si Mossa place des édifices brugeois en des lieux où il ne sont pas.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Bruges la Morte</u>. Huile sur toile, 1911.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiObRHOnFhM2_cUZND8Lz4cz7T8dAOG4QNkNy3i5bQbnjZD0EKvQw5XjW_jzaw2LurBMUbi-EJiKNjuBU09iiDrKIlNLDm1fzlu-PJDZy4lTYntteOJkHKOv4ZDGuxib_OTWq3sm_QOkrmo/s1600/BrugesLaMorte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiObRHOnFhM2_cUZND8Lz4cz7T8dAOG4QNkNy3i5bQbnjZD0EKvQw5XjW_jzaw2LurBMUbi-EJiKNjuBU09iiDrKIlNLDm1fzlu-PJDZy4lTYntteOJkHKOv4ZDGuxib_OTWq3sm_QOkrmo/s640/BrugesLaMorte.jpg" width="464" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une autre œuvre est spécifiquement liée à Bruges, <i>La Châsse de Ste-Ursule</i>. Mossa reprend la légende en nous montrant la sainte percée de flèches (selon la légende, par des huns) face à des soldats minuscules. Elle porte, très reconnaissable, la <i>Châsse de Sainte-Ursule</i>, décorée par Hans Memling (vers 1489) et déposée à l'Hospice St-Jean de Bruges. On reconnait au loin le clocher de l'église Sainte-Marie. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hans Memling (vers 1440-1494). <u>Châsse de </u></i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Sainte Ursule</u>, Bruges. Vers 1489.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC-kvn7WaSFwbubVWm29at2GNaZ6BRT-K75-tibO_hIkhL2Ph1Q7RKZcY_AydtdGSnypGlmVOxcrQBDk60zhcj_Mng61WvTaLx_trsA0yDqoI3DbZpc58SiKXBWJV8HNtWlFJvwzPmoSjX/s1600/37_jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC-kvn7WaSFwbubVWm29at2GNaZ6BRT-K75-tibO_hIkhL2Ph1Q7RKZcY_AydtdGSnypGlmVOxcrQBDk60zhcj_Mng61WvTaLx_trsA0yDqoI3DbZpc58SiKXBWJV8HNtWlFJvwzPmoSjX/s400/37_jpg.jpg" width="392" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mossa. <u>La Châsse de Sainte-Ursule</u>. Aquarelle, 1911.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSZuy7oEAhbI4CX-_LlQao-8i9kDQ4PKLxsLE_6a9Z5S_U0oh-KzxY3USw4jBACbY_bXV-a3VGGyloYfg0CvjxoBQRw8JElZjrLssWTjGVpuAkkYcfAe1QM8TP-4t4JMdI-9O1s5ambJzg/s1600/la_chaesse_de_sainte_ursule.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSZuy7oEAhbI4CX-_LlQao-8i9kDQ4PKLxsLE_6a9Z5S_U0oh-KzxY3USw4jBACbY_bXV-a3VGGyloYfg0CvjxoBQRw8JElZjrLssWTjGVpuAkkYcfAe1QM8TP-4t4JMdI-9O1s5ambJzg/s640/la_chaesse_de_sainte_ursule.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Mossa expose à Nice en 1912, ses œuvres consacrés à <i>Bruges et les Flandres</i>. Entre 1912 et 1914, il fera encore deux expositions avant d'être mobilisé en 1914. En Novembre 1914, il est gravement blessé lors de la première bataille d'Ypres proche de la frontière franco-belge. Après son rétablissement, il commence une série d'œuvres consacrée à la guerre et situées dans la ville martyr d'Ypres. Le fil conducteur en est la légende de Persée.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Persée</u>. Aquarelle, 1916.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIzjD0p0kPA5VdWkZqkL6K6BNJRrElRyx13JvzsfKVcyRg0XwMzumgVF7yH7hSS05upe4LOKvzXu2F4KjJ-UeX1EsVbXJdGot0tq8da_EEPVl5lS9sW3UmAR8Jq-ZkILlPYyW_XlUjR9HV/s1600/PERSEUS-762006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIzjD0p0kPA5VdWkZqkL6K6BNJRrElRyx13JvzsfKVcyRg0XwMzumgVF7yH7hSS05upe4LOKvzXu2F4KjJ-UeX1EsVbXJdGot0tq8da_EEPVl5lS9sW3UmAR8Jq-ZkILlPYyW_XlUjR9HV/s640/PERSEUS-762006.jpg" width="382" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La seconde se situe devant la <i>Halle aux draps</i>, magnifique bâtiment du XIVème siècle qui fut rasé comme l'ensemble de la ville pendant la Guerre. On voit aussi la Cathédrale. Les deux bâtiments sont encore intacts.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Gorgone</u>. Aquarelle, 1916.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA4fLUBv_uehlz87kZ80OswWhrXe3wNVZfLpSs_fLjamlcIP19bwIZXA-DUwNR6f4mSm5_zgsFbnG6TNhnfvd0x8Xg8iZNWgXJRU94Iwwzhna6QxwgBl4S8RUn8v1vVry1jmqTj7F3yKML/s1600/LAGORGOGNE-748269.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA4fLUBv_uehlz87kZ80OswWhrXe3wNVZfLpSs_fLjamlcIP19bwIZXA-DUwNR6f4mSm5_zgsFbnG6TNhnfvd0x8Xg8iZNWgXJRU94Iwwzhna6QxwgBl4S8RUn8v1vVry1jmqTj7F3yKML/s400/LAGORGOGNE-748269.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ypres, La Halle aux Draps en 1911.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQp2aW6Kz1ZaIs8uS-o0FFK1k405k1qXMHDdYjAPkGbC1v5c4mQVGxOjmvANVFUL21PZ_I3pjcyzBIQ7OfN26goK961iXCIuoo4We28VPe6aArczfcvy7l_cElpsdl9ZFT0MRsmEf2f-If/s1600/ypres.avant.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQp2aW6Kz1ZaIs8uS-o0FFK1k405k1qXMHDdYjAPkGbC1v5c4mQVGxOjmvANVFUL21PZ_I3pjcyzBIQ7OfN26goK961iXCIuoo4We28VPe6aArczfcvy7l_cElpsdl9ZFT0MRsmEf2f-If/s400/ypres.avant.jpg" width="297" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le même bâtiment en 1915.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg8lctPJ8_HpDPrG28qqn8hh_jEMzIrnht-m7g-LKGOa7WzG06R27msH2xRlsmXAQWVjiFsou2C9m0HGMDTeCG3cVsWyJMm_K5n6pijVuosMiFADRpq4AcDXLkTNMKiflxWtaiidRXN02z/s1600/ypres+1915.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg8lctPJ8_HpDPrG28qqn8hh_jEMzIrnht-m7g-LKGOa7WzG06R27msH2xRlsmXAQWVjiFsou2C9m0HGMDTeCG3cVsWyJMm_K5n6pijVuosMiFADRpq4AcDXLkTNMKiflxWtaiidRXN02z/s400/ypres+1915.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La Halle aux draps à la fin du conflit.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvovQ7MSLIN_BUryxNQhKWTCcG0xXcJ-jf0nIU3j3CN2R0KpbT0LLZSsxb2V0O8w25NARplBrv0qsCF311NMi5TRgE1wACNtBba5_B8dIVWz6bI856lCUCOnovc2JiRcyIToSoKcFPoDX5/s1600/ypres+1918.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvovQ7MSLIN_BUryxNQhKWTCcG0xXcJ-jf0nIU3j3CN2R0KpbT0LLZSsxb2V0O8w25NARplBrv0qsCF311NMi5TRgE1wACNtBba5_B8dIVWz6bI856lCUCOnovc2JiRcyIToSoKcFPoDX5/s640/ypres+1918.png" width="444" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La dernière œuvre symboliste de Mossa est le <i>Sourire de Reims</i> (1918) où l'on voit l'ange au sourire apparaître à une pénitente. Rappelons que la Cathédrale de Reims était en ruine à la fin de la guerre.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Sourire de Reims</u>. Aquarelle, 1918.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj64gIGFyflXBVq-BTQCAFAlEZwTjDsyJZF6f9x0xonSmrCr9GJL7gsCyMwkTVEj0EIWVTmM2A2NAAysj93Zxc19jB4PsP5QItfbAgzotsb18tx6f7FdAp9VOq7N182XCyh6aEU7XuQKoba/s1600/SourireReims.1918jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj64gIGFyflXBVq-BTQCAFAlEZwTjDsyJZF6f9x0xonSmrCr9GJL7gsCyMwkTVEj0EIWVTmM2A2NAAysj93Zxc19jB4PsP5QItfbAgzotsb18tx6f7FdAp9VOq7N182XCyh6aEU7XuQKoba/s640/SourireReims.1918jpg.jpg" width="446" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de la cathédrale de Reims en 1918.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKEJbVYlgIbJZAQV8xmXdB7OLRtfsMBmzgfga5a2tHjJ62h7XXXMOK3ZrD_KDI98saE3E2ewAtQu8rmzp0OitCFDafJMB_ZaQimjtyLNwV8H8OBa6dSbMVo1uuFes01jBjRLOA9aJAWeOc/s1600/Photos-Grande-Guerre-14-18-cathedrale-de-reims-incendiee-et-bombardee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKEJbVYlgIbJZAQV8xmXdB7OLRtfsMBmzgfga5a2tHjJ62h7XXXMOK3ZrD_KDI98saE3E2ewAtQu8rmzp0OitCFDafJMB_ZaQimjtyLNwV8H8OBa6dSbMVo1uuFes01jBjRLOA9aJAWeOc/s640/Photos-Grande-Guerre-14-18-cathedrale-de-reims-incendiee-et-bombardee.jpg" width="432" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'Ange au Sourire de Reims.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7RBDgrSz78x25ig53FMDHlB7yO9sCdFNRaAok2mcp7EfsI3O_Q7teWSK08ZWteMsB7EMn8P7A_t_xxqaSY31Eh-jSQf6giCs9YVf-eNr5c2uig91re4WlfwO0tw75OifP8UjxZI8TZB50/s1600/Ange+du+sourire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7RBDgrSz78x25ig53FMDHlB7yO9sCdFNRaAok2mcp7EfsI3O_Q7teWSK08ZWteMsB7EMn8P7A_t_xxqaSY31Eh-jSQf6giCs9YVf-eNr5c2uig91re4WlfwO0tw75OifP8UjxZI8TZB50/s400/Ange+du+sourire.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'œuvre symboliste de Mossa est entièrement terminée. L'essentiel de son travail graphique est désormais la peinture de paysage et l'illustration, notamment pour le Carnaval de Nice.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Différentes illustrations pour le Carnaval de Nice.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyjSXQwf5zpq42aJBB-chnF5T5sfNdSDfVe2bSOQoYxM43ePAfUIZn1ATHAbcixVSwlQ9rvaRfWGPPU5QUr31UgS1XgymqANhyk2Afk2k6TM8tktzveZ-lzS_vY-pZmxKfoI9vw_40-jUC/s1600/gamossa-02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyjSXQwf5zpq42aJBB-chnF5T5sfNdSDfVe2bSOQoYxM43ePAfUIZn1ATHAbcixVSwlQ9rvaRfWGPPU5QUr31UgS1XgymqANhyk2Afk2k6TM8tktzveZ-lzS_vY-pZmxKfoI9vw_40-jUC/s400/gamossa-02.jpg" width="262" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTicMUg7IzAA1bP-5bI0YFBKa3uwWlDnXs4QIJUNQBi3QtZ93e7T9jSLtwXniQObJMlc-kwCF5aKRJyOL9VGn6CbnFQpYC8phhvkZvo-Wi2r5yAIcxMgyY4d-dx1F6AgALeWHZJ-Beowut/s1600/gamossa-03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTicMUg7IzAA1bP-5bI0YFBKa3uwWlDnXs4QIJUNQBi3QtZ93e7T9jSLtwXniQObJMlc-kwCF5aKRJyOL9VGn6CbnFQpYC8phhvkZvo-Wi2r5yAIcxMgyY4d-dx1F6AgALeWHZJ-Beowut/s400/gamossa-03.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicEW_2j9VEg4FKhK1ml0wOJGLfEAebI6WhFicwObe6P25r3aRlLM0vBIiAwvNt-Y1lKZj03Q4v80ynZXV033lgdvAtfEHO45ztno3dV0RheOmw4Nz4SMO6GqrFzypf6w23haLFQAS1HXI0/s1600/gamossa-04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicEW_2j9VEg4FKhK1ml0wOJGLfEAebI6WhFicwObe6P25r3aRlLM0vBIiAwvNt-Y1lKZj03Q4v80ynZXV033lgdvAtfEHO45ztno3dV0RheOmw4Nz4SMO6GqrFzypf6w23haLFQAS1HXI0/s400/gamossa-04.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ7d7w_rSF92jjpjoWG8d5ugo97kx6OFSRpI4LavFGHlldeaBvChW7xgmFGHMv5p_aZ0v3hwfa8SGPPmnyEypFogPOmfEAX4UWpg8za_r_D9HtN7_g2Iw0T3Zp9iRdhWPh76TIikmxAGvH/s1600/gamossa-06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ7d7w_rSF92jjpjoWG8d5ugo97kx6OFSRpI4LavFGHlldeaBvChW7xgmFGHMv5p_aZ0v3hwfa8SGPPmnyEypFogPOmfEAX4UWpg8za_r_D9HtN7_g2Iw0T3Zp9iRdhWPh76TIikmxAGvH/s400/gamossa-06.jpg" width="277" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1926, après la mort de son père, Gustave-Adolphe Mossa lui succède comme conservateur du Musée de Nice.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Gustave-Adolphe Mossa vers 1940.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoqm597WJBGV8Emaub1xQjgxFSx-91M5UlGUV9boVANefWddv8Gltg7hXh6La-C7kwUmj9NGhH8CHHLcLL37FBdCMwPFIDqD5DP0KDZeGDlGmhAqIQBrE23eR9otzxHSG7kXWGKrod_uWT/s1600/gamossa-05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoqm597WJBGV8Emaub1xQjgxFSx-91M5UlGUV9boVANefWddv8Gltg7hXh6La-C7kwUmj9NGhH8CHHLcLL37FBdCMwPFIDqD5DP0KDZeGDlGmhAqIQBrE23eR9otzxHSG7kXWGKrod_uWT/s400/gamossa-05.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ayant tout fait pour qu'on oublie son œuvre antérieure à la Guerre de 14, il meurt d'une crise cardiaque en 1971, à 88 ans. Son œuvre géniale est redécouverte à partir des années 80.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On peut ici reprendre le parallèle avec Léon Spilliaert qui changera aussi totalement sa manière après la Guerre de 14. L'un peindra des arbres et l'autre des chars de carnaval.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com1tag:blogger.com,1999:blog-2907604655020925790.post-72219474855261747372012-04-04T10:17:00.023-07:002012-04-07T06:44:19.888-07:00Un artiste à réévaluer : Carolus-Duran<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Charles Emile Auguste Durand dit Carolus-Duran est né à Lille en 1837. Il est souvent qualifié de peintre mondain, mais une exposition qui s'est tenue au <i>Musée des Beaux-Arts </i>de Lille en 2003 a montré à quel point, l'artiste avait été sensible à l'<i>Impressionnisme</i> dont un grand nombre de représentants étaient des amis.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il commence ses études aux <i>Beaux-Arts</i> de Lille puis descend à Paris en 1853. C'est alors qu'il prend le pseudonyme de Carolus-Duran. Il suit les cours à l'<i>Académie de Charles Suisse</i>. Il devient ami avec Manet et Fantin-Latour et expose pour la première fois en 1859.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Jules Barbey d'Aurevilly</u>. </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur panneau, 1860.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i></i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Ce portrait du <i>Connétable des Lettres</i> (1808-1889) </span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">est un des premiers que l'on conserve de Carolus-Duran.</span></div></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg603CICbZZf0RGj41b4aczquUMHmPftduPDyT-dBnImADpDlALJOjfhRBJCt8-1BCgRWc9WTv3pmb4RFdt8Ngs2V2CHCDfoVp16AFaifKmxemMM3tnDgJh_6MtxcqUxiFHjcUI_IpF5vP1/s1600/barbey+d%2527aurevilly+1860.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg603CICbZZf0RGj41b4aczquUMHmPftduPDyT-dBnImADpDlALJOjfhRBJCt8-1BCgRWc9WTv3pmb4RFdt8Ngs2V2CHCDfoVp16AFaifKmxemMM3tnDgJh_6MtxcqUxiFHjcUI_IpF5vP1/s400/barbey+d%2527aurevilly+1860.jpg" width="326" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le convalescent</u>. Huile sur toile, 1861.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGaLioRal7SWVioQFH4jwa6IB2bdp_GEkL8W4Y6ZULQHnlWXB7cahtQqZyFv62PdivB0ne0O_P1SPJQCcIy7ZHZf9Nal3JMxT28BJ4x6OWtrKQxgGuz6RwzaJcF8MOulCg4GcznXsg1jCs/s1600/le+convalescent+1861.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGaLioRal7SWVioQFH4jwa6IB2bdp_GEkL8W4Y6ZULQHnlWXB7cahtQqZyFv62PdivB0ne0O_P1SPJQCcIy7ZHZf9Nal3JMxT28BJ4x6OWtrKQxgGuz6RwzaJcF8MOulCg4GcznXsg1jCs/s400/le+convalescent+1861.JPG" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Grâce à une bourse octroyée par la ville de Lille, il visite l'Italie et l'Espagne entre 1862 et 1866. Il est ébloui par l'art de Diego Velasquez dont il subira l'influence tout au long de sa carrière, notamment dans l'utilisation des noirs. En 1866, il expose au <i>Salon</i> et reçoit une médaille d'or.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Baiser</u>. Huile sur toile, 1868.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUn1NlSiF1QL4ynhjkJCIWFyFiU0RmE7IzXqW352yBpTbeZgQYAppjSX4umhduYtdFkoWvN-3TjB7Kc1JfIrJNo7nIvhIctfTWH2ajTIAbjgewFz_nd6H00nSeCfeDP1F8hyphenhyphenXgX1QnBKsn/s1600/Le_Baiser.+1868jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUn1NlSiF1QL4ynhjkJCIWFyFiU0RmE7IzXqW352yBpTbeZgQYAppjSX4umhduYtdFkoWvN-3TjB7Kc1JfIrJNo7nIvhIctfTWH2ajTIAbjgewFz_nd6H00nSeCfeDP1F8hyphenhyphenXgX1QnBKsn/s400/Le_Baiser.+1868jpg.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il épouse Pauline Croizette qu'il représente dans son tableau <i>La Dame au gant</i> en 1869. C'est ce tableau qui fait sa célébrité au Salon par sa sobre élégance et la lumière contrastée qui rappellent Manet.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Dame au gant</u>. Huile sur toile, 1869.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIRiQKqeoXLmw4b5E9qzFIof3B5-Mw3yjrdUIGDaHuuVu09ie6vrBBAuYsX0V6UGMF6djShiJ0zetdKkkig3vZHMmovun6leEkl7aTwzuB8Uv2iT4vBanc4x6jiS9nNserLt1U0z0N-oqO/s1600/carolus-duran_la+femme+au+gant+1869.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIRiQKqeoXLmw4b5E9qzFIof3B5-Mw3yjrdUIGDaHuuVu09ie6vrBBAuYsX0V6UGMF6djShiJ0zetdKkkig3vZHMmovun6leEkl7aTwzuB8Uv2iT4vBanc4x6jiS9nNserLt1U0z0N-oqO/s400/carolus-duran_la+femme+au+gant+1869.jpg" width="277" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pendant la même année, le peintre exécute toute une série de vues de la <i>Côte d'Opale</i> qui sont d'une qualité aussi grande que les paysages de ses amis <i>Impressionnistes</i>.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La plage d'Ambleteuse</u>. Huile sur toile, 1869.</i></span></span><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Marée basse, Audresselle</u>. Huile sur toile, 1869.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrHkWcCFdg4pWAvCnB0ETA3Gw8IFriufGwERy47su66KuB_eQRe9wUEPpqD1AFp0xhoyUGW3mIudxJcviqesCmlC1SF3rW8oCxXAxTmA1LZc7IjedTtsUYCGqVdo-rvvqDjdPfp2hocUfx/s1600/Lille_PdBA_Carolus_duran_maree_basse_audresselles.+1869JPG.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrHkWcCFdg4pWAvCnB0ETA3Gw8IFriufGwERy47su66KuB_eQRe9wUEPpqD1AFp0xhoyUGW3mIudxJcviqesCmlC1SF3rW8oCxXAxTmA1LZc7IjedTtsUYCGqVdo-rvvqDjdPfp2hocUfx/s400/Lille_PdBA_Carolus_duran_maree_basse_audresselles.+1869JPG.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Plage à Audresselle</u>. Huile sur toile, 1869.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoqa0kqgovSvDnDJP8B5qIhDsNBKe9mCT-vKhtVz0gryonXdWfpm4eTF2I8KgZmpvhkGjiVbUSKAyXaV70sl8ejL2CvD672y5RMYG6OBp1ydbsr4rGgjHAOz4dUAUK4g7qDeR_FYnVcXKD/s1600/Lille_PdBA_carolus_duran_plage_audresselles.+1869JPG.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoqa0kqgovSvDnDJP8B5qIhDsNBKe9mCT-vKhtVz0gryonXdWfpm4eTF2I8KgZmpvhkGjiVbUSKAyXaV70sl8ejL2CvD672y5RMYG6OBp1ydbsr4rGgjHAOz4dUAUK4g7qDeR_FYnVcXKD/s400/Lille_PdBA_carolus_duran_plage_audresselles.+1869JPG.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1870, il devient un des portraitistes les plus célèbres de la <i>Troisième République</i>. </span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Hector Hanoteau</u>. Huile sur toile, 1870.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Hector Hanoteau (1823-1890) est un peintre orientaliste. Il aura aussi une carrière politique locale et fera beaucoup pour le développement des arts dans la région de Nevers.</span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Le portrait qu'en a fait Carolus-Duran est magnifique de présence notamment par l'intensité du regard.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLSviTO0MSdg2hokBywA-cQ8nOxhvJXb_XNvwG5hX-RWudgBZzVy5A8lWkB4ZNy2GM1xwsQt-_63YAlUUQBMgRyfl-bVyVMvmHh5Pd2_aGlo4icPmElfVpg-HA301A6HEnHw2sQgaO_bhyphenhyphen/s1600/carolus-duran-portrait-of-+hector+hanoteau+1870jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLSviTO0MSdg2hokBywA-cQ8nOxhvJXb_XNvwG5hX-RWudgBZzVy5A8lWkB4ZNy2GM1xwsQt-_63YAlUUQBMgRyfl-bVyVMvmHh5Pd2_aGlo4icPmElfVpg-HA301A6HEnHw2sQgaO_bhyphenhyphen/s400/carolus-duran-portrait-of-+hector+hanoteau+1870jpg.jpg" width="326" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>Portrait de Mme Ernest Feydeau</u>. Huile sur toile, vers 1870.</i></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Né Léocadie Bogaslawa Zelewska, elle était l'épouse d'Ernest Feydeau (1821-1873), courtier en bourse et écrivain, et considérée comme une des plus belle femme de Paris. Elle était la mère de l'écrivain Georges Feydeau.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiogsq7MRlY7J_t0HjAO2OE2wr0K1BqpH230MfM6H2GXlD8TidJfeIcdta318wLG02-GT7lkQWp_rOMXYfAieexAtIiXmP6TEuT-GOdiAEXN8QxYfDtHwkwhrtQFM7psns59dONoLAtRY4S/s1600/CAROLUS-DURAN-XX-Madame+Ernest+Feydeau.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiogsq7MRlY7J_t0HjAO2OE2wr0K1BqpH230MfM6H2GXlD8TidJfeIcdta318wLG02-GT7lkQWp_rOMXYfAieexAtIiXmP6TEuT-GOdiAEXN8QxYfDtHwkwhrtQFM7psns59dONoLAtRY4S/s640/CAROLUS-DURAN-XX-Madame+Ernest+Feydeau.jpg" width="448" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>L'enfant à la cravate bleu</u>. Huile sur toile, 1870.</i></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Ce charmant garçon est George Feydeau (1862-1921) à l'âge de 8 ans, alors que ses caprices et son mauvais caractère empoisonnait l'atmosphère familiale. Selon ses dires, son père officiel, Ernest Feydeau aurait été un mari consentant et lui-même aurait été un fils de Napoléon III. On pense aujourd'hui que plutôt que Napoléon III, ce serait le Duc de Morny (1811-1865), frère utérin de l'Empereur, qui serait le vrai père de Georges Feydeau. La famille Feydeau et celle du peintre était très liée et Georges Feydeau épousa Marie-Anne, une des filles de Carolus-Duran.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe4jaqrnY3eTMpqqTloxsHeC0kxyT0frhifgrNAy4ir6vdQrdIjWk1Ur5B57GIHrhfnKZFssjj9s7PwRA7K1loJI9C3sftibYzefuXyBJo4JxJOsWgYehUZEzmfLW2ZUVedzHfSCP6XwQs/s1600/l'enfant+a%CC%80+la+cravate+bleue+georges+feydeau+enfant+1870.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe4jaqrnY3eTMpqqTloxsHeC0kxyT0frhifgrNAy4ir6vdQrdIjWk1Ur5B57GIHrhfnKZFssjj9s7PwRA7K1loJI9C3sftibYzefuXyBJo4JxJOsWgYehUZEzmfLW2ZUVedzHfSCP6XwQs/s400/l'enfant+a%CC%80+la+cravate+bleue+georges+feydeau+enfant+1870.jpg" width="331" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>Portrait equestre de Mlle Sophie Croizette</u>. </i></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Sophie Alexandrine Croizette est née à St-Petersbourg en 1847 d'une mère ballerine française et d'un père aristocrate russe. Elle fut comédienne et joua au théâtre français. Elle était la belle-sœur de Carolus-Duran. Après une tentative de suicide ratée liée à une déception sentimentale, elle eut une liaison avec le banquier Jacques Stern qui s'acheva par un mariage. Elle meurt en 1901, un an après son mari.</span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Nadejda Polotsova</u>. Huile sur toile, 1876.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Propriétaire d'un district minier de l'Oural, La ville de Serov porta le nom de Nadejdinsk en son honneur lorsqu'elle fut fondée en 1896 après l'ouverture d'une usine sidérurgique.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYtqt68C_kirulxq6aR_rC8QEMrFuU0QWux2VmB0JwlY7u61j5m7CocenH4UPkTtawXo7D2WGW-Ah3GvKxIYItT5SyznIqrJd6RFJa9St6vYjmu17b-RHEdkmleH_jLg_oS60RPoUHruVg/s1600/oportrait+de+nadezhda+polovtsova+1876.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYtqt68C_kirulxq6aR_rC8QEMrFuU0QWux2VmB0JwlY7u61j5m7CocenH4UPkTtawXo7D2WGW-Ah3GvKxIYItT5SyznIqrJd6RFJa9St6vYjmu17b-RHEdkmleH_jLg_oS60RPoUHruVg/s640/oportrait+de+nadezhda+polovtsova+1876.jpg" width="393" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Compte-tenu de sa célébrité, Carolus-Duran ouvre une académie à Montparnasse où de nombreux peintres dont l'américain John Singer Sargent (1856-1925), viennent suivre ses cours. Sargent gardera toujours une très grande considération pour Carolus-Duran dont il peignit un superbe portrait.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>John Singer Sargent. <u>Portrait de Carolus-Duran</u>. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1879.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0fM8z5Spq6lGeRkDosYX_IWHiFitqsr8GBE9-HI_goUoC5AFBJ7eoYmmXIf4lsdyxkNTdlxtCBtqGYfM9vJlzD5tQeBkrmTHbr-9sQpeDuu9x8XWHOQlCVYTAYT1_z-W8irCZp6obmaVu/s1600/Portrait_of_Carolus-Duran.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0fM8z5Spq6lGeRkDosYX_IWHiFitqsr8GBE9-HI_goUoC5AFBJ7eoYmmXIf4lsdyxkNTdlxtCBtqGYfM9vJlzD5tQeBkrmTHbr-9sQpeDuu9x8XWHOQlCVYTAYT1_z-W8irCZp6obmaVu/s400/Portrait_of_Carolus-Duran.jpg" width="316" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Carolus-Duran. Vers 1880.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Paul Helleu (1859-1927) et Maximilien Luce (1858-1941) suivent aussi les cours du peintre. Les cours sont gratuits avec une participation pour le chauffage et le paiement des modèles.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Carolus-Duran. Un modèle. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son enseignement s'oppose à l'académisme par son refus de faire un dessin préparatoire très précis. Une simple esquisse suffit avant de construire la toile par la peinture même. Carolus-Duran prête une grande attention à faire ressortir la psychologie du modèle à l'opposée de son contemporain Boldini.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Mlle de Lancey</u>. Huile sur toile, 1876.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Née Alice Tahl à Baltimore en 1851, elle arrive à Paris vers 1875. Elle prend le nom de Alice Tahl de Lancey et devient la maîtresse du banquier d'origine turque Nissim de Camondo (1830-1889). Grand collectionneur passionné par la période Louis XV, comme tous les Camondo, il lui achète une partie de l'ancien domaine de Mme du Barry à Louveciennes comprenant les pavillons d'entrée et surtout le pavillon de musique construit pour la Comtesse par Claude-Nicolas Ledoux en 1770. Edmond de Goncourt, mauvaise langue et antisémite forcené, s'est beaucoup moqué de Alice de Lancey en Mme du Barry et de Nissim de Camondo jouant le rôle de Louis XV.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pavillon d'entrée du domaine de Mme du </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Barry, Louveciennes.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBMB9adIKSgNxr9qGeurpynJYl-W3fFpOLmnN43mDx85uRlZzkxpBpUBVpSqf5cHBrcblfJJplLZUGCGosU23X-kxDyk_DU_TrVsc98jgRccLvUXdpqA3CRetvmGx8SiHDzmnpUDdfqT80/s1600/446px-10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBMB9adIKSgNxr9qGeurpynJYl-W3fFpOLmnN43mDx85uRlZzkxpBpUBVpSqf5cHBrcblfJJplLZUGCGosU23X-kxDyk_DU_TrVsc98jgRccLvUXdpqA3CRetvmGx8SiHDzmnpUDdfqT80/s400/446px-10.jpg" width="297" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Claude-Nicolas Ledoux. Pavillon de musique, Louveciennes.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUSZ4ZtQJqQ7jSbSuwnhLZLXLAb6uzEURy7XMQ7n1VOdOo-ncFBBCvzIoCR9R8kma3cDK43izpCSdmfCNM_ebekNZyx2hVN0viEKft7rOwh_KmtUrmEfopBKvnXX3d8cxTBDAnUVOZSh8t/s1600/pavillon-de-musique-louveciennes.ledoux+1770jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUSZ4ZtQJqQ7jSbSuwnhLZLXLAb6uzEURy7XMQ7n1VOdOo-ncFBBCvzIoCR9R8kma3cDK43izpCSdmfCNM_ebekNZyx2hVN0viEKft7rOwh_KmtUrmEfopBKvnXX3d8cxTBDAnUVOZSh8t/s400/pavillon-de-musique-louveciennes.ledoux+1770jpg.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le tableau de Carolus-Duran a été exposé au Salon de 1877. On pense parfois que la pose alanguie de Mlle de Lancey est celle d'une demi-mondaine. En réalité, le peintre reprend le style des tableaux galants du XVIIIème comme ceux de Boucher ou de Nattier.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZc_xXtx-mttDbdzblLhPZ9dOPeOl4-xktOhdqb1ACDX1Jc2KqxhufhRvEgXzivNn5SfHNIjdOKw8GgySQkETCpbJULlkdGzrbaavv941krSMhDOk61ndzpmywbrsFmKNCggHr6cIrJviu/s1600/lancey+1876+salon+de+1877.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZc_xXtx-mttDbdzblLhPZ9dOPeOl4-xktOhdqb1ACDX1Jc2KqxhufhRvEgXzivNn5SfHNIjdOKw8GgySQkETCpbJULlkdGzrbaavv941krSMhDOk61ndzpmywbrsFmKNCggHr6cIrJviu/s400/lancey+1876+salon+de+1877.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>François Boucher. <u>Madame de Pompadour</u>. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1756.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDqL03NZLN41snpwZpjFKgCBNl_Y9aFCGd5TF4TllvjJ-82XSPQV2ST7YX7sMbNcXjpCtVKwji8iKtoUJa1FgVpDIiJgKcbnt-bvJ_7LvOvOBPwjmxysGKo-WkIHu2IEKSs1IliN_5WRo_/s1600/Madame_de_Pompadour.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDqL03NZLN41snpwZpjFKgCBNl_Y9aFCGd5TF4TllvjJ-82XSPQV2ST7YX7sMbNcXjpCtVKwji8iKtoUJa1FgVpDIiJgKcbnt-bvJ_7LvOvOBPwjmxysGKo-WkIHu2IEKSs1IliN_5WRo_/s640/Madame_de_Pompadour.jpg" width="481" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>François Boucher. <u>Madame de Pompadour</u>. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1758.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1yvlNM69JBM_8dl9RYhf8frpAGkps4pqX9aNKitRXs_foofhvgH5MuZZx8oE9j2fZO6p5MCw-mK4N6q1QLkt9gMIXZFUPPCV3jLKxOEWzc70NQcxv12A7FrMsSzIubrc6B89nA521EY_D/s1600/Franc%CC%A7ois_Boucher_019.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1yvlNM69JBM_8dl9RYhf8frpAGkps4pqX9aNKitRXs_foofhvgH5MuZZx8oE9j2fZO6p5MCw-mK4N6q1QLkt9gMIXZFUPPCV3jLKxOEWzc70NQcxv12A7FrMsSzIubrc6B89nA521EY_D/s400/Franc%CC%A7ois_Boucher_019.jpg" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jean-Marc Nattier. <u>Marie-Adélaide de France en </u></i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Diane</u>. Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRLhdZkqmI7649sQNoSJFG5u4zFd09SFE9zX3hQAgEjop65-i8_alr59ybiyN9F6E1fTY08chX07JlomBuHD3P8HC2NprFwyqvNWoR51X8k7AcTNGvnMWuosnZVZJYPESPzSJGkBoy6zOI/s1600/Marie-Adelaide-of-France-as-Diana.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRLhdZkqmI7649sQNoSJFG5u4zFd09SFE9zX3hQAgEjop65-i8_alr59ybiyN9F6E1fTY08chX07JlomBuHD3P8HC2NprFwyqvNWoR51X8k7AcTNGvnMWuosnZVZJYPESPzSJGkBoy6zOI/s400/Marie-Adelaide-of-France-as-Diana.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Carolus-Duran a parfois été violemment critiqué par ses contemporains. Eugène Fromentin (1820-1876) écrivait par exemple, en 1876, à propos du <i>Portrait de Sarah Bernhardt</i> par Clairin et du <i>Portrait de la Marquise Anforti</i> par Carolus-Duran, qu'ils sont indiscrets, violemment enluminés et qu'ils visent trop à l'effet.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Mlle X, Marquise Anforti</u>. Huile sur toile, 1876.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ-qv1HHbehuy2DS14M7hjLPmCj9eZ0HCbG2fidVW3-rA8j2RDnmJwJy0nJMF5SISaXM72C7jOCdcU_s5dh6z2TAtEDfd9-p2BOiiXXIVQbVF75M9-LSjJfVwcpk9yjd-gNGbJHgzXie2A/s1600/1876_mademoiselle_x_marquise+amforti+.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ-qv1HHbehuy2DS14M7hjLPmCj9eZ0HCbG2fidVW3-rA8j2RDnmJwJy0nJMF5SISaXM72C7jOCdcU_s5dh6z2TAtEDfd9-p2BOiiXXIVQbVF75M9-LSjJfVwcpk9yjd-gNGbJHgzXie2A/s640/1876_mademoiselle_x_marquise+amforti+.png" width="392" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Emile Zola n'a pas été plus tendre : <i>Seulement Carolus-Duran est un adroit ; il rend Manet compréhensible au bourgeois, il s'en inspire seulement jusqu'à des limites connues, en l'assaisonnant au goût du public. Ajoutez que c'est un technicien fort habile, sachant plaire à la majorité.</i> </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>Portrait du peintre Jules Denneulin</i> montre que Zola avait tout de même, une vision assez limité de l'œuvre de Carolus-Duran.</span></span></div></div></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Jules Denneulin</u>. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmYqwb6IrPb6Z_2d2qgqHFA1r474QORiJVXnjh1xKmJVRm0hD2BYd_AxiYJhv2RswaeJo7G899LCitW88vu5C_bbYweQLysrUXDZ9vipByIrM3WG2AVrnu6V7in5eeAdesljhrxNciEGeH/s1600/portrait+de+julius+denneullin+peintre+1835-1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmYqwb6IrPb6Z_2d2qgqHFA1r474QORiJVXnjh1xKmJVRm0hD2BYd_AxiYJhv2RswaeJo7G899LCitW88vu5C_bbYweQLysrUXDZ9vipByIrM3WG2AVrnu6V7in5eeAdesljhrxNciEGeH/s400/portrait+de+julius+denneullin+peintre+1835-1904.jpg" width="311" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Jules Denneulin (1835-1904) est un peintre lillois oublié aujourd'hui qui fût connu en son temps pour ses scènes de genre. Il exposa souvent aux <i>Salons</i>.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jules Denneulin. <u>La Procession interrompu</u>. </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1890.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinRw2_K6crje-mUx-4HtsAAPoHPX_rjPVpdvEf6ZER5Nee51yor41FXK72L4GUlyvYU5WKnNacAPNjNRM63BLpHMUkLsHgkFq80rAMU82llGRh7v4SAs2VDKDGzhaPcUrDb85TenHYZLvJ/s1600/la-procession-interrompue-jules-denneulin-1890.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinRw2_K6crje-mUx-4HtsAAPoHPX_rjPVpdvEf6ZER5Nee51yor41FXK72L4GUlyvYU5WKnNacAPNjNRM63BLpHMUkLsHgkFq80rAMU82llGRh7v4SAs2VDKDGzhaPcUrDb85TenHYZLvJ/s400/la-procession-interrompue-jules-denneulin-1890.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jules Denneulin. <u>Fin de règne</u>. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il aurait été étonnant que le Comte de Montesquiou échappa au pinceau de Carolus-Duran. Le peintre l'a portraituré dans le rôle de Zanetto, un troubadour de la Renaissance Italienne, de la pièce de François Coppée (1842-1908), <i>Le Passant</i> (1869). Cette pièce, en vers, fût un succès à sa création avec la Grande Sarah dans le rôle joué par Montesquiou. La postérité a été charitable en oubliant les vers doucereux et sentimentaux du nationaliste et antidreyfusard Coppée, vers qui faisaient déjà bondir Rimbaud ou Verlaine.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Comte de Montesquiou dans Le Passant</u>. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1880.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkzrlsAu6_cARm2RmLZADyHIZbKurCxAjk8IMtCv18qYnMplHwkJw1vN8Kh7dKx2uDpIhPUFv-C7X_P9aUVdfuAkm9hxDqt53OU0kQ0YPDUXuD-nuEepIXKJT6VQUJlN6-OErwviWuDMQt/s1600/robert+de+montesquiou+dans+le+role+du+passant+1880.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkzrlsAu6_cARm2RmLZADyHIZbKurCxAjk8IMtCv18qYnMplHwkJw1vN8Kh7dKx2uDpIhPUFv-C7X_P9aUVdfuAkm9hxDqt53OU0kQ0YPDUXuD-nuEepIXKJT6VQUJlN6-OErwviWuDMQt/s640/robert+de+montesquiou+dans+le+role+du+passant+1880.jpg" width="507" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La même année, il peint deux portraits d'Edouard Manet, un de ses grand amis, le premier étant plutôt une esquisse à l'aquarelle. Ce portrait montre bien les qualités de spontanéité de Carolus-Duran et met en grande partie hors-jeu les critiques de Zola. N'oublions pas que, membre du conseil qui organise le Salon en 1881, il vote avec Jean-Jacques Henner (1829-1905) pour la remise d'une médaille à Manet.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Edouard Manet</u>. Aquarelle, 1880.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhZ8Po4oBPnu6loiMTaTTdK2FdyNHrrgH7lS6Xuy0QQnc9MQkmBtxycNwzlmL1Aa4CVFkOPj593kqt76rqEySYaimLkqxMnV7p3WfEC2b7qxEMxMp9mglHcU-f43vRs1yo5mrvT-w3rDE/s1600/e+manet+1880.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhZ8Po4oBPnu6loiMTaTTdK2FdyNHrrgH7lS6Xuy0QQnc9MQkmBtxycNwzlmL1Aa4CVFkOPj593kqt76rqEySYaimLkqxMnV7p3WfEC2b7qxEMxMp9mglHcU-f43vRs1yo5mrvT-w3rDE/s400/e+manet+1880.jpg" width="326" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Edouard Manet</u>. Huile sur toile, 1880.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXPkUwB_BXy0TPFQvJsYjY6og_K-FfcG87wHwcxMBNftV0e3fPy3I8sML1XfTnXe2mvB9EOCkng9vuMbSU20oMLOyMPKfZp1EJGAwl6HTfoMJrz4BxRTfLqMJ9FbcQ-HZ9gBlhryYSDST_/s1600/edouard+manet+1880.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXPkUwB_BXy0TPFQvJsYjY6og_K-FfcG87wHwcxMBNftV0e3fPy3I8sML1XfTnXe2mvB9EOCkng9vuMbSU20oMLOyMPKfZp1EJGAwl6HTfoMJrz4BxRTfLqMJ9FbcQ-HZ9gBlhryYSDST_/s400/edouard+manet+1880.jpg" width="331" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un portrait de Carolus-Duran semble être celui du peintre Berthe Morisot (1841-1895), la belle-sœur de Manet. Cependant le sujet est discuté.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait présumé de Berthe Morisot</u>. Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOEi1UvExFGNhTyWYBghQ17R1sJN8bv52oMV5DYQosd-9MlbwW0PZclrtaDJPGOckF-jyNCEXmq0BjbEYWFHoyXlcmBd9m9VYd-YxPTmpWiAn4n3Tk-X3WQKzyJEMCYK0A5kbKhAieRAs/s1600/portrait+pre%CC%81sume%CC%81+de+Berthe+Morisot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOEi1UvExFGNhTyWYBghQ17R1sJN8bv52oMV5DYQosd-9MlbwW0PZclrtaDJPGOckF-jyNCEXmq0BjbEYWFHoyXlcmBd9m9VYd-YxPTmpWiAn4n3Tk-X3WQKzyJEMCYK0A5kbKhAieRAs/s400/portrait+pre%CC%81sume%CC%81+de+Berthe+Morisot.jpg" width="308" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1886, il réalise le portrait vibrant d'intelligence de Nadar. De son vrai nom, Felix Gaspard Tournachon (1820-1910), aéronaute et caricaturiste, est surtout connu pour les centaines de précieux clichés qu'il a pris des célébrités de l'époque.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Nadar</u>. Huile sur toile, 1886.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSJ8oYCR5_6s8OXMx8IzdjeNylQjVyOAZgSV4thYASpIWGskAh_8NyLkR6nw0-3LuARW7IYaw8W3_I5VQjbaX5AR1CSNqqs5x5n6MLEQyUji9MJUnEF4L40xsE-VpBuNskH81fexhWYlSE/s1600/nadar+1886.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSJ8oYCR5_6s8OXMx8IzdjeNylQjVyOAZgSV4thYASpIWGskAh_8NyLkR6nw0-3LuARW7IYaw8W3_I5VQjbaX5AR1CSNqqs5x5n6MLEQyUji9MJUnEF4L40xsE-VpBuNskH81fexhWYlSE/s400/nadar+1886.jpg" width="312" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1887, Carolus-Duran présente un de ses plus beau portrait, celui d'Anna Obolenskaya avec sa magnifique robe de velours rouge.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'Anna Obolenskaya</u>. Huile sur toile, 1887.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxdRU1c685HbXXJE-XDIUBVnHWoQlOfZCmngTo6d8pFDhcvs_7rvxftsGH9wCHPkAZpb5BMsTIUlpG9soL7ujoYgAIK8fMBcmJNf4aJQy5tKL9h6F0IrfVgJUrbP4w4zi5h2d1Ek7qNj-/s1600/portrait-of-anna-obolenskaya-1887jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxdRU1c685HbXXJE-XDIUBVnHWoQlOfZCmngTo6d8pFDhcvs_7rvxftsGH9wCHPkAZpb5BMsTIUlpG9soL7ujoYgAIK8fMBcmJNf4aJQy5tKL9h6F0IrfVgJUrbP4w4zi5h2d1Ek7qNj-/s640/portrait-of-anna-obolenskaya-1887jpg.jpg" width="406" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1889 et 1900, il participe au jury des <i>Expositions Universelles</i> et en 1890, il est un des fondateurs de la <i>Société nationale des Beaux-Arts </i>avec Puvis de Chavannes. C'est sans doute vers 1890 qu'il peint l'attentive <i>Lectrice</i>. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Lectrice</u>. Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzobCad-ugmR6-MfRTpE-DdT8ZwXN_Dr_wW0u9PIyeQUL68T0y9Ppu9DEzVQ9UMcGO2nIwF_yp2H83iuU1PKTej-UWLt5mERsp3DMZuxvJuOqRiYz3XVw_qdw56jlxYtsWxQ2X9XGjVtpi/s1600/la+lectrice.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzobCad-ugmR6-MfRTpE-DdT8ZwXN_Dr_wW0u9PIyeQUL68T0y9Ppu9DEzVQ9UMcGO2nIwF_yp2H83iuU1PKTej-UWLt5mERsp3DMZuxvJuOqRiYz3XVw_qdw56jlxYtsWxQ2X9XGjVtpi/s400/la+lectrice.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Carolus-Duran était un grand ami du compositeur Charles Gounod (1818-1893), qui lui donne le manuscrit de son oratorio <i>St-François d'Assise</i> qu'il venait d'achever, lorsque le peintre exécute en 1891, le portrait du compositeur.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Charles Gounod</u>. Huile sur toile, 1891.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge_7WAOn3p60zSh3bTjGzvV7xxrJsI4Cea_Urlm_jkrtNGSR-HWRJ5fPzw-9S60XarEe522CKLtWcN3MyOhBZ6e9ynXA0ApRPRcztw4CvY6705fYE1ndPXnBKFHbCevqF_7UOawKRGn3lJ/s1600/portrait_charles_gounod_1898_x_hi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge_7WAOn3p60zSh3bTjGzvV7xxrJsI4Cea_Urlm_jkrtNGSR-HWRJ5fPzw-9S60XarEe522CKLtWcN3MyOhBZ6e9ynXA0ApRPRcztw4CvY6705fYE1ndPXnBKFHbCevqF_7UOawKRGn3lJ/s400/portrait_charles_gounod_1898_x_hi.jpg" width="328" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre très beau portrait en pied est celui d'Emily Warren Roebling. Emily Warren Roebling (1843-1903) était l'épouse de Washington Roebling (1836-1927) qui fut l'ingénieur en chef du chantier de la construction du Pont de Brooklyn et fils de John Augustus Roebling, le concepteur de ce qui fut le plus long pont suspendu au monde entre 1883 et 1903. Son mari ayant subi un accident de décompression sur le chantier, elle le soutint et sous sa direction réalisa les calculs concernant la position et la portance des caténaires entre 1870 et 1880. </span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>John Augustus Roebling. Plan d'une pile du </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pont de Brooklyn. Encre et aquarelle, 1867.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVKltj_ojO1xqkGtAWwjRrQa9IZ1Jgl2X1iFKve3Pzwtd57-bWF-5oC-ipr3m6ZlRN-Zny_yKBE-Y_2Dee_jTYZQv81q336aJNXkvK7VHWjPA7ox48Vpwfhs7zbN2H0nuRPEZZqh_5iBFP/s1600/BrooklynBridgeSchematic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVKltj_ojO1xqkGtAWwjRrQa9IZ1Jgl2X1iFKve3Pzwtd57-bWF-5oC-ipr3m6ZlRN-Zny_yKBE-Y_2Dee_jTYZQv81q336aJNXkvK7VHWjPA7ox48Vpwfhs7zbN2H0nuRPEZZqh_5iBFP/s400/BrooklynBridgeSchematic.jpg" width="232" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Elle s'est aussi occupée de sociétés philanthropique et a aussi été diplômée en droit de l'Université de New-York.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Emily Warren Roebling</u>. Huile sur toile, 1896.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEfn4Ax192CkkvTICyoQq56mwHRVuqxz_t38jpXi5VPJ6CvnExuShHU4KpBS6WKJoIjcpWAZTYaoaZPDqOppk1v9jbgJRjQp1NJVuEs-9qLh6SGDrQwhZoY38ZJgjJNYWE-QbDiCo3nhVf/s1600/Brooklyn_Museum_1896-_Portrait_of_Emily_Warren_Roebling_-_Charles-E%CC%81mile-Auguste_Carolus-Duran.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEfn4Ax192CkkvTICyoQq56mwHRVuqxz_t38jpXi5VPJ6CvnExuShHU4KpBS6WKJoIjcpWAZTYaoaZPDqOppk1v9jbgJRjQp1NJVuEs-9qLh6SGDrQwhZoY38ZJgjJNYWE-QbDiCo3nhVf/s640/Brooklyn_Museum_1896-_Portrait_of_Emily_Warren_Roebling_-_Charles-E%CC%81mile-Auguste_Carolus-Duran.jpg" width="336" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est sans doute de la même époque que date le portrait qu'a fait de lui Jean-Jacques Henner, de profil et un peu vieilli par rapport au tableau de Sargent.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jean-Jacques Henner. <u>Portrait de Carolus-Duran</u>. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFPl9She1SZYkZ_wPfwpktKBytRZIWW6jXNYH9B7L29Vu0us0bk2SzIMrRNly6fsiRR7hAGDMZkp7BNWuW0JoHA1RLQoNIvvbaAIIIJZPFZGpgWFet53r-TU_v6JeAoRrFDO4jGoB82SG/s1600/henner+portrait+de+carolus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFPl9She1SZYkZ_wPfwpktKBytRZIWW6jXNYH9B7L29Vu0us0bk2SzIMrRNly6fsiRR7hAGDMZkp7BNWuW0JoHA1RLQoNIvvbaAIIIJZPFZGpgWFet53r-TU_v6JeAoRrFDO4jGoB82SG/s400/henner+portrait+de+carolus.jpg" width="279" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1897, Carolus-Duran fait le portrait d'une des grandes figures de la haute société américaine, Miss William Astor.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Née Caroline Webster Schermerhorn en 1830 à New-York, elle est fille d'armateur et fait partie des quelques familles de fondateur des Etats-Unis, véritable aristocratie du nouveau monde. Elle se marie avec William Backhouse Astor Jr. en 1854. </span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son mari fait construire une somptueuse maison dans la 5ème avenue, lieu le plus huppé de la ville, actuellement occupé par l'<i>Empire State Building</i>.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de la 5ème Avenue vers 1900.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYNxWIdKaLt4pcq6vjzLWHGIZgDRhEfpesl3Eg-86Cx9Ov8BKa53HR7b4nd9OGDPGWSyidi7S6o569fQlWvt3fW3gyaiMFDyV4Caa-OcshWifLuVjWSOlSMggMvnfvsiYtf0pxPUJuXk7_/s1600/800px-Detroit_Photographic_Company_(0618).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYNxWIdKaLt4pcq6vjzLWHGIZgDRhEfpesl3Eg-86Cx9Ov8BKa53HR7b4nd9OGDPGWSyidi7S6o569fQlWvt3fW3gyaiMFDyV4Caa-OcshWifLuVjWSOlSMggMvnfvsiYtf0pxPUJuXk7_/s400/800px-Detroit_Photographic_Company_(0618).jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Elle règne alors en maîtresse sur la <i>Socialite</i> (social elite en abrégé) et être invité par Mrs William Astor est un honneur. D'un caractère hautain, elle est agit en véritable dictateur de la haute société new-yorkaise.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Caroline Astor en 1875.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDzeweNLB_hCP20RsvviYF0oxSP2BfeqOFttvKOhHc8LpaZ4MobB_id8d7rdT3myT9unn3a-P3w8OuSzE9h07I5mVt3Q11HePwmmt8sR5R9zjfgVbpNSA8O-0ftChEyzLqFAmGDeZzQ6aq/s1600/caroline+astor+1875.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDzeweNLB_hCP20RsvviYF0oxSP2BfeqOFttvKOhHc8LpaZ4MobB_id8d7rdT3myT9unn3a-P3w8OuSzE9h07I5mVt3Q11HePwmmt8sR5R9zjfgVbpNSA8O-0ftChEyzLqFAmGDeZzQ6aq/s400/caroline+astor+1875.jpg" width="256" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Elle refusa longtemps de recevoir les Vanderbilt, les considérant comme des nouveaux riches et ce fut contrainte et forcée qu'elle finit par les inviter à ses bals. Carolus-Duran fait très bien ressortir la morgue de celle qui se mettait devant tout le monde lorsqu'elle recevait.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Mrs William Astor</u>. Huile sur toile, 1897.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ptmCvohGtrgmvCQXJzFuqk22rq7roFQRWY_IYg-CFEHoHkIrSrQ9yyYDo5sYwNR4gVKomcAQINnkbdQLlqNYYS3LnerrHPy2DhBMtj14k2HyeEgFT6CnN65UfiO7ai3kfpHAjsoTxJUH/s1600/miss+William+Astor+1897.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ptmCvohGtrgmvCQXJzFuqk22rq7roFQRWY_IYg-CFEHoHkIrSrQ9yyYDo5sYwNR4gVKomcAQINnkbdQLlqNYYS3LnerrHPy2DhBMtj14k2HyeEgFT6CnN65UfiO7ai3kfpHAjsoTxJUH/s640/miss+William+Astor+1897.jpg" width="320" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est son neveu, William Aldorf Astor qui a créé le fameux hôtel <i>Waldorf Astoria</i>. Mrs William Astor mourut en 1908. Quatre ans plus tard, son fils John Jacob Astor IV (1864-1912) mourait dans le naufrage du <i>Titanic</i>, sur le pont, en smoking et fumant une cigarette.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La même année que le portrait de Mrs Astor, Carolus-Duran peint le portrait de sa fille, devenue Mme Feydeau depuis 1889. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Mme Georges Feydeau et ses enfants</u>. </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1897.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-KAYliY1W1mVpnVqx9jEEtFY5kXGx-s9pAuN4cTrO5-T5sU2YMwUYLSERE5bKL460KJjjQSB1T8XImsvhYlIWpBSysFdMV_vFDXj6nmHh8A8OQPUc7-0ifcGlA7vzHEyHK_znHkBUSHJl/s1600/mme+feydeau+et+ses+enfants+1897.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-KAYliY1W1mVpnVqx9jEEtFY5kXGx-s9pAuN4cTrO5-T5sU2YMwUYLSERE5bKL460KJjjQSB1T8XImsvhYlIWpBSysFdMV_vFDXj6nmHh8A8OQPUc7-0ifcGlA7vzHEyHK_znHkBUSHJl/s640/mme+feydeau+et+ses+enfants+1897.jpg" width="422" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Malgré la naissance de 4 enfants, le mariage ne fut pas heureux. Georges Feydeau, dépressif chronique, joueur, cocaïnomane, trompe sa femme aussi bien avec des hommes qu'avec des femmes. C'est cette vie agitée qui inspirera la majorité de ses pièces. Mme Feydeau a aussi des aventures extraconjugales. Carolus-Duran nous laisse un très beau portrait de son gendre au regard mélancolique.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Georges Feydeau</u>. Huile sur toile. Vers 1895.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzZrNP1YEbO_xG7CabanZq-VgxrjHc-j7DLbRjZFrWeoaxqKEMGg2pyp42Dhj27e83r6Xkv_iBIgG5nswJ4MUe4oHapo_BDFYF6VRWynQH1CGk-y3agcRKnhej4RCQWllY3ddnqnfwvA46/s1600/456px-G_Feydeau_Carolus-Duran_Lille_2918.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzZrNP1YEbO_xG7CabanZq-VgxrjHc-j7DLbRjZFrWeoaxqKEMGg2pyp42Dhj27e83r6Xkv_iBIgG5nswJ4MUe4oHapo_BDFYF6VRWynQH1CGk-y3agcRKnhej4RCQWllY3ddnqnfwvA46/s400/456px-G_Feydeau_Carolus-Duran_Lille_2918.jpg" width="303" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après une dispute très violente, le couple se sépare en 1909 et divorce en 1916. A la fin de sa vie, Georges Feydeau est interné pour des troubles psychiatriques pendant deux ans, sans doute dus à une syphilis terminale. Il meurt en 1921 à 58 ans.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1898, Carolus-Duran devient Président de la <i>Société Nationale des Beaux-Arts</i>. Il est élu en 1904 à l'<i>Académie des Beaux-Arts</i>. Durant ces années 1900, le peintre se consacre à des grandes figures décoratives visiblement inspirées par des artistes plus jeunes comme Alfons Mucha.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Danaé</u>. Huile sur toile, 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9b5_tIChCD84j8tusRkcye1_ZJKKwxCzPlxwQ0uss-FK8QAG_5rd_jSIHMSGcm0HRberD608p1nPKxN4dY5Yb4llzH4KoMVI-sFR1M7piNsx-GA41fX7kSuIZK47507GgKhmv4k3PwIP/s1600/010_carolus-duran_danae.+1900jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9b5_tIChCD84j8tusRkcye1_ZJKKwxCzPlxwQ0uss-FK8QAG_5rd_jSIHMSGcm0HRberD608p1nPKxN4dY5Yb4llzH4KoMVI-sFR1M7piNsx-GA41fX7kSuIZK47507GgKhmv4k3PwIP/s400/010_carolus-duran_danae.+1900jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Hébé</u>. Huile sur toile, 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBuwl-5UFkq924CNGID-b3stc-K-4yNjRBz4T5FdAQ0KPOB43IRLcW6sYSOVOXyFwSYp-pAkaSpLSQ-9wRZMCi4momTbWWD1bH4z15nKvS4VZ37x3lk56UYGWjYeUnk4hfGX9B76yJLA8f/s1600/Lille_carolus_duran.+he%CC%81be%CC%81eJPG.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBuwl-5UFkq924CNGID-b3stc-K-4yNjRBz4T5FdAQ0KPOB43IRLcW6sYSOVOXyFwSYp-pAkaSpLSQ-9wRZMCi4momTbWWD1bH4z15nKvS4VZ37x3lk56UYGWjYeUnk4hfGX9B76yJLA8f/s640/Lille_carolus_duran.+he%CC%81be%CC%81eJPG.JPG" width="356" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1905, il est nommé directeur de l'<i>Académie de France à Rome (Villa Medicis)</i> poste qu'il occupe jusqu'en 1913. En 1914, alors qu'il a 77 ans, il peint le portrait de Charles Gruet (1844-1928) député de la Gironde de 1893 à 1898 et négociant en vins.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Charles Gruet</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh86vSJ95LLpaBGx_4GgBzCnP-5ymHdH5b_3mLxWAGWYM8BXpIu8u9NYVkbFJ9b4pVoIgf-clXaGFL_W3cysbPFuYwjdSav4mRkCMaG2HLG8XKrxDGVNmXMN0KMT_8WsRbG6xLX_dHig76C/s1600/charles+gruet+1914.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh86vSJ95LLpaBGx_4GgBzCnP-5ymHdH5b_3mLxWAGWYM8BXpIu8u9NYVkbFJ9b4pVoIgf-clXaGFL_W3cysbPFuYwjdSav4mRkCMaG2HLG8XKrxDGVNmXMN0KMT_8WsRbG6xLX_dHig76C/s320/charles+gruet+1914.jpg" width="239" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Carolus-Duran avait une villa à Fréjus où il a passé beaucoup de temps. Il meurt en 1917 à l'âge de 80 ans.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div></div></div></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com1tag:blogger.com,1999:blog-2907604655020925790.post-64354087491282730792012-04-03T14:52:00.011-07:002012-04-04T13:55:41.504-07:00Walter Sickert et son mystère<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Walter Richard Sickert est un peintre anglais né d'un père germano-danois et d'une mère britannique. Il a vu le jour à Munich en 1860 et est arrivé en Angleterre très jeune. Il commença une carrière d'acteur en jouant des petits rôles dans la compagnie de Sir Henry Irving (1838-1905), le plus grand acteur de la période victorienne. Rapidement, il s'oriente vers la peinture et devient l'assistant de Whistler. Il se rend ensuite à Paris où il rencontre Degas qui va l'influencer profondément.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Walter Sickert en 1884.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhITmg8SljwoKlZ3_r0sJAPA-pWjwyvIE0NZ9NtdPrYazdimsItNfHgmacMjhB3Zd5FY-mLSHmZIY0aIwgv7gc0nHUUcPKvhQgDegQnIngvfIA5z-Uu14er4OyAgQIvCZYa3aV0pbojsKjE/s1600/325px-Walter_Sickert_1884.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhITmg8SljwoKlZ3_r0sJAPA-pWjwyvIE0NZ9NtdPrYazdimsItNfHgmacMjhB3Zd5FY-mLSHmZIY0aIwgv7gc0nHUUcPKvhQgDegQnIngvfIA5z-Uu14er4OyAgQIvCZYa3aV0pbojsKjE/s400/325px-Walter_Sickert_1884.jpg" width="216" /></a></div><div style="text-align: center;"><br />
<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A cette période Sickert peint avec une palette sombre qui rappelle un peu celle d'Eugène Carrière. De l'impressionnisme, il retient le travail en touche. Petit à petit, la touche s'agrandira devenant de grandes trainées nerveuses.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Fin de l'acte</u>. Huile sur toile, 1885.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7cj4uJvP7XSEtV6xuI23zzVN-62k1YibsUwR6flU-xpDM5bSNFdcudHVoxqJzpMx9kp675VUbu9tbbyXs-2YuSDHbEzXg4Kg7Ze0xkUZK2ZaGptXnxGkEH7KvJam2KTNvuCV21OlohyM7/s1600/+la+fin+de+l'acte+HelenCarte1885.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7cj4uJvP7XSEtV6xuI23zzVN-62k1YibsUwR6flU-xpDM5bSNFdcudHVoxqJzpMx9kp675VUbu9tbbyXs-2YuSDHbEzXg4Kg7Ze0xkUZK2ZaGptXnxGkEH7KvJam2KTNvuCV21OlohyM7/s400/+la+fin+de+l'acte+HelenCarte1885.JPG" width="328" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de la première femme de l'artiste</u>. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1885.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYFrwe6iH7gMC2oHuHgZqz469B2KajjVi5xs8eW0D7ua6yWB7AodiJutINyIbiXtXF6VzjCjTpMSRiuqk3XsticlYb5xG47xcJ8es4noomYqRc3LZq1aF-H0dzFpM6rvuMZ3Qlm9U1uNSD/s1600/premie%CC%80re+femme+de+l'artiste+vers+1885.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYFrwe6iH7gMC2oHuHgZqz469B2KajjVi5xs8eW0D7ua6yWB7AodiJutINyIbiXtXF6VzjCjTpMSRiuqk3XsticlYb5xG47xcJ8es4noomYqRc3LZq1aF-H0dzFpM6rvuMZ3Qlm9U1uNSD/s400/premie%CC%80re+femme+de+l'artiste+vers+1885.jpg" width="290" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Toute sa vie Sickert s'intéressera au théâtre, nom pas au théâtre bourgeois, mais aux music-halls populaires. Il y traque les réactions de la foule en utilisant des point de vue originaux, presque cinématographiques et des lumières que Degas avait déjà utilisés dans ses vues théâtrales.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Vieux Bedford. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7WwjEJY0lnXVr0amULa6I9i_Yc1fQKY33sfg-RyrO4LUhPesN4LYZi5TrdGCk6f_GV8i1ntSCS7bjtP7y7zCJ8EMzYBtVa2Y1LVUydQ-v9jU6JiEfCUdsy-_n9YgxNHtZMj1mVad0lrcm/s1600/le+vieux+bedford.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7WwjEJY0lnXVr0amULa6I9i_Yc1fQKY33sfg-RyrO4LUhPesN4LYZi5TrdGCk6f_GV8i1ntSCS7bjtP7y7zCJ8EMzYBtVa2Y1LVUydQ-v9jU6JiEfCUdsy-_n9YgxNHtZMj1mVad0lrcm/s400/le+vieux+bedford.png" width="301" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Noctes Ambrosianae</u>. Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivORqg8L2SCc_FmZ9jLCGCjkxdRuf1SWHkiPJhCqXOgVoyEp0jevQtohz5lrEFM-3OTvGdm5PZmYgHhWLL0yjcK5TRoGg10uaZ7TWz_YG9Xs12PJWDBbAoNpi5uIWNA4rPx1LApgDH-zTg/s1600/noctes+ambrosianae+1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivORqg8L2SCc_FmZ9jLCGCjkxdRuf1SWHkiPJhCqXOgVoyEp0jevQtohz5lrEFM-3OTvGdm5PZmYgHhWLL0yjcK5TRoGg10uaZ7TWz_YG9Xs12PJWDBbAoNpi5uIWNA4rPx1LApgDH-zTg/s400/noctes+ambrosianae+1906.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Chanteuse de music-hall. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiCUvxkCu8APad2rbo7ApRbDoj3faw0pJAHyzTQSj6RBc9ZT7N1e3EYnDnhkciIQie43HDzYC264DjVlbHh7msAlmBzCBxNId_UlSBfJdbIX3XxtQp6No-yw3_BBQJOXsFtxwk00jYDlEU/s1600/7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiCUvxkCu8APad2rbo7ApRbDoj3faw0pJAHyzTQSj6RBc9ZT7N1e3EYnDnhkciIQie43HDzYC264DjVlbHh7msAlmBzCBxNId_UlSBfJdbIX3XxtQp6No-yw3_BBQJOXsFtxwk00jYDlEU/s400/7.jpg" width="331" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1888, une affaire éclate à Londres dont on parle encore aujourd'hui, l'affaire de <i>Jack l'éventreur</i>. Comme, on le sait, c'est dans le quartier populaire de Whitechapel qu'une série de cinq meurtres de prostituée dans des conditions atroces se déroula. Aujourd'hui encore, la personnalité de <i>Jack l'éventreur</i> reste mystérieuse. Des hypothèses multiples ont été émises. On a désigné une personnalité de la haute société, y compris le Duc de Clarence, un médecin, un émigré canadien sans que ces hypothèse aboutissent à une quelconque certitude.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Richard Sickert fut fasciné par le crime et persuadé qu'il habitait dans le même immeuble que l'assassin. Il peignit un tableau appelé, <i>La Chambre de Jack L'éventreur</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La chambre de Jack l'éventreur. Huile sur toile, vers 1888.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6oNqNSgdCpE3HCPq3YdiFuWzhrhPRUGXKS0bkZfpK4kyN4qTCyCYIjJzxtlIgFoPPmh4roxuN916KBjfaSGd2FLUmdm21A9xsD6w1qWIsMqOn0jB0yS9PbjNXtLo4yS7l8o87AbQB3kd/s1600/la+chambre+de+jack+l'eventreur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6oNqNSgdCpE3HCPq3YdiFuWzhrhPRUGXKS0bkZfpK4kyN4qTCyCYIjJzxtlIgFoPPmh4roxuN916KBjfaSGd2FLUmdm21A9xsD6w1qWIsMqOn0jB0yS9PbjNXtLo4yS7l8o87AbQB3kd/s400/la+chambre+de+jack+l'eventreur.jpg" width="322" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un certain nombre d'auteurs, pas toujours très sérieux, ont fait l'hypothèse que Jack l'éventreur était un complice de Sickert ou Sickert lui-même.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La plus célèbre est Patricia Cornwell. Elle utilise des arguments qui ne sont guère convaincants, comme l'utilisation de l'ADN mitochondrial (qui ne s'hérite que par la mère) qu'elle dit avoir trouvé sur des toiles de Sickert comparée à l'ADN trouvé sur les lettres soit-disant envoyées par le criminel. Tout cela est très tiré par les cheveux, d'autant que des lettres prouvent que Sickert était en France au moment des crimes.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Bine que marié en 1885, Sickert avait une maîtresse, et peut-être un fils illégitime, qu'il venait souvent voir à Dieppe. Il nous a ainsi laissé des scènes de rue et de plage.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Baigneurs, Dieppe. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx-j8L6VkRBvNvWEbCah8I8UpFLMIbQAafMtoeTeJ7NH8ZM20KpuU9JNuc4ZUC7IBj1xhE5GbgbHRkR0WjpH7qbABPdQHR3K-0rIPLBORDDwpHzJrFRKcTABq15-_FzMex7JwnBAC0b38P/s1600/baigneurs+dieppe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx-j8L6VkRBvNvWEbCah8I8UpFLMIbQAafMtoeTeJ7NH8ZM20KpuU9JNuc4ZUC7IBj1xhE5GbgbHRkR0WjpH7qbABPdQHR3K-0rIPLBORDDwpHzJrFRKcTABq15-_FzMex7JwnBAC0b38P/s400/baigneurs+dieppe.jpg" width="312" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Dieppe, le quai Duquesne et la rue Notre-Dame. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMzOYvAXwjJuIK6LML78kH1cy6F9qBFcaFZFIRw8ScR1HKeo7jdG_rVp1P8RLrfBs-x1JxyRmeiaLYY-IcJCyMijwwoDSqbvKD97eOl8B2FmFUUpGL_XqIjBpdHvIFSgMJw8-Ddxf-LJZj/s1600/le+quai+duquesne+et+la+rue+notre+dame.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMzOYvAXwjJuIK6LML78kH1cy6F9qBFcaFZFIRw8ScR1HKeo7jdG_rVp1P8RLrfBs-x1JxyRmeiaLYY-IcJCyMijwwoDSqbvKD97eOl8B2FmFUUpGL_XqIjBpdHvIFSgMJw8-Ddxf-LJZj/s400/le+quai+duquesne+et+la+rue+notre+dame.jpg" width="343" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La rue Pequet. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IPMR2X3RJI7P498JQxt95xBMupYTKbYN5Y-xOgSwEn2vTnUJx09OEDYDfpKYsR2cLsE04XmyfV0DkGoeXlqs98O_kAZHNJriDadoBKFYTeHsNWD3qTTV6E7cFLr602D9CAHRuOqS1_Ma/s1600/la+rue+pecquet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IPMR2X3RJI7P498JQxt95xBMupYTKbYN5Y-xOgSwEn2vTnUJx09OEDYDfpKYsR2cLsE04XmyfV0DkGoeXlqs98O_kAZHNJriDadoBKFYTeHsNWD3qTTV6E7cFLr602D9CAHRuOqS1_Ma/s400/la+rue+pecquet.jpg" width="331" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A cette période, Sickert expose essentiellement au <i>New English Art Club</i>, association fondée en 1885, qui réunit de jeunes peintres anglais comme Sargent, admirateurs de l'<i>Impressionnisme français</i> et opposés au traditionalisme de la <i>Royal Academy</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1894 et 1904, Sickert fait de nombreux voyages à Venise et produit ainsi de nombreuses toiles relatives à cette ville. On voit bien le passage de son style de l'Impressionnisme à une sorte d'Expressionisme extrêmement personnel. Lors d'un séjour particulièrement pluvieux, il fera quelques portraits toujours inspirés de l'art de l'éclairage de Degas <i>(La Giuseppina)</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La place St-Marc, Venise</u>. Huile sur toile, 1895.</i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicAyeaktro5wGlVhhgjhubusaFaTG5Cd4an11Z6ekAHrMwzf4Sw2PO4AL6RnDdDdpnCPzr_c1UsO46405F7fg1UnE2Rvsa-YfAf6G71OqFnvwQIdZXLKKxByZmNTu8uoMmGfLPUlyMiVj-/s1600/venise+95.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicAyeaktro5wGlVhhgjhubusaFaTG5Cd4an11Z6ekAHrMwzf4Sw2PO4AL6RnDdDdpnCPzr_c1UsO46405F7fg1UnE2Rvsa-YfAf6G71OqFnvwQIdZXLKKxByZmNTu8uoMmGfLPUlyMiVj-/s400/venise+95.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le pont du Rialto, Venise</u>. Huile sur toile, 1900.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUrru-bNKY0Ciuhkj0Z531SeN_74rgvIRXtAyNsOfCXLSwcmV6CYnL3OPKhQQb2rZqPCLK5ewZIt34G7r5vow90gGu13RoF8zc2G7OGAuR6cyPKX3xuJsMMd6SMF5IioAWGczCdMqpxWj7/s1600/boy+und+schwester+inspiration+walter+sickert+gold+yellow+venice.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUrru-bNKY0Ciuhkj0Z531SeN_74rgvIRXtAyNsOfCXLSwcmV6CYnL3OPKhQQb2rZqPCLK5ewZIt34G7r5vow90gGu13RoF8zc2G7OGAuR6cyPKX3xuJsMMd6SMF5IioAWGczCdMqpxWj7/s400/boy+und+schwester+inspiration+walter+sickert+gold+yellow+venice.jpg" width="335" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La place St-Marc, Venise</u>. Huile sur toile, 1901-1902.</i></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKA_RJ1WNAe3Bz68oYQv6W8MiNVskk_M_QGR0Gsb_4MjOj7zLW5UiOxx0iVe6z4uzGVexn_0OCCYF3YlZw9_D8wg7ime5WleLQlM2OQviGYPDGTgy3Zynr-mCWcKmtQXxdg6YXkgb6HCay/s1600/1901-1902.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKA_RJ1WNAe3Bz68oYQv6W8MiNVskk_M_QGR0Gsb_4MjOj7zLW5UiOxx0iVe6z4uzGVexn_0OCCYF3YlZw9_D8wg7ime5WleLQlM2OQviGYPDGTgy3Zynr-mCWcKmtQXxdg6YXkgb6HCay/s400/1901-1902.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Santa Maria Della Salute</u>, Venise. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt7d3cohYYDB-4e5Yz8fTROOdtb84V8d-pXU7aO4hZ-Rjk5Lf9-sPvYx2WhCqP9GeY_RsJ80rtwt1eETaiu1lmR_chzfQhuyFXmYEmtYI65A5u7vviwLBjkiiTpfUoAyn7yhT1nJoyvEN8/s1600/mason6-17-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt7d3cohYYDB-4e5Yz8fTROOdtb84V8d-pXU7aO4hZ-Rjk5Lf9-sPvYx2WhCqP9GeY_RsJ80rtwt1eETaiu1lmR_chzfQhuyFXmYEmtYI65A5u7vviwLBjkiiTpfUoAyn7yhT1nJoyvEN8/s400/mason6-17-5.jpg" width="303" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Giuseppina</u>. Huile sur toile, vers 1904.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG_DA_G1icHVT3dKDmMG36T5nC2vXohBpDrzrGZhNZ3PGZjIf37g__ZKS23wsG2HP2PH3sEzE1oePJHqXxus_g-ZTv1SP5nGhNJwYy2Qeb361WVneBpPXkuYxRIS6xKdccrwv_a_3NQikq/s1600/la+giuseppina.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG_DA_G1icHVT3dKDmMG36T5nC2vXohBpDrzrGZhNZ3PGZjIf37g__ZKS23wsG2HP2PH3sEzE1oePJHqXxus_g-ZTv1SP5nGhNJwYy2Qeb361WVneBpPXkuYxRIS6xKdccrwv_a_3NQikq/s400/la+giuseppina.jpg" width="286" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Bien qu'il ait réalisé assez peu de portrait, Sickert exécute en 1895 le magnifique portrait d'un afghan.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait d'un gentilhomme afghan</u>. Huile sur toile, 1895.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0YF4nhb4_N4VOGCH1aSjhLjVdTNmNHhMgCB7mlmMfJBVfRjfWcpfqxSmqkRin9BG1z-sQ1rZ67BBTKeDByOCx6aqMx0_cYqR6EGyS2vWwwQNVLl4AwrsmksCbmC1dDvOIhpEehrhwE4K/s1600/afghan.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0YF4nhb4_N4VOGCH1aSjhLjVdTNmNHhMgCB7mlmMfJBVfRjfWcpfqxSmqkRin9BG1z-sQ1rZ67BBTKeDByOCx6aqMx0_cYqR6EGyS2vWwwQNVLl4AwrsmksCbmC1dDvOIhpEehrhwE4K/s400/afghan.png" width="280" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sickert s'est parfois adonné à la caricature aussi bien pour des journaux comme le célèbre magazine satirique <i>Vanity Fair</i> qui parût de 1868 à 1914, que dans certains de ses tableaux.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Caricature de Israel Zangwill. Vanity Fair, février 1897.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Israel Zangwill (1864-1926) fût un célèbre humoriste et écrivain. Il fut un militant sioniste et un défenseur de l'émancipation féminine.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXFsbCEV8MRAE-InsQIToLmuiuEzfuYh-cEVKf21RJALqcZ3wFBF3HUTNio7CREiZCpkj141DrnrZ69jDIJjN2SPeg95Oetl9lnQHnN6I4MdX6f3au7fr-vZOyq5aHdU8rJUNjDjXCVP9/s1600/Israel_Zangwill_by_Walter_Sickert_Vanity_Fair_25_February_1897.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXFsbCEV8MRAE-InsQIToLmuiuEzfuYh-cEVKf21RJALqcZ3wFBF3HUTNio7CREiZCpkj141DrnrZ69jDIJjN2SPeg95Oetl9lnQHnN6I4MdX6f3au7fr-vZOyq5aHdU8rJUNjDjXCVP9/s400/Israel_Zangwill_by_Walter_Sickert_Vanity_Fair_25_February_1897.jpg" width="230" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>L'ennui</u>. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3pq7xxg4Q3R9iuoQ-p2oFwjqSMZofevsTKj78iwhRsihjgt-AvJup5h8rP2-92k2rb27IT5jStAxt95tg7R2tOdzKRK91FXpdj244ONw12_vjJgF_5tLBYruqH5EyAbimoN6-ZqtsjsE/s1600/127653.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3pq7xxg4Q3R9iuoQ-p2oFwjqSMZofevsTKj78iwhRsihjgt-AvJup5h8rP2-92k2rb27IT5jStAxt95tg7R2tOdzKRK91FXpdj244ONw12_vjJgF_5tLBYruqH5EyAbimoN6-ZqtsjsE/s400/127653.jpg" width="291" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Cependant les sujets principaux de Sickert sont les classes laborieuses et les prostituées qu'il fréquentait assidument malgré ses trois mariages. Il traite son motif avec un réalisme brutal. On est loin de l'idéalisation des nues d'un Cabanel ou même d'un Renoir. De même, il n'y a pas d'héroïsation du travail comme chez Constantin Meunier. Les intérieurs sont pauvres et tristes et les nues souvent laides. L'art de Sickert est rude. C'est un peu la rencontre de Courbet et de Munch !</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le mineur, blanc et noir</u>. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgju3TikIiDqE9T0-Vxjlh4y9H19AO6vfeAPWknx3Bi2ERtuOzbtmuJhkSDLqLdPo9DUOJ1ShAUc2yxpnwBqXuCeXLG5_chS8Vqm7Hxoar9xHI_RegrYEsogPoEHQ_V8YF94mbyF82QJYD0/s1600/le+mineur+blanc+et+noir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgju3TikIiDqE9T0-Vxjlh4y9H19AO6vfeAPWknx3Bi2ERtuOzbtmuJhkSDLqLdPo9DUOJ1ShAUc2yxpnwBqXuCeXLG5_chS8Vqm7Hxoar9xHI_RegrYEsogPoEHQ_V8YF94mbyF82QJYD0/s400/le+mineur+blanc+et+noir.jpg" width="235" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Les chaussures aux nœuds roses</u>. Huile sur toile, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>1902-1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9f1KMovjuM3iz6W5dFzQhg4mPXJfp_Rb_LDXIxaBHiwomyKoHCNj51G7tETS11Km-clJNtDfQW_Bhkf261ZvckBoRPcvBD6UdK2BUJrVZi86w4XUmD3zTyC0Sidtzz3INVlmxJeEsWP5Q/s1600/Sickert_Rose_Shoe+1902-1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9f1KMovjuM3iz6W5dFzQhg4mPXJfp_Rb_LDXIxaBHiwomyKoHCNj51G7tETS11Km-clJNtDfQW_Bhkf261ZvckBoRPcvBD6UdK2BUJrVZi86w4XUmD3zTyC0Sidtzz3INVlmxJeEsWP5Q/s320/Sickert_Rose_Shoe+1902-1905.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Bonne fille</u>. Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUDVGP5XV5DzSQe8RCUdIA05a2QL032UZ4uIuvKeJZ5oGhSG3vh2KNuenqHmmTSJe6ldRokOInspAxgTY6iwgjuu3x0gvs6wAjkRafBFgZlbcUUp1xtxaAdFr6VgvGtyEJdrRsPNGtnzkP/s1600/bonne+fille+1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUDVGP5XV5DzSQe8RCUdIA05a2QL032UZ4uIuvKeJZ5oGhSG3vh2KNuenqHmmTSJe6ldRokOInspAxgTY6iwgjuu3x0gvs6wAjkRafBFgZlbcUUp1xtxaAdFr6VgvGtyEJdrRsPNGtnzkP/s400/bonne+fille+1906.jpg" width="331" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le lit de fer</u>. Pastel, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf9g944d1uPb5iX2IQsfR5djI7N4tvlrj7JonkbSoeAAeGdORmyuD-ENyv8iqIUDcScbCHjR55z2APZL21UddISrQ_N7RGkifnMU9fKKk_zFz8Oasw3fSaPqJtddDQ0uNEitHEcX4RgedX/s1600/le+lit+de+fer+pastel+1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf9g944d1uPb5iX2IQsfR5djI7N4tvlrj7JonkbSoeAAeGdORmyuD-ENyv8iqIUDcScbCHjR55z2APZL21UddISrQ_N7RGkifnMU9fKKk_zFz8Oasw3fSaPqJtddDQ0uNEitHEcX4RgedX/s400/le+lit+de+fer+pastel+1905.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La hollandaise.</u> Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jf912C4sN2Ektk4nklsPE7-0sIx0xuhO7izTHX3Q7nGhu0OSgXi7EiRXhzEyHnsnVNwZlw6m2YSzATZL2ZhyHozIxzqJthCZdVwltNaw-qCLCBZNnKGrMKW78Y-v7Vofj4kSDXtO-Z88/s1600/hollande.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jf912C4sN2Ektk4nklsPE7-0sIx0xuhO7izTHX3Q7nGhu0OSgXi7EiRXhzEyHnsnVNwZlw6m2YSzATZL2ZhyHozIxzqJthCZdVwltNaw-qCLCBZNnKGrMKW78Y-v7Vofj4kSDXtO-Z88/s400/hollande.png" width="301" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le lit de fer</u>. Huile sur toile, 1906.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsujYckXRZzjOM3sOvyjQxu_V6-qkVMaSzn6C-Zwjhj0S4fP5BN0uu3iMztvXvvIUTbuY4pW18fIfmDh3KY6i_vzlIGHmQmbiSfrU1ssqqkIH2tRDP5e6VHCbuS5iM-AbEQmNb_iJ0gxCC/s1600/le+lit+de+fer+1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsujYckXRZzjOM3sOvyjQxu_V6-qkVMaSzn6C-Zwjhj0S4fP5BN0uu3iMztvXvvIUTbuY4pW18fIfmDh3KY6i_vzlIGHmQmbiSfrU1ssqqkIH2tRDP5e6VHCbuS5iM-AbEQmNb_iJ0gxCC/s400/le+lit+de+fer+1906.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Nue en contre-jour</u>. Huile sur toile, 1907.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZR59qJO0GBEChrxCDOrvwQOvyImOEu8Ui54bJqdJic7rELiqYg-Lu7GQuGzloWRiFBeHPRXBz3TZYJBdPJ8wcDYa7ewKY5dChjodVMbsinL6XbapTJUMTw1bvZGGkxP-6jAc0aXV_VyJs/s1600/nue+en+contre+jour,+1907.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZR59qJO0GBEChrxCDOrvwQOvyImOEu8Ui54bJqdJic7rELiqYg-Lu7GQuGzloWRiFBeHPRXBz3TZYJBdPJ8wcDYa7ewKY5dChjodVMbsinL6XbapTJUMTw1bvZGGkxP-6jAc0aXV_VyJs/s400/nue+en+contre+jour,+1907.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Nue debout à côté d'un lit de fer</u>. Huile sur toile, 1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1otETEHlIm46YrlIDs9Tsp8ylcGRlFLZE3VGDoVWV8FxDXDm043jNJfIHZe6xtaT6y73vm8cYK3VcAKyCCi23_9JT1DJwodrtRMY6lbYoID14nJKFKtBRvGvhdqQ4wYB4ISeX1WBEzv6Q/s1600/nue+debout+a+co%CC%82te%CC%81+d'un+lit+en+fer+1909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1otETEHlIm46YrlIDs9Tsp8ylcGRlFLZE3VGDoVWV8FxDXDm043jNJfIHZe6xtaT6y73vm8cYK3VcAKyCCi23_9JT1DJwodrtRMY6lbYoID14nJKFKtBRvGvhdqQ4wYB4ISeX1WBEzv6Q/s400/nue+debout+a+co%CC%82te%CC%81+d'un+lit+en+fer+1909.jpg" width="271" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La maigre Adeline</u>. Huile sur toile.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvh31OQIo6O3hxrD5xjhnkJbR9wLig322tVSFhJnej8-v5GiQIx3wcuyXJ15WDz_kmJKLu_7IjEuZtd7zsIc9b4cgtHD0K9Oz-35ogOrtDyZkQdHON-BJ0CpLKXq4ryDK9Ssj-Ib5VAy_V/s1600/la+maige+adeline.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvh31OQIo6O3hxrD5xjhnkJbR9wLig322tVSFhJnej8-v5GiQIx3wcuyXJ15WDz_kmJKLu_7IjEuZtd7zsIc9b4cgtHD0K9Oz-35ogOrtDyZkQdHON-BJ0CpLKXq4ryDK9Ssj-Ib5VAy_V/s400/la+maige+adeline.jpg" width="338" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Il est incontestable que ces nues aux chaires flasques et rosâtres, aux ombres grises ont inspirés de nombreux artistes anglais comme Lucian Freud.</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Pour être plus près du motif, Sickert louait des ateliers dans des quartiers populaires de Londres, à <i>Cumberland Market</i> dans les années 1890 et à <i>Camden Town</i> en 1905. En 1907, une prostituée est égorgée dans le quartier après avoir eu des relations sexuelles avec son assassin. Ce meurtre fit la une des journaux et passionna Sickert qui réalisa un tableau l'année suivante, relatif à ce fait divers.</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>Le meutre de Camden Town</u>. Huile sur toile, 1908.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzhU756XyqhaFQJkgz0r1LOWfzh1-kX0UTiv_vU-263Aob5vEwiVxCnZCe6ClvLx3KHp-kf3S8vNpIdgvLmmIQfcnTk3G1qjtrSOkaFwXiIZMZA5uqs4aZChWPtVAMEvBDhtDF09MgrM5/s1600/The-Camden-Town-Murder-by-001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzhU756XyqhaFQJkgz0r1LOWfzh1-kX0UTiv_vU-263Aob5vEwiVxCnZCe6ClvLx3KHp-kf3S8vNpIdgvLmmIQfcnTk3G1qjtrSOkaFwXiIZMZA5uqs4aZChWPtVAMEvBDhtDF09MgrM5/s400/The-Camden-Town-Murder-by-001.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Ce tableau est intrigant pour plusieurs raison. S'il n'y avait pas le titre, on pourrait imaginer simplement le départ du client après une passe avec une prostituée. Sickert gomme tout pathos et effets sanguinolents. Du reste, le tableau porte un autre titre, en forme de pied-de-nez aux critiques : <i>Comment allons-nous payer le loyer</i> ? Et de fait l'homme accablé peut très bien se poser une telle question. Un autre titre, toujours de Sickert, est <i>Après-midi d'été</i>.</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie de Richard Sickert par </i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Georges Charles Beresford, 1911.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFlFjG2CexpHRhXcCXFEOTlK3vEhRtYfGJMiZpPRE8gqJauagVwTiOQhSyr6FwT7mr29_kOeF4SPyGdNk8FJgxuybtJG-txuSfhEIkJt5AsjwFwJFBwqH0PR5YXU-7KZhVG3A9SAjlJJCq/s1600/Walter_Sickert_photo_by_George_Charles_Beresford_1911.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFlFjG2CexpHRhXcCXFEOTlK3vEhRtYfGJMiZpPRE8gqJauagVwTiOQhSyr6FwT7mr29_kOeF4SPyGdNk8FJgxuybtJG-txuSfhEIkJt5AsjwFwJFBwqH0PR5YXU-7KZhVG3A9SAjlJJCq/s400/Walter_Sickert_photo_by_George_Charles_Beresford_1911.jpg" width="281" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie de Richard Sickert vers 1915.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ5fq2IvTBGoshnfmp3vuFf7diFOPPfB7P6wNzHy0G-R-PF9Y-bviQ0Sa8Kep0XFfbWVJSR0gkEIJlr-XhuDAoeHLhkYyg0Zd0WLxs4IWSx8tmH_YvdFjVJ8IF-XXQ_iqYn7udpdXyEP-V/s1600/VotreDevoueJackLEventreurEtaitUnArtiste_original-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ5fq2IvTBGoshnfmp3vuFf7diFOPPfB7P6wNzHy0G-R-PF9Y-bviQ0Sa8Kep0XFfbWVJSR0gkEIJlr-XhuDAoeHLhkYyg0Zd0WLxs4IWSx8tmH_YvdFjVJ8IF-XXQ_iqYn7udpdXyEP-V/s400/VotreDevoueJackLEventreurEtaitUnArtiste_original-1.jpg" width="315" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Sickert a aussi réalisé quelques scènes d'intérieur qui se situe dans des milieux plus bourgeois comme <i>La nouvelle maison</i>, où on voit une femme assise qui semble éplorée, sans doute, de s'installer dans un intérieur qu'elle ne connaît pas.</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>La nouvelle maison</u>. Huile sur toile.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQiTMHv3iRjle1kfN2krkPrZWcgYhW7UMm5lh7JVnJOP82IbiRDgDYfe4Vl66nOvwQea6XXlqrzcbKvny4BFZRhyNCy5HFEbIv7kVmXc9Y8ceXnTRwyj6SiGRhzMQFb4smjcbAsz82c8Om/s1600/la+nouvelle+maison.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQiTMHv3iRjle1kfN2krkPrZWcgYhW7UMm5lh7JVnJOP82IbiRDgDYfe4Vl66nOvwQea6XXlqrzcbKvny4BFZRhyNCy5HFEbIv7kVmXc9Y8ceXnTRwyj6SiGRhzMQFb4smjcbAsz82c8Om/s320/la+nouvelle+maison.jpg" width="251" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Femme lisant un journal. Huile sur toile.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwEzsqAIIq5m4Xm4JImvmEjRTe3-_cyDGUqwfwro_La6v6XPQdu6rj3XtXNHFBvR5ZZgp0Dp0D0WQDoY7AFsIpZtBF9o0NceaTTCIbjlRRD665etCF4dm3pkE1sV_ZeuiJ466ZTLB1gGq/s1600/sickert4_EX.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwEzsqAIIq5m4Xm4JImvmEjRTe3-_cyDGUqwfwro_La6v6XPQdu6rj3XtXNHFBvR5ZZgp0Dp0D0WQDoY7AFsIpZtBF9o0NceaTTCIbjlRRD665etCF4dm3pkE1sV_ZeuiJ466ZTLB1gGq/s400/sickert4_EX.jpg" width="310" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Juste avant la Guerre de 14, il patronne un groupe de jeunes artistes d'avant garde comme Augustus John (1878-1961), Wyndham Lewis (1882-1957) ou Jacob Epstein (1880-1959), dont certains font partie du <i>Mouvement Vorticiste</i> initié par Ezra Pound (1885-1972). Il fonde aussi le <i>Groupe de Camden Town</i> dont font partie Lucien Pissaro (1863-1944, fils de Camille), Augustus John ou Henry Lamb (1883-1960). Il a été aussi professeur à la <i>Westminster School Art</i> de 1908 à 1912 et de 1915 à 1918.</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>Autoportrait</u>. Huile sur toile, 1920.</i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeuoa1Fmw3ZyaqrepgoQ-nwEkZCsR-KimkKWLqygUZuqzTnn93OeZnLuXwazpZHMpt1nSb0KVo8oupP5RAny_3cqzV2agEk5WLV9GUwoiXAwXlUL28TBimhJyJLFuUPWmGatLPiYSQCvA2/s1600/auto.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeuoa1Fmw3ZyaqrepgoQ-nwEkZCsR-KimkKWLqygUZuqzTnn93OeZnLuXwazpZHMpt1nSb0KVo8oupP5RAny_3cqzV2agEk5WLV9GUwoiXAwXlUL28TBimhJyJLFuUPWmGatLPiYSQCvA2/s400/auto.png" width="332" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i><u>High Steppers</u>. Huile sur toile, 1930. </i></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNODdpg0FRkjD_qwRCSR0TN_JzoupIPcdc-VXGo6KYcPH4CiBeDKPs-RjpBfMVd4qNc2eyvkASoIuoxNj7eEnd5IYY_KjIs103TPsKROMiKricRalAaIaCHrbMMv6pe60iqkzMWAt1gxKA/s1600/10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNODdpg0FRkjD_qwRCSR0TN_JzoupIPcdc-VXGo6KYcPH4CiBeDKPs-RjpBfMVd4qNc2eyvkASoIuoxNj7eEnd5IYY_KjIs103TPsKROMiKricRalAaIaCHrbMMv6pe60iqkzMWAt1gxKA/s400/10.jpg" width="366" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Walter Sickert est mort à Bath en 1942 à l'âge de 81 ans.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Walter Sickert avec sa </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>troisième femme en 1940.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6hSH6V0Dz05BqqrHQ5eUI8PlYFFN5wHSN1ZLdXl_lppaqhXB6jCztu2KRqCZ8OsGSMsvecC59DA_OOz-ju-sXsI9KDSDZ64hDtUlrv9bzevpi_Q0yUVnGUMCblSZ0q-oKdWy2SF_K6X-6/s1600/Waltersickertphoto1940.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6hSH6V0Dz05BqqrHQ5eUI8PlYFFN5wHSN1ZLdXl_lppaqhXB6jCztu2KRqCZ8OsGSMsvecC59DA_OOz-ju-sXsI9KDSDZ64hDtUlrv9bzevpi_Q0yUVnGUMCblSZ0q-oKdWy2SF_K6X-6/s400/Waltersickertphoto1940.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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</div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-49137923145433844512012-04-02T00:07:00.020-07:002012-04-03T10:57:29.760-07:00Brasseries et cafés V : L'Hôtel Europa à Prague<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'Hôtel Europa</i> à Prague a été construit sur la Place Venceslas, en réalité une large avenue, qui est le lieu historique par excellence de l'une des plus belles villes d'Europe. Rappelons le suicide de l'étudiant Jan Palach, qui s'est immolé par le feu au pied de la statue du saint patron de la Bohème en janvier 1969 pour protester contre la <i>normalisation</i> soviétique qui s'était abattue sur la Tchécoslovaquie après le <i>Printemps de Prague</i>. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Jan Palach, pour ne jamais oublier</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>ceux qui sont morts pour la liberté.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdn5SqZpoq9wpnKc00SiebjtQM7vzf2IbAfx3Ge5nUj49OAg_OzO2Xrtlk-fht7QOSuuAmpDaZjN8S0xnd6doRYQP7akTxFD-xpU0ZhhHAroM6XZoihyphenhyphengvV9SaSI1I0rLyvQjyN2mPAH-5/s1600/jan-palach1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdn5SqZpoq9wpnKc00SiebjtQM7vzf2IbAfx3Ge5nUj49OAg_OzO2Xrtlk-fht7QOSuuAmpDaZjN8S0xnd6doRYQP7akTxFD-xpU0ZhhHAroM6XZoihyphenhyphengvV9SaSI1I0rLyvQjyN2mPAH-5/s400/jan-palach1.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Place Venceslas à Prague. Vue générale.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAfq9_nkWOy9pvhFr07vh_Xht3WBE4SDlChUdEejsd1rvumsPzjd9pSxKUoK-ylYqp6lhGJSEVu6EUoyLhIABCMOLUNw8Ao227MH2w9VkArNsVGKi7NJjYKuAdfSSavT62lw1gAJElZ0vf/s1600/general_newtown_wenceslas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAfq9_nkWOy9pvhFr07vh_Xht3WBE4SDlChUdEejsd1rvumsPzjd9pSxKUoK-ylYqp6lhGJSEVu6EUoyLhIABCMOLUNw8Ao227MH2w9VkArNsVGKi7NJjYKuAdfSSavT62lw1gAJElZ0vf/s400/general_newtown_wenceslas.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Un premier édifice avait été installé en 1899 qui portait le nom de <i>Archiduc Etienne</i>. </span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Carte postale. L'Hôtel Archiduc Etienne. Vers 1900.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbktRkTJOFQiDHaKouyjS7jsw8_qf8UbE-uhZg2_HoB0AivNZn0jhHMLfXl-LDqkfn2vHII388KDRok6RwxyGnqS_fWl_CRmnhpD9MRTFPm3SbYYy-YVDQwW2ozwKmW9E45bGIS3hRwTsO/s1600/467-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbktRkTJOFQiDHaKouyjS7jsw8_qf8UbE-uhZg2_HoB0AivNZn0jhHMLfXl-LDqkfn2vHII388KDRok6RwxyGnqS_fWl_CRmnhpD9MRTFPm3SbYYy-YVDQwW2ozwKmW9E45bGIS3hRwTsO/s400/467-1.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">C'est entre 1903 et 1906 que les architectes Bedrich Bendelmayer et Alois Dryak dirigèrent la construction du bâtiment actuel en style <i>Secession</i>.</span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Bedrich Bendelmayer est né en 1871. Sculpteur et architecte, il a construit de nombreux immeubles à Prague entre 1905 et 1913. On lui doit aussi les <i>Bains Publics</i> de Plzen (1928-1931). Il est mort en 1932.</span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Bedrich Bendelmayer. <u>Athlète</u>. Bronze, vers 1900.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFszw4u8_EybenaQbr94Q88TU7qmJo_X6i3qjMsKp76kNbRlZW4eqhy6KzF0ML9q3rdOdO851GyE4DYKwO7kMKv3KD_QdGuKoNngZw7ydkcAPoDT1QkRRYprFm-e5F5S2e_boFzDRJclYH/s1600/athlete+vers+1900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFszw4u8_EybenaQbr94Q88TU7qmJo_X6i3qjMsKp76kNbRlZW4eqhy6KzF0ML9q3rdOdO851GyE4DYKwO7kMKv3KD_QdGuKoNngZw7ydkcAPoDT1QkRRYprFm-e5F5S2e_boFzDRJclYH/s400/athlete+vers+1900.jpg" width="177" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bedrich Bendelmayer. Projet. Aquarelle, 1903.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaEjQwLsv2AnxHNk3JQxWLdrK5dw_gaahTW7afVNbj65pzekj928CmitguEylWBaSNGlPvtp101BHRoyPefvpVNsHO5f_6_uTYjHzxazSKaOukb33N-IBEG9cZ8Az6n-MWo2hKm8X83sT-/s1600/1903.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaEjQwLsv2AnxHNk3JQxWLdrK5dw_gaahTW7afVNbj65pzekj928CmitguEylWBaSNGlPvtp101BHRoyPefvpVNsHO5f_6_uTYjHzxazSKaOukb33N-IBEG9cZ8Az6n-MWo2hKm8X83sT-/s400/1903.jpg" width="243" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bedrich Bendelmayer. Immeuble avec atelier </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>d'artiste, Prague. 1903-1904.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGUG1fUyYoMBVc_gIY54V3mX5qI1MD8q3RXtWhtQXlP-8KHidOkdra0xJm_a7LmB3r5Lg7vBzCrHtE7lXnncHB8TWyzPiiJD-drWrGXQRFNJVeQ-WgAYqArIXIUUD45sD4t7mlQrqcT_el/s1600/1903-1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGUG1fUyYoMBVc_gIY54V3mX5qI1MD8q3RXtWhtQXlP-8KHidOkdra0xJm_a7LmB3r5Lg7vBzCrHtE7lXnncHB8TWyzPiiJD-drWrGXQRFNJVeQ-WgAYqArIXIUUD45sD4t7mlQrqcT_el/s400/1903-1904.jpg" width="276" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Alois Dryak est né en 1872. Il a construit de nombreux bâtiments dans la capitale tchécoslovaque et dans des villes comme Ceska Trebova à 100 km à l'est de Prague. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Alois Dryak.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiETeKei-KfPehujkYmcqe0eHxrfdJ_5nUiIkRWdE-XQBWSNKdOgwaiCktLQ33QBD2fjNTIHV0Ug8CpIv_fTSzlgTj0vfEj_4BF8KL94pcEAl7PcvVyhd203rmsZlEgqtTpiaayvHpbwZl6/s1600/DryakAlois.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiETeKei-KfPehujkYmcqe0eHxrfdJ_5nUiIkRWdE-XQBWSNKdOgwaiCktLQ33QBD2fjNTIHV0Ug8CpIv_fTSzlgTj0vfEj_4BF8KL94pcEAl7PcvVyhd203rmsZlEgqtTpiaayvHpbwZl6/s400/DryakAlois.jpg" width="272" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alois Dryak. Ancien Hôtel Garni, Prague. 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjti37bki3_qEOkqhRHd9YLV9lMG_oxPtUV7vsXy5AwmqM9KLVoRiDuyycdvWEOnb68ReDZOD9fFq4sIRFvZsGf1IJIt6j_LRH1n7Bfgkuy8WY_w2xF9a4ct84eCN5otVnImAdmpSPn6r5f/s1600/WAG41e995_Dryak_Garni1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjti37bki3_qEOkqhRHd9YLV9lMG_oxPtUV7vsXy5AwmqM9KLVoRiDuyycdvWEOnb68ReDZOD9fFq4sIRFvZsGf1IJIt6j_LRH1n7Bfgkuy8WY_w2xF9a4ct84eCN5otVnImAdmpSPn6r5f/s400/WAG41e995_Dryak_Garni1.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alois Dryak. Villa Vyskocil, Ceska Trebova. Vers 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpOygMlya4psEZzD64VsQvIb7H16yynBky_eJByZcoaQrGUxGx3syOvGO5cFlTORg9gExzpsEcyDYk47SYpcKDR0pK9nl8gIk-rkOL1bf2gGE5zKAcRXchxu0xaSVR_yqfOdilADCPD83/s1600/716px-Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpOygMlya4psEZzD64VsQvIb7H16yynBky_eJByZcoaQrGUxGx3syOvGO5cFlTORg9gExzpsEcyDYk47SYpcKDR0pK9nl8gIk-rkOL1bf2gGE5zKAcRXchxu0xaSVR_yqfOdilADCPD83/s400/716px-Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-1.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio8eCDXg76CXg2S5IYYeXUHD_cCWwfo9mADlSra8h2SUNPRRpqPvPj8TLHPYfXC_jcEXa-dScmrVyv2bmkVXFv3Ytg-bqOO44GYkttozhi1FfeTl-IOeMRxq0Qo4-KO47DUAs_m2lqLH_j/s1600/800px-Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio8eCDXg76CXg2S5IYYeXUHD_cCWwfo9mADlSra8h2SUNPRRpqPvPj8TLHPYfXC_jcEXa-dScmrVyv2bmkVXFv3Ytg-bqOO44GYkttozhi1FfeTl-IOeMRxq0Qo4-KO47DUAs_m2lqLH_j/s400/800px-Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-2.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4WZRsprTng9bTtsBZUvmyx9-H8Gzq4Tu1JKZAx-oA94GLOIdbhrr-L7baZJqEmzDKfMn5YC_cS4Val9QI6OWEFBdaF48vdUVWu8A3-BBVZ_pccyNWU_-4qgCw8gqOLmLtd-37t-QJaVsB/s1600/Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4WZRsprTng9bTtsBZUvmyx9-H8Gzq4Tu1JKZAx-oA94GLOIdbhrr-L7baZJqEmzDKfMn5YC_cS4Val9QI6OWEFBdaF48vdUVWu8A3-BBVZ_pccyNWU_-4qgCw8gqOLmLtd-37t-QJaVsB/s400/Ceska-Trebova-Alois-Dryak-Vyskocilova-Vila-3.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alois Dryak. Lycée de Ceska Trebova. 1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjoFlvTmDz1mtaeW_fbOrovXMbcWjp1b8cp_F86GTRxP629pOgnGXwp3kO2pCtAF2fsPVeXNmy4ypjWZH6pJ8sgH45Wdhc3ykliHpMktdUU7DXOXvCPzsrFr37MEvLBxIWUYGBhyphenhyphen_XJnfn/s1600/Ceska-Trebova-Alois-Dryak-Gymnazium-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjoFlvTmDz1mtaeW_fbOrovXMbcWjp1b8cp_F86GTRxP629pOgnGXwp3kO2pCtAF2fsPVeXNmy4ypjWZH6pJ8sgH45Wdhc3ykliHpMktdUU7DXOXvCPzsrFr37MEvLBxIWUYGBhyphenhyphen_XJnfn/s400/Ceska-Trebova-Alois-Dryak-Gymnazium-3.jpg" width="280" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9AE5KtfbShtNB_W6HDhPx1bWKJ3MokG_GoO-ZO_0mCW5ouMxnXS5FMycNw8Zh6puJk_B59OoBwXAz75zc5usUprTdtryG4IuGP1n1Ym3Kgpou08ZBPRMcPJ1JkeeHr6bkKEfC9wrL_9XI/s1600/450px-Ceska-Trebova-Alois-Dryak-Gymnazium-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9AE5KtfbShtNB_W6HDhPx1bWKJ3MokG_GoO-ZO_0mCW5ouMxnXS5FMycNw8Zh6puJk_B59OoBwXAz75zc5usUprTdtryG4IuGP1n1Ym3Kgpou08ZBPRMcPJ1JkeeHr6bkKEfC9wrL_9XI/s400/450px-Ceska-Trebova-Alois-Dryak-Gymnazium-4.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Alois Dryak. Villa du directeur du lycée, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ceska Trebova. 1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCxSl-lFzSgXzPmhx4noAv0ORIwVBsYL8UCjVxu_LBsiooY_M5KyN1yM0jU3HZiHmQFoL5W_oZxZR3DFXtBtBqvbXp_pz25i9_GTB0zqm0uIbeIHzhS5iWxKQBZiXU4xkx1KOLtV1AXcLk/s1600/800px-Ceska-Trebova-Alois-Dryak-Gymnazium-villa+du+directeur+19092.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCxSl-lFzSgXzPmhx4noAv0ORIwVBsYL8UCjVxu_LBsiooY_M5KyN1yM0jU3HZiHmQFoL5W_oZxZR3DFXtBtBqvbXp_pz25i9_GTB0zqm0uIbeIHzhS5iWxKQBZiXU4xkx1KOLtV1AXcLk/s400/800px-Ceska-Trebova-Alois-Dryak-Gymnazium-villa+du+directeur+19092.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Alois Dryak est aussi le concepteur du piédestal de la statue de Saint Venceslas sur la place éponyme de Prague. Il est mort en 1932.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4Vcjvbixz8o9SM7wBFGYNpKVQYzlXeueGhttk5D_o9MdMYh22zkbAFmA7ONhbGgrNxSUflMzq86I4EseVWOSFJjPQbU5JsgxD7y_apiDeIXOqrQVHhxXflQH0NuOkEwIaR57SjeSJmcr/s1600/2493953_com_prague.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4Vcjvbixz8o9SM7wBFGYNpKVQYzlXeueGhttk5D_o9MdMYh22zkbAFmA7ONhbGgrNxSUflMzq86I4EseVWOSFJjPQbU5JsgxD7y_apiDeIXOqrQVHhxXflQH0NuOkEwIaR57SjeSJmcr/s400/2493953_com_prague.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Bedrich Bendelmayer et Alois Dryak ont tous deux été élèves de Bedrich Ohmann (1858-1927). Celui-ci les associe à la construction de l'un des premiers bâtiments <i>Art Nouveau</i> de Prague, l'<i>Hôtel Central</i>, dont il ne subsiste que la façade.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bedrich Ohmann, Bedrich Bendelmayer, Alois Dryak. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hôtel Central, Prague. 1899-1902.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE4anD1yQdxVeFfx6Pu0YG8uI_i8HTorXYUkEsPgF3i0rAw9kXVpIP_Ln_HjX7LnyZEzFbOuAWzWhRx5XZmyuf_kaSutbDxoIqNeJtkpcrHmXyUhiZXq7Y-0o_mYd2nXt32-CeAc5OejeC/s1600/tumblr_lq9nviNwlP1ql2aiao1_500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE4anD1yQdxVeFfx6Pu0YG8uI_i8HTorXYUkEsPgF3i0rAw9kXVpIP_Ln_HjX7LnyZEzFbOuAWzWhRx5XZmyuf_kaSutbDxoIqNeJtkpcrHmXyUhiZXq7Y-0o_mYd2nXt32-CeAc5OejeC/s400/tumblr_lq9nviNwlP1ql2aiao1_500.jpg" width="267" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9O7Vtg7oO-aI4BFsfJn6t3vbZbOP-VZHHP9BEMGcwazfsfNrJed9t1Zq5MmEgNV-AdTFi6Z7PmlfpY2MSBrBcZnTuaa6rXIptxaybc-FYKi_x_CEKKyphSXYz8KAkTH364fKTsXmroI7y/s1600/dr237323.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9O7Vtg7oO-aI4BFsfJn6t3vbZbOP-VZHHP9BEMGcwazfsfNrJed9t1Zq5MmEgNV-AdTFi6Z7PmlfpY2MSBrBcZnTuaa6rXIptxaybc-FYKi_x_CEKKyphSXYz8KAkTH364fKTsXmroI7y/s400/dr237323.jpg" width="263" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2JWj_7S1ty2QTOkadKJhrUiH4mM34EL9gBTIzFOqw5peEJd4gM3Au7BM4Dke4R6N3Tbf_FlY4nst0bwjABUVfcwOWFNjpZGQSUpY6svV1cWECNq2v3t5o3a9Ly9b1-rmWPW2NZ5N-rRbN/s1600/800px-Prag_Hotel_Central_Detail_1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2JWj_7S1ty2QTOkadKJhrUiH4mM34EL9gBTIzFOqw5peEJd4gM3Au7BM4Dke4R6N3Tbf_FlY4nst0bwjABUVfcwOWFNjpZGQSUpY6svV1cWECNq2v3t5o3a9Ly9b1-rmWPW2NZ5N-rRbN/s400/800px-Prag_Hotel_Central_Detail_1.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La façade de l'<i>Hôtel Europa</i> est typiquement <i>Sécession</i> avec un oriel central et un grand fronton semi-circulaire très décoré s'opposant à la relative sobriété de la façade. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Bendelmeyer et Dryak. Façade de l'Hôtel Europa.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7gqMxbKSS_SqsVWaU-CRX4ql46fEBMSmzFT11CsprZfiOSDaIXJwM6sXhpyQ_BWGWH7zl-c6N5QJVWL7fZ6nr2eOzGHlmxPO4nDedTvv5P7tKCkBrmxHLZY9Vf8WclhArEMF0zMFe_U0/s1600/75706e471def435fa0ba185fd3265095.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7gqMxbKSS_SqsVWaU-CRX4ql46fEBMSmzFT11CsprZfiOSDaIXJwM6sXhpyQ_BWGWH7zl-c6N5QJVWL7fZ6nr2eOzGHlmxPO4nDedTvv5P7tKCkBrmxHLZY9Vf8WclhArEMF0zMFe_U0/s400/75706e471def435fa0ba185fd3265095.jpeg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le tympan du fronton est ornée d'une mosaïque et surmontée d'un groupe de trois femmes portant une lanterne.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbDqK2wJQxwbbVzHu9rVD6D5wJg7Z7vIXiDYqfs4muntu0uk7ZIjNeyrR5v7V1TDcirpHHgU7JJSipLD536VqUyLiV9efwyAbpOAvVkwbEBZwuOohDYTRl7OTG0y7bk0XQoPjHR8SIt3KH/s1600/Grand_hotel_europa_Prague.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbDqK2wJQxwbbVzHu9rVD6D5wJg7Z7vIXiDYqfs4muntu0uk7ZIjNeyrR5v7V1TDcirpHHgU7JJSipLD536VqUyLiV9efwyAbpOAvVkwbEBZwuOohDYTRl7OTG0y7bk0XQoPjHR8SIt3KH/s400/Grand_hotel_europa_Prague.JPG" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN4dvHxeVcHTHO9Fk9mAtREd7xfk43fy5CEI-7op25S1wt1Z4X-ojm6gt8sjFIDhGaYq0fjHCoMSZ798Q5ccO1zHAgtSlcL-yFH1VuJ6N8D3zFPKLux1X-1rqJ2RFvzhV_MlQHd_w56i38/s1600/2089022014_2f2742e213_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN4dvHxeVcHTHO9Fk9mAtREd7xfk43fy5CEI-7op25S1wt1Z4X-ojm6gt8sjFIDhGaYq0fjHCoMSZ798Q5ccO1zHAgtSlcL-yFH1VuJ6N8D3zFPKLux1X-1rqJ2RFvzhV_MlQHd_w56i38/s400/2089022014_2f2742e213_o.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcQdLsaCwP-coSN_ypvw9tVZigVdZHucCfJBytR3VXNmFMMtgBi8mMCYKkVW22c5MAFV52CIMOZSXeB2uGUXAvgDhXfnWWZdRIK5blihwOJQ43IARZI0DTwFTNfRkgLiY0ew1yMZVTZuAX/s1600/M3DRD00Z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcQdLsaCwP-coSN_ypvw9tVZigVdZHucCfJBytR3VXNmFMMtgBi8mMCYKkVW22c5MAFV52CIMOZSXeB2uGUXAvgDhXfnWWZdRIK5blihwOJQ43IARZI0DTwFTNfRkgLiY0ew1yMZVTZuAX/s400/M3DRD00Z.jpg" width="298" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXbHWWlviqgm-XsZZDx3J8-4_DXfVQ9DB2H8s_tULh7e13fO_GVECys66lmirXnLC4ak6U6S34bUTx1KAbisB3viAfx3S31moK_3im9ZQBV8vyJ06hbN7UoXaFOuo5eKj1FmuzTq42Mr9I/s1600/apropos4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXbHWWlviqgm-XsZZDx3J8-4_DXfVQ9DB2H8s_tULh7e13fO_GVECys66lmirXnLC4ak6U6S34bUTx1KAbisB3viAfx3S31moK_3im9ZQBV8vyJ06hbN7UoXaFOuo5eKj1FmuzTq42Mr9I/s1600/apropos4.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La décoration sculptée est due à Ladislav Saloun (1870-1946), qui est un des artistes les plus importants de la période <i>Sécession</i> à Prague. Son œuvre la plus connue est le <i>Monument à Jan Hus</i> (1915) sur la Place de la Vieille Ville à Prague.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgydQWUQU8r5gE93Z1Jw93Jt2-XP-ntbAxdzHU2LejGdPuc3hGegnn8-2XVul3Nvvqf7lOt0jnuZ5E6kMLVpEZtDplJlaZAlg9fKamcQRBb-6hHpFnUBMh5Spb28Y1RRhUFu0LjNEaxht18/s1600/Prague_hus_statue.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgydQWUQU8r5gE93Z1Jw93Jt2-XP-ntbAxdzHU2LejGdPuc3hGegnn8-2XVul3Nvvqf7lOt0jnuZ5E6kMLVpEZtDplJlaZAlg9fKamcQRBb-6hHpFnUBMh5Spb28Y1RRhUFu0LjNEaxht18/s400/Prague_hus_statue.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On lui doit aussi la statue de Rabbi Löwe avec le Golem sur la façade du <i>Nouvel Hôtel de Ville</i>, d'après la vieille légende popularisée par Gustav Meyrink (1868-1932), dans son roman <i>Le Golem</i> (1915).</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFoLaV-AlGJZPVBX8GfcukBi64KC-tcg5h9S48YUpT3U95gBh_tFPHCmcq83umfUpXgvRbkJoMPFmJv99xPM4Tr7TM9f1l_CYZIxT9Ju1NK4_fbZ2Y011SEYRkZg9eBrR9Dm9Bkjfz_MNd/s1600/rabbi+lowe+et+le+golem+nouvel+hotel+de+ville.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFoLaV-AlGJZPVBX8GfcukBi64KC-tcg5h9S48YUpT3U95gBh_tFPHCmcq83umfUpXgvRbkJoMPFmJv99xPM4Tr7TM9f1l_CYZIxT9Ju1NK4_fbZ2Y011SEYRkZg9eBrR9Dm9Bkjfz_MNd/s400/rabbi+lowe+et+le+golem+nouvel+hotel+de+ville.jpg" width="261" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Baigneuse</u>. Bronze, 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikkRlmuy8nZ24GZxfZK5e9XhgHjrq-TmczPL_S4uHf_5LZtCMB5OYgkpoGoXf77tJ5akamA0sbGElvahDwCeH3Kmtn8i15Rb06c-8jc3lgwsmAhZNgt1S_vx_uN0qzegOH3CLC-K1p4JqR/s1600/salounnudebather13op800p.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikkRlmuy8nZ24GZxfZK5e9XhgHjrq-TmczPL_S4uHf_5LZtCMB5OYgkpoGoXf77tJ5akamA0sbGElvahDwCeH3Kmtn8i15Rb06c-8jc3lgwsmAhZNgt1S_vx_uN0qzegOH3CLC-K1p4JqR/s400/salounnudebather13op800p.jpg" width="198" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Forgeron</u>. Bronze, 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh1eLm05V02QYjEbWhyuWjYsIPk26U7iAv21a4VeV8GXdbTX7Z-83tBmRT36m2eTA66B8JG2mL91Rk-V-e99uOFEhrs5QOal0XjaFtiBbiEhQFX2tTG4iyloPHuS3hJ9KPwqf-7ycPI3el/s1600/op800forgeron1910.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh1eLm05V02QYjEbWhyuWjYsIPk26U7iAv21a4VeV8GXdbTX7Z-83tBmRT36m2eTA66B8JG2mL91Rk-V-e99uOFEhrs5QOal0XjaFtiBbiEhQFX2tTG4iyloPHuS3hJ9KPwqf-7ycPI3el/s400/op800forgeron1910.jpg" width="186" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Tête de Jan Hus</u>. Bronze, 1915.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNp2RW9iev3PHpXNU10Ap8qowvEjzxSlwSVYPYWuTojwbspCv4QWfLx4ZIvG24D7FNb4_bClGAPcqvKiz5ChMY8oMK5Z5CsSN_3Ui50cf3yuIQ7Nel0l30YSkYHsI6W1g1cnbloDXNk1sZ/s1600/saloun_ladislav-jan_hus~300~10509_20090919_190909_312.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNp2RW9iev3PHpXNU10Ap8qowvEjzxSlwSVYPYWuTojwbspCv4QWfLx4ZIvG24D7FNb4_bClGAPcqvKiz5ChMY8oMK5Z5CsSN_3Ui50cf3yuIQ7Nel0l30YSkYHsI6W1g1cnbloDXNk1sZ/s400/saloun_ladislav-jan_hus~300~10509_20090919_190909_312.jpg" width="265" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La jeune fille et le diable</u>. Marbre.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCFqksxvhYXcYkhi9duFTSM7P1mm8Zj9V65TC5f7TiNlh1sJ5HSRUZwqF0iKEaS2QD6I8Tr6d-wPMmKCcY5sMCd2Ffp-QJZrY6o3P0wxHnO4IjFq0bfggUmHBJNVlvyqYaCIeJO7tDUOrC/s1600/S%CC%8Caloun-Jungfrau_und_Teufel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCFqksxvhYXcYkhi9duFTSM7P1mm8Zj9V65TC5f7TiNlh1sJ5HSRUZwqF0iKEaS2QD6I8Tr6d-wPMmKCcY5sMCd2Ffp-QJZrY6o3P0wxHnO4IjFq0bfggUmHBJNVlvyqYaCIeJO7tDUOrC/s400/S%CC%8Caloun-Jungfrau_und_Teufel.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Mascaron sur la Maison Municipale, Prague. 1905-1912.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZU9We_AembX1sVxu93jvi2sUebQ3XotF8TygpAl5lcQLbh0zJDnw1l5-QmUV2fyxZcf-9TU4jMam7aQ4F5hAFpGArtfK6osFhSE8o33YmxW1y9IeuvmAlhN9OHXfIKA90p680sl0sfIs5/s1600/maison+municipale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZU9We_AembX1sVxu93jvi2sUebQ3XotF8TygpAl5lcQLbh0zJDnw1l5-QmUV2fyxZcf-9TU4jMam7aQ4F5hAFpGArtfK6osFhSE8o33YmxW1y9IeuvmAlhN9OHXfIKA90p680sl0sfIs5/s400/maison+municipale.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Statues de l'entrée de la galerie d'Art Moderne. 1912.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTm3ri957Hnx5dbE2JfDZowZev_umajJCK8hOhsUhSs3IgmkjIPCOJZ21q7EG6ajnbd4rTjsZZWUXDXTOLP33dKWs4UdZ8w9hUxv0rU2zWACUp_0kZsx-qX4a7ypfIJXGXBHTG6jeazbxr/s1600/galerie.jd'art+moderne+1912pg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTm3ri957Hnx5dbE2JfDZowZev_umajJCK8hOhsUhSs3IgmkjIPCOJZ21q7EG6ajnbd4rTjsZZWUXDXTOLP33dKWs4UdZ8w9hUxv0rU2zWACUp_0kZsx-qX4a7ypfIJXGXBHTG6jeazbxr/s400/galerie.jd'art+moderne+1912pg.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ladislav Saloun était aussi architecte. Entre 1908 et 1911, il a construit sa villa-atelier dans le quartier de Vinohrady. Cet extraordinaire bâtiment, d'une grande audace esthétique a été restauré entre 2007 et 2008.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Extérieur de la villa-atelier, Prague Vinohrady. 1908-1911.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAKEYFAYP6XxfRJSP9b5Vgj20ulRhUQOeVGeRSHacPOiIibdRde-5C07oreIlyzYCcJn0jIm4EbZCVzFsEnFzMzpm9zXhyphenhyphenWO9-v1JcMJdLqzFQZIYI7ljwBcLY6RX3pTVA_GQsO3UyskrU/s1600/3593_4503_slavne_stavby_prahy-07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAKEYFAYP6XxfRJSP9b5Vgj20ulRhUQOeVGeRSHacPOiIibdRde-5C07oreIlyzYCcJn0jIm4EbZCVzFsEnFzMzpm9zXhyphenhyphenWO9-v1JcMJdLqzFQZIYI7ljwBcLY6RX3pTVA_GQsO3UyskrU/s400/3593_4503_slavne_stavby_prahy-07.jpg" width="281" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaIcao2RB1b2aXoN7038oovYsiVFfOvQvp0N7PvCMR10eg5eCtWuDOnKNmDlfMjJKY7EnzK0YxrwveSN-GRY3CkgSvBmAGrhwJ_znpqmwYpYtKdr4jPiQMSJ1V8MN4kUqYIF83-2LrCxjv/s1600/prague-saloun's-villa-vinohrady.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaIcao2RB1b2aXoN7038oovYsiVFfOvQvp0N7PvCMR10eg5eCtWuDOnKNmDlfMjJKY7EnzK0YxrwveSN-GRY3CkgSvBmAGrhwJ_znpqmwYpYtKdr4jPiQMSJ1V8MN4kUqYIF83-2LrCxjv/s400/prague-saloun's-villa-vinohrady.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Galerie de l'atelier.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPyTvERCR_sVMNGn23vGh95kAk3PlZBgCEKrcIuw0xJtXkhE9DdAv32iacIWBotWgBHu0UYMaPt-Xot6BddAl42eHo5j5MR9t39M8ijQK95d4KhAGDrSMmMv8_SdGOF2oQaPLd-LNDyWMo/s1600/P1020711b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPyTvERCR_sVMNGn23vGh95kAk3PlZBgCEKrcIuw0xJtXkhE9DdAv32iacIWBotWgBHu0UYMaPt-Xot6BddAl42eHo5j5MR9t39M8ijQK95d4KhAGDrSMmMv8_SdGOF2oQaPLd-LNDyWMo/s400/P1020711b.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La porte d'entrée évoque par sa forme et sa massivité, la <i>Porte des Lionne</i>s à Mycène. Cette proximité est renforcée par la citation en grec qui orne le linteau.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTP_D2JyJ9hrXyRQ_GpThb_IYzoYSiDINh_C5lUpNTEx-QPnxMUWC9eZkQX_i4ZMACggTxagN1LSdjxYDKNCw7HLNH5WRri8eeAMj_S5Qknv31XbeRbVlD6UQpkV0sOKBvK-UvG1Q0QOjE/s1600/prague-saloun's-villa-entrance.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTP_D2JyJ9hrXyRQ_GpThb_IYzoYSiDINh_C5lUpNTEx-QPnxMUWC9eZkQX_i4ZMACggTxagN1LSdjxYDKNCw7HLNH5WRri8eeAMj_S5Qknv31XbeRbVlD6UQpkV0sOKBvK-UvG1Q0QOjE/s400/prague-saloun's-villa-entrance.png" width="281" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Porte des Lionnes, Mycène. Environ 1250 avant JC.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIiJo-OmFPjMooz2lXRY021-74HDQCCLP2FpJ-QkHL87Tu314bfiwM_MRKphnwdyj10huldSYsScpFNoQ_1c3QoodnwvgP3RP1okEF5hD4AnACAsdmNcKUnmuD1IXky1R5k40_R7WF6Qhk/s1600/IMG_2519.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIiJo-OmFPjMooz2lXRY021-74HDQCCLP2FpJ-QkHL87Tu314bfiwM_MRKphnwdyj10huldSYsScpFNoQ_1c3QoodnwvgP3RP1okEF5hD4AnACAsdmNcKUnmuD1IXky1R5k40_R7WF6Qhk/s400/IMG_2519.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le mascaron de la porte d'entrée.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI5JxrFkhtM69Y08YITDe4YBlGNzvyKVr23ncD7YXmD1Pd0y_9N9voEshTB8YdsXxYHF6TGIphsxyGtqOH6QD9EuYQ7vZn_DZq1yeGWzfRRhikW3X5UR5AF6f0XIX0e4iNbID688q9Xyc5/s1600/15_maskaron.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI5JxrFkhtM69Y08YITDe4YBlGNzvyKVr23ncD7YXmD1Pd0y_9N9voEshTB8YdsXxYHF6TGIphsxyGtqOH6QD9EuYQ7vZn_DZq1yeGWzfRRhikW3X5UR5AF6f0XIX0e4iNbID688q9Xyc5/s400/15_maskaron.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Intérieur de l'atelier.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAAVqCpUNCqOLLNIP977cMefSTiB1z91VIn6Zu2DXuqupbtQ9hyq6CA9lnwLywJiVye9s_qc0VJaRd_VqMZosJ9AbdGML1RJq0g_OwzDYN66prrgYwLQQTBJfwIuySbrowEXTXJWk2Qds0/s1600/prague-saloun's-villa-interior-workshop.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAAVqCpUNCqOLLNIP977cMefSTiB1z91VIn6Zu2DXuqupbtQ9hyq6CA9lnwLywJiVye9s_qc0VJaRd_VqMZosJ9AbdGML1RJq0g_OwzDYN66prrgYwLQQTBJfwIuySbrowEXTXJWk2Qds0/s400/prague-saloun's-villa-interior-workshop.png" width="312" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La devanture de l'hôtel derrière laquelle se trouve le café et le restaurant est orné d'une superbe marquise à l'ornementation typiquement sécessionniste.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxoObz2EnpI4RgxrX6xaCN77KgIYwF65whW9nUqR6ysPmI6Odrb_VXR9LwaffU6UcphJvlkZEaad7wIrSzRIs_RU1_cYqKDo4ePpy5AxaOP7R1hX4U1PHX35pvDXywL0dBvbhfzWg3kDqC/s1600/926927064_fabd15280c_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxoObz2EnpI4RgxrX6xaCN77KgIYwF65whW9nUqR6ysPmI6Odrb_VXR9LwaffU6UcphJvlkZEaad7wIrSzRIs_RU1_cYqKDo4ePpy5AxaOP7R1hX4U1PHX35pvDXywL0dBvbhfzWg3kDqC/s400/926927064_fabd15280c_o.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Deux autres architectes sont intervenus pour la décoration intérieur, Bohumil Hübschmann et Jan Letzel.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Bohumil Hübschmann (1878-1961) a eu une très longue carrière. Etudiant à Prague, il a été influencé par Otto Wagner. Dans les années 1900-1915, il a beaucoup construit dans une petite ville située à 30 km au nord de Prague, Melnik. De nombreuses réalisations sont encore visibles.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Bohumil Hübschmann.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKu8ayF-hD6y6DdR_kKr0MvhH-IU_52UUmG2AwEZdYNuFBA9_ZLMFCi92yf2BaQg96rme0722mC_uQXN5FZNitp8sgrV4DsQYWV6DF7fJ_eKVq2VTWPUTif1xz4KfR1NO64sG4WDqLvyZs/s1600/Hubschmann_tn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKu8ayF-hD6y6DdR_kKr0MvhH-IU_52UUmG2AwEZdYNuFBA9_ZLMFCi92yf2BaQg96rme0722mC_uQXN5FZNitp8sgrV4DsQYWV6DF7fJ_eKVq2VTWPUTif1xz4KfR1NO64sG4WDqLvyZs/s400/Hubschmann_tn.jpg" width="283" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Zilkova, Melnik. 1899.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5I09HDpxTFHLk58rS5WrE7DEkgHmwiqP0cnYUnQjO-vTyqggTeLnboOhrAZFrfr4bfSCfVMzAWMaUkAjOuwPkzrPpGvHZA1e1AsuKXtt4WeXsK_y555TYEOTXjRQc8PqMDqfvrR9iJVe-/s1600/villa+zilkova+melnik+1899.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5I09HDpxTFHLk58rS5WrE7DEkgHmwiqP0cnYUnQjO-vTyqggTeLnboOhrAZFrfr4bfSCfVMzAWMaUkAjOuwPkzrPpGvHZA1e1AsuKXtt4WeXsK_y555TYEOTXjRQc8PqMDqfvrR9iJVe-/s400/villa+zilkova+melnik+1899.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMxPN8O93SoMcPVnFPDBh4XctLGQxarpjC-UXIKU2DLjWKdiQ958rtF0UfrEx7mA3YPRPM2e1Y0JYCenspgOurjLiPY5WXTNY76iJjRFwo_A7wZ3WtqX-PU3eRFoFyFH-GLUAYUSrUGSuv/s1600/14.4.3-moz%CC%8Cnost.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMxPN8O93SoMcPVnFPDBh4XctLGQxarpjC-UXIKU2DLjWKdiQ958rtF0UfrEx7mA3YPRPM2e1Y0JYCenspgOurjLiPY5WXTNY76iJjRFwo_A7wZ3WtqX-PU3eRFoFyFH-GLUAYUSrUGSuv/s400/14.4.3-moz%CC%8Cnost.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPsX8CLAoEMjvY-qD9Kw16V14q4cQuvhxNd3zos2qpn8_y7OO7EezutXMKSpociQVTJbHiL9Hjfo8diqkgAKlnPXm7FLBxN6Gj4mXqOp_JhwKv_9ShUBo0IIFg-DwUtRQkT-mhEB03GSt/s1600/14.4.2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPsX8CLAoEMjvY-qD9Kw16V14q4cQuvhxNd3zos2qpn8_y7OO7EezutXMKSpociQVTJbHiL9Hjfo8diqkgAKlnPXm7FLBxN6Gj4mXqOp_JhwKv_9ShUBo0IIFg-DwUtRQkT-mhEB03GSt/s400/14.4.2.jpg" width="258" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiav3QEgOnnSHyDqJk085xOH4vlHMLmyJtLolNr69eklqQPWiwNsXKXkdvPRKaIcmuveI2nEGmtl_f7uc2-Ki-Felo2i-YExM7mYgQr6PNpwSrWkpbl5EfHKqHKE8-HiNb2CAC_NyM7MSzX/s1600/14.4.6-moz%CC%8Cnost.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiav3QEgOnnSHyDqJk085xOH4vlHMLmyJtLolNr69eklqQPWiwNsXKXkdvPRKaIcmuveI2nEGmtl_f7uc2-Ki-Felo2i-YExM7mYgQr6PNpwSrWkpbl5EfHKqHKE8-HiNb2CAC_NyM7MSzX/s400/14.4.6-moz%CC%8Cnost.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Siebürger, Prague. 1908-1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizKRNJ5FGBS4HtkYPFznShSKK0HjLmvQVCSqQC0t4DPyp6Bt2ZQ_3UVC8uOy8d19kPDMBNbY2ShFne7RoJOotnUzvKk75-VR52QEWjteYZ7_MXMZDGBN2o2oCdN5kZ2s3z5PL1ctR4g1zQ/s1600/praha-sieburger-melnik+1908-1909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizKRNJ5FGBS4HtkYPFznShSKK0HjLmvQVCSqQC0t4DPyp6Bt2ZQ_3UVC8uOy8d19kPDMBNbY2ShFne7RoJOotnUzvKk75-VR52QEWjteYZ7_MXMZDGBN2o2oCdN5kZ2s3z5PL1ctR4g1zQ/s400/praha-sieburger-melnik+1908-1909.jpg" width="306" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa, Melnik. 1914-1915.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0H6eyPvwtJFNgzz0poZB6oHuvicarB3MtrAN3vNOCypsOF7DLrHuHIeVfF0JYC39Uuy1HJ1EyA9AxgLu75kTirMVwILwqJ7t9WWknR0_T8RTfQu73uETxU7_d5bOVz4uQkRKtflb7oIrV/s1600/20b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0H6eyPvwtJFNgzz0poZB6oHuvicarB3MtrAN3vNOCypsOF7DLrHuHIeVfF0JYC39Uuy1HJ1EyA9AxgLu75kTirMVwILwqJ7t9WWknR0_T8RTfQu73uETxU7_d5bOVz4uQkRKtflb7oIrV/s400/20b.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWghVXStdT1POVjTHF55p9GasLj9HhBrksCeAc5LygYKxsienR16suQM6PxtVrlJZ0c1HKFTYVslFj9Ia3MO54aQlQf9DoUOJ1fLg7M4gYtfjwoDi9QzGdhjxh4CrRrTPoCWTIw6rgApjc/s1600/20a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWghVXStdT1POVjTHF55p9GasLj9HhBrksCeAc5LygYKxsienR16suQM6PxtVrlJZ0c1HKFTYVslFj9Ia3MO54aQlQf9DoUOJ1fLg7M4gYtfjwoDi9QzGdhjxh4CrRrTPoCWTIw6rgApjc/s400/20a.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUCgiv5bwAeWTLQOYtMh91yCSuYTIk3j1Xz6YziRqQ_T6kYU1mSoAIKDj4EGNKT0v6hPCckS4dtMbIADzxV-dXsIRG6ykT-ypFSDl2f7QNxdPgwhsQp7dDlanuFioRC35HuMk3IGLFp-9M/s1600/20c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUCgiv5bwAeWTLQOYtMh91yCSuYTIk3j1Xz6YziRqQ_T6kYU1mSoAIKDj4EGNKT0v6hPCckS4dtMbIADzxV-dXsIRG6ykT-ypFSDl2f7QNxdPgwhsQp7dDlanuFioRC35HuMk3IGLFp-9M/s400/20c.jpg" width="260" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxM9AVMqckPhDR83BghNOsqFMQ52wh3pkKFiFL7_OXctD1H7UI_9tyQjwg6mY-6-wWeqWzqmgLxHSu_BBUkuRicUMrML8CI6IGc61n7b155T1gd6FQ5udP_gpk_bfnPV_NHdAJpaLUJHtX/s1600/1914-1915+villa.+melnikjpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxM9AVMqckPhDR83BghNOsqFMQ52wh3pkKFiFL7_OXctD1H7UI_9tyQjwg6mY-6-wWeqWzqmgLxHSu_BBUkuRicUMrML8CI6IGc61n7b155T1gd6FQ5udP_gpk_bfnPV_NHdAJpaLUJHtX/s400/1914-1915+villa.+melnikjpg.jpg" width="295" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Contrairement à Hübschmann, Jan Letzel (1880-1925) mourût jeune. Ii étudia sous la direction de Jan Kotera (1871-1923) qui avait été lui-même élève de Otto Wagner. Diplômé en 1904, c'est à cette période qu'il intervint dans la décoration intérieur de l'<i>Hôtel Europa</i>. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Dessin pour un projet de Jan Letzel, 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyiyNfNSqoy-M4JFrMQro4DjUF6fFHWqlfSHv3eujAAtiJl_0frcoJtuljcRs2Bz7KEU6WDZCeELEGLs8QZxBB5Q9ptj7Tc4pwr621cYN1zwhQFf8_p6llBhi4oZwvcsgKwx9tM0n9ho9x/s1600/lazne_msene_a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyiyNfNSqoy-M4JFrMQro4DjUF6fFHWqlfSHv3eujAAtiJl_0frcoJtuljcRs2Bz7KEU6WDZCeELEGLs8QZxBB5Q9ptj7Tc4pwr621cYN1zwhQFf8_p6llBhi4oZwvcsgKwx9tM0n9ho9x/s400/lazne_msene_a.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1907, il s'installa au japon où il construisit de nombreux bâtiments dont la majorité ont disparu.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Jan Letzel en costume japonais.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmXx0Qo_RFM-s-lKM9F026QzGpaoOegY3wbZ3XL_aoZmT6S5aFOfjhG_dM1oroq67HnHDNRQJAs1TmquDgs1P-np76ZRR7zVZDIVO1bs_pofMH73EsKtldYmoXXnuLdbI8TgY1gr3zMWob/s1600/408px-JanLetzel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmXx0Qo_RFM-s-lKM9F026QzGpaoOegY3wbZ3XL_aoZmT6S5aFOfjhG_dM1oroq67HnHDNRQJAs1TmquDgs1P-np76ZRR7zVZDIVO1bs_pofMH73EsKtldYmoXXnuLdbI8TgY1gr3zMWob/s400/408px-JanLetzel.jpg" width="271" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portail pour une propriété à Tokyo. Vers 1909.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiH_cCS479dLRH-Ng6xPYGFfF8KEcl8nwLz3KGTlWXtHyPhJI-_GW_9PuJZKq50EmY3rkaYSDsBJ1ML-WSUkEQjWI3OX3V9C9tA6Fy7Gff_cdBzLW869GeGUgNCLXFP-8QfkJz-rGIaDPR/s1600/c0112559_1244718.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiH_cCS479dLRH-Ng6xPYGFfF8KEcl8nwLz3KGTlWXtHyPhJI-_GW_9PuJZKq50EmY3rkaYSDsBJ1ML-WSUkEQjWI3OX3V9C9tA6Fy7Gff_cdBzLW869GeGUgNCLXFP-8QfkJz-rGIaDPR/s400/c0112559_1244718.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>Matshushima Park Hôtel</i> fut construit en 1913 dans la baie du même nom, non loin de Sendaï. Il fut détruit par un incendie en 1969.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues extérieures. Photographies anciennes.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQOAmAjMJI0CWdxUQCs4_lOMQORkKG0J6X14WC2VdWjTzQjPNOb7EB7-xWXoxSg0w9E-MTYsZmuOSehM9VNkhPhA2NPEKNs9TPpflDW5b4aHPPzZEgnULZ1-VeehiT7yK-brvoeqtVanA4/s1600/HOTELMATSUSHIMA1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQOAmAjMJI0CWdxUQCs4_lOMQORkKG0J6X14WC2VdWjTzQjPNOb7EB7-xWXoxSg0w9E-MTYsZmuOSehM9VNkhPhA2NPEKNs9TPpflDW5b4aHPPzZEgnULZ1-VeehiT7yK-brvoeqtVanA4/s400/HOTELMATSUSHIMA1.JPG" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH6mc2vYkP-gTj4G_dMtawc88xLWVQdr37ogK7lgsP_lOvFjrpIKjMLcg7qQTptj3FeHAn0fwNGP4Kcn-nq2r2ZrkujcrOFoxg4aYai9WGXa5hVCf4fqmcmZlhE2bxNkBoRnxg_cutNw3S/s1600/phbv.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH6mc2vYkP-gTj4G_dMtawc88xLWVQdr37ogK7lgsP_lOvFjrpIKjMLcg7qQTptj3FeHAn0fwNGP4Kcn-nq2r2ZrkujcrOFoxg4aYai9WGXa5hVCf4fqmcmZlhE2bxNkBoRnxg_cutNw3S/s400/phbv.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbUa6-0NeF6y2PRooY_UjI5ChKAoMnJGmM58hXOU7n6Nptlbk74GG0CznOL38cLPZ79y3RISiYJmzRxkWgJ6dqinMdBXjlXZEATBM-co-R7Z-I5deI7pLsrA6uAuYz9o0jSvAliz4Oibhk/s1600/phsv.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbUa6-0NeF6y2PRooY_UjI5ChKAoMnJGmM58hXOU7n6Nptlbk74GG0CznOL38cLPZ79y3RISiYJmzRxkWgJ6dqinMdBXjlXZEATBM-co-R7Z-I5deI7pLsrA6uAuYz9o0jSvAliz4Oibhk/s400/phsv.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La salle de billard et le bar.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6T7kOA6ovo6yuwaypw2xOwI3hM4IycVBVvNJ2VPTTbxmoGQtq_ORdU3m7OAtRMGkpscZzkD2XsQzgUfr8dQIx0EQe1FemWvpqUJIenRdykW4wJJw_F5V4LWKR_y22HWJOf1gAeUeFHkBD/s1600/phbb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6T7kOA6ovo6yuwaypw2xOwI3hM4IycVBVvNJ2VPTTbxmoGQtq_ORdU3m7OAtRMGkpscZzkD2XsQzgUfr8dQIx0EQe1FemWvpqUJIenRdykW4wJJw_F5V4LWKR_y22HWJOf1gAeUeFHkBD/s320/phbb.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La salle à manger.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5TjkOK-dFE67IpvgGJzYV1ro6GMwI-4aZ-B82ncXnU-z2HiRxxbeFtgaO2xBfqjozGLj6w4eaFgGReG8f2mkaNiYLdG38WR89vLGwG5f048LlSM-aYBm2jD0_6rtpYbHCweHgLgvGyKI0/s1600/phdg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5TjkOK-dFE67IpvgGJzYV1ro6GMwI-4aZ-B82ncXnU-z2HiRxxbeFtgaO2xBfqjozGLj6w4eaFgGReG8f2mkaNiYLdG38WR89vLGwG5f048LlSM-aYBm2jD0_6rtpYbHCweHgLgvGyKI0/s320/phdg.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1915, il construit un bâtiment de l'<i>Université Sophia</i> de Tokyo, aujourd'hui disparu.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBv57pUHiQzPD5t075UVEoNzoTKKfP6L4pKGZY0ZUFcvZt2oUnlMHR4iIRqTFT3_mUyGPq-4FPwab30hyGbJM2Wae6nNm1fhkq_JwtaAOxknzG04P6Vx6AZkXs7Xhdv6I_a-_S2AlNq8eH/s1600/02_university_of_jouchi.+tokyo+1915jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBv57pUHiQzPD5t075UVEoNzoTKKfP6L4pKGZY0ZUFcvZt2oUnlMHR4iIRqTFT3_mUyGPq-4FPwab30hyGbJM2Wae6nNm1fhkq_JwtaAOxknzG04P6Vx6AZkXs7Xhdv6I_a-_S2AlNq8eH/s400/02_university_of_jouchi.+tokyo+1915jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1916, il dirige la construction du <i>Hall d'Expositions Commerciales</i> de Hiroshima. Ce bâtiment marque une date dans l'architecture japonaise car il est des premiers à introduire des éléments occidentaux de la <i>Sécession Viennoise</i> au japon, notamment avec son dôme en cuivre.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Hall d'Exposition, Hiroshima. Photos anciennes.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE5lFH013cytAxQg5eiQYs7kZWMJF6nSlh5IGWVqhD8lRQwCwHAknTiU7-DumKMlPLzl2mPotdgtO9vKtvlDlGbjKOS0qCp_NHqyXrCtxhHkUegHQ_SuUhD4dv8HyVUQh2DRYb_dPC7e_Z/s1600/%5B13%5Dgenbakudome@13@11@2008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE5lFH013cytAxQg5eiQYs7kZWMJF6nSlh5IGWVqhD8lRQwCwHAknTiU7-DumKMlPLzl2mPotdgtO9vKtvlDlGbjKOS0qCp_NHqyXrCtxhHkUegHQ_SuUhD4dv8HyVUQh2DRYb_dPC7e_Z/s400/%5B13%5Dgenbakudome@13@11@2008.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv2qbYrEkHP-j-ExB-sbZ2zeKC0f91M0bJm_yzo9PL2ZEDclHvnGCUTDSFxsQ-sBQZaWA7PKez-WIveRuqj8vc4lzSsTvKc7bpi-P4ORAJ6DlPEszMi1cCttEjkpRam3EfalrENpBRwq_m/s1600/domeB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv2qbYrEkHP-j-ExB-sbZ2zeKC0f91M0bJm_yzo9PL2ZEDclHvnGCUTDSFxsQ-sBQZaWA7PKez-WIveRuqj8vc4lzSsTvKc7bpi-P4ORAJ6DlPEszMi1cCttEjkpRam3EfalrENpBRwq_m/s400/domeB.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce sont les ruines de ce bâtiment qui sont devenues le symbole du martyr d'Hiroshima sous le nom de <i>Dôme de la Bombe A</i> ou <i>Dôme de la Paix</i>.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCtjLT7wN10XeiFRyxsGkEx1I8enLIL3Bxn-NDMCj4ybqErlIyu6sgi9isCo-DhJoYxpZG7tfVNp2xGBMe84CbY7J-V3ORgqX7y-TUyG8BXvbYdvcewWuQSkdV8Wo_H9z17ilSaAzpywcH/s1600/dome44.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCtjLT7wN10XeiFRyxsGkEx1I8enLIL3Bxn-NDMCj4ybqErlIyu6sgi9isCo-DhJoYxpZG7tfVNp2xGBMe84CbY7J-V3ORgqX7y-TUyG8BXvbYdvcewWuQSkdV8Wo_H9z17ilSaAzpywcH/s400/dome44.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguCe4Ddwfn9gRGmNLrKxPkjgskArmxKCsvlIukyvGvm9wGc6SLrDGiQsIzP0UPOq7rDxXkuuUdRNIO5SRCuwEig_0mVFz0-zaYJLTojncYJ4AxqGqqCEHa34CaEOFvWN_jBz7ApY8BFycb/s1600/dome45.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguCe4Ddwfn9gRGmNLrKxPkjgskArmxKCsvlIukyvGvm9wGc6SLrDGiQsIzP0UPOq7rDxXkuuUdRNIO5SRCuwEig_0mVFz0-zaYJLTojncYJ4AxqGqqCEHa34CaEOFvWN_jBz7ApY8BFycb/s400/dome45.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAjW1gMeqVSMBxKvvMd8mw6gpmEZRTNb7EDcAuO0AXuW4Xbkcpo0BIadkrmVG5SUdDXYx_1_3Pj-vuXBywJZZT1k8GN2fSuDqZlZey1f6VaKUDicja0fgdPAqKVSzEwpA-zHsI94jWdWgI/s1600/dome47.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAjW1gMeqVSMBxKvvMd8mw6gpmEZRTNb7EDcAuO0AXuW4Xbkcpo0BIadkrmVG5SUdDXYx_1_3Pj-vuXBywJZZT1k8GN2fSuDqZlZey1f6VaKUDicja0fgdPAqKVSzEwpA-zHsI94jWdWgI/s400/dome47.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1918, date de l'indépendance de son pays, Jan Letzel devient attaché commercial à l'ambassade de Tchécoslovaquie au Japon et ferme son bureau d'architecture. Il rentre définitivement dans son pays après la grand séisme de 1923 qui détruit presque entièrement Tokyo. Il meurt en 1925.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de Jan Letzel après son </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>retour en Tchécoslovaquie.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVkDC-yfl7JTa2SYfwK4lkU_e7_r6gkeeXD3A8Fsjhj60l06vDFT6OjdmnhhY3ZDcmtUf7PUKCtL2VSc6iCaogun7_QQwPsYW_NOi_9YcRIabPPs6SPjSa5Owb3g93Yx60lmdWxteapS6/s1600/letzel_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVkDC-yfl7JTa2SYfwK4lkU_e7_r6gkeeXD3A8Fsjhj60l06vDFT6OjdmnhhY3ZDcmtUf7PUKCtL2VSc6iCaogun7_QQwPsYW_NOi_9YcRIabPPs6SPjSa5Owb3g93Yx60lmdWxteapS6/s400/letzel_01.jpg" width="370" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur du café et du restaurant de l'<i>Hôtel Europa</i> est typiquement sécession et particulièrement bien conservé. Le café s'étend sur deux étages, le second constituant une galerie.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Café. Vue générale.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLPtwBEKU4CWuaQOQRA4e5BgohVDH6JmLhh6rXZ22dHucX0x3Wtrcdp3zMpmkyapbiCky-6_tkk3-3pqx-3IVmhH3L9xWzzhKF3g3j_NYlIXZBYs_unRgGob8UZ42MLIIoPZjnexJwzdJk/s1600/DSC04425-1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLPtwBEKU4CWuaQOQRA4e5BgohVDH6JmLhh6rXZ22dHucX0x3Wtrcdp3zMpmkyapbiCky-6_tkk3-3pqx-3IVmhH3L9xWzzhKF3g3j_NYlIXZBYs_unRgGob8UZ42MLIIoPZjnexJwzdJk/s400/DSC04425-1.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu5zO0FsvvCiCLWspA5r8pm4tiMh6F7waYAqHHEOS96bkJKOb-Jh60xZsETU0Wei9aL1xhsMYkt-LRMPWB_Xq3aVHqgoe34Rl9lTnxkdxpYKsfWakHQ8OLoKthLA3JoQfFCR1LeX-1_UR_/s1600/6a00d8341bf74c53ef0120a6a552ea970c-500wi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu5zO0FsvvCiCLWspA5r8pm4tiMh6F7waYAqHHEOS96bkJKOb-Jh60xZsETU0Wei9aL1xhsMYkt-LRMPWB_Xq3aVHqgoe34Rl9lTnxkdxpYKsfWakHQ8OLoKthLA3JoQfFCR1LeX-1_UR_/s400/6a00d8341bf74c53ef0120a6a552ea970c-500wi.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGyUuGPZyz-FTsrOta3vy3fM599VUKO-tK2ZPpUzbvr450ZXB0HEIiubzFfHWGB30OjFEr0YtZv9DAU-pINqMl_4QeXbJOAZV30BKlDL8h0EgVpk5pUXpVIcirb4jM1x5I3ugeRVsDj9h0/s1600/SuperStock_1959-2848.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGyUuGPZyz-FTsrOta3vy3fM599VUKO-tK2ZPpUzbvr450ZXB0HEIiubzFfHWGB30OjFEr0YtZv9DAU-pINqMl_4QeXbJOAZV30BKlDL8h0EgVpk5pUXpVIcirb4jM1x5I3ugeRVsDj9h0/s400/SuperStock_1959-2848.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhrtRcNlDUWwbP2Q4zMcHYfHiOoU9HSKlCbLMt9DZ0hBm_gEBFWybleVdrA-z6kHQUZ_JnztGtQosOcZZcsLAribM-_-yPlX6KR38jqcz7kBe96iWi-YsQfc0F2qo-D8oj6dX0TlNtELIe/s1600/evropa2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhrtRcNlDUWwbP2Q4zMcHYfHiOoU9HSKlCbLMt9DZ0hBm_gEBFWybleVdrA-z6kHQUZ_JnztGtQosOcZZcsLAribM-_-yPlX6KR38jqcz7kBe96iWi-YsQfc0F2qo-D8oj6dX0TlNtELIe/s400/evropa2.jpg" width="311" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le lustre décorant le plafond du café.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij7NqLnutKoBCR8r0aBKU_jkDhWdcbGEgDqojcoOYyw1XCWVyrqp_00zPECYaRRFTZHCK5UYWEdyW3CiH1RhJoZDqlMvLKqmGxDzZTINMGk_hd5iaJKxI2QoCc5yuozLzW5A3-zypPmCmq/s1600/3207688374_16d244c0d5_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij7NqLnutKoBCR8r0aBKU_jkDhWdcbGEgDqojcoOYyw1XCWVyrqp_00zPECYaRRFTZHCK5UYWEdyW3CiH1RhJoZDqlMvLKqmGxDzZTINMGk_hd5iaJKxI2QoCc5yuozLzW5A3-zypPmCmq/s400/3207688374_16d244c0d5_b.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une table d'origine du café.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi4JiZ9cs7HxTU2vXCnfiwWhoy85xWmudYPziCT92VeHY_gldPYonABanrAIbr0VD-6IYb4jslbAGqCwbGLCdiEV1m-GeyGcbovZvLa_K5qLwR0Vt5Wp1r707-VIAUoHnaDEuz-qBt2zEF/s1600/cafe%CC%81.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi4JiZ9cs7HxTU2vXCnfiwWhoy85xWmudYPziCT92VeHY_gldPYonABanrAIbr0VD-6IYb4jslbAGqCwbGLCdiEV1m-GeyGcbovZvLa_K5qLwR0Vt5Wp1r707-VIAUoHnaDEuz-qBt2zEF/s400/cafe%CC%81.jpg" width="306" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Quelques détails décoratifs du café.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4EPUDdZ5KofmIIidF0nKqElQ1MPlQRMTudL3vW5wo-0ekP67wi-yt2t71H_M73GdmeRLGafUAD1sonrRdFqOq_hSmltMeze8GYguFZIo15tY0niWQOjJBKYHL2yGc9XzGlbRwfO0yhIXL/s1600/5142197899_598c9ef884_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4EPUDdZ5KofmIIidF0nKqElQ1MPlQRMTudL3vW5wo-0ekP67wi-yt2t71H_M73GdmeRLGafUAD1sonrRdFqOq_hSmltMeze8GYguFZIo15tY0niWQOjJBKYHL2yGc9XzGlbRwfO0yhIXL/s400/5142197899_598c9ef884_b.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpIJ0k8B6nWLOvsdBPthXIGKkNatjSTCvPBPekQMV4qWXk4P_5j_ylAgI2z9CFmVC_ulh4qb2eoD6Bhp9d85C_mrnY1hb7RzWb-MLoDjZvqmAgINBCX3OnbcPg1-E_8QL9A7XX8YWk1DPm/s1600/5142205059_12ea5843d1_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpIJ0k8B6nWLOvsdBPthXIGKkNatjSTCvPBPekQMV4qWXk4P_5j_ylAgI2z9CFmVC_ulh4qb2eoD6Bhp9d85C_mrnY1hb7RzWb-MLoDjZvqmAgINBCX3OnbcPg1-E_8QL9A7XX8YWk1DPm/s400/5142205059_12ea5843d1_b.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une légende raconte que la salle de restaurant serait le modèle sur lequel la grande salle de restaurant du <i>Titanic</i> aurait été édifiée. Il n'y a aucune preuve de la véracité de cette affirmation et la comparaison avec les photos d'époque n'a rien de probant. En tout cas, la salle à manger est un exemple superbe d'<i>Art Nouveau</i>.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEuGoYrDncStWsXS7Sv05w-n5mdXqIAUY3601BKSeXl__vLJ-TJ5BJrBIa2oEdFOqChaCVcewe0O1cO6yEGKaa3BpBzS1HiIGU_iBLwZyd4hDHG_tmAmQjGr-hQ-jskPwXRBiGeEGf0vlC/s1600/Prague_Hotel_Europa_restaurant_large.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEuGoYrDncStWsXS7Sv05w-n5mdXqIAUY3601BKSeXl__vLJ-TJ5BJrBIa2oEdFOqChaCVcewe0O1cO6yEGKaa3BpBzS1HiIGU_iBLwZyd4hDHG_tmAmQjGr-hQ-jskPwXRBiGeEGf0vlC/s400/Prague_Hotel_Europa_restaurant_large.JPG" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3hi7zncVbWOA6O1slwB94tjKVR9izcTJYaETKSQSkIdNmi_-Rkd4Ii00IqHWhcHmyvCErNJ1A8GcNqad_OfuHvjyLrJtslbyIIle-5FUbTv27A4XblY7laZeegukZqR00xq3fv05K_Yw/s1600/titanic.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3hi7zncVbWOA6O1slwB94tjKVR9izcTJYaETKSQSkIdNmi_-Rkd4Ii00IqHWhcHmyvCErNJ1A8GcNqad_OfuHvjyLrJtslbyIIle-5FUbTv27A4XblY7laZeegukZqR00xq3fv05K_Yw/s400/titanic.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3l5IVNymbKd2ywcVh_Hyt7cFmcISB2XOG0__X9CysCkURnCAUqNhp-aoHVs0rols3irEh9an9CRhDJEzu_oAmJiy822MfS86xBpUUjOjuo6UV0MjqGNYpkUtHLqpRhdghaLGrXrlnacx/s1600/evropa1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3l5IVNymbKd2ywcVh_Hyt7cFmcISB2XOG0__X9CysCkURnCAUqNhp-aoHVs0rols3irEh9an9CRhDJEzu_oAmJiy822MfS86xBpUUjOjuo6UV0MjqGNYpkUtHLqpRhdghaLGrXrlnacx/s400/evropa1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Deux photographies de la salle à manger des </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>1ère classe du Titanic. 1912.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Ef62GuKRaVLiypNSpZgjNIR3uXLQiwXa9Hdd8Twv7hTQr_wyqY58yswQ0nXeVgVFn9R4fXj-4vIuo31eyZXBV8AsoadDs_NSzdi2vFGaff5X-7YNFfUtRMDs_jkWljbujPJP_2wp1V26/s1600/117262868.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Ef62GuKRaVLiypNSpZgjNIR3uXLQiwXa9Hdd8Twv7hTQr_wyqY58yswQ0nXeVgVFn9R4fXj-4vIuo31eyZXBV8AsoadDs_NSzdi2vFGaff5X-7YNFfUtRMDs_jkWljbujPJP_2wp1V26/s400/117262868.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwtRuKfPqgvwmikVGBonsecJDjf_l2vUNjL0Z1uZtHt19itLH8nY0ljo6bVk6M_jBfosr35b_IlYtNT130nNbZLsxlAwO5f94WlwC_CP_7jYyNvYlB7X54_6V4LiKl8T_yVIrClbbnTJLQ/s1600/salle_a_manger.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwtRuKfPqgvwmikVGBonsecJDjf_l2vUNjL0Z1uZtHt19itLH8nY0ljo6bVk6M_jBfosr35b_IlYtNT130nNbZLsxlAwO5f94WlwC_CP_7jYyNvYlB7X54_6V4LiKl8T_yVIrClbbnTJLQ/s400/salle_a_manger.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le grand hall d'entrée et l'escalier de l'hôtel ont aussi été conservés. On admirera la beauté de la rampe en bronze.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2uuLakc9JfxQFCbgl83wORm_UD-J9f3WuU0Wst_EOs1sJ69hkMve9UmzT5BzGPvYnLIi9aBRj5l92Y3Ukswsz_33hfMw0S2ptntfQ6-p6KrVaG3G9DjTpQ1lIz7Kulgj3fX2kbhxORLPX/s1600/grand_hotel_europa_entree_interieur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2uuLakc9JfxQFCbgl83wORm_UD-J9f3WuU0Wst_EOs1sJ69hkMve9UmzT5BzGPvYnLIi9aBRj5l92Y3Ukswsz_33hfMw0S2ptntfQ6-p6KrVaG3G9DjTpQ1lIz7Kulgj3fX2kbhxORLPX/s400/grand_hotel_europa_entree_interieur.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDiEgT6NKfj6Fx4JYroPaJaXbIDTUICeRARtZytvWwFGkNqfXdGB8R1MoPuQh3gwccQKNUQNDtD8D6p96VrwV1W1niyp_4CNItVSowPWQTqZlmOb0KG1JJYCJsq3npOCx5PISXraV2upvI/s1600/evropa4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDiEgT6NKfj6Fx4JYroPaJaXbIDTUICeRARtZytvWwFGkNqfXdGB8R1MoPuQh3gwccQKNUQNDtD8D6p96VrwV1W1niyp_4CNItVSowPWQTqZlmOb0KG1JJYCJsq3npOCx5PISXraV2upvI/s400/evropa4.jpg" width="265" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltQcg-c5L-NufLSQH1tBTLuq8syYzbJ32tYJbqMC5tzI7LJOwSE_yTjFpRQE-7R-tfzbjRWu53O5-Ku6VIBoXY5oEE-zWm3Op3OKfe0OFnc9QTdal0gbwh6VldxAJVW1csFCCmIaqZQIG/s1600/3207737858_a031e626df_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltQcg-c5L-NufLSQH1tBTLuq8syYzbJ32tYJbqMC5tzI7LJOwSE_yTjFpRQE-7R-tfzbjRWu53O5-Ku6VIBoXY5oEE-zWm3Op3OKfe0OFnc9QTdal0gbwh6VldxAJVW1csFCCmIaqZQIG/s400/3207737858_a031e626df_b.jpg" width="286" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis-Bu-ZdcHLSXnJ9T22dVTTHmfuD1DcuElCzBKArB5CBKRb3iyl7y1Nyup5p6TQnEJjpKCrLSPYLiDllO8yDzBFvf2FzAxOGtpPJSIGlY6WUtxwr8ED5JbYeLhobVeDb7yT93wK9A2BQDK/s1600/3207737944_f47d656429_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis-Bu-ZdcHLSXnJ9T22dVTTHmfuD1DcuElCzBKArB5CBKRb3iyl7y1Nyup5p6TQnEJjpKCrLSPYLiDllO8yDzBFvf2FzAxOGtpPJSIGlY6WUtxwr8ED5JbYeLhobVeDb7yT93wK9A2BQDK/s400/3207737944_f47d656429_b.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-41228484735971527172012-04-01T03:51:00.006-07:002012-04-01T11:57:07.417-07:00Un grand maître de la céramique, Edmond Lachenal<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Edmond Lachenal est né en 1855. Il entre en apprentissage chez un potier à l'âge de 12 ans puis chez Théodore Deck (1823-1891) en 1870. Il reçoit une mention très honorable à l'</span></span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Exposition Universelle de Vienne</span></span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"> en 1873 et devient à 18 ans directeur de l'atelier de décoration de la </span></span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Manufacture Deck</span></span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">. En 1881, il ouvre son propre atelier.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ses premières pièces sont encore très influencées par l'art de Théodore Deck.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Plat au coq. Faïence émaillée, 1889.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-AZw8jRv8AKyrgAvXkL8OSV9IN9EGwL128ytMPBwVo4ibTJaiy0-PDmNL_ZM3fzqZcgRVzIZFD3WrPvkttsq7TmUlts3PCQZt5e6Pxd2o2e2w0TO5JG7Z0Q7ZNPOI-TX87ujIRzX8uRuH/s1600/1889.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-AZw8jRv8AKyrgAvXkL8OSV9IN9EGwL128ytMPBwVo4ibTJaiy0-PDmNL_ZM3fzqZcgRVzIZFD3WrPvkttsq7TmUlts3PCQZt5e6Pxd2o2e2w0TO5JG7Z0Q7ZNPOI-TX87ujIRzX8uRuH/s400/1889.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'année où il produit ce plat, il reçoit une Médaille d'or à l'<i>Exposition Universelle de Paris</i> pour ces faïences à glaçure polychrome.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir des années 1890, Lachenal subit l'influence du japonisme ambiant et de l'<i>Art Nouveau</i>. Petit à petit il va privilégier le grès tout en continuant à utiliser les glaçures polychromes.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Coqs. Faïence émaillée, vers 1890.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWqQcLSHRpZxfSzgGXcDfuPcVGASjL4oH2kPhh34lgr8n8xehvTjITqUUw4tnDTGkN5636fx6X5tFCqokIA8LltKyOO-JGQ2P1At-9X6Z3yulsm9XXAvryQDOfcuSyz4luE11XWO1NdNrA/s1600/2coq-lachenal.2n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWqQcLSHRpZxfSzgGXcDfuPcVGASjL4oH2kPhh34lgr8n8xehvTjITqUUw4tnDTGkN5636fx6X5tFCqokIA8LltKyOO-JGQ2P1At-9X6Z3yulsm9XXAvryQDOfcuSyz4luE11XWO1NdNrA/s400/2coq-lachenal.2n.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHQGa9NHY8KTucDbd6fvsZ-Mw30DszAdRHSMgw3oYhjOfCMN-EAKAV2LAQCEVoPzdcEirhRMOk-oZL7JawcG4M62VlMmuLWpwnNVBwA6XPOBR7XvdkcoEeiVzUO5cSQ-fa5udJjvWVtwTt/s1600/1317307186.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHQGa9NHY8KTucDbd6fvsZ-Mw30DszAdRHSMgw3oYhjOfCMN-EAKAV2LAQCEVoPzdcEirhRMOk-oZL7JawcG4M62VlMmuLWpwnNVBwA6XPOBR7XvdkcoEeiVzUO5cSQ-fa5udJjvWVtwTt/s640/1317307186.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pot couvert à glaçure bleue. 1890.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqKSNyRyWuzerlxFLvv402hf0ooo8Q7esrI5RNBBc3Pu7ORLb1_04qZJ3fGhQrkUmsuXcBhKomBWeXQwAn900YLnz_Eu-au2y9lJzkphjuC6d2W6JKiEZmcjMMsyGhBUg1NBTkmd4hyphenhyphenseH/s1600/1890.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqKSNyRyWuzerlxFLvv402hf0ooo8Q7esrI5RNBBc3Pu7ORLb1_04qZJ3fGhQrkUmsuXcBhKomBWeXQwAn900YLnz_Eu-au2y9lJzkphjuC6d2W6JKiEZmcjMMsyGhBUg1NBTkmd4hyphenhyphenseH/s400/1890.jpg" width="325" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'influence japonaise est particulièrement sensible dans certaines pièces notamment des vases à décor floral.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase aux coquelicots. Faïence émaillée.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo2Tqm52qzRUKPduJezvaK492fU6JFtscWh5ztkC5GkWhhhFr3OEeGuEoKwJHnJfj3EoW4KJTnpZA7JU0KqJZAnT0tWw4MeNTZaUfN2xzEqzNkpm0yzInf0Yow8qpvqq0h-otrTRfWCfXh/s1600/coquelicot.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo2Tqm52qzRUKPduJezvaK492fU6JFtscWh5ztkC5GkWhhhFr3OEeGuEoKwJHnJfj3EoW4KJTnpZA7JU0KqJZAnT0tWw4MeNTZaUfN2xzEqzNkpm0yzInf0Yow8qpvqq0h-otrTRfWCfXh/s400/coquelicot.png" width="216" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase. Faïence émaillée, 1895.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF3tXPyTz1UDByrZ4CLSt5aZwHj5wpMOXzZuLAFDGuuaAg56LJHVnVeCD4MEkJtk05tn4Qm0OaH1T6RwUF53y14mcex0L58jC_B8fVSsm0cEnCmLXl27FAecC3sRZ4jJZlhgQ4yGrlm9yL/s1600/1895.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF3tXPyTz1UDByrZ4CLSt5aZwHj5wpMOXzZuLAFDGuuaAg56LJHVnVeCD4MEkJtk05tn4Qm0OaH1T6RwUF53y14mcex0L58jC_B8fVSsm0cEnCmLXl27FAecC3sRZ4jJZlhgQ4yGrlm9yL/s400/1895.jpg" width="295" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Jardinière aux fleurs de pivoine. Faïence émaillée.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ9hKHxtvksp2mXFn7dQqoW2a1Hw_Tn0DFFNZ3mjeYQs0RWMEHoWe7IsKA-KhnW4XjurSINSskmkf_OXX8MHVZv5MyTYlEtOdCd-i9F06wvVGyliktExg6Y2QzVzs_NQhLoT9L1OtsTo-8/s1600/lib8001b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ9hKHxtvksp2mXFn7dQqoW2a1Hw_Tn0DFFNZ3mjeYQs0RWMEHoWe7IsKA-KhnW4XjurSINSskmkf_OXX8MHVZv5MyTYlEtOdCd-i9F06wvVGyliktExg6Y2QzVzs_NQhLoT9L1OtsTo-8/s400/lib8001b.jpg" width="300" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase à décor de Clématites. Faïence polychrome.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMWKmRO84pqHe7YkLSfq1HKCMCp2yujrfEXfIsBRHEff6getE2KS2p8vCd0A60yvfK5Xu4KQR2lojc0XvJONNtFrLfgnTa_SbtQAKwcfc2LVXIJpFFMMl1ts7aumxSfCvimJ68fql_Am-W/s1600/489439_1_l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMWKmRO84pqHe7YkLSfq1HKCMCp2yujrfEXfIsBRHEff6getE2KS2p8vCd0A60yvfK5Xu4KQR2lojc0XvJONNtFrLfgnTa_SbtQAKwcfc2LVXIJpFFMMl1ts7aumxSfCvimJ68fql_Am-W/s320/489439_1_l.jpg" width="256" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase aux branches sous la neige. Grès.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0i6EK3HapqpX3y23K0jMiFozaetDik9pvkjPwo-2hvIMrYAQ_jSIEIQIox-ylTJaO60TdK0G092H2NTlvMSbZ0oOKmOMO3xzLmGwxS46Mwl3UXb9OD7dXV9tOAen4TrIvRu2Kxo5nkkPT/s1600/grand-vase.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0i6EK3HapqpX3y23K0jMiFozaetDik9pvkjPwo-2hvIMrYAQ_jSIEIQIox-ylTJaO60TdK0G092H2NTlvMSbZ0oOKmOMO3xzLmGwxS46Mwl3UXb9OD7dXV9tOAen4TrIvRu2Kxo5nkkPT/s400/grand-vase.jpg" width="281" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vases aux bambous. Vers 1911. Grès émaillé.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghxzFwngXojHngKica0CB3BSbvzG_XLuaZmsimfReoFNwIrvtp58N1A6QyKJmS0oJtZpmdN3yA9S9Mf9s-1C_bZAyGI2cmDECyMWQsln5wfLRu9l97C8M3OaCTFC6S07MWOhEJbfR_GS8c/s1600/1894.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghxzFwngXojHngKica0CB3BSbvzG_XLuaZmsimfReoFNwIrvtp58N1A6QyKJmS0oJtZpmdN3yA9S9Mf9s-1C_bZAyGI2cmDECyMWQsln5wfLRu9l97C8M3OaCTFC6S07MWOhEJbfR_GS8c/s400/1894.jpg" width="300" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_CwY6N4sdm75J9D54lvm4XCSNmkJTAB0peRxw4-KsmQ9-aDLhEp685EL468vGI-OEnbTpQkOfQNfkQb88hF6pB6vpACUP2elTTtB_FDZzq3LuSCP5sGC7_fBqh8-3OcXzd3EtgGz_Owv/s1600/vase+bambous+1911.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_CwY6N4sdm75J9D54lvm4XCSNmkJTAB0peRxw4-KsmQ9-aDLhEp685EL468vGI-OEnbTpQkOfQNfkQb88hF6pB6vpACUP2elTTtB_FDZzq3LuSCP5sGC7_fBqh8-3OcXzd3EtgGz_Owv/s400/vase+bambous+1911.jpg" width="311" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Vers 1895, il met au point une technique de glaçure mate qui donne un effet satiné en utilisant l'acide fluorhydrique. L'acide fluorhydrique étant dangereux d'utilisation, la technique n'est plus utilisée aujourd'hui malgré la grande beauté de l'effet produit.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Masque de femme. Grès, 1895.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgutpeOSc5xLAVc8mRDtHD7rtvnkxFy1Rdfqjh7jpoYbIZmun0swB-RI966Xc7c-2U6W0YeSLkkOziXHKXBLZkVNR48RNNRwRZe-O30ccuR5TYvhqCYAOeuoWUvF_s7PXgM9E1mmUBN0JvU/s1600/masque+de+femme+1895.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgutpeOSc5xLAVc8mRDtHD7rtvnkxFy1Rdfqjh7jpoYbIZmun0swB-RI966Xc7c-2U6W0YeSLkkOziXHKXBLZkVNR48RNNRwRZe-O30ccuR5TYvhqCYAOeuoWUvF_s7PXgM9E1mmUBN0JvU/s400/masque+de+femme+1895.JPG" width="245" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Buste de Christ. Grès.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLoLwBIkNJ4zdm4lxV9hjjHNTCCR-e1zlI04mSzijmQ5nVzhSGaVfMjqpEPOKhFFnk294sy_yZSPBdMf2nJvUPJXMPH6lLq-2y0RJP_ddwQYzk-sG4Pri_J5b-jUMuFlqfNyPWWGYjDeRJ/s1600/christ.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="367" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLoLwBIkNJ4zdm4lxV9hjjHNTCCR-e1zlI04mSzijmQ5nVzhSGaVfMjqpEPOKhFFnk294sy_yZSPBdMf2nJvUPJXMPH6lLq-2y0RJP_ddwQYzk-sG4Pri_J5b-jUMuFlqfNyPWWGYjDeRJ/s400/christ.png" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Collection personnelle</i></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de cette période, Lachenal est au sommet de son art et produit parmi les plus belles pièces en faïence et en grès de l'<i>Art Nouveau</i>.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Edmond Lachenal décorant </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>un vase dans son atelier.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDkkS7TIQk5hGHpOGKpH_r34Nq97PHb7HprYm4ggltnJ7X27PZ9xK01h6TSOEtgv3IUh7wdfjsxsJzlD0piv7dgiuKosLdDg6nfuxWTWy0AL8hYpjf1sUATYaawwJ60QeiNKGNymX6kaJT/s1600/mason6-6-07-9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDkkS7TIQk5hGHpOGKpH_r34Nq97PHb7HprYm4ggltnJ7X27PZ9xK01h6TSOEtgv3IUh7wdfjsxsJzlD0piv7dgiuKosLdDg6nfuxWTWy0AL8hYpjf1sUATYaawwJ60QeiNKGNymX6kaJT/s400/mason6-6-07-9.jpg" width="267" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase aux vrilles. Grès, 1899.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoRZmgUvqWpQVz-K9K3Xsiuyn0wkp0ACpsIDhtfi24GFFWh2h7LQAex8EA_iSqxLoQkGOdne1yJuAepR33A0a52JRiRwrWP_vJzjFLhiywJ98G2TzGlAJBn7PJjwAY3Nky_S12RkJceidK/s1600/1899++vase+aux+vrilles.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoRZmgUvqWpQVz-K9K3Xsiuyn0wkp0ACpsIDhtfi24GFFWh2h7LQAex8EA_iSqxLoQkGOdne1yJuAepR33A0a52JRiRwrWP_vJzjFLhiywJ98G2TzGlAJBn7PJjwAY3Nky_S12RkJceidK/s400/1899++vase+aux+vrilles.jpg" width="301" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase. Grès, entre 1900 et 1905.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUzsJsJQpGoXeDnr-UV5PJFNH84O-kd6m8YIfKP_SP6Yk8t1U8wFKiVZYqp0dJNVXQwDxcmHHo_qlag-RPFlaS-bNkaGb8C3aZRNgb8CZReCNAONvP3qG9uxpUHQ_eIMAd2x_5uDoRSLJ/s1600/1900-1905.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUzsJsJQpGoXeDnr-UV5PJFNH84O-kd6m8YIfKP_SP6Yk8t1U8wFKiVZYqp0dJNVXQwDxcmHHo_qlag-RPFlaS-bNkaGb8C3aZRNgb8CZReCNAONvP3qG9uxpUHQ_eIMAd2x_5uDoRSLJ/s400/1900-1905.jpg" width="293" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase aux iris. Faïence polychrome.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipcTCqqS-EUQFZ4tuiw5Td-x_wVgdoxdpYK8kvM0NYbqXEmIVwxShv_29p3jQ0W_KGVrS9a0XR_J3pqL_wGLQncNAt3OE9P8eGdKqGV3rKTAAjIktWHLwmwPEy3m7UndYAokK0TT0k4eVe/s1600/229402_full_440x739.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipcTCqqS-EUQFZ4tuiw5Td-x_wVgdoxdpYK8kvM0NYbqXEmIVwxShv_29p3jQ0W_KGVrS9a0XR_J3pqL_wGLQncNAt3OE9P8eGdKqGV3rKTAAjIktWHLwmwPEy3m7UndYAokK0TT0k4eVe/s640/229402_full_440x739.jpg" width="379" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase à décor de lézard. Faïence polychrome.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-QA-Zxb6cqXtjlC4Heqz0pprzQBqr1VZsQWYnw4HUZ6JoUieyqXdJSxNXAHOG3vGtRETgGI_6e3eL7PYHnCMUEcZvyrUtzXNkcroBtYhnspP5WWM-l6dVLWY6LJ6fWxr8uy73XsIBUvbU/s1600/1772125_1_l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-QA-Zxb6cqXtjlC4Heqz0pprzQBqr1VZsQWYnw4HUZ6JoUieyqXdJSxNXAHOG3vGtRETgGI_6e3eL7PYHnCMUEcZvyrUtzXNkcroBtYhnspP5WWM-l6dVLWY6LJ6fWxr8uy73XsIBUvbU/s400/1772125_1_l.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase. Faïence émaillée, vers 1900.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRQvN6JDEL48luilqSfZ6wdDnOU9YOiod5_r2Jr8xKbGFAcO3KURkrJ-TRY7qNPDwy90CasTMrB04uDKEtYihMzxnwkO-7jnNQWoPh1TYwCQESuZux96YIxZOsodU7l8Pr7GyPdvQngcpn/s1600/C-1762.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRQvN6JDEL48luilqSfZ6wdDnOU9YOiod5_r2Jr8xKbGFAcO3KURkrJ-TRY7qNPDwy90CasTMrB04uDKEtYihMzxnwkO-7jnNQWoPh1TYwCQESuZux96YIxZOsodU7l8Pr7GyPdvQngcpn/s400/C-1762.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase à décor de trèfles. Grès polychrome.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX5_4n2kAZhqafvHNZq6rR-v3jXs9B-ZllIc1rhvt6dVEvT_iW93XC4x3G_C54yiu5LQTKTYqj3OLM97yoQjt7IYZSmn0PYR-EdRJRPklFjJyQ4c8QPTuhHyX3raCktoa0MDpKu6hTnFGJ/s1600/cm19xl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX5_4n2kAZhqafvHNZq6rR-v3jXs9B-ZllIc1rhvt6dVEvT_iW93XC4x3G_C54yiu5LQTKTYqj3OLM97yoQjt7IYZSmn0PYR-EdRJRPklFjJyQ4c8QPTuhHyX3raCktoa0MDpKu6hTnFGJ/s400/cm19xl.jpg" width="323" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Double gourde. Grès à couverte rouge, 1900.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUwJ-RIlJ_WtWarqc4gQ5zqbKHRA6M_yZnKohkiSDqLcSGopYY7tXWQVeZHUoM-beOa88RiZKF64BfwXUh9h0_xB-NBn4f1y77UVGYFgTYPqFL4dQD8LtUFbaQh6rtZxVIqAVHLJO04dQE/s1600/double+gourde+1900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUwJ-RIlJ_WtWarqc4gQ5zqbKHRA6M_yZnKohkiSDqLcSGopYY7tXWQVeZHUoM-beOa88RiZKF64BfwXUh9h0_xB-NBn4f1y77UVGYFgTYPqFL4dQD8LtUFbaQh6rtZxVIqAVHLJO04dQE/s400/double+gourde+1900.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase à trois anses. Faïence émaillée, 1900.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg24CJOlxC99DvzagrgwV6uvPuPYcnZyaXha7YEb-yLeOiEv7EMmLTs3cHkCHWWXQUaingRRCOLyR7Yq1I9EeQVHyrysPtEf9BEvRx_HL4AfNhkaBol9YFlpF8icSBw2IiZdHXyBVL1onAH/s1600/vase+a+3+anses.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg24CJOlxC99DvzagrgwV6uvPuPYcnZyaXha7YEb-yLeOiEv7EMmLTs3cHkCHWWXQUaingRRCOLyR7Yq1I9EeQVHyrysPtEf9BEvRx_HL4AfNhkaBol9YFlpF8icSBw2IiZdHXyBVL1onAH/s400/vase+a+3+anses.png" width="335" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase-gourde. Grès émaillé, 1899.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRWXooFaBC70nXhEFd6lqnGK99V8NcrVCvs9Cj72bhbOtiWYcXJupx3J2_Eww9c4bcsLHLewDjwiIoPSc08P4uY8wCZwemcDaBkDKjkECB5c9SqAvKGPRLJNKlVN97VV6sZYupOfTJZRqM/s1600/vase+gourde+1899.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRWXooFaBC70nXhEFd6lqnGK99V8NcrVCvs9Cj72bhbOtiWYcXJupx3J2_Eww9c4bcsLHLewDjwiIoPSc08P4uY8wCZwemcDaBkDKjkECB5c9SqAvKGPRLJNKlVN97VV6sZYupOfTJZRqM/s400/vase+gourde+1899.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase. Faïence émaillée, vers 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigeK7ynkG1c91mi9Lbp0_nkjHlsJguqVx1J1ZEI0ZonZsYhRuAIoMjjfltLzfKawu_TB0iKsdmjBqn_tMowb68aCQQctvKgFA5sm-GFkH2Lw5qhf9RpYD-yuKjCbkLxSemqcEQAJvW3MnZ/s1600/vase+bleu+et+noir.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigeK7ynkG1c91mi9Lbp0_nkjHlsJguqVx1J1ZEI0ZonZsYhRuAIoMjjfltLzfKawu_TB0iKsdmjBqn_tMowb68aCQQctvKgFA5sm-GFkH2Lw5qhf9RpYD-yuKjCbkLxSemqcEQAJvW3MnZ/s400/vase+bleu+et+noir.png" width="287" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase couvert. Grès émaillée à coulures polychromes.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiusarFxTnFHRyB_h6jG4GwWiHvQ2Ylwg1Rx_0hx5e4ZuMrL6TvxlhVDCGwjggv5RxYTVkysq_Oo3bar-nlVynPPet0Qo4hXMRoN1k5H576GbT3bf4qe6Ukfzd3GsYXhM8MB72Sse2wGARN/s1600/mason6-6-07-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiusarFxTnFHRyB_h6jG4GwWiHvQ2Ylwg1Rx_0hx5e4ZuMrL6TvxlhVDCGwjggv5RxYTVkysq_Oo3bar-nlVynPPet0Qo4hXMRoN1k5H576GbT3bf4qe6Ukfzd3GsYXhM8MB72Sse2wGARN/s400/mason6-6-07-6.jpg" width="396" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Tout au long de son activité, Lachenal va collaborer avec des artistes. L'une des principales fut Agnès de Frumerie (1869-1937) sculptrice d'origine suédoise qui décèdera à Stockholm. Après des études en Suède, elle s'installera à Paris en 1891. Elle connaîtra un grand nombre d'artistes dont Debussy et Rodin et collaborera avec Lachenal jusqu'en 1907. Auteur dramatique autant que plasticienne, elle est très célèbre à l'époque. Elle rentre dans son pays d'origine en 1914 et lance les premiers objets en pâte de verre fabriqués en Suède à partir des années 20. Elle meurt en 1937.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Agnès de Frumerie. Vers 1890.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRaEaL5XfiUZpunSJpE9tKeUacsvt6tVj_qobm3B8cR42p79TriyGLjNHUdKx1_F-9LI_yQyNJFf89AduuUjSCOI8tAXcosK1ycZY1QVKClCo-g4pM1pBHeLDUFdwXuXJPbQi354tndwo/s1600/Agnes_Augusta_Emilia_Eleonora_Frumerie_-_from_Svenskt_Portra%CC%88ttgalleri_XX.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRaEaL5XfiUZpunSJpE9tKeUacsvt6tVj_qobm3B8cR42p79TriyGLjNHUdKx1_F-9LI_yQyNJFf89AduuUjSCOI8tAXcosK1ycZY1QVKClCo-g4pM1pBHeLDUFdwXuXJPbQi354tndwo/s400/Agnes_Augusta_Emilia_Eleonora_Frumerie_-_from_Svenskt_Portra%CC%88ttgalleri_XX.png" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie posant à côté de son </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>œuvre <u>Cheminée</u>. Vers 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH6piFZDobRhI2ksKMZB5JP8U6JwzrwaxprhyphenhyphenqUeZ7kj0oiypUN1HetlWtzUs1-d6bmnU2zj5TFxf2CoA9V8U3S1ee_HtPZdhxeU7velX5dE4jrgIQ-xeMo__j58348u8LzLdwnps0hy1I/s1600/chemine%CC%81e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH6piFZDobRhI2ksKMZB5JP8U6JwzrwaxprhyphenhyphenqUeZ7kj0oiypUN1HetlWtzUs1-d6bmnU2zj5TFxf2CoA9V8U3S1ee_HtPZdhxeU7velX5dE4jrgIQ-xeMo__j58348u8LzLdwnps0hy1I/s400/chemine%CC%81e.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie. <u>Cléopâtre</u>. Vers 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXFhdFFxXFcQ79ol6WOOc42feXclwocVuW-vAib7CTExkk8KCUhysjMdpmdBhdqBwzR5n5pMI2mVDB2OurjILENMbhE5aFioiydbaXoC770L-03MQwwT3NFFZWAPHjFg-NTUxpVMBG-Xt/s1600/cleopatre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXFhdFFxXFcQ79ol6WOOc42feXclwocVuW-vAib7CTExkk8KCUhysjMdpmdBhdqBwzR5n5pMI2mVDB2OurjILENMbhE5aFioiydbaXoC770L-03MQwwT3NFFZWAPHjFg-NTUxpVMBG-Xt/s400/cleopatre.jpg" width="206" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie. Mère et fille. Grès.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3mNkU6-ULNk0W2eIsmGpxofAFitjGjlvrONIT7ocCOrxvJxWmmXCU2VrsZjQhpiYG50AJNCyfq9t4JxnnUvFyUcK8J7WKKFsCQocKzuHgnIPJ69x-ptyNXfwXiX2riUPp9k2LnLc_Q2EX/s1600/agnes+de+frumeries+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3mNkU6-ULNk0W2eIsmGpxofAFitjGjlvrONIT7ocCOrxvJxWmmXCU2VrsZjQhpiYG50AJNCyfq9t4JxnnUvFyUcK8J7WKKFsCQocKzuHgnIPJ69x-ptyNXfwXiX2riUPp9k2LnLc_Q2EX/s400/agnes+de+frumeries+2.jpg" width="217" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie. Vase. Grès, 1901.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgARYcZjs5lLsRNzVPJmb2fvJWTRroEJCEHNil4LIPuGVDuEE-4Dn3vQExyUqySUmx3a0O03Z3CGMaP6wc5z8bjPDa1kGlk1EQVb3Tv_jl4EBeIwzVG6Fh8509CqAIFq4R7xcB9bK7z6Nu/s1600/agnes+de+frumeries.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgARYcZjs5lLsRNzVPJmb2fvJWTRroEJCEHNil4LIPuGVDuEE-4Dn3vQExyUqySUmx3a0O03Z3CGMaP6wc5z8bjPDa1kGlk1EQVb3Tv_jl4EBeIwzVG6Fh8509CqAIFq4R7xcB9bK7z6Nu/s400/agnes+de+frumeries.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie et Alexandre Förster. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Vase Les Trois Muses</u>. Grès, 1901.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHM19RQKZdNGa5bsV5LZRAGQP8Rr69RZ3_zvWgLyoSeVt3pTlQn1OLe7T95Bcx9XFnAcffBON8QIUOsLDSxQ4rfs49p5CYSfuowxgx_NrxBJqPHWPPPqe3v5Rd_OaU6aqhfBRY3-bvjLhn/s1600/3+grace.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHM19RQKZdNGa5bsV5LZRAGQP8Rr69RZ3_zvWgLyoSeVt3pTlQn1OLe7T95Bcx9XFnAcffBON8QIUOsLDSxQ4rfs49p5CYSfuowxgx_NrxBJqPHWPPPqe3v5Rd_OaU6aqhfBRY3-bvjLhn/s640/3+grace.png" width="260" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnes de Frumerie et Edmond Lachenal. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vase. Grès, 1899.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2T_UVbhw6NjEPoJ4MlR8CCzIHs9feRGBFl5L9NzjpgWI8VvMgcq7Anv0PXRKDuFxWCzRqVKrSlKOEh315rhdSwPf54EK2PskANdclD5pX-9rosPUMc9F7S6ps3TegOzKs-eXTSXm_o29j/s1600/avec+agnes+de+frumerie+1869-1937.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2T_UVbhw6NjEPoJ4MlR8CCzIHs9feRGBFl5L9NzjpgWI8VvMgcq7Anv0PXRKDuFxWCzRqVKrSlKOEh315rhdSwPf54EK2PskANdclD5pX-9rosPUMc9F7S6ps3TegOzKs-eXTSXm_o29j/s400/avec+agnes+de+frumerie+1869-1937.jpg" width="295" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Agnès de Frumerie et Edmond Lachenal. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vide-poche. Grès, 1899.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpwPYqPcCT0U48WBFS0WDfnuVZt9bIkxuZAMYdci6Ue549tyLOYIsEp5ELXManTIDnrCyJzADhrQlw8BBLjr98BeqQa-j_GiYjaVa6rgUqDy56XPkADD6Ruu9zuojnq8DYiVRkFn8k_xo/s1600/avec+agnese+de+fruerie+1899.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpwPYqPcCT0U48WBFS0WDfnuVZt9bIkxuZAMYdci6Ue549tyLOYIsEp5ELXManTIDnrCyJzADhrQlw8BBLjr98BeqQa-j_GiYjaVa6rgUqDy56XPkADD6Ruu9zuojnq8DYiVRkFn8k_xo/s400/avec+agnese+de+fruerie+1899.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lachenal collabore aussi avec Georges de Feure, mais celui-ci travaillera davantage avec le fils d'Edmond, Raoul Lachenal (1885-1956) qui sera aussi céramiste, tout comme l'autre fils d'Edmond, Jean-Jacques Lachenal.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Edmond Lachenal et ses deux fils.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizfuismq4ufbRT3gZ0nDNZOiM-k7n7mSYDAo0bKuua20achuwyCwoIBMPkpXHw8NErcZX7Ob_g-P6D-KuL5X8Dgk9IhXBiTB7jdATD7I1aFgIirsl_Ai2RnWMQjrz3QGGECQmmKLSML0qn/s1600/428px-Famille_Lachenal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizfuismq4ufbRT3gZ0nDNZOiM-k7n7mSYDAo0bKuua20achuwyCwoIBMPkpXHw8NErcZX7Ob_g-P6D-KuL5X8Dgk9IhXBiTB7jdATD7I1aFgIirsl_Ai2RnWMQjrz3QGGECQmmKLSML0qn/s400/428px-Famille_Lachenal.jpg" width="285" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Georges de Feure et Edmond Lachenal. Plat à décor </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>de paysage. Céramique émaillée.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvr9-Z42ysYyg8n-kkBkwqU-36rvcGc_WwbSy4NbXv6W6S2ab0BSVyzVluqlBNkmcgkAEn3g-MF2quqw6BPbbMVxf1U5JjtjKBMgPgCS8G650RH-Qt3qqtfh0f83YDCTKpuiktxpp7Uyq3/s1600/lachenal+de+feure.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvr9-Z42ysYyg8n-kkBkwqU-36rvcGc_WwbSy4NbXv6W6S2ab0BSVyzVluqlBNkmcgkAEn3g-MF2quqw6BPbbMVxf1U5JjtjKBMgPgCS8G650RH-Qt3qqtfh0f83YDCTKpuiktxpp7Uyq3/s400/lachenal+de+feure.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un des élèves les plus important de Lachenal fut Emile Decœur (1876-1953) qui travailla avec lui de 1890 à 1907.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Emile Decœur et Edmond Lachenal. Grand pichet. Grès.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN7cB7Yqd1dfhkT0VNRIKv__H8nxN5oOComg6quFsx0ifI3pd-f7IQWfhZMN9tuU6oVai5wzRqh0mDMGUmwoc5w1qnLlHsCeTP7R6lv6ckgnDcI1Ezw4gK-jJf3Rq9a_wmPVtujfvCeXdJ/s1600/emile+dec%C5%93ur+1876-1953.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN7cB7Yqd1dfhkT0VNRIKv__H8nxN5oOComg6quFsx0ifI3pd-f7IQWfhZMN9tuU6oVai5wzRqh0mDMGUmwoc5w1qnLlHsCeTP7R6lv6ckgnDcI1Ezw4gK-jJf3Rq9a_wmPVtujfvCeXdJ/s400/emile+dec%C5%93ur+1876-1953.jpg" width="202" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Emile Decœur. <u>Abstraction florale pour </u></i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Edmond Lachenal</u>. Vers 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg4KBYF091CWXVJmJj-OuxwtpS793SbTXz0TKs6GMxPExM4Ay7ck6dSabGxCbKyH_YMG3NKqSYvUHAd57Xxf1y766D4SKUs0R01UbwzUbWMknVbpmgBA6gp-piV6ai7NYLgA4g4GtsFIqZ/s1600/artwork_images_424543111_628779_emile-decoeur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg4KBYF091CWXVJmJj-OuxwtpS793SbTXz0TKs6GMxPExM4Ay7ck6dSabGxCbKyH_YMG3NKqSYvUHAd57Xxf1y766D4SKUs0R01UbwzUbWMknVbpmgBA6gp-piV6ai7NYLgA4g4GtsFIqZ/s400/artwork_images_424543111_628779_emile-decoeur.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lachenal a aussi travaillé avec Hector Guimard.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Après la Guerre de 14, Lachenal évolue vers l'<i>Art Déco</i> et collabore notamment avec le sculpteur Louis Dejean (1872-1954) qui produira de nombreux monuments très caractéristique du style des années 30-40 comme la <i>Muse</i> du <i>Palais de Chaillot</i>.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Louis Dejean. <u>Elégante</u>. Bronze, vers 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0nqXg8Q4R3s8pwCebP7n3c2VqAZTmGY75PPJnqGzasb93586pEaeDMxVgVFbvmHqK1gJ7H6ztskjYogPIKCjIQycGoIOOE17WTPxfQVMWs75ThuQuPA9wnC-qMoNE8r35BzHKIes6_nJW/s1600/99.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0nqXg8Q4R3s8pwCebP7n3c2VqAZTmGY75PPJnqGzasb93586pEaeDMxVgVFbvmHqK1gJ7H6ztskjYogPIKCjIQycGoIOOE17WTPxfQVMWs75ThuQuPA9wnC-qMoNE8r35BzHKIes6_nJW/s400/99.jpg" width="310" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Louis Dejean. <u>Muse Allongée</u>, Paris. 1937.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAp2hmAfDRMzK5J27lnvTkEH0_YZZiA0Gw3fvRsTKmaLBYEkaokQ2qiFbtkPhJ9lPSUcV0anb0CdFjfWHPexq_mRHZ8iOia-MuuyCn7puiMaQfiqfa_biQVMQdgp7yRuEAc9F6-_nag6zj/s1600/paris_16_dejean.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAp2hmAfDRMzK5J27lnvTkEH0_YZZiA0Gw3fvRsTKmaLBYEkaokQ2qiFbtkPhJ9lPSUcV0anb0CdFjfWHPexq_mRHZ8iOia-MuuyCn7puiMaQfiqfa_biQVMQdgp7yRuEAc9F6-_nag6zj/s400/paris_16_dejean.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Edmond Lachenal et Louis Dejean. <u>Jeune Fille </u></i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>à la houppelande.</u> Céramique.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF9HxgIgThKFHktFUCN4smnSdNJUMzP5ugrSyFwkfMFPXAeFW3CLyXHkZ1Lednlwuk1rMESS7_tXX8kpDma7iTmOLnONv1Bg1QAWnzeC-k63Q71eG2BqPsEoRS7qIKY0egXS_W1mprxPK0/s1600/lachenal_edmond-jeune_fille_a%CC%80_la_houppelande~+louis+dejeanjpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF9HxgIgThKFHktFUCN4smnSdNJUMzP5ugrSyFwkfMFPXAeFW3CLyXHkZ1Lednlwuk1rMESS7_tXX8kpDma7iTmOLnONv1Bg1QAWnzeC-k63Q71eG2BqPsEoRS7qIKY0egXS_W1mprxPK0/s1600/lachenal_edmond-jeune_fille_a%CC%80_la_houppelande~+louis+dejeanjpg.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Selon les sources, Edmond Lachenal serait mort en 1930, en 1948, voire en 1955 selon le site du <i>Musée d'Orsay</i>. Après vérification, il semble que la date de 1948 soit à retenir.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-76315950897487470592012-03-29T21:41:00.008-07:002012-04-01T01:15:13.664-07:00Antoine Lumière ou la passion de la pierre<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Antoine Lumière est surtout connu aujourd'hui pour être le père des Frères Lumières. On sait moins qu'une fois fortune faite, Antoine Lumière, fut pris d'une sorte de furie de construction qui mit en péril jusqu'à la <i>Société Lumière</i>. Il reste de nombreux témoins de cette activité de bâtisseur, même s'ils sont parfois très défigurés.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Antoine Lumière est né en 1857. Peintre d'enseigne à Paris, il n'arrive pas à se mettre à son compte. Il s'installe à Besançon avec son épouse en 1862.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La maison d'Antoine Lumière à Besançon vers 1950.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCJjK8sofWb3Jq9tNDiZtckzSi_SEt42vFQ9l7o_MDLH_nqdG57019paQ_epK376qcz8xduC8RY1ydpSEwTiEw82PgePU2jXv_GZcAUf58oEDMqnAN_CpT5FSGpQHHeb1E23eEXCM3PY2x/s1600/maison_besan_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCJjK8sofWb3Jq9tNDiZtckzSi_SEt42vFQ9l7o_MDLH_nqdG57019paQ_epK376qcz8xduC8RY1ydpSEwTiEw82PgePU2jXv_GZcAUf58oEDMqnAN_CpT5FSGpQHHeb1E23eEXCM3PY2x/s400/maison_besan_01.jpg" width="292" /></a></div><div style="text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est dans cette maison que naissent Auguste en 1862 et Louis en 1864. Suite à la Guerre de 70, la famille quitte Besançon et s'installe à Lyon.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'Antoine Lumière en 1872.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSMygYeuQ0IbnMSt9H6ARQ8HeITowHrISLVe6lVxb_xu61OUIAjxzftnmfvQjq3-Zp71YzL8hp_akXquEnjYD2ddwLawRiWgwsaaeWbjPiU1OMNPVRIUBIgZUOzqu9Soibq4hHE8uuBw2/s1600/antoine_lyon_1872.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSMygYeuQ0IbnMSt9H6ARQ8HeITowHrISLVe6lVxb_xu61OUIAjxzftnmfvQjq3-Zp71YzL8hp_akXquEnjYD2ddwLawRiWgwsaaeWbjPiU1OMNPVRIUBIgZUOzqu9Soibq4hHE8uuBw2/s400/antoine_lyon_1872.jpg" width="312" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Il s'installe comme photographe mais s'intéresse bientôt à la photographie au format <i>carte de visite</i> qui est un peu l'ancêtre du photomaton. Ces photographies de petites tailles à faible coût, ont un grand succès et lui permettent d'atteindre un certaine aisance. Il est un des premiers à faire des portraits à la lumière électrique dès 1879. En collaboration avec Louis, qui n'a que 15 ans, il améliore les plaques photographiques qui deviennent plus pratiques. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Antoine Lumière devient alors un industriel de la photographie. La <i>Société Antoine Lumière et fils</i> est fondée en 1884. C'est la fortune. Dès lors, les Lumières vont se lancer dans un somptueux programme de construction.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Photographie d'Antoine Lumière et ses fils.</i></span></span></div><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FkLrul4vAzswZ3xwKelnYVmAZGUu8QoXHhj7DxPrZ8NJZYjJ9MH8rwrL9_Xcxz-VuN0_qn6-RdH4fbWimE0DgqNT6nthiDOgOq-w6KDCMiJdjtsBoAUK4ybbH_Sbk_uQekLefhyphenhyphenpVlEv/s1600/antetfils.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FkLrul4vAzswZ3xwKelnYVmAZGUu8QoXHhj7DxPrZ8NJZYjJ9MH8rwrL9_Xcxz-VuN0_qn6-RdH4fbWimE0DgqNT6nthiDOgOq-w6KDCMiJdjtsBoAUK4ybbH_Sbk_uQekLefhyphenhyphenpVlEv/s400/antetfils.JPG" width="267" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">En premier lieu, Antoine Lumière achète un grand domaine à La Ciotat, le <i>Clos des Plages</i>. Il y fait construite une immense villa baptisé Château dans un style assez vaguement toscan, hybride et néo… La bâtisse est achevée en 1893. Soyons clairs, bien qu'Antoine fût peintre amateur — il fait installer trois ateliers dans son château de La Ciotat — le goût des Lumières est celui des grands bourgeois de l'époque peu sensibles aux nouveaux courants architecturaux.</span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Photographies d'époque de l'extérieur du </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Château du Clos des Plages.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiigih-1s6q86Y4M2851bUmT-lKyLhGIQyICZSUyGVT1DYK1pO9JAu2UUOJzIHidsqFG7aHfVnk6axBLq-Simwu7UCbCHrTk-4fAdUe62GguMTqDNZFNMLp580yfkSP58vF2i75bmIew9IO/s1600/a4c12d54-c218-44c1-b883-fb7b6a192abf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiigih-1s6q86Y4M2851bUmT-lKyLhGIQyICZSUyGVT1DYK1pO9JAu2UUOJzIHidsqFG7aHfVnk6axBLq-Simwu7UCbCHrTk-4fAdUe62GguMTqDNZFNMLp580yfkSP58vF2i75bmIew9IO/s400/a4c12d54-c218-44c1-b883-fb7b6a192abf.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW7e50rpXerHnRijpH5Dd2gEs9nUpS4mDUSPjne9wKIaA486e6nY4HdjTv4OBdm5C3pzlwB107dzqK2xmn1UgXbfhdjO6rxUjc1w3K7c43dpmP3ay8Ls9A0emIjXI_YLj2uqzN8XSm9Gw6/s1600/PLvignes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW7e50rpXerHnRijpH5Dd2gEs9nUpS4mDUSPjne9wKIaA486e6nY4HdjTv4OBdm5C3pzlwB107dzqK2xmn1UgXbfhdjO6rxUjc1w3K7c43dpmP3ay8Ls9A0emIjXI_YLj2uqzN8XSm9Gw6/s400/PLvignes.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNsLKmGpD955Rt5gTougauTqi3ffxwVNwt-CD98JfWlimdwMoieQKalhcUkw8E33IWvk3_5RqeDCm9bt3hc0L9pccMBWKq5i_6CABhVEL7ja287rUl1A7N3Tb_KeznpIsMPBfYWL-FJPUn/s1600/PLouest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNsLKmGpD955Rt5gTougauTqi3ffxwVNwt-CD98JfWlimdwMoieQKalhcUkw8E33IWvk3_5RqeDCm9bt3hc0L9pccMBWKq5i_6CABhVEL7ja287rUl1A7N3Tb_KeznpIsMPBfYWL-FJPUn/s400/PLouest.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Comme on le voit sur la seconde photographie, Lumière fait planter des vignes et organise des vendanges.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Les vendanges. Autochrome Lumière. Vers 1900.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDVxS3T2ZYqhNrugJym9UnsjMrf6TLFrloGw2RbK88MzF63B3JBwcEStFArxs2G6BA0fswQAtMqCCnnFwCzUhsSZblCo41QOpJ3ltlP_bLi46FnskA8HGGxzt34VPvEbuVWdFB0po0BXj9/s1600/vendanges.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDVxS3T2ZYqhNrugJym9UnsjMrf6TLFrloGw2RbK88MzF63B3JBwcEStFArxs2G6BA0fswQAtMqCCnnFwCzUhsSZblCo41QOpJ3ltlP_bLi46FnskA8HGGxzt34VPvEbuVWdFB0po0BXj9/s400/vendanges.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un parc somptueux, ornées de statues et d'une pièce d'eau, entoure le château.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'époque.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Cr-OvIcfzrDk9fhXLgp3VcNjW-sF5fyMl-y5xpgvmgcBMIdfL108o-ZcVlZzERdMsihThiWQBEeIIuG26krCdf5BzJOCQWO58zK9qdii1uf88LsEVuk-al_xUoPAftXvX1x6P0nY4awy/s1600/PLondpoint.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Cr-OvIcfzrDk9fhXLgp3VcNjW-sF5fyMl-y5xpgvmgcBMIdfL108o-ZcVlZzERdMsihThiWQBEeIIuG26krCdf5BzJOCQWO58zK9qdii1uf88LsEVuk-al_xUoPAftXvX1x6P0nY4awy/s400/PLondpoint.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur est meublée avec ostentation en néo-baroque à grand renforts de soieries lyonnaises et de grands lustres.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies d'époque du Grand Salon.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJGOzcjsJyHv66tOI2yMybypdwlBh_Dosu48s-lyx-1nImjEqmpyEeYWQfehUn8i79gwGovLnIPGFeqIWuEi8kwNRWyc7r-pZFHOnAtUNuJMRFKiBFc11ppWgLOKPeb7_R0rbJ3jPO5rYL/s1600/LeGdSalon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJGOzcjsJyHv66tOI2yMybypdwlBh_Dosu48s-lyx-1nImjEqmpyEeYWQfehUn8i79gwGovLnIPGFeqIWuEi8kwNRWyc7r-pZFHOnAtUNuJMRFKiBFc11ppWgLOKPeb7_R0rbJ3jPO5rYL/s400/LeGdSalon.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCt8BBn5Vi4sZjQkytR5HOkcNZEgNamRDJaPRy7t_Ios0LkzNKHAiK8UDxObDQwGaKIguH28h7WS44m1cw3vVvj-wfcpgvKHp134cq9YNvoxx_V75YqRJNeu8VzAxSpF60F-GvXKttqlY-/s1600/LeGdSalon2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCt8BBn5Vi4sZjQkytR5HOkcNZEgNamRDJaPRy7t_Ios0LkzNKHAiK8UDxObDQwGaKIguH28h7WS44m1cw3vVvj-wfcpgvKHp134cq9YNvoxx_V75YqRJNeu8VzAxSpF60F-GvXKttqlY-/s400/LeGdSalon2.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une chambre.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Z5RYr7vd7j1ywRkyKuSkWpIX746uYX6ZW8X9lzCOjoBDte46Ut1WcSFaXkGZD0sbWbnG7nlURztTj5yefdXp7as2mCv9J56zG4yNXOnmagRTXbtrqwJeYGdQOZiBvjCuLRdCc50eVrsw/s1600/PLchambre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Z5RYr7vd7j1ywRkyKuSkWpIX746uYX6ZW8X9lzCOjoBDte46Ut1WcSFaXkGZD0sbWbnG7nlURztTj5yefdXp7as2mCv9J56zG4yNXOnmagRTXbtrqwJeYGdQOZiBvjCuLRdCc50eVrsw/s400/PLchambre.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La véranda.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD-BHA0qml2AQyiRS1T7eTRn4BSFOTT3sLnfOKaEoVYpQ2DyCOOHAzy5wdAmjnJGVQhXUIRVfPGgUDSS2rsstQumK_3EnxslBo_EG9d4UzOnLhjM4qs1KnmcjyXGB2KjjwjJ88NoOebBuI/s1600/PLveranda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD-BHA0qml2AQyiRS1T7eTRn4BSFOTT3sLnfOKaEoVYpQ2DyCOOHAzy5wdAmjnJGVQhXUIRVfPGgUDSS2rsstQumK_3EnxslBo_EG9d4UzOnLhjM4qs1KnmcjyXGB2KjjwjJ88NoOebBuI/s400/PLveranda.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ensuite la propriété a eu une histoire chaotique. Transformée en hôtel de luxe après la Guerre de 14, elle est sérieusement bétonnée et la façade perd tout intérêt bricolée en style <i>Art Déco</i> bien lourd. Loti en appartements, le château a perdu sa décoration et le parc a été laissé à l'abandon.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le Golf Hôtel dans les années 30.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji5OJKoD6lIF1zUk9A6kCG5SCWUCeJjcGGWb5-T5twZJZOiSrogphDLeWHrRgDm-u5N2br9JqlrhTlApnUqdVGs6oZ1x77V1MkxC18UZzoPjtywUIKnN8sPPTPkt8Wu4aRkrQzyQU7Wf4z/s1600/Golfhotel.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji5OJKoD6lIF1zUk9A6kCG5SCWUCeJjcGGWb5-T5twZJZOiSrogphDLeWHrRgDm-u5N2br9JqlrhTlApnUqdVGs6oZ1x77V1MkxC18UZzoPjtywUIKnN8sPPTPkt8Wu4aRkrQzyQU7Wf4z/s400/Golfhotel.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'extérieur de la propriété vers 1995.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPi40Yn0a_JcwY9vM-o05RrMmkFrG9H6SIIG0uBGUqvdEdGpHGhRPdUBX9LYV5lb0-dIo8fxArzW7hyQ96rZexq1j-dN7h_i0rsUtktoKgbixq7JKoGLdg6uBmgnZxwUG1uWxABALuXt-r/s1600/MHR93_03131403ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPi40Yn0a_JcwY9vM-o05RrMmkFrG9H6SIIG0uBGUqvdEdGpHGhRPdUBX9LYV5lb0-dIo8fxArzW7hyQ96rZexq1j-dN7h_i0rsUtktoKgbixq7JKoGLdg6uBmgnZxwUG1uWxABALuXt-r/s400/MHR93_03131403ZA_P.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh5ycwpoqn1yNqJrPVfVHadvabkHlOaJHWthSdypGMv4BtKAPdHpXGojrsXcnSUWE_55T4jOniBTxrK8hawgfnZdOsRSoPIIozk7PC6faArQizHnr9RxTbZ4xkQfL1dvHy54C2O8aGlEvY/s1600/MHR93_03131405ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh5ycwpoqn1yNqJrPVfVHadvabkHlOaJHWthSdypGMv4BtKAPdHpXGojrsXcnSUWE_55T4jOniBTxrK8hawgfnZdOsRSoPIIozk7PC6faArQizHnr9RxTbZ4xkQfL1dvHy54C2O8aGlEvY/s400/MHR93_03131405ZA_P.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5pj_rVR3UJxU5WBX1rUi9fhH5_YFv_oyNnqkj2CqnV0FYCBPCDspfz-aC7pkSTcxdb1zReaZaqyeS1Lr7OKd2yvKoSpBwm-D13xKQTIACRyYfydVfDe2PiXiBq_806tZA_Fwlldc3gqO/s1600/MHR93_03131418ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5pj_rVR3UJxU5WBX1rUi9fhH5_YFv_oyNnqkj2CqnV0FYCBPCDspfz-aC7pkSTcxdb1zReaZaqyeS1Lr7OKd2yvKoSpBwm-D13xKQTIACRyYfydVfDe2PiXiBq_806tZA_Fwlldc3gqO/s400/MHR93_03131418ZA_P.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le parc vers 1995.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqfGctDZTEmzTtghf72ghP9I-JaDLBIwlV3ETN0FMy_isuWwRUqXmRaIt2GjCdpFSdoJVexXMBbkTZvdbwLIdVjK0KfuUCibAbWWkuJVnK990feQbXEitiL-3qnb2zQ9xPPUVdqHYB58A/s1600/MHR93_03131432ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqfGctDZTEmzTtghf72ghP9I-JaDLBIwlV3ETN0FMy_isuWwRUqXmRaIt2GjCdpFSdoJVexXMBbkTZvdbwLIdVjK0KfuUCibAbWWkuJVnK990feQbXEitiL-3qnb2zQ9xPPUVdqHYB58A/s400/MHR93_03131432ZA_P.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiikb09iwJkGyBIqDJH8bocweBzMdt0dyf7ZV7akmiYGL_ntjrh9F_hzVQeHG7RYheiusu_IoviabbGdNEyRk-nnYDEiDYb3mTRXI6JP4I1oVOzLQB4646c23BUa6p2X0gkYjtaGQaKcpTQ/s1600/MHR93_03131437ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiikb09iwJkGyBIqDJH8bocweBzMdt0dyf7ZV7akmiYGL_ntjrh9F_hzVQeHG7RYheiusu_IoviabbGdNEyRk-nnYDEiDYb3mTRXI6JP4I1oVOzLQB4646c23BUa6p2X0gkYjtaGQaKcpTQ/s400/MHR93_03131437ZA_P.jpg" width="267" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le grand salon vers 1995.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj50cBdGVcD5yn9wDgNHqOuYVIlp-iy6A9n3MDlLt7l5_FhIIkLff0G0x9AXWt3kgs_T04_tcL20GdNWMT7h8L1WuzPBg7zA5ETrzaCtuNy5aP7tOR-EbwzwDaEelZpUQeFEAKCTq3mzTcq/s1600/MHR93_03131423ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj50cBdGVcD5yn9wDgNHqOuYVIlp-iy6A9n3MDlLt7l5_FhIIkLff0G0x9AXWt3kgs_T04_tcL20GdNWMT7h8L1WuzPBg7zA5ETrzaCtuNy5aP7tOR-EbwzwDaEelZpUQeFEAKCTq3mzTcq/s400/MHR93_03131423ZA_P.jpg" width="400" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvO4mrvmR-j2naVYWu1bfP4PIaS2fGRaPe6tHea8zAlUhto0LS7xxJDRvJtZUuCHCQK3ZvlAe1JmYCPKH2knsi5r9X4Jy87LqcQKWebHmtgG2d-kpl-vrU73TO3wjBwS2iNcJM824moFfp/s1600/MHR93_03131427ZA_P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvO4mrvmR-j2naVYWu1bfP4PIaS2fGRaPe6tHea8zAlUhto0LS7xxJDRvJtZUuCHCQK3ZvlAe1JmYCPKH2knsi5r9X4Jy87LqcQKWebHmtgG2d-kpl-vrU73TO3wjBwS2iNcJM824moFfp/s400/MHR93_03131427ZA_P.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1890, Antoine Lumière achète un certain nombre de propriétés à Amphion et à Evian. A Evian même, il achète une villa dont les travaux ont commencés sousvla direction de l'architecte Molle en 1885 et se sont arrêtés à la mort du commanditaire en 1887. Les travaux reprennent sous la direction de deux architectes genevois Antoine Charhe et Paul Pélissier sur lesquels je n'ai trouvé aucune information. Les travaux trainent en longueur et en 1896, le cabinet d'architecture Chevalier trace de nouveaux plans visant essentiellement à la grandeur, voire la grandiloquence. La <i>Villa Lumière</i> est devenue l'Hôtel de Ville d'Evian depuis 1927.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Lumière, Evian. Vue de la façade.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDSpI0Daw9iBY3hdJgMPQCzU9A9IljF6na0G4O7xrf-88VDnoY6Q9G3567cLxCqwN5zpfVpUSrDW-jU4mhkxHBzs8fKlW6At__dm2Wk4lz1az3V4Ra3DpBQ34wuZO9QN-kWVE9PuUvjkq_/s1600/hotel-de-ville---villa-lumiere-251959-0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDSpI0Daw9iBY3hdJgMPQCzU9A9IljF6na0G4O7xrf-88VDnoY6Q9G3567cLxCqwN5zpfVpUSrDW-jU4mhkxHBzs8fKlW6At__dm2Wk4lz1az3V4Ra3DpBQ34wuZO9QN-kWVE9PuUvjkq_/s400/hotel-de-ville---villa-lumiere-251959-0.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Du côté de la rue, le grandiose portail d'entrée est ornée de deux Atlantes, copies de Atlantes de Pierre Puget (1610-1694), le seul grand sculpteur et peintre baroque français, sur la façade de l'ancienne mairie de Toulon (1656). Ces copies ont été exécutées par Félix Devaux (1873-1921), sculpteur avignonnais, spécialisé dans les monuments funéraires. On remarquera, cependant, un certain nombre de différences entre les deux versions.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les Atlantes de Pierre Puget, Toulon. 1656.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikesjdwm5fhHwKoR5Hel-0sDRQpbc49W7ngkDq9ARui8jaoJCM3R2YQmWBmqbrDDv2w5V0G8DmoK1RsgGmZa-_8FE1wKa6nIyV47AyHkeC_yRKeUQJ28R3lH3ba6mz03OlFMmPvGSHS_mD/s1600/Toulon_caryatides_p1040272.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikesjdwm5fhHwKoR5Hel-0sDRQpbc49W7ngkDq9ARui8jaoJCM3R2YQmWBmqbrDDv2w5V0G8DmoK1RsgGmZa-_8FE1wKa6nIyV47AyHkeC_yRKeUQJ28R3lH3ba6mz03OlFMmPvGSHS_mD/s400/Toulon_caryatides_p1040272.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les copies de Devaux sur la Villa Lumière, Evian. 1896.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2ZpjKxLUuZQLpSyuxcEhdvdyL7WXLcT5oQkWyymJLLxw7suddRuaX60NJT9BzJvofqtgM6u3KK2n9MuwfsDvl1Lv6wU3fb98yfoEwbHyYuBr-VqH775ZfL46tVHqYSJJTvXiDUKT4h2EJ/s1600/4452369752_a6375df6ca_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2ZpjKxLUuZQLpSyuxcEhdvdyL7WXLcT5oQkWyymJLLxw7suddRuaX60NJT9BzJvofqtgM6u3KK2n9MuwfsDvl1Lv6wU3fb98yfoEwbHyYuBr-VqH775ZfL46tVHqYSJJTvXiDUKT4h2EJ/s400/4452369752_a6375df6ca_b.jpg" width="265" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre portail de style baroque est ornée d'une tête de lion (allusion au siège de la <i>Société Lumière et Fils</i>) et de deux cartouches ornés des initiales A L (Antoine Lumière).</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrQeE0MJgSpkKFluOKi8k2L6LeH7fnmGbO_D9BTlgYkhmtBITwbFrVRIdCTUS8QytFgx_2h3cz9GKnliMPKQ_MuUmegKnf2YXfMao9WhLn8QnIJEzGPnh_F6ARzLOP6oD3Nuny_1A8Vwi_/s1600/5867490432_313b3e1a6f_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrQeE0MJgSpkKFluOKi8k2L6LeH7fnmGbO_D9BTlgYkhmtBITwbFrVRIdCTUS8QytFgx_2h3cz9GKnliMPKQ_MuUmegKnf2YXfMao9WhLn8QnIJEzGPnh_F6ARzLOP6oD3Nuny_1A8Vwi_/s400/5867490432_313b3e1a6f_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les parties les plus remarquables de l'intérieur sont le hall d'entrée et la cage d'escalier, dessinée par Pélissier. Le hall d'entrée est décorée de bas-reliefs d'inspiration antique.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh61ICLgCtVvlQKrEIe3SzXtRhgyGChOg1zzVAkVm4HGQBUNvrv6-vVce30dtySNHQXFVWriKVasoQ1j8YZoECoaAdc11eVsgjyc3yg6QYq6oc9ViRjou53rekjBAr22wfHg4YR8iPtoerA/s1600/bas+relief+de+l'entre%CC%81e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh61ICLgCtVvlQKrEIe3SzXtRhgyGChOg1zzVAkVm4HGQBUNvrv6-vVce30dtySNHQXFVWriKVasoQ1j8YZoECoaAdc11eVsgjyc3yg6QYq6oc9ViRjou53rekjBAr22wfHg4YR8iPtoerA/s400/bas+relief+de+l'entre%CC%81e.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La rampe d'escalier est amorcée par une magnifique lionne en bronze, prête à bondir.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ7f9f-yl0ArlzC_719SqMfjNKEcaf1SbxUC22Bi_ooddmE9kaOjUeKAh16lsH4O6toqr2lS2SPFIB2xPlEkKA6FVioTX3_2p2W6NxWjCiycj6FTPD1z4_aYZP6qKL5QUC_Q-tPDTugAM6/s1600/5867506758_5f5e57b1a3_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ7f9f-yl0ArlzC_719SqMfjNKEcaf1SbxUC22Bi_ooddmE9kaOjUeKAh16lsH4O6toqr2lS2SPFIB2xPlEkKA6FVioTX3_2p2W6NxWjCiycj6FTPD1z4_aYZP6qKL5QUC_Q-tPDTugAM6/s400/5867506758_5f5e57b1a3_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La cage d'escalier est ornée de peinture de fleurs et de paysages. L'un deux représente le </span></span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Château du Clos de la Plage</span></span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"> à La Ciotat. Le lustre en bronze et tulipes de verre est typiquement </span></span><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Art Nouveau</span></span></i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmhYeXOkkZg5pE63IMhMos4W7t8M1zlbe3pB9X0c6p9tbYfmMjhTw9Fe8UZGCut2EOOca_hnWVtepASF2ZvqrLZ_w2B1VO7t4fgOLnzXDtgk_iFGmLp4ZfdbGBTBKaHNDka78upYvp5ooR/s1600/5867509840_7c57831e31_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmhYeXOkkZg5pE63IMhMos4W7t8M1zlbe3pB9X0c6p9tbYfmMjhTw9Fe8UZGCut2EOOca_hnWVtepASF2ZvqrLZ_w2B1VO7t4fgOLnzXDtgk_iFGmLp4ZfdbGBTBKaHNDka78upYvp5ooR/s400/5867509840_7c57831e31_b.jpg" width="300" /></a></div><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjosoirNqHXX7uLXylzcy4me-cumI3STc8CjY675DCxXTAZeI0okmZPTNSe3CMa_rs6yJG7MK2aSeES3PAhQlWoxmzcd0Cqi3kIdaSbBHcyYtcq8UHcvztCl2Ix89vAecdZ11cPXXzLcp56/s1600/salon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjosoirNqHXX7uLXylzcy4me-cumI3STc8CjY675DCxXTAZeI0okmZPTNSe3CMa_rs6yJG7MK2aSeES3PAhQlWoxmzcd0Cqi3kIdaSbBHcyYtcq8UHcvztCl2Ix89vAecdZ11cPXXzLcp56/s400/salon.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-k2IpGLHtUvsi8pWq6euNDx-dc_dEnOl6OKs_25Z4V8s7Aae3eUTwGvmPYQZT3dAzHdMYLdyhOpZdAxQ9MJhD7SkYQdSWMsl4pAppzzsvwN4xslGWHI3awU4aWuXZj55Ik4r-40zTmfg/s1600/cage+d'escalier+par+paul+pelissier+1896.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-k2IpGLHtUvsi8pWq6euNDx-dc_dEnOl6OKs_25Z4V8s7Aae3eUTwGvmPYQZT3dAzHdMYLdyhOpZdAxQ9MJhD7SkYQdSWMsl4pAppzzsvwN4xslGWHI3awU4aWuXZj55Ik4r-40zTmfg/s400/cage+d'escalier+par+paul+pelissier+1896.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La salle de réception de la mairie correspond au salon de la villa. La pièce a gardé en grande partie son somptueux décor néo-rococo en bois doré et lourdes tentures de soie jaune.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOLLxmyMGmm845Yl_crKuS0Hlzyn_Qzp5beWdp92ZnlEwi4h60VfW91P42zvj5CD_sPzO-k5LP379MtYp1mXQMTX6rpbTfMw6_rb7pKYVCjiGBBeC0uFWC0Pd-M9T_PyNUlY3Z1_isT6vz/s1600/5866944435_970f4cde55_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOLLxmyMGmm845Yl_crKuS0Hlzyn_Qzp5beWdp92ZnlEwi4h60VfW91P42zvj5CD_sPzO-k5LP379MtYp1mXQMTX6rpbTfMw6_rb7pKYVCjiGBBeC0uFWC0Pd-M9T_PyNUlY3Z1_isT6vz/s400/5866944435_970f4cde55_b.jpg" width="300" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJbQ_qcRvcGvapJVGpMJbUZMSqznR5VK_3Kw4mRMVKoQ_wM2lsfFF5J0SHi2mflERcO-15E2nZUoSJ5SjRfsmbfTIr6areXY1ioK_sncMDgwRfNJbjL2Zxadm0kYT6VuKu3iWZxoPerh60/s1600/5866947229_49336f0ebd_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJbQ_qcRvcGvapJVGpMJbUZMSqznR5VK_3Kw4mRMVKoQ_wM2lsfFF5J0SHi2mflERcO-15E2nZUoSJ5SjRfsmbfTIr6areXY1ioK_sncMDgwRfNJbjL2Zxadm0kYT6VuKu3iWZxoPerh60/s400/5866947229_49336f0ebd_b.jpg" width="300" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHx63mCHxUpmBJiFkobr9eTV6-xpjURgfJD6h_ciAmby4S_Qq3uGB0G9WegjPNznsuPQNqY5IDPdrpiV-kJgQoLRgAAw4f4S6KiGcTNrNs9LMR-5p22qomPJDM6CdONmaB5reG56eRZTsE/s1600/5867504060_b14caeefc5_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHx63mCHxUpmBJiFkobr9eTV6-xpjURgfJD6h_ciAmby4S_Qq3uGB0G9WegjPNznsuPQNqY5IDPdrpiV-kJgQoLRgAAw4f4S6KiGcTNrNs9LMR-5p22qomPJDM6CdONmaB5reG56eRZTsE/s400/5867504060_b14caeefc5_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un autre témoignage important de l'activité de bâtisseur d'Antoine Lumières est le Château Lumière dans le quartier de <i>Monplaisir</i> à Lyon. En 1882, Antoine avait acheté un terrain sur lequel il installa une usine de pellicule. Au cours du temps, cette usine s'agrandit pour devenir la plus grande d'Europe consacrée à la photographie. C'est là qu'est tournée le film, <i>La sortie des usines Lumière</i> en 1895. Les usines sont fermées dans les années 50 et, en grande partie, rasées dans les années 70.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La sortie des usines Lumière. 1895.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/EXhtq01E6JI?feature=player_embedded' frameborder='0'></iframe><br />
<div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sur un terrain jouxtant les usines, Antoine Lumière va faire bâtir une somptueuse maison à partir de 1899. par les architectes Alex et Boucher (je n'ai aucune information les concernant). Avant l'ouverture de la <i>Fondation Lumière</i> et du musée, dans ma jeunesse, on voyait l'énorme masse du château aux volets de fer fermés dominant la place Ambroise Courtois comme une sorte de maison hantée. </span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>Château Lumières</i> de Lyon est la construction d'Antoine Lumière où l'influence de l'<i>Art Nouveau</i> est la plus présente, notamment dans le Jardin d'Hiver.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue aérienne du Château et des usines vers 1920.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzM9q-GfToTQFfeHD2oGxh3KTado3Ya1A-ef3I4gLmYg9ulrkR9Ic9z2igx9pARrgXaBC_7Jod_DVuRABYb4h4KGTrFL_iOBvf4SyuOuW12R2FBktI_eocWCJlGc0PgpUV41G01CREEtZB/s1600/250-vue-ae%CC%81rienne-1920.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzM9q-GfToTQFfeHD2oGxh3KTado3Ya1A-ef3I4gLmYg9ulrkR9Ic9z2igx9pARrgXaBC_7Jod_DVuRABYb4h4KGTrFL_iOBvf4SyuOuW12R2FBktI_eocWCJlGc0PgpUV41G01CREEtZB/s400/250-vue-ae%CC%81rienne-1920.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue générale sur la place Ambroise Courtois.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAq_1ilM6Q8QT9DAaTNaCg8_XZnPe8fe9k8V6wNyQKzIJ7BfrD-sjAausPqgsslW6YXrPrHelHA4bpODwmnX7APurfkj_r7ksKhztYsC2Era2JXRQYXdVtRpRLBcp_Hbnu_rswJyB-mZpP/s1600/Institut_Lumie%CC%80re_Lyon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAq_1ilM6Q8QT9DAaTNaCg8_XZnPe8fe9k8V6wNyQKzIJ7BfrD-sjAausPqgsslW6YXrPrHelHA4bpODwmnX7APurfkj_r7ksKhztYsC2Era2JXRQYXdVtRpRLBcp_Hbnu_rswJyB-mZpP/s400/Institut_Lumie%CC%80re_Lyon.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail de la façade sur la place.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8CYA9Nf_Q_FWvSK12WJBtKQuqClid_jGJBNiETgIzCi-_Qvl3XVTtESla4qEF4_-mvtOLiX3QQ6rr-SCrhpNh6fVFmu7KFoRHKgzLtChLjja3AGYXEfEHj4fQhyphenhyphen8DctGHK9EBZp0ihglT/s1600/6504125895_a22a52079f_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8CYA9Nf_Q_FWvSK12WJBtKQuqClid_jGJBNiETgIzCi-_Qvl3XVTtESla4qEF4_-mvtOLiX3QQ6rr-SCrhpNh6fVFmu7KFoRHKgzLtChLjja3AGYXEfEHj4fQhyphenhyphen8DctGHK9EBZp0ihglT/s400/6504125895_a22a52079f_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues sur le jardin.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOXLQ-GyeDoZ44MBFSezimhDtpaIvYtEdSPdZVgyvD6zXA2Sb5kHVDzQqY-DkD61NxSHdIe2kYJDlVxDQV3QutoElMPWMwj6dvx5tuKCNVbfQFdCTGdUrnVW786qpmEtSKvHzeGiNRhnJU/s1600/6504130019_9c5ffee00d_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOXLQ-GyeDoZ44MBFSezimhDtpaIvYtEdSPdZVgyvD6zXA2Sb5kHVDzQqY-DkD61NxSHdIe2kYJDlVxDQV3QutoElMPWMwj6dvx5tuKCNVbfQFdCTGdUrnVW786qpmEtSKvHzeGiNRhnJU/s400/6504130019_9c5ffee00d_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails des toits.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibx8Mrmv5XtOJN8ctQk_rnMYhQa5K5U0XrbkNNKapzXmU_jA6T6cw0KWy9rlaDdf0yOAGr8KzgO3CiTCY2dg8XucDREyOZmC7Jv12H8vKnl_hgqfDyBdy7Ud7viuUoh0Ql8D0ZJowanIpe/s1600/chateau-lumiere.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibx8Mrmv5XtOJN8ctQk_rnMYhQa5K5U0XrbkNNKapzXmU_jA6T6cw0KWy9rlaDdf0yOAGr8KzgO3CiTCY2dg8XucDREyOZmC7Jv12H8vKnl_hgqfDyBdy7Ud7viuUoh0Ql8D0ZJowanIpe/s400/chateau-lumiere.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues extérieures du Jardin d'Hiver.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i><span class="Apple-style-span" style="font-size: large;">L'intérieur du Jardin d'Hiver.</span></i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSPuDMnssaKBPvpWCECeawbJOyo8QN8YXjAgxrPa9TA_2HnHKxp6KLEPdyQB0PdzgqkX9Nb-FDL5grMsVVrJx53LzRDx_yQ_ttBFQB3D9I069jO11LQ_JbKBzRhr0v66uwYLfDBkpvVXB_/s1600/6504130455_d393c5bf30_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSPuDMnssaKBPvpWCECeawbJOyo8QN8YXjAgxrPa9TA_2HnHKxp6KLEPdyQB0PdzgqkX9Nb-FDL5grMsVVrJx53LzRDx_yQ_ttBFQB3D9I069jO11LQ_JbKBzRhr0v66uwYLfDBkpvVXB_/s400/6504130455_d393c5bf30_b.jpg" width="300" /></a></div><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgl7n5Xwoxcs_PXE_kaSn1QP74bkGCVV7nIZ9q3nDAQlt0C52-3uPHer74HBkO7ryIZsRH3C5K_au6vPTctvb_czqbl_GJjaomfhhN0nV7SVQDHheFQN9cPTJ-bQqu8AZaHYz07DpsDmrm/s1600/6504131683_8a9a9d85c0_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgl7n5Xwoxcs_PXE_kaSn1QP74bkGCVV7nIZ9q3nDAQlt0C52-3uPHer74HBkO7ryIZsRH3C5K_au6vPTctvb_czqbl_GJjaomfhhN0nV7SVQDHheFQN9cPTJ-bQqu8AZaHYz07DpsDmrm/s400/6504131683_8a9a9d85c0_b.jpg" width="400" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilvmgm31o8HS_MiEDf54vhZ9WIjEWGR9cbO0cB03jtcwPVXQ_ZSHp_dXZEkI1Fh4YBfX5Dky6AURnN-5wc4RT8LBf2_uh_VX03i5AAZjKahb9ow9fAX_CpzGyPNV6xlXLFdlzj9VMbbgOg/s1600/6504134371_c47cdc46a8_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilvmgm31o8HS_MiEDf54vhZ9WIjEWGR9cbO0cB03jtcwPVXQ_ZSHp_dXZEkI1Fh4YBfX5Dky6AURnN-5wc4RT8LBf2_uh_VX03i5AAZjKahb9ow9fAX_CpzGyPNV6xlXLFdlzj9VMbbgOg/s400/6504134371_c47cdc46a8_b.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'escalier avec sa rampe ornée d'un coq, allusion au fait que l'oiseau annonce l'arrivée de la lumière.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtrzXBS2bCi8J8E3WE3xoBVB8ZvP6EV_e3QdjWT8YBegkqEjm0b45GQ8GY3pnTYPqQcpnETIbmC2lNE1-_OLtRGojiaD0-QsMEjwP0G1uJnzkGPg2Hh8oTNg7XL1NKrV-hJK17Ae_9rJ8/s1600/ph11.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtrzXBS2bCi8J8E3WE3xoBVB8ZvP6EV_e3QdjWT8YBegkqEjm0b45GQ8GY3pnTYPqQcpnETIbmC2lNE1-_OLtRGojiaD0-QsMEjwP0G1uJnzkGPg2Hh8oTNg7XL1NKrV-hJK17Ae_9rJ8/s400/ph11.gif" width="232" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La cheminée du salon.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRUq1VK11M0vwxWStPGOg27t2WlaC4q2PjE07-b8WuYOLeCB8I9YC741eF3RUDNOPx9uXeXsREv280VWJkLGPyAjZc7XCUVZ4lVTp7ikzD0_CQ-YDu5dGdunljbvjY5WD1y0GP8Jyn5Y0/s1600/ph12.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRUq1VK11M0vwxWStPGOg27t2WlaC4q2PjE07-b8WuYOLeCB8I9YC741eF3RUDNOPx9uXeXsREv280VWJkLGPyAjZc7XCUVZ4lVTp7ikzD0_CQ-YDu5dGdunljbvjY5WD1y0GP8Jyn5Y0/s400/ph12.gif" width="208" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>Château Lumière</i> sera achevé en 1902, mais auparavant, les dépenses somptuaires d'Antoine Lumière risquant de mettre en difficulté la pérennité de l'entreprise, le conseil d'administration de la <i>Société Antoine Lumière et Fils</i> lui aura demandée de se retirer. La société est dirigée par Louis et Auguste Lumière dès 1900. Antoine Lumière se consacre désormais à la peinture jusqu'en 1911, année de sa mort. Il s'est fait construire un atelier au <i>Cap Roux</i> dans L'Esterel.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Antoine Lumière. <u>Les rochers près d'Agay</u>. </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1910.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnPyu0j7SPx_yjIR9qUP7y26w0LYHRzpDstJxeaa8Mecsg5HwMsBHh-bLXC8N2n7yu5suMOTrO76ocR7OVYdLKAx6iQgQWf_CcCs3LWOI6Niz4yUARaETnmxSDdP_Q33qkaWN5bNZDRN6R/s1600/les+rochers+pre%CC%80s+d'agay+1910+cap+roux.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnPyu0j7SPx_yjIR9qUP7y26w0LYHRzpDstJxeaa8Mecsg5HwMsBHh-bLXC8N2n7yu5suMOTrO76ocR7OVYdLKAx6iQgQWf_CcCs3LWOI6Niz4yUARaETnmxSDdP_Q33qkaWN5bNZDRN6R/s400/les+rochers+pre%CC%80s+d'agay+1910+cap+roux.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1902, les finances étant rétablies, Auguste Lumière se fait construire une villa au <i>Cap d'Ail</i>, non loin de Monaco. </span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDHjQ6qrtoOzSxdjMAPQ6qL-QeR033aAYMNbiTbk5zz90GepgT8EM_lWuCNO39yCFwTJyEnEM_RmTu5w646tZzHXWWaBeohi2GELHAl_7kt4KiU6EyzaRwHySgqrBr_1tuDcZXVbatpUBE/s1600/25995161.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDHjQ6qrtoOzSxdjMAPQ6qL-QeR033aAYMNbiTbk5zz90GepgT8EM_lWuCNO39yCFwTJyEnEM_RmTu5w646tZzHXWWaBeohi2GELHAl_7kt4KiU6EyzaRwHySgqrBr_1tuDcZXVbatpUBE/s400/25995161.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La villa a changée de physionomie car le dernier étage a été ajouté postérieurement. Auparavant les deux pavillons d'angle sur trompe se détachaient plus. En revanche, l'escalier en fer à cheval est resté en l'état.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgigZjFstHmlMB1uwR6VBmB2N1b69lKlZ9j7Nkmn-5p3cBQThd0au0RUqiq4-fd2rdK4SybrJPQncPBWrFTyhSVoyA0W5qksFpYlXC80KAeMHnsRf-yeh7_6-uVZpxhV8DRozq40-PJ_kzP/s1600/2364468.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgigZjFstHmlMB1uwR6VBmB2N1b69lKlZ9j7Nkmn-5p3cBQThd0au0RUqiq4-fd2rdK4SybrJPQncPBWrFTyhSVoyA0W5qksFpYlXC80KAeMHnsRf-yeh7_6-uVZpxhV8DRozq40-PJ_kzP/s400/2364468.jpg" width="301" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie du domaine dans son état originel vers 1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihNkwBGHRDnCWOM3ANyPNjml1fiV_MoZtIUS9_Ih1xepsg-JAIQDD7fb-S9TdY-LctC-X3LQgx4RLRinMqTd_0XRQ2FhKex79WsNexvZIBvN3lIZTtKMn4BjGcAset4ygslFuBnid4SfPb/s1600/lumiere1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihNkwBGHRDnCWOM3ANyPNjml1fiV_MoZtIUS9_Ih1xepsg-JAIQDD7fb-S9TdY-LctC-X3LQgx4RLRinMqTd_0XRQ2FhKex79WsNexvZIBvN3lIZTtKMn4BjGcAset4ygslFuBnid4SfPb/s400/lumiere1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-size: small;"><br />
</span></span></span></span></div></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-21804528456175202202012-03-27T23:25:00.017-07:002012-03-29T11:04:08.953-07:00Un maître de l'Art Nouveau : Georges de Feure<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il est né Georges Joseph von Sluyters de parents belge et hollandais en 1868 à Paris. La famille émigre pendant la Guerre de 70. De retour à Paris en 1889, il fait partie de la bohème montmartroise. On n'a pas d'information sur sa formation, mais son art semble influencé par Toorop dans la forme très étirée des femmes qu'il représente. Très rapidement, c'est la femme qui deviendra le principal sujet de ses œuvres, non pas une femme précise, mais un idéal, à la fois attirant et inquiétant. C'est un ami de Debussy, Satie et Ravel et un grand lecteur des écrivains symbolistes. </span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Georges de Feure au cabaret l'Ane Rouge en 1890.</i></span></span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhct-g2awA-XaLk4qsa5P_9TrpwV81kAQGtASHLkn8_sYSqe7o_gC_DSoiYHSxPIhIUPYuFtbJzObJjKLWQ8MNfJ2F4WBcOYZFw-fHzF-Kwhv2CR9pZRjw53Enwj5zlEDH-0FEj-gXkkUdY/s1600/a+l%27ane+rouge+en+1890.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhct-g2awA-XaLk4qsa5P_9TrpwV81kAQGtASHLkn8_sYSqe7o_gC_DSoiYHSxPIhIUPYuFtbJzObJjKLWQ8MNfJ2F4WBcOYZFw-fHzF-Kwhv2CR9pZRjw53Enwj5zlEDH-0FEj-gXkkUdY/s400/a+l%27ane+rouge+en+1890.jpg" width="325" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Entre 1890 et 1900, on peut le considérer comme un des peintres majeurs à la fois du <i>Symbolisme</i> et l'<i>Art Nouveau</i>. Puvis de Chavannes, lui reconnaît d'ailleurs une place éminente dans l'art.</span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Durant cette décennie, il est à la foi peintre, mais aussi affichiste et illustrateur. On lui doit, en effet en 1899, sans doute </span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">les plus belles illustrations symbolistes françaises dans un style qui n'est pas sans rappeler Beardsley pour un recueil de Marcel Schwob (1867-1905), <i>La Porte des Rêves</i>. Même s'il n'est plus guère lu aujourd'hui — et c'est grand dommage — Schwob fut un des plus magnifiques écrivains symbolistes. En ce qui me concerne, j'ai une préférence pour <i>Le Roi au Masque d'Or</i> (1892). Un des admirateurs fervents de Schwob était l'immense écrivain argentin Jorge Luis Borges.</span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie de Marcel Schwob.</i></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Georges de Feure. Illustrations pour </i></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>La Porte des Rêves de Marcel Schwob. 1899.</i></span><br />
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</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ses affiches reflètent le même goût du trait que ses illustrations. Elles ont beaucoup de points communs avec celles que produisaient Privat-Livemont en Belgique à la même époque. Georges de Feure fait incontestablement le lien entre l'<i>Art Nouveau</i> français et l'<i>Art Nouveau</i> des Pays-Bas au sens large.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Un certain nombre d'œuvres de Georges de Feure reflètent une volonté de transmettre certaines valeurs morales ou certains dangers qui guettent la femme. On le voit très clairement dans <i>La Voix du Mal</i> (ou la voie du mal), où la femme au premier plan est tentée par les amours saphiques des deux nues au second plan. Un autre tableau, <i>Le Suiveur</i>, met au premier plan une femme affolée et au second plan un homme qui cache son visage. Si à l'époque, on disait <i>qu'une femme qui lit est une femme perdue</i>, De Feure nous affirme lui, qu'une femme qui sort seule, est tout aussi perdue.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Suiveur</u>. Gouache, 1890.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Voix du Mal</u>. Pastel, 1895.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il affectionne aussi les femmes à la carnation très pâle et vêtues de couleurs sombres (bleu nuit, violet) voire de noir. Ces créatures prennent alors un aspect mortifère de femmes fatales. On est tout à fait dans l'ambiance du <i>Pelléas et Mélisande</i> (1893) de Maurice Maeterlinck.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Princesse Ysldin</u>. Gouache, 1890.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Chapeau noir</u>. Gouache, 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i><span class="Apple-style-span" style="font-size: large;"><u>La femme à l'oiseau</u>. Lithographie, 1901.</span></i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRKM_NSUnqn1ohIq4C8aTtuz0lhoL7wk8CLuMMjYmAEOtfXUv5vwoCyEE2Us8Ku0gmS7i9Taq30cSqGDVQ3yOk_VuxQVlD1PM6B4zqPzC4K4j_FEcEkEumQs5WHuNSLmeGaHjBihyphenhyphen499T/s1600/1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRKM_NSUnqn1ohIq4C8aTtuz0lhoL7wk8CLuMMjYmAEOtfXUv5vwoCyEE2Us8Ku0gmS7i9Taq30cSqGDVQ3yOk_VuxQVlD1PM6B4zqPzC4K4j_FEcEkEumQs5WHuNSLmeGaHjBihyphenhyphen499T/s640/1901.jpg" width="403" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les femmes de Georges de Feure sont bien de leur époque. Il n'utilise guère des décors et des costumes ramenant à des périodes révolues. Tel est le cas de ces trois <i>Fumeuses</i>, mais aussi de la femme qui vaque dans son <i>Intérieur Moderne</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"> <i> Trois <u>Fumeuses</u>. Gouache, vers 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdPXweKBIb4o473DO-hS0sm6YvACp6urR15CdtAEi9VLdmApJUY4Sc_w1AufK_gNNNjFYEjTyirhId13R8ZEP3zm4biW-BqG0vM3bPuJItgVKsZ8pqIe6bADqaT41oqKtO3Mp8RddB0zY/s1600/Georges+de+Feure,+La+Fumeuse+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdPXweKBIb4o473DO-hS0sm6YvACp6urR15CdtAEi9VLdmApJUY4Sc_w1AufK_gNNNjFYEjTyirhId13R8ZEP3zm4biW-BqG0vM3bPuJItgVKsZ8pqIe6bADqaT41oqKtO3Mp8RddB0zY/s400/Georges+de+Feure,+La+Fumeuse+1.jpg" width="318" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglEaK_kD8ITO2c4Sxy0TYQKiQu66pXsRiWSBDCLZo8mJJDxo7jF5YnBx3Bk4o23Mu0O0rDwnWjy4dzkIxl1fR51DYMDH3K3dT5tO5JLaKA5cFl_1aT9ap_PILrTRwIgS1LE4Gzhkhez62u/s1600/Georges+de+Feure,+La+Fumeuse+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglEaK_kD8ITO2c4Sxy0TYQKiQu66pXsRiWSBDCLZo8mJJDxo7jF5YnBx3Bk4o23Mu0O0rDwnWjy4dzkIxl1fR51DYMDH3K3dT5tO5JLaKA5cFl_1aT9ap_PILrTRwIgS1LE4Gzhkhez62u/s400/Georges+de+Feure,+La+Fumeuse+2.jpg" width="302" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAWWDa2iVO6gcdqdtmCaIgynTGEMzxt8-EcFtmaVOlDAyf-1Ut_BGtxTdZjwRgDwsJSEy1UaLrlT7OAKv3-tXvclnDpKyZ7z7jU5KwoQ0HI3HS-C0BO9q3paU3W7vlj7JGdk_7Au3SW4b5/s1600/Georges+de+Feure,+La+Fumeuse+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAWWDa2iVO6gcdqdtmCaIgynTGEMzxt8-EcFtmaVOlDAyf-1Ut_BGtxTdZjwRgDwsJSEy1UaLrlT7OAKv3-tXvclnDpKyZ7z7jU5KwoQ0HI3HS-C0BO9q3paU3W7vlj7JGdk_7Au3SW4b5/s400/Georges+de+Feure,+La+Fumeuse+3.jpg" width="305" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Intérieur Moderne</u>. Lithographie, 1901.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH0RVwixwl9PMjEK_VjfxizaEDk0r0VMpGejoGoaGJG-F4PqLKLYRThDABizZQKaN_H38e91I-pwdMRpzaddcjejCuBmUjmbJtfhc8bLQZWgle9dMoK_VVkuHmQEAIRBhjqUfcv7Dp3fCn/s1600/interieur-moderne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH0RVwixwl9PMjEK_VjfxizaEDk0r0VMpGejoGoaGJG-F4PqLKLYRThDABizZQKaN_H38e91I-pwdMRpzaddcjejCuBmUjmbJtfhc8bLQZWgle9dMoK_VVkuHmQEAIRBhjqUfcv7Dp3fCn/s400/interieur-moderne.jpg" width="311" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><u>La Botaniste</u>. Pastel, 1896.</span></span></i></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP7VM4GnVhTLlUGCQs_5TFu_sb6vmJoNx_11utruw3bUYjfTBQ_j6idsdGIAb6SqBiXw0_qSTPJYt9e5Hvym81lSJ1Fun48unX3EhnwWAmZKjjvJu47dPeuN0dVjYazk8tTSxKK8WekuJJ/s1600/la+botaniste+1896.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP7VM4GnVhTLlUGCQs_5TFu_sb6vmJoNx_11utruw3bUYjfTBQ_j6idsdGIAb6SqBiXw0_qSTPJYt9e5Hvym81lSJ1Fun48unX3EhnwWAmZKjjvJu47dPeuN0dVjYazk8tTSxKK8WekuJJ/s400/la+botaniste+1896.jpg" width="306" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">A partir de 1900, la carrière de l'artiste va prendre une autre direction. Samuel Bing (1838-1905), fondateur de la <i>Maison de l'Art Nouveau</i>, lui propose de dessiner la façade du <i>Pavillon de l'Art Nouveau</i> à l'<i>Exposition Universelle de 1900</i> et quelques meubles. C'est le début d'une collaboration fructueuse qui verra de Feure dessiner des meubles, des vases, des bibelots et des bijoux.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies du Pavillon de l'Art Nouveau à </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>l'Exposition Universelle de Paris. 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-vcfKnmtmOsU6U5XbE0TVh9ZZhxFfInST2cDZqXyGvH0t-iqhTPiZi_91LUBGxbPFnhecLPIB3Yv9FlIlZ8F8LrPafj32qDP5WoETr4lOE70elobbVxKUJljEugRsE6L5hyphenhyphenhZ3exOKkGr/s1600/fontaine_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-vcfKnmtmOsU6U5XbE0TVh9ZZhxFfInST2cDZqXyGvH0t-iqhTPiZi_91LUBGxbPFnhecLPIB3Yv9FlIlZ8F8LrPafj32qDP5WoETr4lOE70elobbVxKUJljEugRsE6L5hyphenhyphenhZ3exOKkGr/s400/fontaine_01.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1GhLpHUYus4s6Tzlv5P2noX-yOHdKJnA9UhGETQ-q4epXX_INJZtF7fsZvhoBZSlXNgBXrJ36hNX-rwitjkivg36ETKI9LiEPAgiZlpQMrZgDyOIOGx80KvFTuNr_RDLbGRToH23vyfgF/s1600/fontaine_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1GhLpHUYus4s6Tzlv5P2noX-yOHdKJnA9UhGETQ-q4epXX_INJZtF7fsZvhoBZSlXNgBXrJ36hNX-rwitjkivg36ETKI9LiEPAgiZlpQMrZgDyOIOGx80KvFTuNr_RDLbGRToH23vyfgF/s400/fontaine_02.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz56oRnIOZjwkQnaUt82cWjeXUBuC2xGcTgTjgNmvV552LBZgcrJVPh7F74yL7SLeg0So6W8agnVfYFmh94e-AzRAw25FJkoYSWT77ArdtdAjb_cRcSd5bXM81hVSvrMbOTc_5K6kk-cxA/s1600/pavillon+de+l'art+nouveau.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz56oRnIOZjwkQnaUt82cWjeXUBuC2xGcTgTjgNmvV552LBZgcrJVPh7F74yL7SLeg0So6W8agnVfYFmh94e-AzRAw25FJkoYSWT77ArdtdAjb_cRcSd5bXM81hVSvrMbOTc_5K6kk-cxA/s400/pavillon+de+l'art+nouveau.jpeg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Double sofa dessinée par Georges de Feure et exposé au </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Pavillon de l'Art Nouveau.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBux0iZN22pEidY-_6nx0dvwu-hc_aXroAQ-j8bNBKOWv-ymRf108_N4D1a7sV8FGgH8U3x_3taVP8BS3WdrlezAQMPtI6HiFvadMUyeqzFwPkHnJCxAvEOpGZRr_3OD3LPokRx8tEVLaT/s1600/design151.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBux0iZN22pEidY-_6nx0dvwu-hc_aXroAQ-j8bNBKOWv-ymRf108_N4D1a7sV8FGgH8U3x_3taVP8BS3WdrlezAQMPtI6HiFvadMUyeqzFwPkHnJCxAvEOpGZRr_3OD3LPokRx8tEVLaT/s400/design151.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les réalisations de Georges de Feure attirent l'attention des critiques. On peut voir ici, un article publié dans une revue hollandaise en 1900 et consacré à l'artiste.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdfKSPomVHE775csDLawxkPZ6yofjr2Y8MILl0D4_-QMmB8H6_l7ULc6hbDNvf1bDUEEQWttcnSdYguuWDjDqJ8Bj14sr-CRZNzTWEBVTpbFNSUBRFRXQq0g4-MItJHa3oNZrdDUY5IL3x/s1600/48111.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdfKSPomVHE775csDLawxkPZ6yofjr2Y8MILl0D4_-QMmB8H6_l7ULc6hbDNvf1bDUEEQWttcnSdYguuWDjDqJ8Bj14sr-CRZNzTWEBVTpbFNSUBRFRXQq0g4-MItJHa3oNZrdDUY5IL3x/s400/48111.jpg" width="282" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vitrine. 1900.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3ft2IScWYE7_Crle36foWwRu9qVxQcpg9hps3E0OnhpW9zTMl98NmPpVFsi3hLuaM_Soo3dgOkVNOVVJ74D63x8oDlknA6tLRQG47EtqN4RISyHEiWacWk4ItbTE9PjWfHX6g7BUjOoJ/s1600/18750166_1203843438_Display_Cabinet_by_Georges_de_Feure_1900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3ft2IScWYE7_Crle36foWwRu9qVxQcpg9hps3E0OnhpW9zTMl98NmPpVFsi3hLuaM_Soo3dgOkVNOVVJ74D63x8oDlknA6tLRQG47EtqN4RISyHEiWacWk4ItbTE9PjWfHX6g7BUjOoJ/s400/18750166_1203843438_Display_Cabinet_by_Georges_de_Feure_1900.jpg" width="272" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vitrine en citronnier exécutée par Krieger. Vers 1900.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7scdVi-AYd6QLMaowfoJ8aM5ihqAVrz1e2TQCL24sAklXhusZ3n99m2aEKL2NSzVP5buk9IMZIiMdUz6tWPJdClm78skIZEcJicEslaOlo6e8-1SZdtczGK19QQOG0-xY55ZcMntxfm33/s1600/krieger.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7scdVi-AYd6QLMaowfoJ8aM5ihqAVrz1e2TQCL24sAklXhusZ3n99m2aEKL2NSzVP5buk9IMZIiMdUz6tWPJdClm78skIZEcJicEslaOlo6e8-1SZdtczGK19QQOG0-xY55ZcMntxfm33/s400/krieger.png" width="297" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Femme au manchon</u>. Porcelaine de Limoge, 1903.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQDUWBlx0cn1yTZD4MQf4MgYiEzluC-_w_ka9MJyVsisKtYZvhqKvB0zXEK_KaXDLH6EaHNs-FlwCiAbaVzXTXiIvEf0nEtnZh5G0RjpCPLyiS-jnTUA_NSgTWNHBDffEWGdU4uUqTINS/s1600/femme+au+manchon+1903.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQDUWBlx0cn1yTZD4MQf4MgYiEzluC-_w_ka9MJyVsisKtYZvhqKvB0zXEK_KaXDLH6EaHNs-FlwCiAbaVzXTXiIvEf0nEtnZh5G0RjpCPLyiS-jnTUA_NSgTWNHBDffEWGdU4uUqTINS/s400/femme+au+manchon+1903.jpg" width="280" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Promenade</u>. Porcelaine de Limoge, 1903.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2t2mr4Vbit_2WUpECPQSra-qKtsVuDn2ZnN6pr6a17UdTYqorEVHD5CwdxWZckRdVnSddR_9srhkD8H-8UhK_cviwVKqxbgYAr41cRQ05VCXMY3kJ6O1Jpz5ipB03bFu2bHqYMj2-9MBr/s1600/+de+feure+limoge.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2t2mr4Vbit_2WUpECPQSra-qKtsVuDn2ZnN6pr6a17UdTYqorEVHD5CwdxWZckRdVnSddR_9srhkD8H-8UhK_cviwVKqxbgYAr41cRQ05VCXMY3kJ6O1Jpz5ipB03bFu2bHqYMj2-9MBr/s400/+de+feure+limoge.JPG" width="267" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vases en porcelaine de Limoge pour la maison Bing, </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>vers 1900-1905.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncaR1onQicwRxqQEtVVrnIFua0e11mDcldEGZFkYw6Sim0pkACY_uFCncWa9ohqb6Wmt8DahtJqf1n9-vaoy2YmZrBNVH5KJHaz0eySDuRx693l6XztPDAXSYkUH8ApXkPcc3CFel-uNF/s1600/de+feure+leuconde%CC%81.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncaR1onQicwRxqQEtVVrnIFua0e11mDcldEGZFkYw6Sim0pkACY_uFCncWa9ohqb6Wmt8DahtJqf1n9-vaoy2YmZrBNVH5KJHaz0eySDuRx693l6XztPDAXSYkUH8ApXkPcc3CFel-uNF/s400/de+feure+leuconde%CC%81.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYGSBJz50kMA217iMN7H7UOpb-hJa-JMdxh7UQ7IvR3m3DWuOSMBGsyu3VvxrT4eAsLM6IiVjP_5CVceu1v6aXkUtHDChN29xSSZTBR9Sb4bXDiKKBO8YcIL2XVT4o4klPfIPLm3R_qmOn/s1600/Dragonfly_bing+limoge.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYGSBJz50kMA217iMN7H7UOpb-hJa-JMdxh7UQ7IvR3m3DWuOSMBGsyu3VvxrT4eAsLM6IiVjP_5CVceu1v6aXkUtHDChN29xSSZTBR9Sb4bXDiKKBO8YcIL2XVT4o4klPfIPLm3R_qmOn/s400/Dragonfly_bing+limoge.JPG" width="261" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYMdmt-fkO-iI36MGExuDgWtJ7G3SQ5kwjVIPivoY2V7_WMW0yvpyzoSK7uXyI_YmdxM9ZzaFERmicixjtShguOyuhHzFhcWh48Vaj-bkj2r5vVcBg1o4ku2QC1xmT_fsV0aDVCoBtoFxI/s1600/femme+a%CC%80+la+neige+1902.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYMdmt-fkO-iI36MGExuDgWtJ7G3SQ5kwjVIPivoY2V7_WMW0yvpyzoSK7uXyI_YmdxM9ZzaFERmicixjtShguOyuhHzFhcWh48Vaj-bkj2r5vVcBg1o4ku2QC1xmT_fsV0aDVCoBtoFxI/s400/femme+a%CC%80+la+neige+1902.jpg" width="317" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVyQaHbnmlnxqXmhCZ19HtgBVMLp9Dkq3AAT9K_13gjMrtB-QXRN1wBC3ofvnDXaKh4Og6KWq3_cQvKUpd8vKltoTf1LadF4Y6OsSN6db12urnnXAhyphenhyphenAvqwhFLQvBkcxchJ6fVkM99YKrv/s1600/GeorgesDeFeure+irisVase+c1901+PorcelainsGDA+Limoges-France.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVyQaHbnmlnxqXmhCZ19HtgBVMLp9Dkq3AAT9K_13gjMrtB-QXRN1wBC3ofvnDXaKh4Og6KWq3_cQvKUpd8vKltoTf1LadF4Y6OsSN6db12urnnXAhyphenhyphenAvqwhFLQvBkcxchJ6fVkM99YKrv/s400/GeorgesDeFeure+irisVase+c1901+PorcelainsGDA+Limoges-France.jpg" width="231" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAUQSKTKflIWAzHeCqBclzyoZxb1SyxZgloIv7d7S_vk_nrWpXa0dA29okae3DmD6ZKtsJoApt3x9hCJruZ24qxfWk9gkvd8Qb1TN1w2tub8np7lBde9YX8QXI0LiKsZUMFyE_rPi7g27x/s1600/VasePink_1a.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAUQSKTKflIWAzHeCqBclzyoZxb1SyxZgloIv7d7S_vk_nrWpXa0dA29okae3DmD6ZKtsJoApt3x9hCJruZ24qxfWk9gkvd8Qb1TN1w2tub8np7lBde9YX8QXI0LiKsZUMFyE_rPi7g27x/s400/VasePink_1a.JPG" width="227" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_-s2IWqRC8tVsLPML0EIEubjKf4wfrwZTQsViKGieUi0i3r7W36eyL51UVXgplCZN2nXIr-bF656I7G5s2FvEhtfhy8cc40eVUbD-AAgLsZPXzx5zG8gFiOxme2L4QXVPBAmCI8TTdYDp/s1600/VasePoppies_1a.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_-s2IWqRC8tVsLPML0EIEubjKf4wfrwZTQsViKGieUi0i3r7W36eyL51UVXgplCZN2nXIr-bF656I7G5s2FvEhtfhy8cc40eVUbD-AAgLsZPXzx5zG8gFiOxme2L4QXVPBAmCI8TTdYDp/s400/VasePoppies_1a.JPG" width="251" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une grande rétrospective de son œuvre est organisée en 1903. Il s'oriente ensuite vers l'<i>Art Déco</i> et la décoration théâtrale. Il crée aussi une fabrique d'aéroplanes en bois qu'il pilote lui-même. </span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Petit à petit son nom disparait et il meurt à peu près oublié en 1943 à Paris.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Georges de Feure reste une des personnalités les plus caractéristiques de l'<i>Art Nouveau</i> par la synthèse qu'il a opéré de différents courants.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-47740224051580456712012-03-26T11:04:00.007-07:002012-03-27T22:31:03.976-07:00La Villa Demoiselle ou Villa Cochet à Reims<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Henri Vasnier (1832-1907) est un des associés de la maison de champagne <i>Pommery</i>. Il est aussi un collectionneur averti de Corot, Millet, et amateur d'<i>Art Nouveau</i>, notamment de Gallé et de Majorelle. La villa qu'il envisage en 1890 doit lui servir de lieu d'habitation et de réception. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il choisit l'architecte parisien Louis Sorel (1867-1933) qui a participé au groupe <i>L'Art dans Tout</i> (1896-1901) dont font partie Henri Sauvage et Tony Selmersheim, qui ont participé à la construction de la <i>Villa Majorelle</i> et dont j'ai déjà parlé. Ce mouvement, comme son nom l'indique, prônait l'introduction de l'art dans tous les éléments de construction de la maison.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Une des réalisations les plus caractéristiques de Sorel est une maison parisienne construite rue Le Tasse en 1905. </span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Louis Sorel. Immeuble rue Le Tasse.</i></span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCIxHMhbcvXdr570e0W-O2mM_O-O2lYmTlzZAk0-osmwXSs9OzPK5PRjfBR4fbl2BQFmARyY3PE0bsu4XKzfRUNUfvmdDCOcqvxozmu-57a3bmVV7byO8OjXCVKJAppsu-jwCROcfgTcZp/s1600/P1230768-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCIxHMhbcvXdr570e0W-O2mM_O-O2lYmTlzZAk0-osmwXSs9OzPK5PRjfBR4fbl2BQFmARyY3PE0bsu4XKzfRUNUfvmdDCOcqvxozmu-57a3bmVV7byO8OjXCVKJAppsu-jwCROcfgTcZp/s400/P1230768-5.jpg" width="300" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicHA5bzM8omXiuY_ColtHM4i1gBhxsl4k9x3xeO8KMFIC3ZT2dEttnqClYDYYgaLnDXVCb1fz-KaLicpMP5imPipJkBzqgGLj42JSiyqj1bx9GRnWnX3xHBjzxPyk6x_-AwuBCE7d5K9R7/s1600/P1230790-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicHA5bzM8omXiuY_ColtHM4i1gBhxsl4k9x3xeO8KMFIC3ZT2dEttnqClYDYYgaLnDXVCb1fz-KaLicpMP5imPipJkBzqgGLj42JSiyqj1bx9GRnWnX3xHBjzxPyk6x_-AwuBCE7d5K9R7/s400/P1230790-5.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Comme on le voit, cet immeuble présente une loggia que l'on retrouvera dans la <i>Villa Demoiselle</i> (c'est le nom qu'elle porte actuellement) construite à partir de 1904. En revanche, pour la villa, l'architecte n'utilisera aucune décoration sculptée, contrairement à l'immeuble de la rue Le Tasse.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Ornements de façade de l'immeuble rue Le Tasse.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqs6NLjiqDzQgbUuLERpbZ1aP6PmWPP4tzpToJyzzOo1S6xOlV_EpxL7ofZZMmTRFKtOSWO0KctDt316R6WvVINinpZl7mwaiMPUOJspKdRz1r61xxSk7cinMqmu8Aak_kj_vb3vnQ95k/s1600/P1230763-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqs6NLjiqDzQgbUuLERpbZ1aP6PmWPP4tzpToJyzzOo1S6xOlV_EpxL7ofZZMmTRFKtOSWO0KctDt316R6WvVINinpZl7mwaiMPUOJspKdRz1r61xxSk7cinMqmu8Aak_kj_vb3vnQ95k/s400/P1230763-5.jpg" width="300" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Louis Sorel a opté pour une structure en béton, ce qui était audacieux pour l'époque, et pour une charpente en partie métallique. Ce sont ces deux options qui ont permis à la maison de résister à l'effet de souffle des bombardements de la Guerre de 14.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les différentes façades de la villa sont traitées de façon très sobre. Les seuls ornements sont un bandeau de grès cérame à mi-hauteur dont l'auteur est Alexandre Bigot et un bandeau plus coloré à la jonction du toit. Ce qui frappe, bien sûr, c'est la grande extension de la toiture.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Villa Demoiselle. Vues générales.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisK9moujAukbEwGuzxVCoAZVjKKka6OPVAKG32yxVtHrh0vaP636gKsNl92T6uJ-q56_q9sd0A44kcqYfN01W2Kqs2mZklbp7nhW_0HoYUHPZjz6tgSB7igPogm4YlXJHC1rPV3h-XGurG/s1600/Villa_Demoiselle_Reims_Art_Nouveau.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisK9moujAukbEwGuzxVCoAZVjKKka6OPVAKG32yxVtHrh0vaP636gKsNl92T6uJ-q56_q9sd0A44kcqYfN01W2Kqs2mZklbp7nhW_0HoYUHPZjz6tgSB7igPogm4YlXJHC1rPV3h-XGurG/s400/Villa_Demoiselle_Reims_Art_Nouveau.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3FR-vTro-AknCGo7K1GetAOtdzItYAU4Z3eeN6SeuCKpWLhIJTGbWcu-sBN0DVBhB9loqFbyUyUbL-AZPsK28raroNq03Kvm_MnE0QCCWALYui8TbyCFMS5cAdaOZ2KU2JflYaD5Iudib/s1600/P1210974-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3FR-vTro-AknCGo7K1GetAOtdzItYAU4Z3eeN6SeuCKpWLhIJTGbWcu-sBN0DVBhB9loqFbyUyUbL-AZPsK28raroNq03Kvm_MnE0QCCWALYui8TbyCFMS5cAdaOZ2KU2JflYaD5Iudib/s400/P1210974-1.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHIRZDPbjHvMR24lANqQ06971TWPkp9P7tQSTcn7OULyiul1qvfpfg90EHhbZD5nnxPKtwYo9tqVMuvbDbFyh7faclJeL28NvVQy0Z2xJZtEC8cRacxeqTacVHdPEttPGbGq1mNuynXdsb/s1600/IMGP4738.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHIRZDPbjHvMR24lANqQ06971TWPkp9P7tQSTcn7OULyiul1qvfpfg90EHhbZD5nnxPKtwYo9tqVMuvbDbFyh7faclJeL28NvVQy0Z2xJZtEC8cRacxeqTacVHdPEttPGbGq1mNuynXdsb/s400/IMGP4738.JPG" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail de la loggia.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyRptNIQoW-DXVKUQQNiiCfMaBaMHQYXEa6w7MspRVG9_nwZaEoeps11DCfsXt3mqtp3wcpoQzzGSPvmQjJWuNOZr5k6GlkIl3CYJMgXLnJlV8uTphRJ0usi_Jt60iokZKYky6xyjIWsoT/s1600/P1210852-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyRptNIQoW-DXVKUQQNiiCfMaBaMHQYXEa6w7MspRVG9_nwZaEoeps11DCfsXt3mqtp3wcpoQzzGSPvmQjJWuNOZr5k6GlkIl3CYJMgXLnJlV8uTphRJ0usi_Jt60iokZKYky6xyjIWsoT/s400/P1210852-1.jpg" width="300" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'entrée de la villa.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0x7osufGuGBdUL0hiKeCXIdBmK9CUhnuHHbRhgnnyeW9qJxbqevAfppZxUG-mb2aWxm0jin_PSzZPaWCbkngor7-gUGipo-L01zkNDAJRJnkItvn_fzbHM_qWKMB2X-yQajf5fN6yTWfT/s1600/IMGP4735.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0x7osufGuGBdUL0hiKeCXIdBmK9CUhnuHHbRhgnnyeW9qJxbqevAfppZxUG-mb2aWxm0jin_PSzZPaWCbkngor7-gUGipo-L01zkNDAJRJnkItvn_fzbHM_qWKMB2X-yQajf5fN6yTWfT/s400/IMGP4735.JPG" width="300" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails des bandeaux de grès.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur est somptueusement décoré et les meubles de Majorelle furent considérés comme étant parmi les meilleures réalisation de leur auteur. </span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie d'époque d'une pièce de la Villa Demoiselle.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuQk_kgpbrPukvKSaUEBneTXqyjja-4ayV6_3o5NId_u8ZEe90Thoy_J7mEpJPgfmlIAHVT0W77YZ2uBT43g89Kb5-ATU_B-ONWj_31ba3CJMPIh9AtNGMKm6nhbUMzf8uOTdklKh-6S2z/s1600/photographie_ancienne_ayant_servi_la_restauration.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuQk_kgpbrPukvKSaUEBneTXqyjja-4ayV6_3o5NId_u8ZEe90Thoy_J7mEpJPgfmlIAHVT0W77YZ2uBT43g89Kb5-ATU_B-ONWj_31ba3CJMPIh9AtNGMKm6nhbUMzf8uOTdklKh-6S2z/s400/photographie_ancienne_ayant_servi_la_restauration.JPG" width="300" /></a></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les travaux sont achevés en 1908, un an après le décès de l'initiateur du projet. C'est Louis Cochet, nouveau directeur de Pommery, qui en prend possession, lui donne son nom de <i>Villa Cochet</i>, et l'habite jusqu'en 1936. Elle est ensuite occupée jusqu'en 1970 par les cadres de l'entreprise. Puis c'est l'abandon. Menacée de démolition en 1980 et sauvée de justesse, c'est seulement en 1999 que la ville de Reims s'occupe de sa protection. Elle est rachetée par la direction de Vranken-Pommery et restaurée entre 2004 et 2009 et prend le nom de <i>Villa Demoiselle</i>.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Ce qui a pu être restaurée à l'identique l'a été, notamment les peintures au pochoir ornées de feuilles d'or et le vitraux. Malheureusement le mobilier a été dispersé. C'est donc un mobilier de la même période qui a été installée dans la maison signé de Majorelle, Gallé ou Selmersheim. On a déposé dans le salon une cheminée signée Paul-Alexandre Dumas, un élève de Gallé, qui figura à l'<i>Exposition Universelle de 1900</i>.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le salon hall d'entrée.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La cheminée de Paul-Alexandre Dumas.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail du trumeau de la cheminée.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La cheminée du salon.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'escalier.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail de la rampe.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7-wd24PPh0746zJ8yu4djH7ZfEeDgSWR5Rs65VZsq4-0qXtD4m66e-XTQQPcUp_jtIFqlJIZR3vuPIi6rrTGuZETPzkZxyg4o0uNVuVA0vBA_Kn1f4yqGonKbJVZJxThrsWhDamPia9o/s1600/P1210963-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7-wd24PPh0746zJ8yu4djH7ZfEeDgSWR5Rs65VZsq4-0qXtD4m66e-XTQQPcUp_jtIFqlJIZR3vuPIi6rrTGuZETPzkZxyg4o0uNVuVA0vBA_Kn1f4yqGonKbJVZJxThrsWhDamPia9o/s400/P1210963-1.jpg" width="282" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une banquette de fenêtre.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia7_GEZFkZCKf8qb6vZSfUZQR1oFdc5jjilt9QBdaGovzKUc8P-qpD0UXJaw_i55ICjuTeZH8p9yay34mZZpAmVCUe4t63HI1sY93CPrNEGEhZehYD6HYph6sfnpIPgZTmlar3WlQiwaUq/s1600/P1210969-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia7_GEZFkZCKf8qb6vZSfUZQR1oFdc5jjilt9QBdaGovzKUc8P-qpD0UXJaw_i55ICjuTeZH8p9yay34mZZpAmVCUe4t63HI1sY93CPrNEGEhZehYD6HYph6sfnpIPgZTmlar3WlQiwaUq/s400/P1210969-1.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les mosaïques du sol de l'entrée.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les vitraux signés Auguste Labouret (1871-1964).</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les peintures au pochoir restaurées.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGfYz-iRWMwMMfdrswZ2m5SFZ592ucdsFrvk2pQ-ouLV3ZxznlM5XWtZCBSgteYa-lfAwikE1Pme2PTOBeeW2mVvRBuZXQa91lj3aIEh-qo7tzXkGKLWJLED5PHGgpRNJUI79cRRImpbr_/s1600/P1210889-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGfYz-iRWMwMMfdrswZ2m5SFZ592ucdsFrvk2pQ-ouLV3ZxznlM5XWtZCBSgteYa-lfAwikE1Pme2PTOBeeW2mVvRBuZXQa91lj3aIEh-qo7tzXkGKLWJLED5PHGgpRNJUI79cRRImpbr_/s400/P1210889-1.jpg" width="300" /></a></div><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une superbe vitrine signé Tony Selmersheim.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une console-dressoir de Tony Selmersheim.</i> </span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBzWNEOkhqEnMbeump03EipSSpmTacExvUSLFA74iqXcYut7NVKNuvyLv_BdNVoTDD_nVTtoPay2Pr7VIe37PWhiRAu3cwSw7GX4FLiul1mudmutfKrxR60RZJNdIPTUYOYVtn3C26Pdd7/s1600/P1210877-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBzWNEOkhqEnMbeump03EipSSpmTacExvUSLFA74iqXcYut7NVKNuvyLv_BdNVoTDD_nVTtoPay2Pr7VIe37PWhiRAu3cwSw7GX4FLiul1mudmutfKrxR60RZJNdIPTUYOYVtn3C26Pdd7/s320/P1210877-1.jpg" width="320" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com3tag:blogger.com,1999:blog-2907604655020925790.post-39321575412242509612012-03-25T01:29:00.010-07:002012-03-25T23:12:16.497-07:00Destins parallèles : Franz Marc et Rudi Stephan<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Franz Marc et Rudi Stephan sont deux artistes allemands. L'un est peintre, l'autre compositeur. Ils sont nés tous les deux dans la décennie 80 du XIXème siècle, Franz Marc en 1880, Rudi Stephan en 1888. Ils sont tous les deux originaires d'Allemagne du Sud, Franz Marc de Munich, Rudi Stephan de Worms. Tous les deux mourront tués au combat, Franz Marc à côté de Verdun en 1916 et Rudi Stephan à Tarnopol sur le front de Galicie en 1915.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Franz Moritz Wilhelm Marc est le fils d'un peintre. Il rentre aux <i>Beaux-Arts</i> de Munich, mais l'enseignement traditionaliste ne le satisfait guère, il quitte rapidement l'institution. Il rencontre des peintre animaliers et commence à peindre des animaux vers 1905. En 1907, il est à Paris, où il découvre Van Gogh et Gauguin. Sa palette s'enrichit de ton plus clairs.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Jeunes Poulains</u>. Huile sur toile, 1909.</i></span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmU5ejRDVKraQSwegig7VUtqdt8pixvxd5uw_w98rW5zV7yw6FAzOB62NeL31nQp7MYW5dJRzZ6Yt3GVNkOfhWykzu6hofSSPQOc_vkE-OltQGqb25IHyFLgsZW506XJ2CmsbTmvtPZODf/s1600/jeune+poulain+1909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmU5ejRDVKraQSwegig7VUtqdt8pixvxd5uw_w98rW5zV7yw6FAzOB62NeL31nQp7MYW5dJRzZ6Yt3GVNkOfhWykzu6hofSSPQOc_vkE-OltQGqb25IHyFLgsZW506XJ2CmsbTmvtPZODf/s400/jeune+poulain+1909.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies de Franz Marc.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXhZuKR8DyppuJ9A2ZC_7Zq836PihCEGwPei2sHzwwYdq-PZcE_Nq56Uw2zls1XOYqr46gSo8BqQx00q5V_F9Btk6EO8cnrkP2Z4ZihICsq6IobHc83nSdkHRKsddEA6esi-gSDBYyAa5/s1600/franz-marc-portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXhZuKR8DyppuJ9A2ZC_7Zq836PihCEGwPei2sHzwwYdq-PZcE_Nq56Uw2zls1XOYqr46gSo8BqQx00q5V_F9Btk6EO8cnrkP2Z4ZihICsq6IobHc83nSdkHRKsddEA6esi-gSDBYyAa5/s400/franz-marc-portrait.jpg" width="295" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAILjiWW3UR0hkTXVSyoh6Isz4AYnJnV1P9n-aRbR53WASgncxyVyEgAWRpTU9e-nI_iNt8dVt-Y4HprTGQivOaxk9q4N0ruonK_uKWN4Sc8vzAEb21elT29VTkokfXsIaNkozQEVB-Md/s1600/Franz_Marc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAILjiWW3UR0hkTXVSyoh6Isz4AYnJnV1P9n-aRbR53WASgncxyVyEgAWRpTU9e-nI_iNt8dVt-Y4HprTGQivOaxk9q4N0ruonK_uKWN4Sc8vzAEb21elT29VTkokfXsIaNkozQEVB-Md/s400/Franz_Marc.jpg" width="286" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1909, il rencontre August Macke (1887-1914) qui va l'influencer durablement. Bien que Macke soit plus jeune que Marc, il a une maturité très grande. C'est lui qui fait connaître le <i>Fauvisme</i> à Marc et lui donne le goût des couleurs franches.</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>August Macke. <u>Autoportrait</u>. Huile sur toile, 1906.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2o1B6Mq6KTkUcVFW7dfcMU4UKht-RkFNkH_9SG5XmTfJTnU5M-wtEzsaqoiEFb9FhulRav9U2A6M-ZjLfoxV4KrB9hSPYNAgg6hLwgfrMuM_UKDhwJ4U1SdDghraN4vqBjMmRoYHBfZk2/s1600/Macke_SelfPortrait1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2o1B6Mq6KTkUcVFW7dfcMU4UKht-RkFNkH_9SG5XmTfJTnU5M-wtEzsaqoiEFb9FhulRav9U2A6M-ZjLfoxV4KrB9hSPYNAgg6hLwgfrMuM_UKDhwJ4U1SdDghraN4vqBjMmRoYHBfZk2/s400/Macke_SelfPortrait1906.jpg" width="261" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de August Macke. Date inconnue.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzh9tyDWrqEncTRsTT02ziqua_mEfOZVJpjJiTjRxbl3x1Ih8nmApv4JPoZlmIu6AiX6cXa8_jFoIiFgYYcGww5VFaEth_mefHTPvTYq8Ym_Eh0u4wumRmyisRxERvCbADdaZGM_FEiCBg/s1600/august13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzh9tyDWrqEncTRsTT02ziqua_mEfOZVJpjJiTjRxbl3x1Ih8nmApv4JPoZlmIu6AiX6cXa8_jFoIiFgYYcGww5VFaEth_mefHTPvTYq8Ym_Eh0u4wumRmyisRxERvCbADdaZGM_FEiCBg/s400/august13.jpg" width="324" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de August Macke. 1908.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlWyci3YpEtZ_VJ3zzo7Zv9d_fEwU5V51VLZcubcRsKBOu7-NH5AVoGXhE_YVd3nb9VRJCWVornUGnZVoMpAiuIvYShdMo9PBbKf_HKhUQzQ-2N9efaNJ2BtkZxqqDKSBIslMpCvRi0L-y/s1600/Macke-Foto+1908.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlWyci3YpEtZ_VJ3zzo7Zv9d_fEwU5V51VLZcubcRsKBOu7-NH5AVoGXhE_YVd3nb9VRJCWVornUGnZVoMpAiuIvYShdMo9PBbKf_HKhUQzQ-2N9efaNJ2BtkZxqqDKSBIslMpCvRi0L-y/s400/Macke-Foto+1908.jpg" width="326" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Huile sur toile, 1909.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOfyKEUnvFLotMMwh-ufFMVDU8ufKk_CTRgnzO4X-Y66BSpn3WFYGOVKS5BNZcaFBX_gaHKsqDERKD6pUjs7w5hfnWhAMd2GxeZ_Gq_TpC0fphaohCDVel6hNhcDjMS96m8Q8qwzXjzv0K/s1600/selbstportraet1909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOfyKEUnvFLotMMwh-ufFMVDU8ufKk_CTRgnzO4X-Y66BSpn3WFYGOVKS5BNZcaFBX_gaHKsqDERKD6pUjs7w5hfnWhAMd2GxeZ_Gq_TpC0fphaohCDVel6hNhcDjMS96m8Q8qwzXjzv0K/s400/selbstportraet1909.jpg" width="315" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Auguste Macke. <u>La Femme de l'artiste avec un chapeau</u>. </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1909.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ5LwDMh6j4TMfQ4JEnWpPr5rbyiogonASAtfVCRmWxhhXedSyjSXB2LdENgJd88zX9cd5OdfJdQiyR7YDvo2yRPVOrAsaSY0OQo4sDvh-a65SVoS6ACcxGR24JVLx37fkMAENMncl1_54/s1600/August_Macke_fmme+de+l'artiste+avec+un+chapeau+1909jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ5LwDMh6j4TMfQ4JEnWpPr5rbyiogonASAtfVCRmWxhhXedSyjSXB2LdENgJd88zX9cd5OdfJdQiyR7YDvo2yRPVOrAsaSY0OQo4sDvh-a65SVoS6ACcxGR24JVLx37fkMAENMncl1_54/s400/August_Macke_fmme+de+l'artiste+avec+un+chapeau+1909jpg.jpg" width="268" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Chez Marc, comme chez la majorité des artistes de l'époque (et pas seulement des peintres, voir Skriabine), les couleurs ont des valeurs symboliques. En ce sens, on peut dire que, Marc comme Macke, malgré leur volonté de rupture, sont des héritiers du <i>Symbolisme</i>. </span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1910, Marc s'installe près de Dachau, ville qui, à l'époque, abritait de nombreux artistes. C'est cette année-la que Macke peint son portrait.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>August Macke. <u>Portrait de Franz Marc</u>. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1910.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64mZ-zEJCXCoxA9bdtoLuVy_23IqBfFIXBTFDArhDx8aZyuT28yIjSUgdU1tZ0euoWf9QOmLAsnDvpoJT044bkP2lu5_zshaTJ7dXaVHIPL5UjjTPWhGTDUVw4kD1IEaKlVQuckzVHgse/s1600/August_Macke_portrait+de+F+marc+1910037.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64mZ-zEJCXCoxA9bdtoLuVy_23IqBfFIXBTFDArhDx8aZyuT28yIjSUgdU1tZ0euoWf9QOmLAsnDvpoJT044bkP2lu5_zshaTJ7dXaVHIPL5UjjTPWhGTDUVw4kD1IEaKlVQuckzVHgse/s400/August_Macke_portrait+de+F+marc+1910037.jpg" width="272" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pendant l'année 1910, Marc est très influencé par Matisse, mais aussi par Cézanne, comme le montre ses nues. Il ne rompt pas, pour autant, avec un certain réalisme, une fidélité de la représentation à la réalité perçue.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Baigneuses</u>. Huile sur toile, 1910.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz2NRsOLlGFwnoUuFhl-K4M8sjZMupRJfGIB8E0_Q-FGq-aQTAnpU-_Nj10GeuUtBp4ZuZr-g1Twr0XwCzen6jqd5F235P4eSArVAe4wKsD7-TshA8CtW5HUqrThDVi0U7OX6tEWiiSXDN/s1600/baigneuse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz2NRsOLlGFwnoUuFhl-K4M8sjZMupRJfGIB8E0_Q-FGq-aQTAnpU-_Nj10GeuUtBp4ZuZr-g1Twr0XwCzen6jqd5F235P4eSArVAe4wKsD7-TshA8CtW5HUqrThDVi0U7OX6tEWiiSXDN/s400/baigneuse.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Nue avec un chat</u>. Huile sur toile, 1910.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb-snrikOU3WgkPZy2Lx07TXS-2XNsqhRbqiisM7D3h6PSU9tFG4J6caO9t2nqDv1A4tSQnoFtsp5nNnlAGaQkagJJxMlER8LdVb-DSyQlpwD6qw0qEG_eeA047_ZHZNxCK52qqC4vKYL1/s1600/nue+avec+un+chat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb-snrikOU3WgkPZy2Lx07TXS-2XNsqhRbqiisM7D3h6PSU9tFG4J6caO9t2nqDv1A4tSQnoFtsp5nNnlAGaQkagJJxMlER8LdVb-DSyQlpwD6qw0qEG_eeA047_ZHZNxCK52qqC4vKYL1/s400/nue+avec+un+chat.jpg" width="372" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">En 1911, Kandinsky, Macke et Marc crée <i>Der Blaue Reiter (le Cavalier Bleu)</i>. Marc rompt avec l'utilisation naturaliste des couleurs. Il commence ses séries de chevaux aux couleurs éblouissantes, rejoignant ainsi l'<i>Expressionnisme </i>du mouvement <i>Die Brücke</i>, de quelques années antérieures. Une différence, cependant saute aux yeux, c'est l'allégresse qui transparait dans les œuvres des peintres du Cavalier Bleu par rapport au caractère souvent oppressant du mouvement <i>Die Brücke</i>. </span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i><u>Chevaux rouges</u>. Huile sur toile, 1911.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJnA5WTI38gb1buISC91N1_G2plS4MINiCzzRKhWn4obQ7GJsRsqd_tbpb19bmCRdbfmaCAzuQ2PzByFJwPiZx6tpkSd53mSTgJBGaClNuVzQxBDUx0EKp1Wl6E6-R23YEgz1xmFuAKypz/s1600/die_roten_pferde-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJnA5WTI38gb1buISC91N1_G2plS4MINiCzzRKhWn4obQ7GJsRsqd_tbpb19bmCRdbfmaCAzuQ2PzByFJwPiZx6tpkSd53mSTgJBGaClNuVzQxBDUx0EKp1Wl6E6-R23YEgz1xmFuAKypz/s320/die_roten_pferde-1.jpg" width="320" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Chevreuils dans la neige</u>. Huile sur toile, 1911.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEginyP_rPxYaPrt1cYswLQYC-Zfl86_vnPidrokGXZ0QTp9sYUBot2vo8z7nAtPntLCsQFGsRwkGx58Hc19igU_vEzUnlRykvj6aj_1gNKnQ5AG1kYUylvORdQ-x5CjhTifetJrAZaNbarp/s1600/Franz+Marc5.+1911jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEginyP_rPxYaPrt1cYswLQYC-Zfl86_vnPidrokGXZ0QTp9sYUBot2vo8z7nAtPntLCsQFGsRwkGx58Hc19igU_vEzUnlRykvj6aj_1gNKnQ5AG1kYUylvORdQ-x5CjhTifetJrAZaNbarp/s320/Franz+Marc5.+1911jpg.jpg" width="318" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Grands chevaux bleus</u>. Huile sur toile, 1911.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_L8vzHFCux2Mclvu1EXvJANUlVTpUTniKIErWt7AXeirQ9KHwP1bwJXKJSYfhYru98m73KK_1QpZm7BXze4tDY_Db81iO_nauYJGGI2j3S8wiXzbC4DcCtVdHSzxdqHCKDfLNEtieCuln/s1600/marc-franz_grands-cheveaux-bleus_11_Walker-ArtC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_L8vzHFCux2Mclvu1EXvJANUlVTpUTniKIErWt7AXeirQ9KHwP1bwJXKJSYfhYru98m73KK_1QpZm7BXze4tDY_Db81iO_nauYJGGI2j3S8wiXzbC4DcCtVdHSzxdqHCKDfLNEtieCuln/s400/marc-franz_grands-cheveaux-bleus_11_Walker-ArtC.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Petits chevaux jaunes</u>. Huile sur toile, 1911. </i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJAv8_Ion61iQouUDuY8wr128ZOHbGgRAmo3WbpkW9qlkZ1QyozadsYEfeYWYjB2xgY9gHE9_9cnbCj6KOTimE0WsYNcaJrSlGBf6y9avaBP_Zvw59qOF3idorKGh97x7SH7QNrWupPy7O/s1600/Franz+Marc1.1911jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJAv8_Ion61iQouUDuY8wr128ZOHbGgRAmo3WbpkW9qlkZ1QyozadsYEfeYWYjB2xgY9gHE9_9cnbCj6KOTimE0WsYNcaJrSlGBf6y9avaBP_Zvw59qOF3idorKGh97x7SH7QNrWupPy7O/s400/Franz+Marc1.1911jpg.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Chevaux au repos</u>. Gravure sur bois, 1911-1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5lwODRDqO40tDZUF82l-mo1pFeR-hTSZTorxD6GFq7qNRhTOIIzF6CUIGE8d-Aem4vWN9PxGxT6qBrcvjQUXrbWJwb0yHjZBPqeRTp7jXslx57CVyO6u0EV0ksT8b7D-Z9Tynb8Isx4y/s1600/Horses_Resting_by_Franz_Marc.jbois+1911-1912peg.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5lwODRDqO40tDZUF82l-mo1pFeR-hTSZTorxD6GFq7qNRhTOIIzF6CUIGE8d-Aem4vWN9PxGxT6qBrcvjQUXrbWJwb0yHjZBPqeRTp7jXslx57CVyO6u0EV0ksT8b7D-Z9Tynb8Isx4y/s400/Horses_Resting_by_Franz_Marc.jbois+1911-1912peg.jpeg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">De 1912 à 1914, August Macke et Franz Marc sont artistiquement très proche, notamment dans la représentation humaine. </span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Franz Marc. <u>Le bûcheron</u>. Huile sur toile, 1911.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJitmtdjgxIo_GFlAzsKRjqzERy2Xczdqk_T1ElBp-hWcirqiZI13yCgcS_24Y6dG8WYbPO7rAvDKIgJRIkmmB3TK_Je4NgWAEUfvmgjl60xKq0tdREmBSF8k7MF5Q6fBkI0CFn6dP5n2J/s1600/le+bucheron+1911.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJitmtdjgxIo_GFlAzsKRjqzERy2Xczdqk_T1ElBp-hWcirqiZI13yCgcS_24Y6dG8WYbPO7rAvDKIgJRIkmmB3TK_Je4NgWAEUfvmgjl60xKq0tdREmBSF8k7MF5Q6fBkI0CFn6dP5n2J/s400/le+bucheron+1911.jpg" width="312" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>August Macke. <u>Jardin de restaurant</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1g_HKI2crT0CaKt7Cm-eL7i9y7VjkYO3MM1AOIhjPmpY57xOIot8bL54AGSsY7O-cnSK2V70q-ZiOPiqzq8AV6N7vAnGQnXXoLxMFWtVefwLd0FFKmdtS0kwU56EL1ihAFsrox5EV0IuH/s1600/August_Macke_garten+restaurant+1912jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1g_HKI2crT0CaKt7Cm-eL7i9y7VjkYO3MM1AOIhjPmpY57xOIot8bL54AGSsY7O-cnSK2V70q-ZiOPiqzq8AV6N7vAnGQnXXoLxMFWtVefwLd0FFKmdtS0kwU56EL1ihAFsrox5EV0IuH/s400/August_Macke_garten+restaurant+1912jpg.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Pour reprendre la comparaison entre <i>Der Blaue Reiter</i> et <i>Die Brücke</i>, on peut rapprocher deux tableaux ayant le même sujet et peint la même année, l'un de Ernst-Ludwig Kirchner (1880-1938) et l'autre de August Macke.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Ernst-Ludwig Kirchner</u>. Scène de rue à Berlin. </i></span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile, 1913.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrluIrO9EbsiiiJRWswCSXfq23rSvTAJYctzaBZIGZLSG5Fu9CVswcNax7mF9BMOcvm0k202l-ar3AXY1F_Nas32lHqI57wF5HSyhizJdVaOXhU1Ns-qKIbz3WcjjsVff6RXT0fekG0eKD/s1600/Berlin-Street-Scene-1913-Kirchner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrluIrO9EbsiiiJRWswCSXfq23rSvTAJYctzaBZIGZLSG5Fu9CVswcNax7mF9BMOcvm0k202l-ar3AXY1F_Nas32lHqI57wF5HSyhizJdVaOXhU1Ns-qKIbz3WcjjsVff6RXT0fekG0eKD/s400/Berlin-Street-Scene-1913-Kirchner.jpg" width="301" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>August Macke. <u>Magasin de Mode</u>. Huile sur toile, 1913.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsDyyQqHNLEagqCFJfcbuynaCvHIHRwR9aUhvCJflt3CF7Hfor_a-w3e3RjPQcV-6aQK4Yn2Rt6nSi5CnAiqkLblvFMv6V38ZnJT1O5M_hNrkuguf0MVhxQNMfAvbe2DBJckzF4rVhCmUS/s1600/Fashion+Shop,+1913,+by+August+Macke.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsDyyQqHNLEagqCFJfcbuynaCvHIHRwR9aUhvCJflt3CF7Hfor_a-w3e3RjPQcV-6aQK4Yn2Rt6nSi5CnAiqkLblvFMv6V38ZnJT1O5M_hNrkuguf0MVhxQNMfAvbe2DBJckzF4rVhCmUS/s400/Fashion+Shop,+1913,+by+August+Macke.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">C'est entre 1912 et 1913 que Franz Marc peint ses tableaux les plus connus. Sa peinture qui place les animaux dans une sorte de paradis antérieur à la venue de l'homme correspond à une composante essentielle de la culture allemande depuis le <i>Romantisme</i> : l'attachement à la nature. En cela, l'idée de nature est profondément différente en France et en Allemagne. La France, en héritière de Descartes, considère <i>l'homme comme maître et possesseur de la nature</i> alors que pour la culture allemande, l'homme en est partie intégrante. C'est la différence entre le <i>Mitwelt</i> (être avec le monde) et l'<i>Umwelt</i> (être dans le monde).</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'idée de nature que véhicule Marc est, en fait, une idée assez passéiste d'harmonie originelle entre l'homme et la <i>Création</i> qui nous ramène aux représentations du <i>Paradis</i> chez Savery ou Bruegel de Velours au début du XVIIème siècle. C'est le traitement pictural du thème qui en fait tout l'intérêt.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Cheval rouge</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRu8gAbaVntNYDS0RneruOE-PVBj_jekEd12ra2FfZg7cohcV7uftGTnuYM63U3tHp8nuE9qqF8CbV2SErUj9EdssFJ5vEWcV_zlFsxc2ZTvIPH4kk8At8BtKOQhYvRs2bbvwYDdsPDxJI/s1600/chevaux+rouge+1912.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRu8gAbaVntNYDS0RneruOE-PVBj_jekEd12ra2FfZg7cohcV7uftGTnuYM63U3tHp8nuE9qqF8CbV2SErUj9EdssFJ5vEWcV_zlFsxc2ZTvIPH4kk8At8BtKOQhYvRs2bbvwYDdsPDxJI/s400/chevaux+rouge+1912.jpg" width="400" /></a></div><br />
<i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><u>Grands Chevreuils rouges</u>. Huiles sur toile, 1912.</span></span></i><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUkQeh5-Nf1fUGXbVxWWV-e5EBDUkRapsjJBy6APsArueg6VEcRx7jR2rn3ZtJyU6NSiUVWbyYYcB4Md3TnewatO9mkh9qn2A9cBvTdOPvgZtCbTAeaAZB-pmhHMirJB7P0iJzEklZ5dDM/s1600/chevreuil+rouge+1912.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUkQeh5-Nf1fUGXbVxWWV-e5EBDUkRapsjJBy6APsArueg6VEcRx7jR2rn3ZtJyU6NSiUVWbyYYcB4Md3TnewatO9mkh9qn2A9cBvTdOPvgZtCbTAeaAZB-pmhHMirJB7P0iJzEklZ5dDM/s400/chevreuil+rouge+1912.jpg" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Tigre</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngJLDy59vTmaJzYPBW_6-eimXan6CaAPL2AajyZDejMyhFOuKt9c3kOBleSYxbV8J2ZMPj_ca_mTP26lhzdK7XQvuxM3IDEC3Ko0-72bSJKNJQOFtsHqObcSeICN8SwcD0LeKIL6q4aeM/s1600/Franz_Marc_tigre+1912jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngJLDy59vTmaJzYPBW_6-eimXan6CaAPL2AajyZDejMyhFOuKt9c3kOBleSYxbV8J2ZMPj_ca_mTP26lhzdK7XQvuxM3IDEC3Ko0-72bSJKNJQOFtsHqObcSeICN8SwcD0LeKIL6q4aeM/s400/Franz_Marc_tigre+1912jpg.jpg" width="362" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Dans la pluie</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihBhIkbmYWjTgrRyrQClPp6BFo6OMp_KUeCoe-nw3CwcNKcurVjpC5pwVseS_vBYzjmnYejPyHlPEjXH5W9SiEzZkUGZdQ9BK230BRbNcEFerrajQJ51DUWsMJaZOAqelg0S__xtJQT9zM/s1600/Franz_Marc-In_the_Rain(Im_Regen)_(1912).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihBhIkbmYWjTgrRyrQClPp6BFo6OMp_KUeCoe-nw3CwcNKcurVjpC5pwVseS_vBYzjmnYejPyHlPEjXH5W9SiEzZkUGZdQ9BK230BRbNcEFerrajQJ51DUWsMJaZOAqelg0S__xtJQT9zM/s400/Franz_Marc-In_the_Rain(Im_Regen)_(1912).jpg" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Chute d'eau</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTOViqG7MqxPrrPbdZJlT01UNzCwEqNuvk8CUwa-IBiOIFWDwAzF9iNIolE9u-p3DSeYzrlXZTpGvQLJghvZ5-FrrOHMvFCl4SQVB1-khdoyT2kKVIPYgTrURQYVBy21BX225SwsMH0Qhx/s1600/la+chute+d'eau.+1912jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTOViqG7MqxPrrPbdZJlT01UNzCwEqNuvk8CUwa-IBiOIFWDwAzF9iNIolE9u-p3DSeYzrlXZTpGvQLJghvZ5-FrrOHMvFCl4SQVB1-khdoyT2kKVIPYgTrURQYVBy21BX225SwsMH0Qhx/s400/la+chute+d'eau.+1912jpg.jpg" width="382" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Singe</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo0zm_7RJO_LGuNNjvxbkGvYoysjrNOrEmIJ79xpGkpZFoGZgDnF8d3pjv7r1AKwyNqFGiiBzQTtxm0JO1Rg0bkM24RcBn37w3TsokdfaDcfjcmJdgfRyb5nBPs0WESkJ56Hpl-_Bkc9jI/s1600/le+singe+1912.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo0zm_7RJO_LGuNNjvxbkGvYoysjrNOrEmIJ79xpGkpZFoGZgDnF8d3pjv7r1AKwyNqFGiiBzQTtxm0JO1Rg0bkM24RcBn37w3TsokdfaDcfjcmJdgfRyb5nBPs0WESkJ56Hpl-_Bkc9jI/s400/le+singe+1912.jpg" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Rêve</u>. Huile sur toile, 1912.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwiVIWKTS4m-moAjkUq6wSrl7TPN6GrCy0yRLROMMcnu_EabbBR36OCJT3CWkTu7aeqvHimSOmtiHJyXzyy0pVxvGqJxNtHqbWOZssGs7oea4SyFcdYv_J67FPnGchxKYeePCbZTCvdkit/s1600/Marc_-_Der_Traum_1912.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwiVIWKTS4m-moAjkUq6wSrl7TPN6GrCy0yRLROMMcnu_EabbBR36OCJT3CWkTu7aeqvHimSOmtiHJyXzyy0pVxvGqJxNtHqbWOZssGs7oea4SyFcdYv_J67FPnGchxKYeePCbZTCvdkit/s400/Marc_-_Der_Traum_1912.JPG" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Réconciliation</u>. Gravure sur bois, 1912. </i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmizYjRp7YN7aakE1nvHOcsnzfb6tOvnfnSn3267_CVGoB935CC2DEImlQLsinDYlyq9qAD-oalvWmvyioAAqxndAVGPUJC2nLVLDQWLAGMlouxeOrDtnx6D8aE_ZwVSjGVEeJDCHTJAvo/s1600/reconciliation_by_Franz_Marc_1912.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmizYjRp7YN7aakE1nvHOcsnzfb6tOvnfnSn3267_CVGoB935CC2DEImlQLsinDYlyq9qAD-oalvWmvyioAAqxndAVGPUJC2nLVLDQWLAGMlouxeOrDtnx6D8aE_ZwVSjGVEeJDCHTJAvo/s400/reconciliation_by_Franz_Marc_1912.jpeg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">On peut voir que le style de Marc a évolué très vite. En moins d'un an, il passe du <i>Fauvisme</i> au <i>Cubisme</i>. Petit à petit les animaux deviennent davantage un prétexte à des constructions colorées plutôt qu'à une exaltation panthéiste de la nature. Une certaine inquiétude se fait jour dans la peinture de Marc comme dans son grand tableau <i>Le Destin des Animaux</i> où les bêtes de la forêt semblent dans l'attente d'une catastrophe.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Le Destin des Animaux</u>. Huile sur toile, 1913.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVJoLFn0V8U0tEx2iijM5Gd4TW3yRnJjF4xfR-6cqJZjpFHVujXqaMnJOQHCkL5wF9ZiTZ_HZGH4Azt5GJflDSp7R-uq7BhNSNdRhZsL0Mr5aPyu4qwkIxLNMxY4ORIz8SCeXQ1nVNEQLa/s1600/pRRe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVJoLFn0V8U0tEx2iijM5Gd4TW3yRnJjF4xfR-6cqJZjpFHVujXqaMnJOQHCkL5wF9ZiTZ_HZGH4Azt5GJflDSp7R-uq7BhNSNdRhZsL0Mr5aPyu4qwkIxLNMxY4ORIz8SCeXQ1nVNEQLa/s400/pRRe.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Tour de Chevaux bleus. Huile sur toile, 1913.</span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBcMa39vsDh7V6kRko389KDU8FW8ULEBe2akkF8v39HsAj45Rteu4ZZ3WruqL7xuudcit4r27TsF3ItyECBMmhnqAKNT4ZZd4jhnJ8g9UEaqAKNdYIwEo79xApjhNRSe97I9fT7fnt0Y0a/s1600/The_Tower_of_Blue_Horses_1913Franz_Marc.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBcMa39vsDh7V6kRko389KDU8FW8ULEBe2akkF8v39HsAj45Rteu4ZZ3WruqL7xuudcit4r27TsF3ItyECBMmhnqAKNT4ZZd4jhnJ8g9UEaqAKNdYIwEo79xApjhNRSe97I9fT7fnt0Y0a/s400/The_Tower_of_Blue_Horses_1913Franz_Marc.jpeg" width="260" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Trois Chats. Huile sur toile, 1913.</span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP0bR1D6DxP9eZW_yEL4B_LDuIG4utdlwrEv05H4VjT2xso_2Hn0R_8BMoI98aH1tpgzr72q-ILOjiu0_5IKSPVGO3tqoPEQHimC5x8cGa15UJuEL1zXD3-_st6VP9032eoNY6XbCzzlwf/s1600/three-cats-1913.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP0bR1D6DxP9eZW_yEL4B_LDuIG4utdlwrEv05H4VjT2xso_2Hn0R_8BMoI98aH1tpgzr72q-ILOjiu0_5IKSPVGO3tqoPEQHimC5x8cGa15UJuEL1zXD3-_st6VP9032eoNY6XbCzzlwf/s400/three-cats-1913.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Entre 1913 et 1914, Marc s'oriente petit à petit vers l'<i>Abstraction</i>, sans doute sous l'influence de Kandinsky qui a choisi cette voie. Si certaines toiles comme <i>Tyrol</i> ont encore une trame narrative, les derniers tableaux du peintre ne portent plus que les titres abstraits comme <i>Composition</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Chevreuils dans la forêt</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir2gPsuiO2W2H5s3dbOklG0IxnI75NrVamjEopw4XqVOTHqKIY46rKrsHDujSzcFniucLTbB5c0s2rQbIhp_r6N99tLJNPqFkjhECOXpC3lcrgEZ52_-VprMcH3w2XZKBsLynoSPMT6M4v/s1600/Franz_Marcchevreuil+dans+la+fore%CC%82tb1914pg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir2gPsuiO2W2H5s3dbOklG0IxnI75NrVamjEopw4XqVOTHqKIY46rKrsHDujSzcFniucLTbB5c0s2rQbIhp_r6N99tLJNPqFkjhECOXpC3lcrgEZ52_-VprMcH3w2XZKBsLynoSPMT6M4v/s400/Franz_Marcchevreuil+dans+la+fore%CC%82tb1914pg.jpg" width="367" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Animaux dans un paysage</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1ARTUrSp0B_T9YHF-wHyXOyNFMcMwcctqs_jsxNoCZgnEupSRwO_apFFr9Grpldy12QtqOgpMZ3F0UK056qKnsrnfFn4_oLzhP6QO1kyPWxjBRsxr3VPQmPcb36efCp466ix6zh0V4tmm/s1600/Franz_Marc_1914_Animals_in_a_Landscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1ARTUrSp0B_T9YHF-wHyXOyNFMcMwcctqs_jsxNoCZgnEupSRwO_apFFr9Grpldy12QtqOgpMZ3F0UK056qKnsrnfFn4_oLzhP6QO1kyPWxjBRsxr3VPQmPcb36efCp466ix6zh0V4tmm/s400/Franz_Marc_1914_Animals_in_a_Landscape.jpg" width="368" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Tyrol</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7t6jfdNPikwnXfUFa2LeB8Uby78HULz2W59QGbYFY9CbSW0cwN-yfPX7bGCg1cl45q2D_lh6Y-Yhly86bWjQzD7iT3xqEbEqbjolhu58NpP2BwHwPOf0Y5nq3lvjjXkvJwdwf8DxoOL2e/s1600/Franz_Marc-Tyrol_(Tirol)_(1914).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7t6jfdNPikwnXfUFa2LeB8Uby78HULz2W59QGbYFY9CbSW0cwN-yfPX7bGCg1cl45q2D_lh6Y-Yhly86bWjQzD7iT3xqEbEqbjolhu58NpP2BwHwPOf0Y5nq3lvjjXkvJwdwf8DxoOL2e/s400/Franz_Marc-Tyrol_(Tirol)_(1914).jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Création II</u>. Gravure sur bois, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlIc5pVG7JmDSfeLnPfOeh9h2fyM8AP6ZYUfYKH2ntsfFareBVPF8ohQ0o7GQnI495fQeosCivaT7h_lYdF2K4nOQcZEwWtmSHCI1avd3576aqrdKbypQVs4f1RqiyCXRNi-0L0VaIKhfk/s1600/Scho%CC%88pfungsgeschichte_II_by_Franz_Marc_1914.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlIc5pVG7JmDSfeLnPfOeh9h2fyM8AP6ZYUfYKH2ntsfFareBVPF8ohQ0o7GQnI495fQeosCivaT7h_lYdF2K4nOQcZEwWtmSHCI1avd3576aqrdKbypQVs4f1RqiyCXRNi-0L0VaIKhfk/s400/Scho%CC%88pfungsgeschichte_II_by_Franz_Marc_1914.jpg" width="335" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Composition</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiub7exjAU_sbL3iEb2kCJzlbzSJ1SKNWsOf5bBkh1cTjM4ojs1NOKxNdGvJEP4KsUflVuGMnK1lgzmzJ-UXFqAYWCJzdW97Unqwda3lhQcjLsoVbYPqgrf06CBfF-CRvn5B0HkVRBTGt7B/s1600/composition+1914jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiub7exjAU_sbL3iEb2kCJzlbzSJ1SKNWsOf5bBkh1cTjM4ojs1NOKxNdGvJEP4KsUflVuGMnK1lgzmzJ-UXFqAYWCJzdW97Unqwda3lhQcjLsoVbYPqgrf06CBfF-CRvn5B0HkVRBTGt7B/s400/composition+1914jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Formes combattantes</u>. Huile sur toile, 1914.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGAXBjUN5KW4iBuz19T1ykj98xJmCzaZbjjHDPgXXJ8XW0_Sl34l8zu-4EpE3G7jYtnc-78Hx7sH6hzaMs0sh61_Zk0Uo2zFEbx3V9dR2kNsUIKqZiY1Y4SyWXhGrJ8DBb_5BEPmAyWPPD/s1600/Fighting_Forms.1914jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGAXBjUN5KW4iBuz19T1ykj98xJmCzaZbjjHDPgXXJ8XW0_Sl34l8zu-4EpE3G7jYtnc-78Hx7sH6hzaMs0sh61_Zk0Uo2zFEbx3V9dR2kNsUIKqZiY1Y4SyWXhGrJ8DBb_5BEPmAyWPPD/s400/Fighting_Forms.1914jpg.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Lors du déclenchement de la Guerre de 14, Franz Marc s'engage, alors que son ami August Macke est mobilisé. Macke est tué dès septembre 1914 en Champagne. Franz Marc dessine dans ses carnets sur le front. Il est, à son tour, tué sur le front en 1916, non loin de Verdun.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Rudi Stephan est né dans une famille très aisée de Hesse, le père faisant partie de la haute administration du Grand Duché.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographie de la famille de Rudi Stephan.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0wuL19Roq6U8GLQgrbcSUFLdT7CJ1p9vAobBUAgacCkJqECXRnsP9MQ0FIOBqu2HyAr8kYJ7PejukAkbOwRq9KZm8EWCi9JiBdgC0tE3HLDhvj4BkBL1-xdThJJCzlCJis69hG_Ji9nAg/s1600/fb4eec0275.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0wuL19Roq6U8GLQgrbcSUFLdT7CJ1p9vAobBUAgacCkJqECXRnsP9MQ0FIOBqu2HyAr8kYJ7PejukAkbOwRq9KZm8EWCi9JiBdgC0tE3HLDhvj4BkBL1-xdThJJCzlCJis69hG_Ji9nAg/s400/fb4eec0275.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il étudie la musique d'abord au conservatoire de Francfort, puis au conservatoire de Munich. Ses professeurs sont essentiellement des post-romantiques dans la lignée de Brahms. Lui-même se fait une formation autodidacte en s'intéressant d'abord à Mahler et Max Reger puis à Stravinsky ou Bartok.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Photographies de Rudi Stephan.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMq6eA1Ui6hdLJX4mln7ec8F47maneWf0BF7DDJrA2jBOtlKSNvo6IG3j6k_T3GYw62skdAGHBp3NO8L1RpyHEjeC_nq3Z65AjjQT9KeQNPtyh_fGn6xPIqHFf2F5EiCVOS7pPG2ejeYvU/s1600/Foto_Rudi_Stephan_01_93dab69aa6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMq6eA1Ui6hdLJX4mln7ec8F47maneWf0BF7DDJrA2jBOtlKSNvo6IG3j6k_T3GYw62skdAGHBp3NO8L1RpyHEjeC_nq3Z65AjjQT9KeQNPtyh_fGn6xPIqHFf2F5EiCVOS7pPG2ejeYvU/s1600/Foto_Rudi_Stephan_01_93dab69aa6.jpg" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkCboBXCxwdrohhnL4ZCWRiqfq-X6rIWkQtfT8emDZZ6ckpY6jOVxoMZA3Sr9c9h6puffGhC5nE0O04hgnYYtJy8PJZBSZdUqvjWY1LltBUDZl0u-2bF22fFUK-THm0T10dFa2ghDGj3S0/s1600/Rudi_Stephan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkCboBXCxwdrohhnL4ZCWRiqfq-X6rIWkQtfT8emDZZ6ckpY6jOVxoMZA3Sr9c9h6puffGhC5nE0O04hgnYYtJy8PJZBSZdUqvjWY1LltBUDZl0u-2bF22fFUK-THm0T10dFa2ghDGj3S0/s1600/Rudi_Stephan.jpg" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM8Be2dYS4KFoRgwTZ7tPuGGqJRkbUifP32Do2QDNMDRmJfOsBK5mmR6OhazbfTi9e2wK88jCSts7_GhwVVF_Zv7120f99HLPgCnG1GYwKO-tcI9lheKAfOvCYYs3H3ySEkfwVFyxgiM1V/s1600/rudi+stephan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM8Be2dYS4KFoRgwTZ7tPuGGqJRkbUifP32Do2QDNMDRmJfOsBK5mmR6OhazbfTi9e2wK88jCSts7_GhwVVF_Zv7120f99HLPgCnG1GYwKO-tcI9lheKAfOvCYYs3H3ySEkfwVFyxgiM1V/s400/rudi+stephan.jpg" width="257" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Son catalogue est relativement réduit, ce qui est normal compte-tenu du fait qu'il est mort à 27 ans au front. Il a écrit de nombreux lieder, dont <i>Liebeszauber (Enchantement d'Amour)</i> pour baryton et orchestre, de la musique symphonique <i>(Musique pour orchestre I et II)</i> et un opéra, <i>Die Ersten Menschen (Les Premiers Hommes)</i>. Si la guerre n'avait pas stoppé sa carrière, il est évident que Rudi Stephan serait devenu un compositeur de premier plan, tant ce qui nous reste montre un génie précoce.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Musique pour Orchestre</u>. Deutsches Symphonie-Orchester.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Direction, Hans Zender.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://1.gvt0.com/vi/4WpYyBAo8_U/0.jpg"><param name="movie" value="http://www.youtube.com/v/4WpYyBAo8_U&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><embed width="320" height="266" src="http://www.youtube.com/v/4WpYyBAo8_U&fs=1&source=uds" type="application/x-shockwave-flash"></embed></object></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Liebeszauber</u>. Dietrich Fischer-Diskau. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Deutsches </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Symphonie-Orchester. </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Hans Zende</i>r.</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</span></span></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-17936334405230707852012-03-22T11:25:00.013-07:002012-03-24T12:12:32.814-07:00Brasseries et cafés IV : La Confeitaria Colombo à Rio de Janeiro<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Sous le règne de Pedro II (1825-1891), Empereur du Brésil jusqu'au putsch de 1889, le Brésil est un pays en plein développement. Vers 1900, Rio est une ville très active. On trace de larges avenues sur le modèle hausmannien. Paris reste en effet la référence, et lorsque la municipalité décide de construire un théâtre c'est le Palais Garnier qui sert d'étalon. </span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La construction du <i>Theatro Municipal</i> commence en 1905 et s'achèvera en 1909. C'est Francisco de Oliveira Passos assisté du français Albert Guilbert (1866-1949) qui mène les travaux. </span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Les meilleurs artisans et artistes du pays sont employés.</span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Eliseu d'Angelo Visconti est un des peintres qui vont intervenir. Né en Italie en 1866, cet artiste fait sa formation aux Brésil puis à Paris à partir de 1892. En 1900, il est remarqué à l'<i>Exposition Universelle</i>. Il rentre au Brésil et introduit l'<i>Art Nouveau</i> dans le pays. Il fait de nombreuses expositions. Entre 1906 et 1913, il est enseignant à l'<i>Ecole Nationale des Beaux-Arts</i> de Rio. Il retourne en Europe pour divers travaux mais du fait de la guerre ne peut rentrer au Brésil qu'en 1918. Il meurt en 1944 à Rio.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Quelques œuvres de Eliseu d'Angelo Visconti.</b></span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Etude</u>. Huile sur toile, 1894.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl7eTtL9Lo0nCG1uBS2e-5QLR51sPRC9K1Gyv1dzG-8Je2KMCAOVoSypqOtu0pFxtZ2shI3fGGjmWvm77kErvENP1toks08JcXqYj5h0E1dsxRTdAXszTR4CqRbyc8aQt2x5qswRHwW9nr/s1600/etude+1894+visconti.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl7eTtL9Lo0nCG1uBS2e-5QLR51sPRC9K1Gyv1dzG-8Je2KMCAOVoSypqOtu0pFxtZ2shI3fGGjmWvm77kErvENP1toks08JcXqYj5h0E1dsxRTdAXszTR4CqRbyc8aQt2x5qswRHwW9nr/s400/etude+1894+visconti.jpg" width="288" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Autoportrait</u>. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWPAI0KZ5J3NJO-zZPDTsMj-7B0K1vDgNRDiarO6h231Iil0DK6i4en0z2TseE00PH6hXw-oVW8_kO2DDvRqCKVBm4vIY6MFPyEuoD9zgO10gVH6yL9g1jUsHHbUvWA_vepUP1TH_dXZFd/s1600/6242085210_99e952630e_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWPAI0KZ5J3NJO-zZPDTsMj-7B0K1vDgNRDiarO6h231Iil0DK6i4en0z2TseE00PH6hXw-oVW8_kO2DDvRqCKVBm4vIY6MFPyEuoD9zgO10gVH6yL9g1jUsHHbUvWA_vepUP1TH_dXZFd/s400/6242085210_99e952630e_o.jpg" width="315" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Nicolina Vaz de Assis</u>. Huile sur toile, 1905.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWMo8YFo5rENVlLaz71AknL8771UrZEfl1zacrTEYP7fONOFZIRMk-abYNUXwh7WFCwssTFCKrFvYkEx8OBBsoaPSAni5BAXhOTJWlHLlZyotFdnBB2DT5QgxNOLDvrW4F3ajANS-ZmM5Y/s1600/nicolina.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWMo8YFo5rENVlLaz71AknL8771UrZEfl1zacrTEYP7fONOFZIRMk-abYNUXwh7WFCwssTFCKrFvYkEx8OBBsoaPSAni5BAXhOTJWlHLlZyotFdnBB2DT5QgxNOLDvrW4F3ajANS-ZmM5Y/s400/nicolina.png" width="315" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Maternité</u>. Huile sur toile, 1906.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_QSGyo4mIubfrwTlzI5ycf8Jp7b6fWCCh5QjjWAudakFl1TZbsFPKRXU_TcIpaklTYjWLBrfC8FSaIS9uExpQim69uf2HUdxMZMQJTiCaikCzq4NMEKlI0ncde-_K7UYHvnPDwhRWt6yj/s1600/Eliseu_Visconti_Maternidade1906_Post.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_QSGyo4mIubfrwTlzI5ycf8Jp7b6fWCCh5QjjWAudakFl1TZbsFPKRXU_TcIpaklTYjWLBrfC8FSaIS9uExpQim69uf2HUdxMZMQJTiCaikCzq4NMEKlI0ncde-_K7UYHvnPDwhRWt6yj/s400/Eliseu_Visconti_Maternidade1906_Post.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Espérance, Songe Mystique</u>. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPfx1iV5od5kHofUcPMO96vdTZYPkGuCAi3gW0zi_NFFSWVxBJwVaqPvAULG4OK2a3sH9UVdvisdGHlMue8cKJvir4_nQnecB8srLv13YyoIExy4ar0Fu0CWztb2yTUXfIofsffKBygnjS/s1600/esperanca-sonho-mistico.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPfx1iV5od5kHofUcPMO96vdTZYPkGuCAi3gW0zi_NFFSWVxBJwVaqPvAULG4OK2a3sH9UVdvisdGHlMue8cKJvir4_nQnecB8srLv13YyoIExy4ar0Fu0CWztb2yTUXfIofsffKBygnjS/s320/esperanca-sonho-mistico.jpg" width="256" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Nu féminin. Huile sur toile.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8HyyxdNGszrol8JNAWACTBT9UiyDQWsxIVnp10c1wDDgvDuO1j20rW4yp2TUdZeBrU9dwc90qSEACXqxWZWIGk3b0U2f64ZHVRZb_9AR79XJKTU5wtPxYl8eNMjrFo9CABBcu5v1gdsGI/s1600/nu-feminino.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8HyyxdNGszrol8JNAWACTBT9UiyDQWsxIVnp10c1wDDgvDuO1j20rW4yp2TUdZeBrU9dwc90qSEACXqxWZWIGk3b0U2f64ZHVRZb_9AR79XJKTU5wtPxYl8eNMjrFo9CABBcu5v1gdsGI/s400/nu-feminino.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Fleurs</u>. Huile sur toile, 1917.</i></span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgulYfKMDNukVdAB8yC0FBxvj7L6FrfdTe3rnie_Ax6IynW5_vFIxfkB5Gllw1J2dc94yRDOj1fQBagQTGuttTkv14hAYg6vCp7uBxxU_qp2hYCHJjM-F1Q-XqDSevuqiWz9Kxp8HYrPpZH/s1600/0605+P+2008+Masp_0597.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgulYfKMDNukVdAB8yC0FBxvj7L6FrfdTe3rnie_Ax6IynW5_vFIxfkB5Gllw1J2dc94yRDOj1fQBagQTGuttTkv14hAYg6vCp7uBxxU_qp2hYCHJjM-F1Q-XqDSevuqiWz9Kxp8HYrPpZH/s400/0605+P+2008+Masp_0597.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Rodolpho Amoedo est un autre peintre qui intervient dans la décoration du <i>Theatro Municipal</i>. Il est né à Salvador de Bahia en 1857. En 1873, il rentre aux Beaux-Arts de Rio puis, grâce à une bourse, poursuit ses études à Paris de 1878 à 1887. Il est très influencé par Puvis de Chavannes. Il expose plusieurs fois à Paris.</span></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Il rentre à Rio en 1888. Il aura une carrière officielle et de nombreuses commandes. Il sera professeur à l'<i>Ecole nationale Supérieure des Beaux-Arts</i>. Il recevra une Médaille d'Honneur pour son œuvre en 1917. Il meurt à Rio en 1941.</span></span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Quelques œuvres de Rodolpho Amoedo.</b></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Maraba</u>. Huile sur toile, 1882.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglu9PFPrVgZdwznbi2bLATCm6SLx08-AYVqhtFxK2RFp2p1Z-r3FDsuUVxEo6ucCPvAuUkKIc7rRnszXopSZqYveVGQ2oBZs-RePVaiTDG-DkKFooLEk2g1WYtjyG_9rlioQ9ipZPLYcd2/s1600/maraba.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglu9PFPrVgZdwznbi2bLATCm6SLx08-AYVqhtFxK2RFp2p1Z-r3FDsuUVxEo6ucCPvAuUkKIc7rRnszXopSZqYveVGQ2oBZs-RePVaiTDG-DkKFooLEk2g1WYtjyG_9rlioQ9ipZPLYcd2/s400/maraba.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>O Ultimo Tamoyo</u>. Huile sur toile, 1883.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAW3U1NTup0dxcpbhy512piSanl8a-O_gjsvsHlMBpXtLDSvr85teaz44gFXUBjZ9m4Q-YuHxVWi43h7Sh02HXjgLLYme42X5VEsnl0ve02DXtQ_8G6U1p6dpWcuHCdaFJQaIbJIZSshVT/s1600/o+ultimo+tamoyo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAW3U1NTup0dxcpbhy512piSanl8a-O_gjsvsHlMBpXtLDSvr85teaz44gFXUBjZ9m4Q-YuHxVWi43h7Sh02HXjgLLYme42X5VEsnl0ve02DXtQ_8G6U1p6dpWcuHCdaFJQaIbJIZSshVT/s400/o+ultimo+tamoyo.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Etude de femme. Huile sur toile, 1884.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlT7BulUdXhMN1jgt3O8Q0BOsNeY0nWR9T6_FA19XQdpzyDz3F3toFBbUGjW48jDhWZe1MU72XzqNDAZlANZJY9kVryCaNEwGJyftWZPuuytbx09Gzmk7kco_djUM-CSx0-3bpHh-9PQ5o/s1600/etude+de+femme.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlT7BulUdXhMN1jgt3O8Q0BOsNeY0nWR9T6_FA19XQdpzyDz3F3toFBbUGjW48jDhWZe1MU72XzqNDAZlANZJY9kVryCaNEwGJyftWZPuuytbx09Gzmk7kco_djUM-CSx0-3bpHh-9PQ5o/s400/etude+de+femme.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Jésus à Capharnaüm</u>. Huile sur toile, 1885.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdjOJKaEA5MK8XJMbN8417W1PTLGZnxrVIB0LPoNUqPfod2O8v94_Qoq_JedOKpOSOy-x0FIPTEBu0Y0tyvAE-d84eDW6sU_onWtmkcRZJGiFKrs6dT-GPfLo6vOeD5CYbRJT-di-_LOxq/s1600/jesus+a%CC%80+caparnaum+1885.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdjOJKaEA5MK8XJMbN8417W1PTLGZnxrVIB0LPoNUqPfod2O8v94_Qoq_JedOKpOSOy-x0FIPTEBu0Y0tyvAE-d84eDW6sU_onWtmkcRZJGiFKrs6dT-GPfLo6vOeD5CYbRJT-di-_LOxq/s400/jesus+a%CC%80+caparnaum+1885.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Mas Noticias</u>. Huile sur toile, 1895.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirkKGVS547wDkMQvSZqyTqK5G4donkJz85ogXRwHGDuuYLFah-fas-p0MZtRoYyU8q-CMmz6CEBJ8LmTlMpY7SZ8R7CEF71oWA6UsDDlV65IxFaTwXXTjV9fYZA04akw68joJV0dqF5abX/s1600/mas+noticias.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirkKGVS547wDkMQvSZqyTqK5G4donkJz85ogXRwHGDuuYLFah-fas-p0MZtRoYyU8q-CMmz6CEBJ8LmTlMpY7SZ8R7CEF71oWA6UsDDlV65IxFaTwXXTjV9fYZA04akw68joJV0dqF5abX/s400/mas+noticias.png" width="301" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Décoration de la salle des sessions de la </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cour Suprême, Rio. 1909.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtSwyQ9UkGq_ugIvjlruxt-MowZMJn33kCPHVXas2R678l7B5Ebt6zO4WM77XvVTDY5eJaD7BYvSwTPhyOv0aP1fsWkMje9TOU1qPPrnGRxyDA_tcgNaOKYSugZCbDTLg1g7gTDibPK42a/s1600/tribunal+supreme+salle+des+sessions.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtSwyQ9UkGq_ugIvjlruxt-MowZMJn33kCPHVXas2R678l7B5Ebt6zO4WM77XvVTDY5eJaD7BYvSwTPhyOv0aP1fsWkMje9TOU1qPPrnGRxyDA_tcgNaOKYSugZCbDTLg1g7gTDibPK42a/s400/tribunal+supreme+salle+des+sessions.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>La Fondation de Rio de Janeiro</u>. Palais Pedro Ernesto, Rio.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Huile sur toile marouflée, 1923.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEJ5dZ1ou7r6aii26CSGBGnifldR4p9AeUgTqnjYOTGS186HPITZiy1iTrlsMtnlMHQBlHw20mYx3zrEoYycIrlnKJI0QGiNf2C_pVjazxgzOdUIZJgj-1IUfuXNq2KmQSyeW5kWYL-vE/s1600/fondation.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEJ5dZ1ou7r6aii26CSGBGnifldR4p9AeUgTqnjYOTGS186HPITZiy1iTrlsMtnlMHQBlHw20mYx3zrEoYycIrlnKJI0QGiNf2C_pVjazxgzOdUIZJgj-1IUfuXNq2KmQSyeW5kWYL-vE/s400/fondation.png" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Henrique Bernardelli est né dans une famille d'artistes à Valparaiso en 1857. En 1870, il rentre à l'<i>Académie Impériale des Beaux-Arts</i>. En 1878, il est naturalisé brésilien. Il voyage en Italie où il rencontre Giovanni Segantini. Il fait sa première exposition en 1888. En 1889, il participe à l'<i>Exposition Universelle de Paris</i> et en 1993 à celle de Chicago. En 1891, il est nommé professeur à l'<i>Ecole Nationale Supérieure des Beaux-Arts</i>. Il voyage souvent en Italie et reçoit une Médaile d'Honneur en 1916. Il meurt à Rio en 1936.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Quelques œuvres d'Henrique Bernardelli.</b></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Maternité</u>. Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Hhjqki60StZgnFz2A900OdDObM6FZ6ZbLJP01EqMeq_0OR_J79XVdtd9DtH9EP4jVwvc-XZAJFE4umq93VLnHdhyphenhyphenT-6bPcMrR-z9L4Q8JZvOKI_N9RBgji9clNNAvUXun1LADetjPLhz/s1600/Bernardelli-maternite%CC%81-mnba.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Hhjqki60StZgnFz2A900OdDObM6FZ6ZbLJP01EqMeq_0OR_J79XVdtd9DtH9EP4jVwvc-XZAJFE4umq93VLnHdhyphenhyphenT-6bPcMrR-z9L4Q8JZvOKI_N9RBgji9clNNAvUXun1LADetjPLhz/s400/Bernardelli-maternite%CC%81-mnba.jpg" width="267" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Portrait. Huile sur toile.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVMEAW_sOb7NCsSHbVdwURZvT_TqdwmkGbt7t-JxvnOAmcgeAhWaT7rhIfv4ee6ZTOSt_d94ueau5RT5yPjOrHxNTOVCqd3DeP2DO-T02cux7qD1fr4l9fO1uxfuD4lfGjAVff_AXSEpA8/s1600/Henrique_Bernardelli_-_Figura,_Pinacoteca.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVMEAW_sOb7NCsSHbVdwURZvT_TqdwmkGbt7t-JxvnOAmcgeAhWaT7rhIfv4ee6ZTOSt_d94ueau5RT5yPjOrHxNTOVCqd3DeP2DO-T02cux7qD1fr4l9fO1uxfuD4lfGjAVff_AXSEpA8/s400/Henrique_Bernardelli_-_Figura,_Pinacoteca.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Paysage d'Ouro Preto</u>. Aquarelle.</i></span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0b-VsLJxAkHJ3oBOV0RCUdvPxtE1dZTtMJTg26o2fti3B8dZtIc6EtuaDHgTHj_eVgdUPO8NC0UPVTBhK8lBCS9lQVXedvzt7sj5JrZBKHHFEM3CPBuYHoRrY8WE5JPoW9mewvrfayQLu/s1600/Henrique_Bernardelli_-_Paisagem_de_Ouro_Preto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0b-VsLJxAkHJ3oBOV0RCUdvPxtE1dZTtMJTg26o2fti3B8dZtIc6EtuaDHgTHj_eVgdUPO8NC0UPVTBhK8lBCS9lQVXedvzt7sj5JrZBKHHFEM3CPBuYHoRrY8WE5JPoW9mewvrfayQLu/s400/Henrique_Bernardelli_-_Paisagem_de_Ouro_Preto.jpg" width="181" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i><u>Portrait de Machado de Assis</u>. Huile sur toile, 1905.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Joaquim Maria Machado des Assis (1839-1908) est un des plus grand écrivain brésilien, fondateur de l'<i>Académie Brésilienne des lettres</i>.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le <i>Theatro Municipal</i>, à sa construction était bien dégagé par de grandes avenues. Aujourd'hui il est écrasée par des buildings qui l'entourent. La ressemblance avec l'Opéra de paris est vraiment frappante.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues Actuelles de la façade du Theatro Municipal.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue du Theatro Municipal au début du siècle.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le hall d'entrée a été édifiée sur le modèle de l'<i>Opéra de Paris </i>avec colonnades de marbres et stucs dorés. Un <i>Apollon</i> du français Jean-Antoine Injalbert (1845-1933) domine l'escalier. Des vitraux ornent les fenêtres.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">La pergola du 1er étage est décorée d'un magnifique plafond recouvert de carreaux de céramique.</span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Comme à l'<i>Opéra de Paris</i>, les salons du foyer sont très développés alors que la salle était relativement petite (1800 personnes environ, la capacité a été augmentée à 2400 quelques années plus tard). Le foyer est d'un style néo-rococo assez chargé.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Foyer Jean-Jaques Limpourg. Panneaux de Rodolpho Amoedo, </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>plafond de Henrique Bernardelli.</i></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Henrique Bernardelli. Plafond du grand foyer.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_9r9EtPDq-VaDtaplDV8_QpF0uhCIubTepKpNkeE9L5NS8oO504_ZXym6AhMaJb7Bhm8Wb5CdvS4wAoQzlGmHju5WjibMu7XSnFWwrI4l-UVVyiKPsX1tsqTxgGb4Q9z6Hil0ZGXR3IvN/s1600/eliseu+visconti+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_9r9EtPDq-VaDtaplDV8_QpF0uhCIubTepKpNkeE9L5NS8oO504_ZXym6AhMaJb7Bhm8Wb5CdvS4wAoQzlGmHju5WjibMu7XSnFWwrI4l-UVVyiKPsX1tsqTxgGb4Q9z6Hil0ZGXR3IvN/s400/eliseu+visconti+2.jpg" width="363" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Le plafond de la grande salle a été peint par Eliseu d'Angelo Visconti. Il a opté pour un syle nettement plus <i>Art Nouveau</i>. Il a réalisé une frise qui entoure le lustre central sur des toiles marouflées. Compte tenu de l'obscurité de la salle, Visconti a utilisé des tons de vieux roses et d'orangé.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqpfuPVp-Pd6gvjXB-KEcoCv2sBrXsIujI6-2qqe_IsjHle4Z82YevO5irhdF5t9VUstZfRDTAPoweeeCbpKFayjwq-EgcfKf7WMAWIXNGUrhToB1rsYIr4iIHIjj58O9BuuRgbM2OrJhy/s1600/teatro_municipal_rio_de_janeiro_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqpfuPVp-Pd6gvjXB-KEcoCv2sBrXsIujI6-2qqe_IsjHle4Z82YevO5irhdF5t9VUstZfRDTAPoweeeCbpKFayjwq-EgcfKf7WMAWIXNGUrhToB1rsYIr4iIHIjj58O9BuuRgbM2OrJhy/s400/teatro_municipal_rio_de_janeiro_3.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDqAmcQ8lNH1i4Y152X0aovfu2PgdnaakbZynMLaRxMPzkQv9rBDXeuvOqHWeXf_CnP0Mj_Gu18VobPdpu6ydu5GM5CvAkNVfI4B_UxWYfxu1CVlicxfmRk4MkPALR71iOAbKrmCq4hUNQ/s1600/29264395_8521b191f7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDqAmcQ8lNH1i4Y152X0aovfu2PgdnaakbZynMLaRxMPzkQv9rBDXeuvOqHWeXf_CnP0Mj_Gu18VobPdpu6ydu5GM5CvAkNVfI4B_UxWYfxu1CVlicxfmRk4MkPALR71iOAbKrmCq4hUNQ/s400/29264395_8521b191f7.jpg" width="400" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSDhgqPZ6LQtP2kH5DUoF2bKhKF_SBHbLtNw3vp4W6PU0vwXVuHh2faroTnsk9dIuxVWjGTHTrjJ-_spZC58OWhYkdEqTtYZ9Og0m88DPa0kyb0Lpt_bMKijG7gbRkFGqQ3eKc4f8KTIX8/s1600/plafond.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSDhgqPZ6LQtP2kH5DUoF2bKhKF_SBHbLtNw3vp4W6PU0vwXVuHh2faroTnsk9dIuxVWjGTHTrjJ-_spZC58OWhYkdEqTtYZ9Og0m88DPa0kyb0Lpt_bMKijG7gbRkFGqQ3eKc4f8KTIX8/s400/plafond.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTkGFSc8MdjsUWPz5Gvej8xnRgOwpou7nBHG1cjuFg9Zy_cv0yLebgTVuFvVfalsu0pPdd070ug9tDy3ARNqVAnNVVuf3Zi7uVRsgMqCF7yoUc0ulG1ZJzCbykB5X0UX5pS99MLJIFJZL6/s1600/IMG_0521TRAT.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTkGFSc8MdjsUWPz5Gvej8xnRgOwpou7nBHG1cjuFg9Zy_cv0yLebgTVuFvVfalsu0pPdd070ug9tDy3ARNqVAnNVVuf3Zi7uVRsgMqCF7yoUc0ulG1ZJzCbykB5X0UX5pS99MLJIFJZL6/s400/IMG_0521TRAT.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Au rez-de-chaussée, il existait un restaurant installé dans la <i>Salle assyrienne</i>. En réalité le décor n'est pas tant assyrien que perse. Notamment, une copie de la <i>Frise des Archers</i> en briques émaillées du palais de Darius 1er à Suse exposée au <i>Musée du Louvre</i>.</span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ6PnHyVKZ2b4t_IuulGVfiZNuooIQB2sXhiFljKSmOHke4No-6NuqlZlY0SzstNyHur-8I-W_6Wq4CRNMi6cMZA6P0ck3T3kPnGG6qObLDcdD4iVFwPVDD5zAfExBDT2SLD231NoG7DlK/s1600/salle+asyrienne+ancien+resto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ6PnHyVKZ2b4t_IuulGVfiZNuooIQB2sXhiFljKSmOHke4No-6NuqlZlY0SzstNyHur-8I-W_6Wq4CRNMi6cMZA6P0ck3T3kPnGG6qObLDcdD4iVFwPVDD5zAfExBDT2SLD231NoG7DlK/s400/salle+asyrienne+ancien+resto.jpg" width="297" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc05l47ISV-2ihsT5aXW4hbyUN72z0vst755aV_1MTltyQf_h4UhimFkbN9rg2hnuMr1hKC8f6eQ3XVoGjIY5ogKh43XAuCKz-npf2YV72Zz2NyhC0CSJ5_t6vAO83blA2A63vHfigdXVm/s1600/IMG_0548_TRAT.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc05l47ISV-2ihsT5aXW4hbyUN72z0vst755aV_1MTltyQf_h4UhimFkbN9rg2hnuMr1hKC8f6eQ3XVoGjIY5ogKh43XAuCKz-npf2YV72Zz2NyhC0CSJ5_t6vAO83blA2A63vHfigdXVm/s400/IMG_0548_TRAT.jpg" width="340" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Quelques bâtiments <i>Art Nouveau</i> subsistent encore à Rio. Certaines sont influencées par l'architecture coloniales avec des galeries superposées, d'autres sont typiquement <i>Jugendstill</i>.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpk5yAxrBsh8vMabwAjCxLtwuy0hg8XklgXhTszCn4l32IAyGb3M41Rc8SCt9DrWM2MpV_DrheflWSjRtV8Up26m6u-vHkljWGRRTPaxd8muNBanbufmq-kRwJZ8UFZVNODCMC_wfUUAVI/s1600/batiments-art-nouveau.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpk5yAxrBsh8vMabwAjCxLtwuy0hg8XklgXhTszCn4l32IAyGb3M41Rc8SCt9DrWM2MpV_DrheflWSjRtV8Up26m6u-vHkljWGRRTPaxd8muNBanbufmq-kRwJZ8UFZVNODCMC_wfUUAVI/s400/batiments-art-nouveau.jpg" width="300" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxXLOkwE_msOqNtyLjXQJ8czZPbMNXhFctwOvp1iSYOF0P7qshBNU-XRchZgQPs9lxcNiIzDaaBecYavT7yDQ76QifSE8vcW0HK1x9g89zxW7Fg0A0rkUNXuzWUy8Jxv60FHOvvr-uSYFD/s1600/3937875000_2e6e1541ee_z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxXLOkwE_msOqNtyLjXQJ8czZPbMNXhFctwOvp1iSYOF0P7qshBNU-XRchZgQPs9lxcNiIzDaaBecYavT7yDQ76QifSE8vcW0HK1x9g89zxW7Fg0A0rkUNXuzWUy8Jxv60FHOvvr-uSYFD/s400/3937875000_2e6e1541ee_z.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">De nombreux émigrants arrivent à Rio, alors capitale du pays, pour faire fortune. Ce melting-pot fait de Rio une ville très riche au niveau artistique. Le compositeur le plus fameux est Ernesto Nazareth (1863-1934). Ce pianiste de formation classique fait le pont entre la musique classique et la musique de divertissement. Influencé par la musique populaire, malgré ses dénégations, il a écrit des valses et inventé le tango brésilien, caractérisée par un rythme syncopé proche de la samba. </span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie d'Ernesto Nazareth vers 1900.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc31ojXkccC2st3_LAedAaohPHWNLwm3bbBe3BN7zThyxBAr7yRzof6U033CRqcTDC67_XTVTN6HVswLBrbCwg8Z2mmAAE5R1wM7LQlmf0b1-o06JAwEA5zrlBNj7RkfMyJY_0pSERDQOx/s1600/Ernesto+Nazareth+nazareth.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc31ojXkccC2st3_LAedAaohPHWNLwm3bbBe3BN7zThyxBAr7yRzof6U033CRqcTDC67_XTVTN6HVswLBrbCwg8Z2mmAAE5R1wM7LQlmf0b1-o06JAwEA5zrlBNj7RkfMyJY_0pSERDQOx/s400/Ernesto+Nazareth+nazareth.gif" width="310" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Ernesto Nazareth. Fon-Fon et Odeon. </i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Piano Maria Teresa Madeira</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/FHGQ9GqNplo?feature=player_embedded' frameborder='0'></iframe></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Lorsque Darius Milhaud (1892-1974) arriva à Rio comme secrétaire de Paul Claudel nommé ministre plénipotentiaire au Brésil en 1916, il acheta une grande partie de la musique de Nazareth et un certain nombre de thèmes du compositeur sont réutilisés dans <i>Le Bœuf sur le Toit </i>(1919-1920), pimentés d'un peu de polytonalité. </span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Darius Milhaud. Le Bœuf sur le Toit. Orchestre national </i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>d'Ile de France. Direction Christophe Mangou.</i></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/4BrU1TiRAd0?feature=player_embedded' frameborder='0'></iframe></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Ce sont justement, deux émigrants portugais Manuel Jose Lebrao et Joaquin Meirelles qui créent à Rio en 1894, une brasserie qui va très vite devenir le lieu à la mode de la capitale. Cette brasserie se spécialise rapidement dans les desserts. Elle est réorganisée en 1913. En 1919, Lebrao retourne au Portugal. En 1922, un salon de thé est ouvert au premier étage. La brasserie prend alors la physionomie qu'elle a encore. </span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Le décor est inspiré par le baroque tropical et la décoration est assez chargée.</span><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Vue générale depuis le balcon du premier étage.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQiHvbiwQ9FOTYX__dt3cHAgUIgi6gw-bPBm71z3gb5EXK2wQHlZ1RA1fpOMKh-K9KBdqaqbaNF6cXjmmqXhbsQyqCF70r2qCQouNNO8N-HPwBNjEed322ip8POag58EXfUnpDMlVmMgMO/s1600/vue+depuis+le+blacon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQiHvbiwQ9FOTYX__dt3cHAgUIgi6gw-bPBm71z3gb5EXK2wQHlZ1RA1fpOMKh-K9KBdqaqbaNF6cXjmmqXhbsQyqCF70r2qCQouNNO8N-HPwBNjEed322ip8POag58EXfUnpDMlVmMgMO/s400/vue+depuis+le+blacon.jpg" width="297" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Vues de la salle du rez-de-chaussée.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihhKj1xG0I1IP1Wyb7VlLSsGEOffotJbjq5yW9s-61MwpDLWBPSIJ9vAcbZRuwtHoW13845AlK6muZ_pAR6Bk07eBVDNN-zD0iIuPZPnuzXxgOTof9Pt_77L_eCdwCXYSblWBGSQ3SjwdY/s1600/vue+ge%CC%81ne%CC%81rale+balcon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihhKj1xG0I1IP1Wyb7VlLSsGEOffotJbjq5yW9s-61MwpDLWBPSIJ9vAcbZRuwtHoW13845AlK6muZ_pAR6Bk07eBVDNN-zD0iIuPZPnuzXxgOTof9Pt_77L_eCdwCXYSblWBGSQ3SjwdY/s400/vue+ge%CC%81ne%CC%81rale+balcon.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH2xbL4z7uVz7Fm6fDVAAR3ReVrBRg2FCO0X03l7e-XGzBVRKT4f38M7O_W0G_UIgY380gJqz3ThqyVxzE2jcpT9NEag1QlLWyF8yRqpqvzOOgeXM6_1OrlgVE88V0pJw4cuk6vOXS2crm/s1600/vue+ge%CC%81ne%CC%81rale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH2xbL4z7uVz7Fm6fDVAAR3ReVrBRg2FCO0X03l7e-XGzBVRKT4f38M7O_W0G_UIgY380gJqz3ThqyVxzE2jcpT9NEag1QlLWyF8yRqpqvzOOgeXM6_1OrlgVE88V0pJw4cuk6vOXS2crm/s400/vue+ge%CC%81ne%CC%81rale.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>La verrière.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpSgQ4ywgNo3HxzQwoRYCsFmkDbpwpn4HHsNYJeV7ewSUBGYBacvhmOeaa0kMvgzvZMam_mNGKnKqRuyrjBmAK79hI4X8wrRUWn4QOB1lf6PoYNCNyGOUabA7KLwRlzPIzHrOzc2q_7O8h/s1600/verriere.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpSgQ4ywgNo3HxzQwoRYCsFmkDbpwpn4HHsNYJeV7ewSUBGYBacvhmOeaa0kMvgzvZMam_mNGKnKqRuyrjBmAK79hI4X8wrRUWn4QOB1lf6PoYNCNyGOUabA7KLwRlzPIzHrOzc2q_7O8h/s400/verriere.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Les vitrines.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWF7Rjj6GaQHJ_BySP9JrIrsOYMCyRtPxMwrLYoGtLy2p0-0_abVt4V87n0tVQrtSnP0m-QwRoyJQFG4WYF0OpRCriHeU2DRa27Wi5YV0HCf5TrP5xuhTlUlOhuTOoLERG5zZ8woFBECB/s1600/armoires.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWF7Rjj6GaQHJ_BySP9JrIrsOYMCyRtPxMwrLYoGtLy2p0-0_abVt4V87n0tVQrtSnP0m-QwRoyJQFG4WYF0OpRCriHeU2DRa27Wi5YV0HCf5TrP5xuhTlUlOhuTOoLERG5zZ8woFBECB/s400/armoires.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFr07i4sXP-Tn7GVC5sNahbwlW2VRbrBEx0jd1QAVG_1Ibcdcp4Ti-HKQcrTUaEj1mpozS__JhR93G5xFSzm4urg9ENWiWUBMQlxnuCbvwGlsAwRQQ4N86kmtDdmixvvmLLb7PkIxw0EEL/s1600/vitrine06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFr07i4sXP-Tn7GVC5sNahbwlW2VRbrBEx0jd1QAVG_1Ibcdcp4Ti-HKQcrTUaEj1mpozS__JhR93G5xFSzm4urg9ENWiWUBMQlxnuCbvwGlsAwRQQ4N86kmtDdmixvvmLLb7PkIxw0EEL/s400/vitrine06.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Détails de l'ornementation.</i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpBEOU4phTUOPDY2JLqiQR35CT2dKVCBn6QVhurIfYwQKfCtjdaWblRAhBene-km75ydNvp35XLcC7gZQ1hMm3IImUGZ1NtyNrRLEJhPbVXVz-XL2IGNJ-tXBrOXxxho7qC_K0d9Wc3KS/s1600/de%CC%81tails.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpBEOU4phTUOPDY2JLqiQR35CT2dKVCBn6QVhurIfYwQKfCtjdaWblRAhBene-km75ydNvp35XLcC7gZQ1hMm3IImUGZ1NtyNrRLEJhPbVXVz-XL2IGNJ-tXBrOXxxho7qC_K0d9Wc3KS/s400/de%CC%81tails.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicm8IQqcwTEGFVS5FBtAZoi_52fg9ua1ihmOjgj1H8UaztYtR5Sjyay2U9jL2T3f0yjoidE9Nj_uzo0lLb0kJ0Y_i6AoTYspFkItPwlIFEwo1y2etsWEkOx6q_WU1bYieXH2UeEBF2gZUQ/s1600/ornements.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicm8IQqcwTEGFVS5FBtAZoi_52fg9ua1ihmOjgj1H8UaztYtR5Sjyay2U9jL2T3f0yjoidE9Nj_uzo0lLb0kJ0Y_i6AoTYspFkItPwlIFEwo1y2etsWEkOx6q_WU1bYieXH2UeEBF2gZUQ/s400/ornements.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le carrelage du rez-de-chaussée.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEianVfwd2YZsLwL_IqH6ceRP4ITyJquG-HxmyO5sCgtkbmtavpGgCTz4oKIl6yWs3WmDpnq6TBqUntPr3Y7uhj-uzPlrAa8J8Cah7fezBmnRXjL2rD4tE6t9Pa5OVOona2ThCgko4cKUMOn/s1600/carrelage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEianVfwd2YZsLwL_IqH6ceRP4ITyJquG-HxmyO5sCgtkbmtavpGgCTz4oKIl6yWs3WmDpnq6TBqUntPr3Y7uhj-uzPlrAa8J8Cah7fezBmnRXjL2rD4tE6t9Pa5OVOona2ThCgko4cKUMOn/s400/carrelage.jpg" width="400" /></a></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Très vite la Confeitaria Colombo devient le lieu de rendez-vous des écrivains et des poètes, particulièrement des Parnassiens. Le mouvement du Parnasse est très important en Amérique du Sud et en Amérique Centrale. Le mouvement <i>Moderniste</i>, illustré par Ruben Dario (1867-1916) au Nicaragua est très influencé par le <i>Parnasse</i> français. D'ailleurs, la figure centrale du <i>Parnasse</i>, José Maria de Hérédia (1842-1905) est né à Cuba et n'a eu la nationalité française qu'en 1893.</span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Olavo Bilac (1865-1918) était un peu le chef de file et appelait sa table à la <i>Confeitaria</i>, son bureau. Esprit brillant qui n'a jamais fini ses études, il a été journaliste et poète.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie d'Olavo Bilac.</i></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4pJUng5PrR6MmtHSxauxpIfLY-W3E0qoUbd0vwkYjSww3ifEzbOdD7X7OEO8Uq1dZolzgAJLtkAjDTU3nLccZ8078erA_M2YPeN4EdNazeIttrI6qInhJCQugvn1LzTOCFWqpyTlW8uQ/s1600/olavo-bilac.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4pJUng5PrR6MmtHSxauxpIfLY-W3E0qoUbd0vwkYjSww3ifEzbOdD7X7OEO8Uq1dZolzgAJLtkAjDTU3nLccZ8078erA_M2YPeN4EdNazeIttrI6qInhJCQugvn1LzTOCFWqpyTlW8uQ/s400/olavo-bilac.jpg" width="295" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Un autre parnassien habitué du café est Emilio de Meneses (1866-1918). Journaliste et écrivain satyrique, il a été membre de l'<i>Académie Brésilienne des Lettres</i>.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie de Emilio de Meneses.</i></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5OClBr9p1IR-MKbJk1omQyD3fEKzBXd19TlyQkAZLIKoFt17cG_EcsbnZRJUJVWmFuIzEfQMZMkjSvjFHL3NA1SDUXZ6KqbZ9EMFjGwHONRuBEyVPP8imxvTjjl3CP-ZbgHmUirEe5e-/s1600/emilio+de+menezes.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5OClBr9p1IR-MKbJk1omQyD3fEKzBXd19TlyQkAZLIKoFt17cG_EcsbnZRJUJVWmFuIzEfQMZMkjSvjFHL3NA1SDUXZ6KqbZ9EMFjGwHONRuBEyVPP8imxvTjjl3CP-ZbgHmUirEe5e-/s1600/emilio+de+menezes.gif" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Plus tard, c'est Heitor Villa-Lobos (1887-1959) qui aura ses habitudes à la <i>Confeitaria Colombo</i>. Le plus grand compositeur brésilien était aussi un épicurien.</span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Photographie d'Heitor Villa-Lobos en 1922.</i></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4DuI_-QcXlatYq_Ctr9Nfb9VVEcE97UoHK9fe6k64v1-ZPQY4A7VYgcoovjAO0JEiNvf5DhChQE0-lWtfZVOoZjIaXT4TFZSGYv2NtuvgQSvpVj6SE05xm_ubH7OppYvSFyRt7BoWFFER/s1600/Heitor_Vila-Lobos_(c._1922).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4DuI_-QcXlatYq_Ctr9Nfb9VVEcE97UoHK9fe6k64v1-ZPQY4A7VYgcoovjAO0JEiNvf5DhChQE0-lWtfZVOoZjIaXT4TFZSGYv2NtuvgQSvpVj6SE05xm_ubH7OppYvSFyRt7BoWFFER/s400/Heitor_Vila-Lobos_(c._1922).jpg" width="211" /></a></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Heitor Villa-Lobos. Bachiana Brasileiras n°2 (1930). </i></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>IV. </i></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>O Trehinzo Caipira (le tortillard de campagne). </i></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Orchestre national de la Radiodiffusion Française. </i></span><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>Direction, Heitor Villa-Lobos.</i></span><br />
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<div class="separator" style="clear: both; text-align: center;"><object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/DJGl_tAd02I/0.jpg"><param name="movie" value="http://www.youtube.com/v/DJGl_tAd02I&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><embed width="320" height="266" src="http://www.youtube.com/v/DJGl_tAd02I&fs=1&source=uds" type="application/x-shockwave-flash"></embed></object></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div></div></div></div>nuldu59http://www.blogger.com/profile/12194677284540344922noreply@blogger.com0tag:blogger.com,1999:blog-2907604655020925790.post-40216679371564781212012-03-22T00:17:00.006-07:002012-03-22T08:56:53.127-07:00Les bains de Budapest<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Depuis l'occupation turque de la capitale hongroise entre 1526 et 1686, celle-ci est parsemée de bains turques. La ville possède plus de 150 sources chaudes et elle est fait, la plus grande station thermale du monde. Certains datent de la période ottomane, d'autres sont plus tardifs. Les deux plus importants ont été construits autour de 1900, les <i>Bains Szechenyi</i> et les <i>Bains Gellért</i>.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les <i>Bains Szechenyi</i> porte le nom du comte Istvan Szechenyi (1791-1860) qui fut un militaire et un réformateur de la Hongrie, considéré comme le véritable modernisateur du pays.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Deux sources à 74 et 77 °C jaillissent à cet endroit. On installe en 1881, des bains temporaires selon un système de puits artésien. Entre 1909 et 1913, sont édifiés les bâtiments définitifs selon les plans de Györö Czigler qui est décédé à l'époque.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Györö Czigler est né en 1850 et fait ses études à Budapest puis les poursuit en Allemagne, en Angleterre et en France. Il revient à Budapest en 1874. Entre 1884 et 1886, il construit le <i>Palais Saxlehner</i> sur l'<i>Avenue Andrassy</i>, l'artère la plus prestigieuse de l'Europe centrale autour de 1900. L'ensemble de la rue est construit dans un style éclectique conservateur qui correspondait bien aux aspirations de Czigler.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span><br />
<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Cartes postales anciennes de l'Avenue Andrassy, Budapest.</i></span></span></div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_sw75MkPl_WODVwhsZT6co1_Jnvym33IDhH6VYmzft4Z8vuXwr4dl6Kg7aazCDlW2Ou20l58j2Ru0nmvaDEYHrUnSVMLsf6L5sEhfAPOcN9MD2WirQ2qGPIiyh336DjW6bZ0u5MFxDgFf/s1600/1896+-+Andrassy+avenue+at+octogon+Square.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_sw75MkPl_WODVwhsZT6co1_Jnvym33IDhH6VYmzft4Z8vuXwr4dl6Kg7aazCDlW2Ou20l58j2Ru0nmvaDEYHrUnSVMLsf6L5sEhfAPOcN9MD2WirQ2qGPIiyh336DjW6bZ0u5MFxDgFf/s400/1896+-+Andrassy+avenue+at+octogon+Square.jpg" width="400" /></a></div><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Décoration extérieure du Palais Saxlehner.</i></span></span><br />
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<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">L'intérieur du palais hésite entre le néo-renaissance dans l'escalier et le néo-baroque dans les pièces. Le palais appartenait au propriétaire de plusieurs sources thermales qui occupait le premier. Le rez-de-chaussée était occupée par une poste et les autres étages étaient loués en appartements à des familles aisées.</span></span></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfd5fIpzDoTSw2iY7j_nd59LjR2nmCN5yFghF683dkt8iMxzg665lIp_c8WHziQPpwRy0EJpWZwtNLMWlRrTqUoredK1ecgSH3gdsq7oXfjsRpsyFyQux3Sv_UF6_tIH-XX3OtuNsgZ5cI/s1600/3802516215_63884bc010_z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfd5fIpzDoTSw2iY7j_nd59LjR2nmCN5yFghF683dkt8iMxzg665lIp_c8WHziQPpwRy0EJpWZwtNLMWlRrTqUoredK1ecgSH3gdsq7oXfjsRpsyFyQux3Sv_UF6_tIH-XX3OtuNsgZ5cI/s400/3802516215_63884bc010_z.jpg" width="400" /></a></div><br />
<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Czigler s'intéresse essentiellement à la technique. En 1887, il devient membre du conseil d'administration de l'<i>Université Techniqu</i>e. Il restera, par contre, réactionnaire au niveau du style comme le montre les plans qu'il avait imaginés pour les <i>Bains Szechenyi</i>. Il est mort en 1905, bien des années avant l'inauguration du bâtiment.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les Bains Szechenyi ont été construits dans un ample style néo-baroque qui leur donne un aspect palatial. A la place de la cour d'honneur, un grande piscine extérieure occupe l'espace. Les bâtiments abritent plusieurs autres piscines couvertes.</span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">La structure de l'intérieur reprend celle des bains romains, comme les <i>Thermes de Caracalla</i> à Rome. La décoration en mosaïque est aussi d'inspiration romaine.</span></span></div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vues aériennes des bains Szechenyi.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Aspect extérieur des Bains Szechenyi.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue générale du côté du grand bassin.</i></span></span><br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La façade sur le grand bassin extérieur.</i></span></span><br />
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Une des fontaines qui alimentent le grand bassin.<br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détails de l'ornementation du bâtiment.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le hall d'entrée des bains Szechenyi.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-Z7PQe9YK81cutfWqUf-0TuRBrJTyVHcuC-qWUrp6E_WUsjvpaF9WQXOSgbAhAH-8n2mX6cldeRPATKFN2ffmks4y5rWJHkc_e-olyI1fNh6QOPnds-fK0SPCLqeIyhIoup0jgtROoOuk/s1600/budapest-szechenyi-bath-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-Z7PQe9YK81cutfWqUf-0TuRBrJTyVHcuC-qWUrp6E_WUsjvpaF9WQXOSgbAhAH-8n2mX6cldeRPATKFN2ffmks4y5rWJHkc_e-olyI1fNh6QOPnds-fK0SPCLqeIyhIoup0jgtROoOuk/s400/budapest-szechenyi-bath-6.jpg" width="265" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP03Oy9_SAGB8Q5N6gyShNNAqEP36-DMjJamH0dM5v-sn7pYpXqxRPeROAqqjrJEQEAJjESIGd9I9W-rtibUVRO_upsTv94uU5Jhvzrg8bV05fLiueTdMtXh9jYYQ9oSVjmUoFRn0Uudik/s1600/Szechenyi_Baths_Budapest_spa046.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP03Oy9_SAGB8Q5N6gyShNNAqEP36-DMjJamH0dM5v-sn7pYpXqxRPeROAqqjrJEQEAJjESIGd9I9W-rtibUVRO_upsTv94uU5Jhvzrg8bV05fLiueTdMtXh9jYYQ9oSVjmUoFRn0Uudik/s400/Szechenyi_Baths_Budapest_spa046.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRF6yJ2R3MxhQPPDiUjGq3_fmnYuD2EWehwo5prt7OPtoqlz75lvA1oMWqw-vqCQf8GGMwT10TimG266mse3ZAQnvK_llR49r90o9QUG8L5lykHO2nDITDKY9Bl77yZvfXb4Ue6I9Ln_vW/s1600/budapest-szechenyi-bath-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRF6yJ2R3MxhQPPDiUjGq3_fmnYuD2EWehwo5prt7OPtoqlz75lvA1oMWqw-vqCQf8GGMwT10TimG266mse3ZAQnvK_llR49r90o9QUG8L5lykHO2nDITDKY9Bl77yZvfXb4Ue6I9Ln_vW/s400/budapest-szechenyi-bath-5.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><i>Vue sur le bassins intérieur de style classique.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB9MVfBNictl1yMpx2TpeXyoQDUtKfGltFxhyphenhyphenzMWOflBErHafSQC09Jc5JmkIyRRM21Uh_V7Ti3ybeqDUHcpYBKObnw_dFxCeIck9draxG5cinKJ79qn1kO84RgU1DiOWknzKUvFwqsGey/s1600/sihc09_3488.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB9MVfBNictl1yMpx2TpeXyoQDUtKfGltFxhyphenhyphenzMWOflBErHafSQC09Jc5JmkIyRRM21Uh_V7Ti3ybeqDUHcpYBKObnw_dFxCeIck9draxG5cinKJ79qn1kO84RgU1DiOWknzKUvFwqsGey/s400/sihc09_3488.jpg" width="400" /></a></div><br />
<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Vue sur un bassin construit en style Art Déco </i></span></span><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><i>vers 1925.</i></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO_ky4_SB1vv0faKhrdeueT0A_ihe4ucz6qqftoZ5lek-wEfyKK1eDKNs5zq2eW7K20LJ7T_WVJyOQV83y1iB_jYiC0q_AnLt1Ij2JOlgwB_VOGfbf-xb5lB0fFlmyy0_xVoGnXPD0Jdq-/s1600/szechenyi-baths-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO_ky4_SB1vv0faKhrdeueT0A_ihe4ucz6qqftoZ5lek-wEfyKK1eDKNs5zq2eW7K20LJ7T_WVJyOQV83y1iB_jYiC0q_AnLt1Ij2JOlgwB_VOGfbf-xb5lB0fFlmyy0_xVoGnXPD0Jdq-/s400/szechenyi-baths-1.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Si les <i>Bains Szechenyi</i> sont résolument néo-baroque, c'est le <i>Jugendstil</i> qui marque l'<i>Hôtel Gellért</i> et les bains qu'il abrite.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">l'<i>Hôtel Gellért</i> a été édifié entre 1916 et 1918 sur la rive droite du Danube au pied de la colline Gellért. C'est un palais et entre les deux guerres, il fut un des palaces les plus réputés d'Europe. Toutes les célébrités et les Maharajas y descendaient avec leur suite. Il a été restauré sous le régime communiste avec plus ou moins de bonheur. Lorsque j'y suis allé, juste après la chute du régime, il donnait une impression de grandeur déchue assez prenante. Visiblement, il a été restauré depuis.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade du côté de la Colline Gellért avec l'entrée principale.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6urf8Go6aLtDaYB9lXv29KlawgKnABlp9WyDIO4pP4WypuXyX8-HnecHtLXpGILzteEaI5ht5XQQ7DGE2MCZZPsXiN0fblB09SiPJH-SM5-2ixYh04M8YQQ-KZpA_MtrZ0Nbms16vAYZa/s1600/IMG_0299_-_Hungary,_Buda_-_Hotel_Gelle%CC%81rt.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6urf8Go6aLtDaYB9lXv29KlawgKnABlp9WyDIO4pP4WypuXyX8-HnecHtLXpGILzteEaI5ht5XQQ7DGE2MCZZPsXiN0fblB09SiPJH-SM5-2ixYh04M8YQQ-KZpA_MtrZ0Nbms16vAYZa/s400/IMG_0299_-_Hungary,_Buda_-_Hotel_Gelle%CC%81rt.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Façade sur le Danube.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFI3d0muCWkz92a7KYzJnKVN7E5jI0BacH6Xuuchl9Tfh3MX2UaSFyVNIKT-U1WlNqMFcKV7dmA2FYt27Ta9gaxk9iLfjHmOkGC-xdu45uxcS7orPwyf_2RC3eHGyHS2mTPZ3vRMA_lIsU/s1600/the-gellert-from-the.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFI3d0muCWkz92a7KYzJnKVN7E5jI0BacH6Xuuchl9Tfh3MX2UaSFyVNIKT-U1WlNqMFcKV7dmA2FYt27Ta9gaxk9iLfjHmOkGC-xdu45uxcS7orPwyf_2RC3eHGyHS2mTPZ3vRMA_lIsU/s400/the-gellert-from-the.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Détail d'un pilier de l'entrée principale.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9NpfMNLz8sX8R2IORj0GHXt7OfODjVCKnwPW8jTxJEPTzUxCjtPttSRJZI3iR-ud-Lb9KAat7_a3NQgAdE6dCvhF8hz2iEbgTPkD530wtbquY73hOuoOFbCRwLoeaIGuRFMdYQ40h3Tj/s1600/Hungary+Budapest+Art+Noveau+Splash+Walk+July+2,+2011+01.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9NpfMNLz8sX8R2IORj0GHXt7OfODjVCKnwPW8jTxJEPTzUxCjtPttSRJZI3iR-ud-Lb9KAat7_a3NQgAdE6dCvhF8hz2iEbgTPkD530wtbquY73hOuoOFbCRwLoeaIGuRFMdYQ40h3Tj/s400/Hungary+Budapest+Art+Noveau+Splash+Walk+July+2,+2011+01.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;">Détails de la façade.</div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ws2p9Ts28Nlzr5cVT5w_4hfD0upruF2TNqzXdoWtNVcPIUgpWQkzFVnghpeDkfP1RjnrBIbNI0RH0Mm6fHKTZ6Ddh4_NpIPk5QqZwHDZjHZ2cET-IXnEON7p6nSm-NdH1ilnr3W4Jxd0/s1600/budapest-0014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ws2p9Ts28Nlzr5cVT5w_4hfD0upruF2TNqzXdoWtNVcPIUgpWQkzFVnghpeDkfP1RjnrBIbNI0RH0Mm6fHKTZ6Ddh4_NpIPk5QqZwHDZjHZ2cET-IXnEON7p6nSm-NdH1ilnr3W4Jxd0/s400/budapest-0014.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Les <i>Bains Gellért</i> sont réellement un chef-d'œuvre du Jugendstil. Les mosaïques à dominante bleu et les vitraux créent une ambiance tout à fait étonnante, surtout au milieu de la brume qui provient des bassins, les sources qui alimentes les thermes sont à 34 et 38 °C. Les bains ont été ouverts en 1918 mais agrandis en 1927 puis en 1934.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Une des entrées des Bains Gellért.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgANsHEsrepZJd0NwCPzwHxJF9krP_HFNIJQOk8D1xxbvbUcVl-U8RNyeMugiUXWyaa7xHKO9MLxiMFRNeLasbUVjZc25UzAJGkUsjTZaEA3p2DT6ufZuj_A8VxuRhh3aYrjCqexmAiA4Eu/s1600/121_26b874a0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgANsHEsrepZJd0NwCPzwHxJF9krP_HFNIJQOk8D1xxbvbUcVl-U8RNyeMugiUXWyaa7xHKO9MLxiMFRNeLasbUVjZc25UzAJGkUsjTZaEA3p2DT6ufZuj_A8VxuRhh3aYrjCqexmAiA4Eu/s400/121_26b874a0.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>L'entrée principale des Bains Gellért. Au fond </i></span></span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>la statue de Vénus.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsh0M-vid6HxNB-Z89KLS288lpdNOG5Rjg60qDZuCdbh1bfT7mZaXU0Yq4rkctqcrtxkbamoXaFP_ADHL77eLrUkjoKHhHs41cwNxa9YEVcwR2YGKq-6_0BMZJ447c7uIXgp-Cq1RBJ8TW/s1600/121_21ea35d0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsh0M-vid6HxNB-Z89KLS288lpdNOG5Rjg60qDZuCdbh1bfT7mZaXU0Yq4rkctqcrtxkbamoXaFP_ADHL77eLrUkjoKHhHs41cwNxa9YEVcwR2YGKq-6_0BMZJ447c7uIXgp-Cq1RBJ8TW/s400/121_21ea35d0.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwWaNQmf9C_Paa1Pf-yEWG8_ruqw3PMJvtJtkxhDKUxKeYoVld8bwQlT25yofaQ_jrdA00V17NhLbx43r-fJ3fUcdyyWTqrjDTBVPT1uFfFaeGQE2hwhkaIZ5pO6FJ5t752Iva6YPndodZ/s1600/la-venus-des-bains-gellert.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwWaNQmf9C_Paa1Pf-yEWG8_ruqw3PMJvtJtkxhDKUxKeYoVld8bwQlT25yofaQ_jrdA00V17NhLbx43r-fJ3fUcdyyWTqrjDTBVPT1uFfFaeGQE2hwhkaIZ5pO6FJ5t752Iva6YPndodZ/s400/la-venus-des-bains-gellert.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>La statue de Vénus.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzf9F9IpxFhNcjTBLyH5SKwYTXJ0mqZT35yXXW4MnkQDnz1I-k0IpeprgKi7J61FGChh8_D4RMuwnYlx6qYREOsFEW_M0ZhNrg4TSTGZC7kRR7SQXgAU_ryi5G2foUW9ooD25Dk3d9XO1P/s1600/images.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzf9F9IpxFhNcjTBLyH5SKwYTXJ0mqZT35yXXW4MnkQDnz1I-k0IpeprgKi7J61FGChh8_D4RMuwnYlx6qYREOsFEW_M0ZhNrg4TSTGZC7kRR7SQXgAU_ryi5G2foUW9ooD25Dk3d9XO1P/s1600/images.jpeg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Le grand bassin.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimFjEe-GwCP81YIICQJrcGcNmwR5gZ8iAVjAOv55ULOoOs_zpxX_dQ_Isvut27tlakt2eTHVZ6nlCOLWclBelPhGcdUr2D-3tIC9ninuxiLj5FhZshP3ZDjJHRUdFfuyhHe4U6IULWpSK/s1600/h_budapest_bains_gellert2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimFjEe-GwCP81YIICQJrcGcNmwR5gZ8iAVjAOv55ULOoOs_zpxX_dQ_Isvut27tlakt2eTHVZ6nlCOLWclBelPhGcdUr2D-3tIC9ninuxiLj5FhZshP3ZDjJHRUdFfuyhHe4U6IULWpSK/s400/h_budapest_bains_gellert2.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZX5tRKkR_EC0i0Kr9bny_iFDen2Rt0KU9BAfwPyQ_9v0i_XnaPE9ppDRLgmOkJTXRijbu-mtArnbB94NLLocSa4RjXmFQuDMBIM2jDBU1Z9a0tdCvaboR_rYou9_oUsnNRDgGZjzAVaLA/s1600/121_236b0f32.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZX5tRKkR_EC0i0Kr9bny_iFDen2Rt0KU9BAfwPyQ_9v0i_XnaPE9ppDRLgmOkJTXRijbu-mtArnbB94NLLocSa4RjXmFQuDMBIM2jDBU1Z9a0tdCvaboR_rYou9_oUsnNRDgGZjzAVaLA/s400/121_236b0f32.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Grande verrière ornant l'escalier d'accès aux bains.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAXZ58CtOV_nYXU7hX2YZoBXuKXyPKI6-iN815XIcxpEO8UZQGjzMJ8qP2LdBTBMp0XBvEW5iJXfMkRfwGH0WTvhQXzsdfcz6SSnkkyZVKwbDbKJwvvaiLFyO3552G_5cM4DxpeflCmAQe/s1600/bains-gellert-visoterra-44514.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAXZ58CtOV_nYXU7hX2YZoBXuKXyPKI6-iN815XIcxpEO8UZQGjzMJ8qP2LdBTBMp0XBvEW5iJXfMkRfwGH0WTvhQXzsdfcz6SSnkkyZVKwbDbKJwvvaiLFyO3552G_5cM4DxpeflCmAQe/s400/bains-gellert-visoterra-44514.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;"><i>Les mosaïques Jugendstil des Bains Gellért.</i></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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